| Adaptational Attractiveness |
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FeatureClass |
| Adaptational Attractiveness |
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Adaptational Attractiveness |
| Adaptational Attractiveness |
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AdaptationalAttractiveness |
| Adaptational Attractiveness |
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You've just learned that your favorite book, The Life and Times of Alice and Bob, is being made into a movie. In the book, Bob and Alice are not particularly attractive—in fact, they're both described as being very plain-looking. So why does it star Angelina Jolie and Brad Pitt? An adaptation and biopic trope, Adaptational Attractiveness is when a someone who was originally fat, plain, or even downright ugly is played by a much more conventionally attractive actor — or, in non-live action media, is drawn/animated in a similar manner. This also applies to clothing: characters whose attire is described as grotesque will become fashionably dressed. Although sometimes it's who can play the part best, while finding actors who look like the way the characters are described can be problematic. Because let's face it, how many ugly actors — and still fewer actresses — are there in Hollywood? Related to Hollywood Homely. See also Race Lift, which normally doesn't have the same effect, and Progressively Prettier, when something similar happens but it's not necessarily an adaptation. When this is done to a real life person, it's Historical Beauty Update. Frequently occurs when a character is Promoted to Love Interest. See also Adaptational Skimpiness, Adaptational Curves, Hotter and Sexier, and Beauty Inversion. If the casting directors wanted the character to be ugly but an attractive actor gave the best audition, it's Ability over Appearance. The fandom version of this is Self-Fanservice. Contrast Adaptational Ugliness. |
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Adaptational Attractiveness |
| Adaptational Attractiveness / int_122134c9 |
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In Pinocchio (1992), Mangiafuoco doesn't have the threatening looks of his book counterpart and has a rather cute appearance. In the cover he is not as cute, but is far from the scary Mangiafuoco of the book. |
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Adaptational Attractiveness |
| Adaptational Attractiveness / int_15fc41c |
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Dorothy Meets Ozma of Oz: Uncle Henry and Aunt Em are less weathered and more youthful than described as in the book. |
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Adaptational Attractiveness |
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The Autobiography of Jane Eyre: Both leads are attractive, but less blatantly than most adaptations of Jane Eyre. Jane is a downplayed example and done pretty well, considering the source material. She's supposed to look rather plain. Her actress is attractive, but her appearance is not enhanced by make-up or beautiful clothes. She looks like a normal girl who can be good-looking if she tries. When Jane shoots her vlog, she can be goofy, dorky, happy, scared, exhausted, tearful, visibly upset, dishevelled or with a prim and proper bun; wrapped up in an unflattering jumper, wearing her pyjamas or an elegant black dress or really sexy outfits like skinny jeans. Mr Rochester of the book is often described as downright ugly, though he's intelligent and has mysterious and brooding aura about him which makes him attractive. Mr Rochester in this version is quite handsome if slightly weird. He's not gorgeous as most Mr Rochesters in various adaptations, but other tropes like Troubled, but Cute successfully pump up his charms. |
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Adaptational Attractiveness |
| Adaptational Attractiveness / int_1db3faa4 |
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Doctor Otto Octavius aka Doctor Octopus is generally a pudgy man with a ugly scowling face. Olivia Octavius however besides some frizzy hair with goofy glasses is a slim, sexy scientist. This probably a result of combining Otto with his canon Distaff Counterpart Carolyn Trainer (who’s quite attractive) to make Olivia. |
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Adaptational Attractiveness |
| Adaptational Attractiveness / int_22b8d421 |
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My Girlfriend's A Hex Maniac: The titular Hex Maniac (nicknamed Hexy by the author and readers) has a more shapely figure than how her trainer class appeared in Pokémon X and Y. Also, her spiral Wingding Eyes are downplayed; having actual eye features and sheen to appear cuter. |
| Adaptational Attractiveness / int_22b8d421 |
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Adaptational Attractiveness |
| Adaptational Attractiveness / int_28df3e79 |
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In There Was Once an Avenger From Krypton, Victor Von Doom never suffered from the facial scarring he did in his backstory and is noted to be rather handsome. |
| Adaptational Attractiveness / int_28df3e79 |
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Adaptational Attractiveness |
| Adaptational Attractiveness / int_29db61d8 |
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In the Original Cast of Notre-Dame de Paris, Quasimodo was played by the wonderfully baby faced Garou. |
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Adaptational Attractiveness |
| Adaptational Attractiveness / int_30ac0866 |
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The Bad Guys (2022): In the books, Mr. Wolf’s drawn as scruffy and googly-eyed with a slightly loose suit, making a lot of goofy and slightly ugly faces. The movie makes him sharply-groomed, yellow-eyed, and more conventionally attractive with a trimmer suit. |
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Adaptational Attractiveness |
| Adaptational Attractiveness / int_3158941c |
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The Lizzie Bennet Diaries: Everybody on this show is insanely attractive. Most characters were good-looking, beautiful or handsome in Pride and Prejudice as well, but Mary Bennet and Charlotte Lucas who were plain in the original book are both gorgeous in the web-series too. |
| Adaptational Attractiveness / int_3158941c |
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Adaptational Attractiveness |
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Pinocchio: Pinocchio's appearance in the illustrations of the original book resembled a real puppet◊. In the Disney film, Pinocchio resembles a normal living child more then he does a puppet; with only his clearly wooden limbs and stub-shaped nose giving his origin away. |
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Adaptational Attractiveness |
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Similarly, Erik/the Phantom has been played by a succession of attractive actresses from the Takarazuka Revue, with prosthetics amounting to a bad birthmark. |
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Adaptational Attractiveness |
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Shrek: Shrek, while rude, crude, and ogreish, isn't really hideous. In the book it was based on...◊ Similarly, Fiona, in both her human and ogre forms, is more attractive than the hideous princess from the book. |
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Adaptational Attractiveness |
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A New Problem: Since the author is aware not many people like the designs of The Problem Solverz and she wanted to test her own style, she made more cutesy designs for the characters. For example, Roba has more of a Cuphead style, whilst Alfe has fluffier ears, a more realistic anteater snout, and a fluffy tail. |
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Adaptational Attractiveness |
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Downplayed in Disney's version of The Hunchback of Notre Dame: Quasimodo is upgraded from hideous to Ugly Cute, though he still has his book appearance including the wart-like growth over his left eye. Presumably, if they added the little details of how ugly he is, it would be a pain on the animators, and would have scared the children in a movie that's already pretty dark to begin with. |
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Adaptational Attractiveness |
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In canon, Neville Longbottom's grandmother Augusta was a frail old lady (albeit one more dangerous than she appears). In Princess of the Blacks she's a middle-aged blonde who's just starting to grey and has significant muscles from her hobby of making bronze statuettes. Word of God states that it made little sense for her to be a frail old lady when she is only in her sixties and wizards easily live twice as long as Muggles. |
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| Harry Potter |
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Adaptational Attractiveness |
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In Big Fish, the Witch is depicted as a wizened old crone (played by a very heavily made-up Helena Bonham Carter) who sees the future through her glass eye. Her counterpart in the Screen-to-Stage Adaptation is a much younger Perky Goth who uses a normal crystal ball that doesn't replace any part of her body. This Age Lift was likely done to enable her to outlive the protagonist and as such show up as one of the cameos at his funeral at the end. |
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Adaptational Attractiveness |
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The Discworld Assassins' Guild Diary, the only canonical appearance of Miss Smith-Rhodes (Head of Raven House, Tutor in Domestic Science and Organic Poisons) has an illustration of the senior staff in which she is a round, stern, middle-aged woman, looking not unlike the popular perception of Mrs. Beeton. A.A. Pessimal's Johanna Smith-Rhodes, on the other hand, is a young, attractive, redheaded Action Girl. |
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Adaptational Attractiveness |
| Adaptational Attractiveness / int_4ac68c19 |
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Lindsey Stirling uses this to an extent. In "Star Wars Medley" Lindsey is dressed as Leia, with the traditional long white dress and hair coils. However, her dress is fitted and she wears heels, unlike the original, making her much more attractive. |
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Adaptational Attractiveness |
| Adaptational Attractiveness / int_4df1890c |
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The main cast of love interests in Astoria: Fate's Kiss, excepting Hades, is made up of monsters from Classical Mythology such as Hydra, Cerberus, and Medusa. Here, however, they are depicted as attractive men and women who look fully human, with their traditional monstrous appearances relegated to the supernatural Auras that give them their powers as godly monsters. |
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Adaptational Attractiveness |
| Adaptational Attractiveness / int_506f6b9c |
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The monster in Frankenstein M.D., while not attractive per se, is less inhuman/disturbing-looking than in the majority of Frankenstein adaptations; he has visible scars on his body, but isn't really the Uncanny Valley-invoking patchwork creation of the original book. |
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Adaptational Attractiveness |
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Amanda Waller is once again hit with this trope in the DC Animated Movie Universe, but this time with something of a caveat: her debut film establishes that she's terminally ill. Granted, she still looks good despite this, but Justice League Dark: Apokolips War later reveals her illness did kill her. |
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| DC Animated Movie Universe |
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Adaptational Attractiveness |
| Adaptational Attractiveness / int_5388685a |
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Westeros: An American Musical: Characters who have scars in the original story don't have them in the play, resulting in Shireen not having her greyscale scar and Tyrion's face looking fine despite "The Siege of King's Landing" covering events that got him disfigured in canon. Tyrion is extremely ugly in the book and played by an actor older than the character on TV. Combine the lack of scars mentioned above with a Crosscast Role, and you end up with the character looking quite young and smooth-faced compared to his canon counterparts. |
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Adaptational Attractiveness |
| Adaptational Attractiveness / int_566606e |
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A beacon in the dark: Midoriya in the original manga is constantly described as plain-looking by everybody and his adorable status never translates in-universe. In this fic, Midoriya starts working out much earlier and as a result, his muscles are much more voluptuous, and, for a reason never explained, the clothes he has are much more form fitting and showcase it proudly. The art style also helps to showcase both his adorableness and hotness to other characters, and many people praise his looks. In fact, All Might even scoffs at Midoriya being called plain-looking. |
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| A beacon in the dark (Fanfic) |
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Adaptational Attractiveness / int_566606e |
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Adaptational Attractiveness |
| Adaptational Attractiveness / int_56a86158 |
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In The Phantom of the Opera, the original book has the Phantom (Erik) wearing a full mask, and his face behind the mask extremely grotesque. He is described as deformed. In the stage musical, the deformities are limited to half his face, and the portion of his face not covered by the half-mask is handsome. This was done because full face prosthetics inhibited the actor's singing. It also often makes the deformed side actually look worse in comparison- from a skull in the book to a handsome man who appears to be rotting on one side. The fact that his hair turns out to be a wig, and that he's bald except for a few ratty, diseased-looking wisps of gray hair even on the good side, also makes the deformity makeup pretty effective in the final scene. Similarly, Erik/the Phantom has been played by a succession of attractive actresses from the Takarazuka Revue, with prosthetics amounting to a bad birthmark. |
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Adaptational Attractiveness |
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The Order of the Stick downplays this with Hel. Bear in mind, some of her facial features aren't the prettiest— her eyes are sunken, her hair is limp and her teeth are yellowed and rotten. But otherwise, she lacks the Two-Faced appearance that she is most famous for. |
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Adaptational Attractiveness |
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Superman: Red Son Played with in Superior Man, in the comic he’s an expy of Bizarro having the grey zombie-like appearance due being a flawed clone of Supes created by Lex Luthor. In the animated film, he looks like a normal healthy looking man, before he suffers from a Superpower Meltdown and becomes a hideous troll-like beast. Superman himself, in the comic as the decades go by he ages gaining white streaks and wrinkles. This also reflects his turn from The Cape who’s merely misguided to full blown Beware the Superman dictator. In the animated film Superman keeps his handsome looks as The Ageless. |
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Adaptational Attractiveness |
| Adaptational Attractiveness / int_6723753c |
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Played with in Superior Man, in the comic he’s an expy of Bizarro having the grey zombie-like appearance due being a flawed clone of Supes created by Lex Luthor. In the animated film, he looks like a normal healthy looking man, before he suffers from a Superpower Meltdown and becomes a hideous troll-like beast. |
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Adaptational Attractiveness |
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In Marat/Sade: The Director of Charenton, Coulmier, is often presented in adaptations of the play as a well-dressed, good-looking noble. Meanwhile, the real Coulmier was rather short and described as a hunchback. |
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Adaptational Attractiveness |
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A fanfic of Fire Emblem Fates titled A Brighter Dark did this for Corrin. While the canon appearance of Corrin wasn't exactly ugly, Corrin in the fanfic is much more sexually appealing to match her habits. Her stronger and more muscular build probably helped as well. Though it becomes subverted over time... |
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Adaptational Attractiveness |
| Adaptational Attractiveness / int_6b85085e |
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While Shinnok still has the pale skin of his game counterpart, Mortal Kombat Legends: Battle of the Realms depicts with as much more muscular and taller than in the games. |
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Adaptational Attractiveness |
| Adaptational Attractiveness / int_6e859048 |
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Big Hero 6: Baymax was monstrous-looking in the comics. In the movie, he is a Cute Machine. While Hiro Takachiho wasn't ugly in the comics, Hiro Hamada is designed to look more adorable. |
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Adaptational Attractiveness |
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Dipper and Mabel in the Reverse Falls AU are inexplicably aged-up, electric blue-eyed, hot-as-heck versions of their canon selves. And dressed in sharp magician's outfits to boot! |
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| Adaptational Attractiveness / int_760e3662 |
type |
Adaptational Attractiveness |
| Adaptational Attractiveness / int_760e3662 |
comment |
Wonder Woman (2009): Etta Candy in the comics is usually depicted on the heavier side, varying from being just very overweight and boisterous in the early comics, to a Shrinking Violet, Big Beautiful Woman in the later ones. In the animated movie however, she has an Impossible Hourglass Figure, and is extremely flirtatious. |
| Adaptational Attractiveness / int_760e3662 |
featureApplicability |
1.0 |
| Adaptational Attractiveness / int_760e3662 |
featureConfidence |
1.0 |
| Wonder Woman (2009) |
hasFeature |
Adaptational Attractiveness / int_760e3662 |
| Adaptational Attractiveness / int_7dcdbde1 |
type |
Adaptational Attractiveness |
| Adaptational Attractiveness / int_7dcdbde1 |
comment |
The Great Ace Attorney presents one of the most dramatic cases for frequent target Sherlock Holmes.note or the identical but legally distinct Herlock Sholmes in the game's international release isn't just a youthful Bishōnen; it's revealed he can easily pass for Irene "the face of the most beautiful of women" Adler. |
| Adaptational Attractiveness / int_7dcdbde1 |
featureApplicability |
1.0 |
| Adaptational Attractiveness / int_7dcdbde1 |
featureConfidence |
1.0 |
| The Great Ace Attorney (Visual Novel) |
hasFeature |
Adaptational Attractiveness / int_7dcdbde1 |
| Adaptational Attractiveness / int_8125b468 |
type |
Adaptational Attractiveness |
| Adaptational Attractiveness / int_8125b468 |
comment |
Batman: Batman: The Dark Knight Returns: Gordon's assistant, Officer Merkel, undergoes a variant of this: he's The Faceless in the comic (where his face is always framed in the shadows), but in the movies his features are visible, and he's one of the more conventionally handsome characters. In Batman: The Long Halloween, Mafia Princess Sofia Falcone goes from the brutish Brawn Hilda she was in the comics to an Amazonian Beauty with softer features. |
| Adaptational Attractiveness / int_8125b468 |
featureApplicability |
1.0 |
| Adaptational Attractiveness / int_8125b468 |
featureConfidence |
1.0 |
| Batman (Franchise) |
hasFeature |
Adaptational Attractiveness / int_8125b468 |
| Adaptational Attractiveness / int_8766aa8b |
type |
Adaptational Attractiveness |
| Adaptational Attractiveness / int_8766aa8b |
comment |
Anyone: In canon Midoriya Inko is overweight due to stress eating. In this fic, she is fit and muscular with her hair styled in a bob cut. The exact reason for this difference is never give, but she has a much different lifestyle in this fic. Instead of a (maybe) stay at home mom (we're never told what her job is in canon if she has one), here she is a world-famous chef working in five star restaurants all around the world. |
| Adaptational Attractiveness / int_8766aa8b |
featureApplicability |
1.0 |
| Adaptational Attractiveness / int_8766aa8b |
featureConfidence |
1.0 |
| Anyone (Fanfic) |
hasFeature |
Adaptational Attractiveness / int_8766aa8b |
| Adaptational Attractiveness / int_87e2c20c |
type |
Adaptational Attractiveness |
| Adaptational Attractiveness / int_87e2c20c |
comment |
Depictions of the late Ritchie Valens have a tendency to portray him as quite a bit more conventionally handsome than he was in real life. The real Valens certainly wasn't unattractive, but he had a noticeably broad face, and his plump cheeks gave him a rather babyish appearance. But if he appears on film, television or theatre, he's invariably played by a Tall, Dark, and Handsome Latino actor with a much slimmer face (see La Bamba, the film and stage versions of The Buddy Holly Story, etc.). Valens' young age may be a factor in this: since he died at the age of 17, some people seem to picture him as a classic teenage heartthrob. In actuality, of course, he had a successful career because he was a gifted musician, not because of his looks. |
| Adaptational Attractiveness / int_87e2c20c |
featureApplicability |
1.0 |
| Adaptational Attractiveness / int_87e2c20c |
featureConfidence |
1.0 |
| Ritchie Valens (Music) |
hasFeature |
Adaptational Attractiveness / int_87e2c20c |
| Adaptational Attractiveness / int_8cea2648 |
type |
Adaptational Attractiveness |
| Adaptational Attractiveness / int_8cea2648 |
comment |
Spider-Man: Into the Spider-Verse: Doctor Otto Octavius aka Doctor Octopus is generally a pudgy man with a ugly scowling face. Olivia Octavius however besides some frizzy hair with goofy glasses is a slim, sexy scientist. This probably a result of combining Otto with his canon Distaff Counterpart Carolyn Trainer (who’s quite attractive) to make Olivia. Aunt May is a comely older lady rather then the fragile wizened old bag who looks like she could keel over at any moment, as she’s often depicted as in the comics. |
| Adaptational Attractiveness / int_8cea2648 |
featureApplicability |
1.0 |
| Adaptational Attractiveness / int_8cea2648 |
featureConfidence |
1.0 |
| Spider-Man: Into the Spider-Verse |
hasFeature |
Adaptational Attractiveness / int_8cea2648 |
| Adaptational Attractiveness / int_9598d960 |
type |
Adaptational Attractiveness |
| Adaptational Attractiveness / int_9598d960 |
comment |
Batman: The Dark Knight Returns: Gordon's assistant, Officer Merkel, undergoes a variant of this: he's The Faceless in the comic (where his face is always framed in the shadows), but in the movies his features are visible, and he's one of the more conventionally handsome characters. |
| Adaptational Attractiveness / int_9598d960 |
featureApplicability |
1.0 |
| Adaptational Attractiveness / int_9598d960 |
featureConfidence |
1.0 |
| Batman: The Dark Knight Returns |
hasFeature |
Adaptational Attractiveness / int_9598d960 |
| Adaptational Attractiveness / int_960062b7 |
type |
Adaptational Attractiveness |
| Adaptational Attractiveness / int_960062b7 |
comment |
Overall, it's rather common in My Hero Academia fics for Inko to either never put on weight or find some way to get back in shape. |
| Adaptational Attractiveness / int_960062b7 |
featureApplicability |
1.0 |
| Adaptational Attractiveness / int_960062b7 |
featureConfidence |
1.0 |
| My Hero Academia (Manga) |
hasFeature |
Adaptational Attractiveness / int_960062b7 |
| Adaptational Attractiveness / int_972de37b |
type |
Adaptational Attractiveness |
| Adaptational Attractiveness / int_972de37b |
comment |
Gromozeka still has several arms like in the books, but at least he has two legs instead of three, two eyes instead of several rows of many small ones, and doesn't have a trunk. |
| Adaptational Attractiveness / int_972de37b |
featureApplicability |
1.0 |
| Adaptational Attractiveness / int_972de37b |
featureConfidence |
1.0 |
| Alice, Girl from the Future |
hasFeature |
Adaptational Attractiveness / int_972de37b |
| Adaptational Attractiveness / int_9986d58f |
type |
Adaptational Attractiveness |
| Adaptational Attractiveness / int_9986d58f |
comment |
The Mystery of the Third Planet: Gromozeka still has several arms like in the books, but at least he has two legs instead of three, two eyes instead of several rows of many small ones, and doesn't have a trunk. Glot's real form is pretty hideous, being a bluish-skinned, toothy, scrawny humanoid with no hair and no neck. However, it's not even close to his book counterpart's terrifying, scorpion-like Eldritch Abomination shape. |
| Adaptational Attractiveness / int_9986d58f |
featureApplicability |
1.0 |
| Adaptational Attractiveness / int_9986d58f |
featureConfidence |
1.0 |
| The Mystery of the Third Planet (Animation) |
hasFeature |
Adaptational Attractiveness / int_9986d58f |
| Adaptational Attractiveness / int_9da27a6 |
type |
Adaptational Attractiveness |
| Adaptational Attractiveness / int_9da27a6 |
comment |
In Angry Birds 2, Silver is described as plain and homely. The movie version turns her into a gorgeous princess that even Queen Grimhilde would want to have her terminated. |
| Adaptational Attractiveness / int_9da27a6 |
featureApplicability |
1.0 |
| Adaptational Attractiveness / int_9da27a6 |
featureConfidence |
1.0 |
| Angry Birds 2 (Video Game) |
hasFeature |
Adaptational Attractiveness / int_9da27a6 |
| Adaptational Attractiveness / int_a0075eb5 |
type |
Adaptational Attractiveness |
| Adaptational Attractiveness / int_a0075eb5 |
comment |
In Lynn Rigg's play Green Grow the Lilacs, Ado Annie is described as "an unattractive, stupid-looking farm girl" wearing a "very unbecoming" dress. This description was not carried over into the script of Oklahoma!, the musical adaptation of Green Grow the Lilacs; it certainly didn't apply to Celeste Holm of the original cast, who practically qualified as Ms. Fanservice by the production's modest standards. |
| Adaptational Attractiveness / int_a0075eb5 |
featureApplicability |
1.0 |
| Adaptational Attractiveness / int_a0075eb5 |
featureConfidence |
1.0 |
| Oklahoma! (Theatre) |
hasFeature |
Adaptational Attractiveness / int_a0075eb5 |
| Adaptational Attractiveness / int_a0aafd19 |
type |
Adaptational Attractiveness |
| Adaptational Attractiveness / int_a0aafd19 |
comment |
The Aesop that Aisopos gives us is a normal boy with cute/good-looking characteristics, in contact to his Real Life counterpart, who was a dwarf and a hunchback. His father Frontis is portrayed as a "humpty-dumpty" instead. |
| Adaptational Attractiveness / int_a0aafd19 |
featureApplicability |
1.0 |
| Adaptational Attractiveness / int_a0aafd19 |
featureConfidence |
1.0 |
| Aisopos (Webcomic) |
hasFeature |
Adaptational Attractiveness / int_a0aafd19 |
| Adaptational Attractiveness / int_a5e47ee2 |
type |
Adaptational Attractiveness |
| Adaptational Attractiveness / int_a5e47ee2 |
comment |
The Lorax has the Once-ler, who is a pair of green arms in both the book and the cartoon adaptation; in the latter, he can be assumed to be middle-aged going by his deep voice. In the 2012 film, he's a tall, cute 20-something mannote only in the flashbacks; in the present, he is an old man with big blue eyes (in contrast to the creepy yellow ones he had in the book), voiced by Ed Helms. |
| Adaptational Attractiveness / int_a5e47ee2 |
featureApplicability |
1.0 |
| Adaptational Attractiveness / int_a5e47ee2 |
featureConfidence |
1.0 |
| The Lorax |
hasFeature |
Adaptational Attractiveness / int_a5e47ee2 |
| Adaptational Attractiveness / int_ab653a68 |
type |
Adaptational Attractiveness |
| Adaptational Attractiveness / int_ab653a68 |
comment |
Wooden Plank Studios had a Played for Laughs case in Dark Samus. In the Metroid Prime games, she's an Uplifted Animal living in and off one of Samus's old armors. One strip makes her drop the armor and reveal a "Purple Skinned Samus◊" instead. |
| Adaptational Attractiveness / int_ab653a68 |
featureApplicability |
1.0 |
| Adaptational Attractiveness / int_ab653a68 |
featureConfidence |
1.0 |
| Wooden Plank Studios / Web Comic |
hasFeature |
Adaptational Attractiveness / int_ab653a68 |
| Adaptational Attractiveness / int_aeb6ec24 |
type |
Adaptational Attractiveness |
| Adaptational Attractiveness / int_aeb6ec24 |
comment |
In the Rainbow Magic movie, King Oberon looks younger and slimmer than in the books. His beard's less bushy, too. Jack Frost also has this to a lesser degree. |
| Adaptational Attractiveness / int_aeb6ec24 |
featureApplicability |
1.0 |
| Adaptational Attractiveness / int_aeb6ec24 |
featureConfidence |
1.0 |
| Rainbow Magic |
hasFeature |
Adaptational Attractiveness / int_aeb6ec24 |
| Adaptational Attractiveness / int_c43df4d8 |
type |
Adaptational Attractiveness |
| Adaptational Attractiveness / int_c43df4d8 |
comment |
The animated webcast adaptation of the unfinished Doctor Who story "Shada" did this with two different characters. Professor Chronotis was played in the TV version by Denis Carey as a decrepit old man. In the complete web-animation version, he was played by James Fox, and looked much more well-preserved due to being an Ink-Suit Actor. The graduate student Clare was, in the TV story, dressed in frumpy 1970s office-style clothes. In the animation, she is redesigned as a late-1970s punkette, in a tight fluffy sweater, mildly Goth make-up, and a studded leather dog collar. |
| Adaptational Attractiveness / int_c43df4d8 |
featureApplicability |
1.0 |
| Adaptational Attractiveness / int_c43df4d8 |
featureConfidence |
1.0 |
| Doctor Who |
hasFeature |
Adaptational Attractiveness / int_c43df4d8 |
| Adaptational Attractiveness / int_c8bfc4b7 |
type |
Adaptational Attractiveness |
| Adaptational Attractiveness / int_c8bfc4b7 |
comment |
In Prequel, a webcomic based on The Elder Scrolls IV: Oblivion, Orcs, Khajiits and Argonians are Ridiculously Cute Critters. In the game, unless you're playing with mods, good luck creating even a decent looking character with these races... |
| Adaptational Attractiveness / int_c8bfc4b7 |
featureApplicability |
1.0 |
| Adaptational Attractiveness / int_c8bfc4b7 |
featureConfidence |
1.0 |
| Prequel (Webcomic) |
hasFeature |
Adaptational Attractiveness / int_c8bfc4b7 |
| Adaptational Attractiveness / int_ce5d6e59 |
type |
Adaptational Attractiveness |
| Adaptational Attractiveness / int_ce5d6e59 |
comment |
This occurs in Vaguely Recalling JoJo because the fan can't remember all of the details, and has to fill some in. Nena is not a gonky short woman, but a very feminine boy.note Bridget from Guilty Gear to be precise. ZZ is not a scrawny guy with huge arms, but a guy with a Heroic Build and a Lantern Jaw of Justice. J. Geil uses his default faceless appearance. Enya gets transformed into a tall, beautiful woman after Polnareff massages her. |
| Adaptational Attractiveness / int_ce5d6e59 |
featureApplicability |
1.0 |
| Adaptational Attractiveness / int_ce5d6e59 |
featureConfidence |
1.0 |
| Vaguely Recalling JoJo (Web Video) |
hasFeature |
Adaptational Attractiveness / int_ce5d6e59 |
| Adaptational Attractiveness / int_d25ddfc |
type |
Adaptational Attractiveness |
| Adaptational Attractiveness / int_d25ddfc |
comment |
In The Black Cauldron, Gurgi is changed from a hideous gorilla-like monster in the original books to a cute badger-like animal. |
| Adaptational Attractiveness / int_d25ddfc |
featureApplicability |
1.0 |
| Adaptational Attractiveness / int_d25ddfc |
featureConfidence |
1.0 |
| The Black Cauldron |
hasFeature |
Adaptational Attractiveness / int_d25ddfc |
| Adaptational Attractiveness / int_d483df9f |
type |
Adaptational Attractiveness |
| Adaptational Attractiveness / int_d483df9f |
comment |
Big Ethel Energy: The Ethel of Archie Comics went from a gangly, buck-toothed, messy-haired unattractive girl to a more conventionally feminine but still plain-faced one. This version of her was perfectly cute in high school, just unpopular. |
| Adaptational Attractiveness / int_d483df9f |
featureApplicability |
1.0 |
| Adaptational Attractiveness / int_d483df9f |
featureConfidence |
1.0 |
| Big Ethel Energy (Webcomic) |
hasFeature |
Adaptational Attractiveness / int_d483df9f |
| Adaptational Attractiveness / int_d50ee4b7 |
type |
Adaptational Attractiveness |
| Adaptational Attractiveness / int_d50ee4b7 |
comment |
Most translations of the Beowulf poem describe Grendel's mother as some sort of ugly troll or ogress. In the animated movie, she's a nearly-naked Angelina Jolie in full Ink-Suit Actor mode. |
| Adaptational Attractiveness / int_d50ee4b7 |
featureApplicability |
1.0 |
| Adaptational Attractiveness / int_d50ee4b7 |
featureConfidence |
1.0 |
| Beowulf |
hasFeature |
Adaptational Attractiveness / int_d50ee4b7 |
| Adaptational Attractiveness / int_d8534d26 |
type |
Adaptational Attractiveness |
| Adaptational Attractiveness / int_d8534d26 |
comment |
In Wicked, Elphaba is described as having a large nose and otherwise being, appearance-wise, sort of an acquired taste. In the musical version, she's Hollywood Homely. Then again, not even green skin can make most of her actresses unattractive. Of course, this is intentional; the other characters are so repulsed by her green skin that they don't realize how beautiful she is. |
| Adaptational Attractiveness / int_d8534d26 |
featureApplicability |
1.0 |
| Adaptational Attractiveness / int_d8534d26 |
featureConfidence |
1.0 |
| Wicked |
hasFeature |
Adaptational Attractiveness / int_d8534d26 |
| Adaptational Attractiveness / int_d8e810f8 |
type |
Adaptational Attractiveness |
| Adaptational Attractiveness / int_d8e810f8 |
comment |
Lovely Lovecraft: The real Howard Phillips Lovecraft was not considered handsome. Lovely Lovecraft shows him as a somewhat good-looking adult and a downright adorable kid. |
| Adaptational Attractiveness / int_d8e810f8 |
featureApplicability |
1.0 |
| Adaptational Attractiveness / int_d8e810f8 |
featureConfidence |
1.0 |
| Lovely Lovecraft (Webcomic) |
hasFeature |
Adaptational Attractiveness / int_d8e810f8 |
| Adaptational Attractiveness / int_ee7e0cca |
type |
Adaptational Attractiveness |
| Adaptational Attractiveness / int_ee7e0cca |
comment |
Exaggerated with The Hunchback of Notre Dame (Golden Films)'s version of Quasimodo is Hollywood Homely at worst. He's tall, muscular, has well-combed long hair with a handsome and spotless face... The only part about him that resemble the book character is his hunched back, which is a pronounced slouch at most. He later stands up straight and becomes a hunk. |
| Adaptational Attractiveness / int_ee7e0cca |
featureApplicability |
1.0 |
| Adaptational Attractiveness / int_ee7e0cca |
featureConfidence |
1.0 |
| The Hunchback of Notre Dame (Golden Films) |
hasFeature |
Adaptational Attractiveness / int_ee7e0cca |
| Adaptational Attractiveness / int_f02ba81a |
type |
Adaptational Attractiveness |
| Adaptational Attractiveness / int_f02ba81a |
comment |
In the movie The Fearless Vampire Killers, Count von Krolock was a sharp-dressed but otherwise plain aristocrat. In Tanz der Vampire, the musical adaptation, he became Mr. Fanservice extraordinaire. Getting played by a variety of handsome musical actors certainly helps. |
| Adaptational Attractiveness / int_f02ba81a |
featureApplicability |
1.0 |
| Adaptational Attractiveness / int_f02ba81a |
featureConfidence |
1.0 |
| The Fearless Vampire Killers |
hasFeature |
Adaptational Attractiveness / int_f02ba81a |
| Adaptational Attractiveness / int_fd691071 |
type |
Adaptational Attractiveness |
| Adaptational Attractiveness / int_fd691071 |
comment |
In Batman: The Long Halloween, Mafia Princess Sofia Falcone goes from the brutish Brawn Hilda she was in the comics to an Amazonian Beauty with softer features. |
| Adaptational Attractiveness / int_fd691071 |
featureApplicability |
1.0 |
| Adaptational Attractiveness / int_fd691071 |
featureConfidence |
1.0 |
| Batman: The Long Halloween |
hasFeature |
Adaptational Attractiveness / int_fd691071 |
| Adaptational Attractiveness / int_fde69cf4 |
type |
Adaptational Attractiveness |
| Adaptational Attractiveness / int_fde69cf4 |
comment |
Solid jj's: Discussed in the Stoogeposting video "The Three Stooges go Hollywood." The stooges talk about who'd play them in a movie, and both Larry and Curly wish their role would be played by Marlon Brando. |
| Adaptational Attractiveness / int_fde69cf4 |
featureApplicability |
1.0 |
| Adaptational Attractiveness / int_fde69cf4 |
featureConfidence |
1.0 |
| Solid jj (Web Video) |
hasFeature |
Adaptational Attractiveness / int_fde69cf4 |
| Adaptational Attractiveness |
processingCategory2 |
Derivative Works |
| Adaptational Attractiveness |
processingCategory2 |
Film Tropes |
| Adaptational Attractiveness |
processingCategory2 |
Improbable Appearance Tropes |
| Adaptational Attractiveness |
processingCategory2 |
Media Adaptation Tropes |
| Adaptational Attractiveness |
processingCategory2 |
Rule of Glamorous |
| Pinocchio: A True Story (Animation) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Mystery of the Third Planet (Animation) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Snow Queen (2012) (Animation) / int_557838d1 |
type |
Adaptational Attractiveness |
| Ace Attorney (2016) / int_557838d1 |
type |
Adaptational Attractiveness |
| Ace Attorney (anime) / int_557838d1 |
type |
Adaptational Attractiveness |
| Agatha Christie's Great Detectives Poirot and Marple / int_557838d1 |
type |
Adaptational Attractiveness |
| Blame! / int_557838d1 |
type |
Adaptational Attractiveness |
| BlazBlue: Alter Memory / int_557838d1 |
type |
Adaptational Attractiveness |
| Cutey Honey / int_557838d1 |
type |
Adaptational Attractiveness |
| Devilman / int_557838d1 |
type |
Adaptational Attractiveness |
| Doraemon / int_557838d1 |
type |
Adaptational Attractiveness |
| Doraemon: Nobita and the Windmasters / int_557838d1 |
type |
Adaptational Attractiveness |
| Dororo (2019) / int_557838d1 |
type |
Adaptational Attractiveness |
| Dragon Ball: The Path to Power / int_557838d1 |
type |
Adaptational Attractiveness |
| Escaflowne: The Movie / int_557838d1 |
type |
Adaptational Attractiveness |
| Fullmetal Alchemist (2003) / int_557838d1 |
type |
Adaptational Attractiveness |
| Gravestone of Daisuke Jigen / int_557838d1 |
type |
Adaptational Attractiveness |
| Grimm's Fairy Tale Classics / int_557838d1 |
type |
Adaptational Attractiveness |
| Halo Legends / int_557838d1 |
type |
Adaptational Attractiveness |
| Humanoid Monster Bem / int_557838d1 |
type |
Adaptational Attractiveness |
| Lupin III: The Italian Adventure / int_557838d1 |
type |
Adaptational Attractiveness |
| Maho Girls Pretty Cure! / int_557838d1 |
type |
Adaptational Attractiveness |
| Marvel Anime: Wolverine / int_557838d1 |
type |
Adaptational Attractiveness |
| Marvel Anime: X-Men / int_557838d1 |
type |
Adaptational Attractiveness |
| Marvel Disk Wars: The Avengers / int_557838d1 |
type |
Adaptational Attractiveness |
| Mobile Suit Gundam: Cucuruz Doan's Island / int_557838d1 |
type |
Adaptational Attractiveness |
| Pokémon Generations / int_557838d1 |
type |
Adaptational Attractiveness |
| Pokémon: The Power of Us / int_557838d1 |
type |
Adaptational Attractiveness |
| Sailor Moon Crystal / int_557838d1 |
type |
Adaptational Attractiveness |
| Samurai 7 / int_557838d1 |
type |
Adaptational Attractiveness |
| Shenmue / int_557838d1 |
type |
Adaptational Attractiveness |
| Sherlock Hound / int_557838d1 |
type |
Adaptational Attractiveness |
| SiN: The Movie / int_557838d1 |
type |
Adaptational Attractiveness |
| Suicide Squad ISEKAI / int_557838d1 |
type |
Adaptational Attractiveness |
| Tenchi Universe / int_557838d1 |
type |
Adaptational Attractiveness |
| The Wizard of Oz / int_557838d1 |
type |
Adaptational Attractiveness |
| Thumbelina / int_557838d1 |
type |
Adaptational Attractiveness |
| X-Men / int_557838d1 |
type |
Adaptational Attractiveness |
| Yatterman Night / int_557838d1 |
type |
Adaptational Attractiveness |
| American Splendor (Comic Book) / int_557838d1 |
type |
Adaptational Attractiveness |
| Anti-Monitor (Comic Book) / int_557838d1 |
type |
Adaptational Attractiveness |
| Batman: Damned (Comic Book) / int_557838d1 |
type |
Adaptational Attractiveness |
| Batman: Earth One (Comic Book) / int_557838d1 |
type |
Adaptational Attractiveness |
| Batman: The Dark Knight Returns (Comic Book) / int_557838d1 |
type |
Adaptational Attractiveness |
| Before Watchmen (Comic Book) / int_557838d1 |
type |
Adaptational Attractiveness |
| DC Rebirth (Comic Book) / int_557838d1 |
type |
Adaptational Attractiveness |
| Doctor Octopus (Comic Book) / int_557838d1 |
type |
Adaptational Attractiveness |
| Figment (Disney Kingdoms) (Comic Book) / int_557838d1 |
type |
Adaptational Attractiveness |
| Goosebumps (Comic Book) / int_557838d1 |
type |
Adaptational Attractiveness |
| Gotham High (Comic Book) / int_557838d1 |
type |
Adaptational Attractiveness |
| I Kill Giants (Comic Book) / int_557838d1 |
type |
Adaptational Attractiveness |
| Joker (Comic Book) / int_557838d1 |
type |
Adaptational Attractiveness |
| Le Petit Spirou (Comic Book) / int_557838d1 |
type |
Adaptational Attractiveness |
| Mighty Morphin Power Rangers/Teenage Mutant Ninja Turtles (Comic Book) / int_557838d1 |
type |
Adaptational Attractiveness |
| Providence (Comic Book) / int_557838d1 |
type |
Adaptational Attractiveness |
| Shazam! (2012) (Comic Book) / int_557838d1 |
type |
Adaptational Attractiveness |
| Sin City (Comic Book) / int_557838d1 |
type |
Adaptational Attractiveness |
| Spider-Man Noir (Comic Book) / int_557838d1 |
type |
Adaptational Attractiveness |
| Suicide Squad (Comic Book) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Flintstones (Comic Book) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Star Wars (Comic Book) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Transformers: Unicron (Comic Book) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Transformers: Windblade (Comic Book) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Wild Storm (Comic Book) / int_557838d1 |
type |
Adaptational Attractiveness |
| 30 Days of Night (Comic Book) / int_557838d1 |
type |
Adaptational Attractiveness |
| Ultimate Marvel (Comic Book) / int_557838d1 |
type |
Adaptational Attractiveness |
| Wacky Raceland (Comic Book) / int_557838d1 |
type |
Adaptational Attractiveness |
| Wilson / Comicbook / int_557838d1 |
type |
Adaptational Attractiveness |
| Wonder Woman: Odyssey (Comic Book) / int_557838d1 |
type |
Adaptational Attractiveness |
| From Hell / Comicbook / int_557838d1 |
type |
Adaptational Attractiveness |
| The Hunchback of Notre Dame / Disney / int_557838d1 |
type |
Adaptational Attractiveness |
| Hope on a Distant Mountain (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Sex Note / Fan Fic / int_557838d1 |
type |
Adaptational Attractiveness |
| Spectacular Seven / Fan Fic / int_557838d1 |
type |
Adaptational Attractiveness |
| The Real Us / Fan Fic / int_557838d1 |
type |
Adaptational Attractiveness |
| Walt Disney Presents: The Lord of the Rings / Fan Fic / int_557838d1 |
type |
Adaptational Attractiveness |
| A Man of Iron (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| A Moth to a Flame (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Accursed Ones (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Aftermath-Ten Years Later (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Aftermath - Ten Years Later (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Age of Titans (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Anyone (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Broken Kingdom Broken Crown (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Classroom of the Elite: Liquid Inspiration (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Cyberpunk: Fatherhood (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Danganronpa: Under New Hope (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Deku: The Golden Saiyan Hero of Hope (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| FaCe ThE StRaNgE (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Gulch to Remnant (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Harry Potter and the Portrait of What Looked Like a Large Pile of Ash (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Hogwarts School of Prayer and Miracles (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Ignited Spark (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Inaccurate Legends (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| JoJo New Universe (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Kanto Calling (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Kyodaina Sentai Manukeranger (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| My Father's Son (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| My Huntsman Academia (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| My Life as a Teenaged Von Neumann Device (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Neon Webs (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Never Leave Fanfiction Lying Around (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Oh, Mama, Mama (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Patron (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Perfectly Normal (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Petunia Evans, Tomb Raider (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Pocketville Twilight (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Princess of the Blacks (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Relic of the Future (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Reverse Falls AU (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Seraphim (Worm) (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Son of the Seven Kingdoms (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Supernova (One Piece) (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Switch AU (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Thank You (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Eternal Crown (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Jaded Eyes Series (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| The New Man: An Adam Smasher SI (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| The One Punch Hero: Deku (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Royal Eminence (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| There Was Once an Avenger From Krypton (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Warriors Redux (Fanfic) / int_557838d1 |
type |
Adaptational Attractiveness |
| A Christmas Carol (1938) / int_557838d1 |
type |
Adaptational Attractiveness |
| A Christmas Carol: The Musical / int_557838d1 |
type |
Adaptational Attractiveness |
| A Little Princess (1995) / int_557838d1 |
type |
Adaptational Attractiveness |
| A Series of Unfortunate Events (2004) / int_557838d1 |
type |
Adaptational Attractiveness |
| A Study in Terror / int_557838d1 |
type |
Adaptational Attractiveness |
| A United Kingdom / int_557838d1 |
type |
Adaptational Attractiveness |
| A Wrinkle in Time (2018) / int_557838d1 |
type |
Adaptational Attractiveness |
| Ace Attorney (2012) / int_557838d1 |
type |
Adaptational Attractiveness |
| Aladdin (2019) / int_557838d1 |
type |
Adaptational Attractiveness |
| Alice in Wonderland (1985) / int_557838d1 |
type |
Adaptational Attractiveness |
| Alice in Wonderland (1999) / int_557838d1 |
type |
Adaptational Attractiveness |
| Alice in Wonderland (2010) / int_557838d1 |
type |
Adaptational Attractiveness |
| Alien Abduction: Incident in Lake County / int_557838d1 |
type |
Adaptational Attractiveness |
| Alita: Battle Angel / int_557838d1 |
type |
Adaptational Attractiveness |
| Alive / int_557838d1 |
type |
Adaptational Attractiveness |
| All the President's Men / int_557838d1 |
type |
Adaptational Attractiveness |
| American Gangster / int_557838d1 |
type |
Adaptational Attractiveness |
| American Made / int_557838d1 |
type |
Adaptational Attractiveness |
| American Satan / int_557838d1 |
type |
Adaptational Attractiveness |
| Ang Babae Sa Septic Tank / int_557838d1 |
type |
Adaptational Attractiveness |
| Angel Heart (1987) / int_557838d1 |
type |
Adaptational Attractiveness |
| Apollo 13 / int_557838d1 |
type |
Adaptational Attractiveness |
| Artemis Fowl / int_557838d1 |
type |
Adaptational Attractiveness |
| Asterix & Obelix: Mission Cleopatra / int_557838d1 |
type |
Adaptational Attractiveness |
| Atlas Shrugged / int_557838d1 |
type |
Adaptational Attractiveness |
| Bad Ronald / int_557838d1 |
type |
Adaptational Attractiveness |
| Batman Begins / int_557838d1 |
type |
Adaptational Attractiveness |
| Bedazzled (2000) / int_557838d1 |
type |
Adaptational Attractiveness |
| Bill / int_557838d1 |
type |
Adaptational Attractiveness |
| Billy Liar / int_557838d1 |
type |
Adaptational Attractiveness |
| Blade (1998) / int_557838d1 |
type |
Adaptational Attractiveness |
| Blue Is the Warmest Color / int_557838d1 |
type |
Adaptational Attractiveness |
| Bluebeard (1972) / int_557838d1 |
type |
Adaptational Attractiveness |
| Brennus, Enemy of Rome / int_557838d1 |
type |
Adaptational Attractiveness |
| Bride and Prejudice / int_557838d1 |
type |
Adaptational Attractiveness |
| Bright Star / int_557838d1 |
type |
Adaptational Attractiveness |
| Brokeback Mountain / int_557838d1 |
type |
Adaptational Attractiveness |
| Bullitt / int_557838d1 |
type |
Adaptational Attractiveness |
| Cabaret / int_557838d1 |
type |
Adaptational Attractiveness |
| Camille Claudel / int_557838d1 |
type |
Adaptational Attractiveness |
| Can You Ever Forgive Me? / int_557838d1 |
type |
Adaptational Attractiveness |
| Carrie (1976) / int_557838d1 |
type |
Adaptational Attractiveness |
| Carrie (2002) / int_557838d1 |
type |
Adaptational Attractiveness |
| Carrie (2013) / int_557838d1 |
type |
Adaptational Attractiveness |
| Casino Royale (2006) / int_557838d1 |
type |
Adaptational Attractiveness |
| Cats / int_557838d1 |
type |
Adaptational Attractiveness |
| Charlie and the Chocolate Factory / int_557838d1 |
type |
Adaptational Attractiveness |
| Children of Men / int_557838d1 |
type |
Adaptational Attractiveness |
| Children's Party at the Palace / int_557838d1 |
type |
Adaptational Attractiveness |
| Child's Play (2019) / int_557838d1 |
type |
Adaptational Attractiveness |
| Christine (2016) / int_557838d1 |
type |
Adaptational Attractiveness |
| Chupa / int_557838d1 |
type |
Adaptational Attractiveness |
| Cinderella (1997) / int_557838d1 |
type |
Adaptational Attractiveness |
| Cinderella (2015) / int_557838d1 |
type |
Adaptational Attractiveness |
| City Hunter / int_557838d1 |
type |
Adaptational Attractiveness |
| Clash of the Titans (2010) / int_557838d1 |
type |
Adaptational Attractiveness |
| Cloud Atlas / int_557838d1 |
type |
Adaptational Attractiveness |
| Concussion / int_557838d1 |
type |
Adaptational Attractiveness |
| Crooked House / int_557838d1 |
type |
Adaptational Attractiveness |
| D-Day / int_557838d1 |
type |
Adaptational Attractiveness |
| Deadpool (2016) / int_557838d1 |
type |
Adaptational Attractiveness |
| Deadpool & Wolverine / int_557838d1 |
type |
Adaptational Attractiveness |
| Death at a Funeral / int_557838d1 |
type |
Adaptational Attractiveness |
| Deepwater Horizon / int_557838d1 |
type |
Adaptational Attractiveness |
| Diary of a Wimpy Kid / int_557838d1 |
type |
Adaptational Attractiveness |
| Disney Live-Action Remakes / int_557838d1 |
type |
Adaptational Attractiveness |
| Doctor Sleep / int_557838d1 |
type |
Adaptational Attractiveness |
| Doom: Annihilation / int_557838d1 |
type |
Adaptational Attractiveness |
| Dora and the Lost City of Gold / int_557838d1 |
type |
Adaptational Attractiveness |
| Dr. No / int_557838d1 |
type |
Adaptational Attractiveness |
| Dracula (1931) / int_557838d1 |
type |
Adaptational Attractiveness |
| Dune (1984) / int_557838d1 |
type |
Adaptational Attractiveness |
| Dune (2021) / int_557838d1 |
type |
Adaptational Attractiveness |
| Ella Enchanted / int_557838d1 |
type |
Adaptational Attractiveness |
| Eragon / int_557838d1 |
type |
Adaptational Attractiveness |
| Flesh for Frankenstein / int_557838d1 |
type |
Adaptational Attractiveness |
| Frankie & Johnny / int_557838d1 |
type |
Adaptational Attractiveness |
| Frida / int_557838d1 |
type |
Adaptational Attractiveness |
| From Hell / int_557838d1 |
type |
Adaptational Attractiveness |
| Garfield / int_557838d1 |
type |
Adaptational Attractiveness |
| Georgy Girl / int_557838d1 |
type |
Adaptational Attractiveness |
| Geppetto / int_557838d1 |
type |
Adaptational Attractiveness |
| Gerald's Game / int_557838d1 |
type |
Adaptational Attractiveness |
| Get On Up / int_557838d1 |
type |
Adaptational Attractiveness |
| Gone Girl / int_557838d1 |
type |
Adaptational Attractiveness |
| GoodFellas / int_557838d1 |
type |
Adaptational Attractiveness |
| Graveyard Shift / int_557838d1 |
type |
Adaptational Attractiveness |
| Green Lantern (2011) / int_557838d1 |
type |
Adaptational Attractiveness |
| Gretel and Hansel (2020) / int_557838d1 |
type |
Adaptational Attractiveness |
| Harry Potter / int_557838d1 |
type |
Adaptational Attractiveness |
| Harry Potter and the Goblet of Fire / int_557838d1 |
type |
Adaptational Attractiveness |
| Harry Potter and the Half-Blood Prince / int_557838d1 |
type |
Adaptational Attractiveness |
| Harry Potter and the Order of the Phoenix / int_557838d1 |
type |
Adaptational Attractiveness |
| Hawking / int_557838d1 |
type |
Adaptational Attractiveness |
| Hellboy (2019) / int_557838d1 |
type |
Adaptational Attractiveness |
| Horror of Dracula / int_557838d1 |
type |
Adaptational Attractiveness |
| I, Robot / int_557838d1 |
type |
Adaptational Attractiveness |
| I, Tonya / int_557838d1 |
type |
Adaptational Attractiveness |
| Into the Woods / int_557838d1 |
type |
Adaptational Attractiveness |
| Iron Man 2 / int_557838d1 |
type |
Adaptational Attractiveness |
| Iron Man 3 / int_557838d1 |
type |
Adaptational Attractiveness |
| It (1990) / int_557838d1 |
type |
Adaptational Attractiveness |
| It (2017) / int_557838d1 |
type |
Adaptational Attractiveness |
| It: Chapter Two / int_557838d1 |
type |
Adaptational Attractiveness |
| Jane Eyre / int_557838d1 |
type |
Adaptational Attractiveness |
| Jane Eyre (2011) / int_557838d1 |
type |
Adaptational Attractiveness |
| Jim Button / int_557838d1 |
type |
Adaptational Attractiveness |
| John Carter / int_557838d1 |
type |
Adaptational Attractiveness |
| Jonah Hex / int_557838d1 |
type |
Adaptational Attractiveness |
| Jonah Hex (2010) / int_557838d1 |
type |
Adaptational Attractiveness |
| Jurassic Park (1993) / int_557838d1 |
type |
Adaptational Attractiveness |
| Kaiji Series / int_557838d1 |
type |
Adaptational Attractiveness |
| Kim Possible / int_557838d1 |
type |
Adaptational Attractiveness |
| Kinsey / int_557838d1 |
type |
Adaptational Attractiveness |
| Knights of the Zodiac / int_557838d1 |
type |
Adaptational Attractiveness |
| Kraven the Hunter (2023) / int_557838d1 |
type |
Adaptational Attractiveness |
| Kraven the Hunter (2024) / int_557838d1 |
type |
Adaptational Attractiveness |
| Lemonade Mouth / int_557838d1 |
type |
Adaptational Attractiveness |
| Les Misérables (1935) / int_557838d1 |
type |
Adaptational Attractiveness |
| Let Me In / int_557838d1 |
type |
Adaptational Attractiveness |
| Let the Right One In / int_557838d1 |
type |
Adaptational Attractiveness |
| Little Children / int_557838d1 |
type |
Adaptational Attractiveness |
| Little Women (1994) / int_557838d1 |
type |
Adaptational Attractiveness |
| Little Women (2019) / int_557838d1 |
type |
Adaptational Attractiveness |
| Logan / int_557838d1 |
type |
Adaptational Attractiveness |
| Love & Mercy / int_557838d1 |
type |
Adaptational Attractiveness |
| Love, Simon / int_557838d1 |
type |
Adaptational Attractiveness |
| Man on the Moon / int_557838d1 |
type |
Adaptational Attractiveness |
| Manhunter / int_557838d1 |
type |
Adaptational Attractiveness |
| Maniac! (1980) / int_557838d1 |
type |
Adaptational Attractiveness |
| Marley & Me / int_557838d1 |
type |
Adaptational Attractiveness |
| Master and Commander / int_557838d1 |
type |
Adaptational Attractiveness |
| Me and Earl and the Dying Girl / int_557838d1 |
type |
Adaptational Attractiveness |
| Milk / int_557838d1 |
type |
Adaptational Attractiveness |
| Minority Report / int_557838d1 |
type |
Adaptational Attractiveness |
| Miss Peregrine's Home for Peculiar Children / int_557838d1 |
type |
Adaptational Attractiveness |
| Moneyball / int_557838d1 |
type |
Adaptational Attractiveness |
| Morbius (2020) / int_557838d1 |
type |
Adaptational Attractiveness |
| Mortal Engines / int_557838d1 |
type |
Adaptational Attractiveness |
| Mortal Kombat: Annihilation / int_557838d1 |
type |
Adaptational Attractiveness |
| Mrs. Harris Goes to Paris / int_557838d1 |
type |
Adaptational Attractiveness |
| Mulan (2020) / int_557838d1 |
type |
Adaptational Attractiveness |
| Muppets Haunted Mansion / int_557838d1 |
type |
Adaptational Attractiveness |
| Murder on the Orient Express (2017) / int_557838d1 |
type |
Adaptational Attractiveness |
| My Friend Dahmer / int_557838d1 |
type |
Adaptational Attractiveness |
| My Summer of Love / int_557838d1 |
type |
Adaptational Attractiveness |
| No Blade of Grass / int_557838d1 |
type |
Adaptational Attractiveness |
| Nocturnal Animals / int_557838d1 |
type |
Adaptational Attractiveness |
| Notes on a Scandal / int_557838d1 |
type |
Adaptational Attractiveness |
| October Sky / int_557838d1 |
type |
Adaptational Attractiveness |
| Office Romance / int_557838d1 |
type |
Adaptational Attractiveness |
| Once Were Warriors / int_557838d1 |
type |
Adaptational Attractiveness |
| One Flew Over the Cuckoo's Nest / int_557838d1 |
type |
Adaptational Attractiveness |
| 101 Dalmatians (1996) / int_557838d1 |
type |
Adaptational Attractiveness |
| Out of Sight / int_557838d1 |
type |
Adaptational Attractiveness |
| Oz the Great and Powerful / int_557838d1 |
type |
Adaptational Attractiveness |
| Parker / int_557838d1 |
type |
Adaptational Attractiveness |
| Percy Jackson and the Olympians / int_557838d1 |
type |
Adaptational Attractiveness |
| Phantom of the Opera (1943) / int_557838d1 |
type |
Adaptational Attractiveness |
| Pinocchio (2022, Disney) / int_557838d1 |
type |
Adaptational Attractiveness |
| Popeye / int_557838d1 |
type |
Adaptational Attractiveness |
| Poseidon / int_557838d1 |
type |
Adaptational Attractiveness |
| Precious / int_557838d1 |
type |
Adaptational Attractiveness |
| Pride and Prejudice / int_557838d1 |
type |
Adaptational Attractiveness |
| Pride and Prejudice and Zombies / int_557838d1 |
type |
Adaptational Attractiveness |
| Psycho / int_557838d1 |
type |
Adaptational Attractiveness |
| Psycho (1998) / int_557838d1 |
type |
Adaptational Attractiveness |
| Quills / int_557838d1 |
type |
Adaptational Attractiveness |
| Ramona and Beezus / int_557838d1 |
type |
Adaptational Attractiveness |
| Ready Player One (2018) / int_557838d1 |
type |
Adaptational Attractiveness |
| Richard III / int_557838d1 |
type |
Adaptational Attractiveness |
| Richie Rich / int_557838d1 |
type |
Adaptational Attractiveness |
| Roald Dahl's Matilda the Musical / int_557838d1 |
type |
Adaptational Attractiveness |
| Roxanne / int_557838d1 |
type |
Adaptational Attractiveness |
| Rurouni Kenshin / int_557838d1 |
type |
Adaptational Attractiveness |
| Rurouni Kenshin: Kyoto Inferno / int_557838d1 |
type |
Adaptational Attractiveness |
| Scarface (1983) / int_557838d1 |
type |
Adaptational Attractiveness |
| Scooby-Doo (2002) / int_557838d1 |
type |
Adaptational Attractiveness |
| Secretariat / int_557838d1 |
type |
Adaptational Attractiveness |
| Seventh Son (2015) / int_557838d1 |
type |
Adaptational Attractiveness |
| She (1935) / int_557838d1 |
type |
Adaptational Attractiveness |
| She (1965) / int_557838d1 |
type |
Adaptational Attractiveness |
| She-Devil / int_557838d1 |
type |
Adaptational Attractiveness |
| Sherlock Holmes: A Game of Shadows / int_557838d1 |
type |
Adaptational Attractiveness |
| Shooter / int_557838d1 |
type |
Adaptational Attractiveness |
| Skyfall / int_557838d1 |
type |
Adaptational Attractiveness |
| Sleepy Hollow (1999) / int_557838d1 |
type |
Adaptational Attractiveness |
| Slumberland / int_557838d1 |
type |
Adaptational Attractiveness |
| Sonic the Hedgehog (2020) / int_557838d1 |
type |
Adaptational Attractiveness |
| Soul Surfer / int_557838d1 |
type |
Adaptational Attractiveness |
| Spider-Man: Far From Home / int_557838d1 |
type |
Adaptational Attractiveness |
| Spider-Man: Homecoming / int_557838d1 |
type |
Adaptational Attractiveness |
| Stoned / int_557838d1 |
type |
Adaptational Attractiveness |
| Suicide Squad (2016) / int_557838d1 |
type |
Adaptational Attractiveness |
| Super Mario Bros. (1993) / int_557838d1 |
type |
Adaptational Attractiveness |
| Swamp Thing / int_557838d1 |
type |
Adaptational Attractiveness |
| Swoon / int_557838d1 |
type |
Adaptational Attractiveness |
| Taffin / int_557838d1 |
type |
Adaptational Attractiveness |
| The Addams Family / int_557838d1 |
type |
Adaptational Attractiveness |
| The African Queen / int_557838d1 |
type |
Adaptational Attractiveness |
| The Amazing Spider-Man / int_557838d1 |
type |
Adaptational Attractiveness |
| The Assassination of Richard Nixon / int_557838d1 |
type |
Adaptational Attractiveness |
| The Black Phone / int_557838d1 |
type |
Adaptational Attractiveness |
| The Bling Ring / int_557838d1 |
type |
Adaptational Attractiveness |
| The Blue Angel / int_557838d1 |
type |
Adaptational Attractiveness |
| The Borrowers (2011) |
seeAlso |
Adaptational Attractiveness |
| The College Admissions Scandal / int_557838d1 |
type |
Adaptational Attractiveness |
| The Conjuring / int_557838d1 |
type |
Adaptational Attractiveness |
| The Country Bears / int_557838d1 |
type |
Adaptational Attractiveness |
| The Dark Tower (2017) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Day That Shook the World / int_557838d1 |
type |
Adaptational Attractiveness |
| The Devil Rides Out / int_557838d1 |
type |
Adaptational Attractiveness |
| The Dirt / int_557838d1 |
type |
Adaptational Attractiveness |
| The Dukes of Hazzard / int_557838d1 |
type |
Adaptational Attractiveness |
| The Eagle (2011) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Flintstones / int_557838d1 |
type |
Adaptational Attractiveness |
| The Fog / int_557838d1 |
type |
Adaptational Attractiveness |
| The Fourth Kind / int_557838d1 |
type |
Adaptational Attractiveness |
| The Golden Glove / int_557838d1 |
type |
Adaptational Attractiveness |
| The Haunting (1963) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Heiress / int_557838d1 |
type |
Adaptational Attractiveness |
| The Help / int_557838d1 |
type |
Adaptational Attractiveness |
| The Hobbit / int_557838d1 |
type |
Adaptational Attractiveness |
| The House With a Clock in Its Walls / int_557838d1 |
type |
Adaptational Attractiveness |
| The Hunchback of Notre Dame (1956) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Hunchback of Notre Dame (1982) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Hunger Games / int_557838d1 |
type |
Adaptational Attractiveness |
| The Hunter (1980) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Innocents / int_557838d1 |
type |
Adaptational Attractiveness |
| The Iron Claw / int_557838d1 |
type |
Adaptational Attractiveness |
| The Last Airbender / int_557838d1 |
type |
Adaptational Attractiveness |
| The Lion, the Witch, and the Wardrobe / int_557838d1 |
type |
Adaptational Attractiveness |
| The Lost World (1998) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Lovely Bones / int_557838d1 |
type |
Adaptational Attractiveness |
| The Man Who Knew Infinity / int_557838d1 |
type |
Adaptational Attractiveness |
| The Martian / int_557838d1 |
type |
Adaptational Attractiveness |
| The Misfits / int_557838d1 |
type |
Adaptational Attractiveness |
| The Namesake / int_557838d1 |
type |
Adaptational Attractiveness |
| The NeverEnding Story (1984) / int_557838d1 |
type |
Adaptational Attractiveness |
| The NeverEnding Story / int_557838d1 |
type |
Adaptational Attractiveness |
| The Ninth Gate / int_557838d1 |
type |
Adaptational Attractiveness |
| The Phantom of the Opera (1998) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Phantom of the Opera (2004) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Picture of Dorian Gray (1945) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Princess Bride / int_557838d1 |
type |
Adaptational Attractiveness |
| The Princess Diaries / int_557838d1 |
type |
Adaptational Attractiveness |
| The Private Life of Sherlock Holmes / int_557838d1 |
type |
Adaptational Attractiveness |
| The Punisher (2004) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Relic / int_557838d1 |
type |
Adaptational Attractiveness |
| The Rookie (2002) / int_557838d1 |
type |
Adaptational Attractiveness |
| The School for Good and Evil (2022) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Shining / int_557838d1 |
type |
Adaptational Attractiveness |
| The Smurfs / int_557838d1 |
type |
Adaptational Attractiveness |
| The Smurfs 2 / int_557838d1 |
type |
Adaptational Attractiveness |
| The Snowman (2017) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Stoning of Soraya M. / int_557838d1 |
type |
Adaptational Attractiveness |
| The Thin Man / int_557838d1 |
type |
Adaptational Attractiveness |
| The 13th Warrior / int_557838d1 |
type |
Adaptational Attractiveness |
| The Unholy / int_557838d1 |
type |
Adaptational Attractiveness |
| The Wedding Bride / int_557838d1 |
type |
Adaptational Attractiveness |
| The Witches (2020) / int_557838d1 |
type |
Adaptational Attractiveness |
| Their Finest / int_557838d1 |
type |
Adaptational Attractiveness |
| They Shoot Horses, Don't They? / int_557838d1 |
type |
Adaptational Attractiveness |
| Thirteen Women / int_557838d1 |
type |
Adaptational Attractiveness |
| 30 Days of Night / int_557838d1 |
type |
Adaptational Attractiveness |
| Thor / int_557838d1 |
type |
Adaptational Attractiveness |
| Thor: Love and Thunder / int_557838d1 |
type |
Adaptational Attractiveness |
| Thunderball / int_557838d1 |
type |
Adaptational Attractiveness |
| Tinker, Tailor, Soldier, Spy / int_557838d1 |
type |
Adaptational Attractiveness |
| Tinker, Tailor, Soldier, Spy (2011) / int_557838d1 |
type |
Adaptational Attractiveness |
| Titus (1999) / int_557838d1 |
type |
Adaptational Attractiveness |
| To End All Wars / int_557838d1 |
type |
Adaptational Attractiveness |
| True Grit / int_557838d1 |
type |
Adaptational Attractiveness |
| Under Capricorn / int_557838d1 |
type |
Adaptational Attractiveness |
| Valerian and the City of a Thousand Planets / int_557838d1 |
type |
Adaptational Attractiveness |
| Valley of the Dolls / int_557838d1 |
type |
Adaptational Attractiveness |
| Vanilla Sky / int_557838d1 |
type |
Adaptational Attractiveness |
| Veronica Guerin / int_557838d1 |
type |
Adaptational Attractiveness |
| Violent Night / int_557838d1 |
type |
Adaptational Attractiveness |
| War Dogs / int_557838d1 |
type |
Adaptational Attractiveness |
| Watchmen / int_557838d1 |
type |
Adaptational Attractiveness |
| We Are Marshall / int_557838d1 |
type |
Adaptational Attractiveness |
| West Side Story (2021) / int_557838d1 |
type |
Adaptational Attractiveness |
| What's Eating Gilbert Grape / int_557838d1 |
type |
Adaptational Attractiveness |
| Where the Heart Is / int_557838d1 |
type |
Adaptational Attractiveness |
| Whip It / int_557838d1 |
type |
Adaptational Attractiveness |
| Wild at Heart / int_557838d1 |
type |
Adaptational Attractiveness |
| Willy Wonka & the Chocolate Factory / int_557838d1 |
type |
Adaptational Attractiveness |
| Wonder Boys / int_557838d1 |
type |
Adaptational Attractiveness |
| X-Men / int_557838d1 |
type |
Adaptational Attractiveness |
| X-Men: First Class / int_557838d1 |
type |
Adaptational Attractiveness |
| X-Men: The Last Stand / int_557838d1 |
type |
Adaptational Attractiveness |
| Zelig / int_557838d1 |
type |
Adaptational Attractiveness |
| Disney Fairies (Franchise) / int_557838d1 |
type |
Adaptational Attractiveness |
| Fire Emblem (Franchise) / int_557838d1 |
type |
Adaptational Attractiveness |
| Halo (Franchise) / int_557838d1 |
type |
Adaptational Attractiveness |
| Les Misérables (Franchise) / int_557838d1 |
type |
Adaptational Attractiveness |
| Sentou Yousei Yukikaze (Franchise) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Phantom of the Opera (Franchise) / int_557838d1 |
type |
Adaptational Attractiveness |
| All You Need is Kill / int_557838d1 |
type |
Adaptational Attractiveness |
| Fate/Zero / int_557838d1 |
type |
Adaptational Attractiveness |
| Otherside Picnic / int_557838d1 |
type |
Adaptational Attractiveness |
| Slayers / int_557838d1 |
type |
Adaptational Attractiveness |
| A Passage to India / int_557838d1 |
type |
Adaptational Attractiveness |
| A Scanner Darkly / int_557838d1 |
type |
Adaptational Attractiveness |
| All You Need is Kill / int_557838d1 |
type |
Adaptational Attractiveness |
| Angela's Ashes / int_557838d1 |
type |
Adaptational Attractiveness |
| Beastly / int_557838d1 |
type |
Adaptational Attractiveness |
| Brideshead Revisited / int_557838d1 |
type |
Adaptational Attractiveness |
| Bridge to Terabithia / int_557838d1 |
type |
Adaptational Attractiveness |
| Christine / int_557838d1 |
type |
Adaptational Attractiveness |
| Confessions of an Ugly Stepsister / int_557838d1 |
type |
Adaptational Attractiveness |
| Die Pilgerin / int_557838d1 |
type |
Adaptational Attractiveness |
| Doctor Who Novelisations / int_557838d1 |
type |
Adaptational Attractiveness |
| Douluo Dalu / int_557838d1 |
type |
Adaptational Attractiveness |
| Dresden's Haunted Forest / int_557838d1 |
type |
Adaptational Attractiveness |
| Endless Love / int_557838d1 |
type |
Adaptational Attractiveness |
| Fantastic Beasts and Where to Find Them / int_557838d1 |
type |
Adaptational Attractiveness |
| Fate/Zero / int_557838d1 |
type |
Adaptational Attractiveness |
| Filth / int_557838d1 |
type |
Adaptational Attractiveness |
| Flower Drum Song / int_557838d1 |
type |
Adaptational Attractiveness |
| Fried Green Tomatoes at the Whistle Stop Cafe / int_557838d1 |
type |
Adaptational Attractiveness |
| Gate / int_557838d1 |
type |
Adaptational Attractiveness |
| Generation P / int_557838d1 |
type |
Adaptational Attractiveness |
| Gerald's Game / int_557838d1 |
type |
Adaptational Attractiveness |
| Geronimo Stilton / int_557838d1 |
type |
Adaptational Attractiveness |
| Gone Baby Gone / int_557838d1 |
type |
Adaptational Attractiveness |
| Gormenghast / int_557838d1 |
type |
Adaptational Attractiveness |
| Gotham High / int_557838d1 |
type |
Adaptational Attractiveness |
| Harriet the Spy / int_557838d1 |
type |
Adaptational Attractiveness |
| Hogfather / int_557838d1 |
type |
Adaptational Attractiveness |
| Holes / int_557838d1 |
type |
Adaptational Attractiveness |
| Howards End / int_557838d1 |
type |
Adaptational Attractiveness |
| I Have No Mouth, and I Must Scream / int_557838d1 |
type |
Adaptational Attractiveness |
| James and the Giant Peach / int_557838d1 |
type |
Adaptational Attractiveness |
| Journey to the West / int_557838d1 |
type |
Adaptational Attractiveness |
| Kino's Journey / int_557838d1 |
type |
Adaptational Attractiveness |
| Little Women / int_557838d1 |
type |
Adaptational Attractiveness |
| Lock And Mori / int_557838d1 |
type |
Adaptational Attractiveness |
| Lord Edgware Dies / int_557838d1 |
type |
Adaptational Attractiveness |
| Lord of the Flies / int_557838d1 |
type |
Adaptational Attractiveness |
| Maurice / int_557838d1 |
type |
Adaptational Attractiveness |
| Memoirs of a Geisha / int_557838d1 |
type |
Adaptational Attractiveness |
| Meno Male Che Ci Sei / int_557838d1 |
type |
Adaptational Attractiveness |
| Misery / int_557838d1 |
type |
Adaptational Attractiveness |
| Molly Moon / int_557838d1 |
type |
Adaptational Attractiveness |
| Mother Holle / int_557838d1 |
type |
Adaptational Attractiveness |
| My Instant Death Ability is So Overpowered... / int_557838d1 |
type |
Adaptational Attractiveness |
| My Youth Romantic Comedy Is Wrong, as I Expected / int_557838d1 |
type |
Adaptational Attractiveness |
| Nancy Drew / int_557838d1 |
type |
Adaptational Attractiveness |
| National Velvet / int_557838d1 |
type |
Adaptational Attractiveness |
| Nicholas Nickleby / int_557838d1 |
type |
Adaptational Attractiveness |
| Nine Perfect Strangers / int_557838d1 |
type |
Adaptational Attractiveness |
| Northanger Abbey / int_557838d1 |
type |
Adaptational Attractiveness |
| NOS4A2 / int_557838d1 |
type |
Adaptational Attractiveness |
| On a Godless Planet / int_557838d1 |
type |
Adaptational Attractiveness |
| Otherside Picnic / int_557838d1 |
type |
Adaptational Attractiveness |
| Pride and Prejudice and Zombies / int_557838d1 |
type |
Adaptational Attractiveness |
| Rainbow Magic / int_557838d1 |
type |
Adaptational Attractiveness |
| Sentou Yousei Yukikaze / int_557838d1 |
type |
Adaptational Attractiveness |
| Slayers / int_557838d1 |
type |
Adaptational Attractiveness |
| Smaller & Smaller Circles / int_557838d1 |
type |
Adaptational Attractiveness |
| Something Wicked This Way Comes / int_557838d1 |
type |
Adaptational Attractiveness |
| Sound! Euphonium / int_557838d1 |
type |
Adaptational Attractiveness |
| Tales of the Magic Land / int_557838d1 |
type |
Adaptational Attractiveness |
| That Time I Got Reincarnated as a Slime / int_557838d1 |
type |
Adaptational Attractiveness |
| The Age of Innocence / int_557838d1 |
type |
Adaptational Attractiveness |
| The Blind Side / int_557838d1 |
type |
Adaptational Attractiveness |
| The Confusions of Young Törless / int_557838d1 |
type |
Adaptational Attractiveness |
| The Crimson Petal and the White / int_557838d1 |
type |
Adaptational Attractiveness |
| The Day of the Locust / int_557838d1 |
type |
Adaptational Attractiveness |
| The Devil All the Time / int_557838d1 |
type |
Adaptational Attractiveness |
| The Dunwich Horror / int_557838d1 |
type |
Adaptational Attractiveness |
| The Eminence in Shadow / int_557838d1 |
type |
Adaptational Attractiveness |
| The Fault in Our Stars / int_557838d1 |
type |
Adaptational Attractiveness |
| The Floods / int_557838d1 |
type |
Adaptational Attractiveness |
| The Girl on the Train / int_557838d1 |
type |
Adaptational Attractiveness |
| The Girls Series / int_557838d1 |
type |
Adaptational Attractiveness |
| The Jewel Kingdom / int_557838d1 |
type |
Adaptational Attractiveness |
| The Langoliers / int_557838d1 |
type |
Adaptational Attractiveness |
| The Little Stranger / int_557838d1 |
type |
Adaptational Attractiveness |
| The Martian Chronicles / int_557838d1 |
type |
Adaptational Attractiveness |
| The Mist / int_557838d1 |
type |
Adaptational Attractiveness |
| The Old Curiosity Shop / int_557838d1 |
type |
Adaptational Attractiveness |
| The Ring / int_557838d1 |
type |
Adaptational Attractiveness |
| The Saga of Tanya the Evil / int_557838d1 |
type |
Adaptational Attractiveness |
| The Stepford Wives / int_557838d1 |
type |
Adaptational Attractiveness |
| The Tournament of Supervillainy / int_557838d1 |
type |
Adaptational Attractiveness |
| The Witches of Eastwick / int_557838d1 |
type |
Adaptational Attractiveness |
| The Woman / int_557838d1 |
type |
Adaptational Attractiveness |
| The Woman in White / int_557838d1 |
type |
Adaptational Attractiveness |
| The Worst Witch / int_557838d1 |
type |
Adaptational Attractiveness |
| The Yearling / int_557838d1 |
type |
Adaptational Attractiveness |
| Timeline / int_557838d1 |
type |
Adaptational Attractiveness |
| To Kill a Mockingbird / int_557838d1 |
type |
Adaptational Attractiveness |
| Vampire Academy / int_557838d1 |
type |
Adaptational Attractiveness |
| War and Peace / int_557838d1 |
type |
Adaptational Attractiveness |
| White Fang / int_557838d1 |
type |
Adaptational Attractiveness |
| White Teeth / int_557838d1 |
type |
Adaptational Attractiveness |
| Why Not Me? / int_557838d1 |
type |
Adaptational Attractiveness |
| Winnetou / int_557838d1 |
type |
Adaptational Attractiveness |
| World Without End / int_557838d1 |
type |
Adaptational Attractiveness |
| Wyrd Sisters / int_557838d1 |
type |
Adaptational Attractiveness |
| Doctor Who Magazine (Magazine) / int_557838d1 |
type |
Adaptational Attractiveness |
| AshleyGreene |
seeAlso |
Adaptational Attractiveness |
| GeorgeWashington |
seeAlso |
Adaptational Attractiveness |
| HistoricalBeautyUpDate |
seeAlso |
Adaptational Attractiveness |
| KenichiMatsuyama |
seeAlso |
Adaptational Attractiveness |
| A Certain Scientific Railgun (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Ajin (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Apocalypse Zero (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Baby and Me (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Big Windup! (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Black Jack (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Boruto (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Classi9 (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Cyborg 009 (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Desert Punk (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Doraemon (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Dororo (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Elden Ring: The Road to the Erdtree (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Galaxy Express 999 (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| GeGeGe no Kitarō (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Get Backers (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Gokusen (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Himitsu no Akko-chan (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Hunter × Hunter (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Ichi the Killer (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Inuyashiki (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Kamen Rider Spirits (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Kasane (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Keep Your Hands Off Eizouken! (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Kuroko's Basketball (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Manga Classics (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Manga Shakespeare (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Mazinger Angels (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Mobile Suit Gundam SEED Destiny: The Edge (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Moriarty the Patriot (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Mr. Arashi's Amazing Freak Show (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| My Love Story!! (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Nana & Kaoru (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Nana to Kaoru (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| No Matter How I Look at It, It's You Guys' Fault I'm Not Popular! (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Pokémon Adventures (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Prison School (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Romance of the Three Kingdoms (1971) (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Rurouni Kenshin (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Saint Seiya: Episode.G (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Strawberry 100% (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Tentai Senshi Sunred (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Electric Tale of Pikachu (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Legend of Zelda (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Legend of Zelda (Akira Himekawa) (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Legend of Zelda (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Toward the Terra (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| 21 Emon (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Uzumaki (Manga) / int_557838d1 |
type |
Adaptational Attractiveness |
| Lindsey Stirling (Music) / int_557838d1 |
type |
Adaptational Attractiveness |
| Pleasant Green Universe (Radio) / int_557838d1 |
type |
Adaptational Attractiveness |
| Digimon World: Infamy (Roleplay) / int_557838d1 |
type |
Adaptational Attractiveness |
| Fate Hollow Order (Roleplay) / int_557838d1 |
type |
Adaptational Attractiveness |
| Fidite Nemini (Roleplay) / int_557838d1 |
type |
Adaptational Attractiveness |
| Hazbin Hotel: Lucifer's Folly (Roleplay) / int_557838d1 |
type |
Adaptational Attractiveness |
| Projection Quest (Roleplay) / int_557838d1 |
type |
Adaptational Attractiveness |
| US Gov Sim (Roleplay) / int_557838d1 |
type |
Adaptational Attractiveness |
| A Crime To Remember / int_557838d1 |
type |
Adaptational Attractiveness |
| A Passion for Revenge / int_557838d1 |
type |
Adaptational Attractiveness |
| Adam Ruins Everything / int_557838d1 |
type |
Adaptational Attractiveness |
| Adventures in Wonderland / int_557838d1 |
type |
Adaptational Attractiveness |
| Agent Carter / int_557838d1 |
type |
Adaptational Attractiveness |
| Alex Rider / int_557838d1 |
type |
Adaptational Attractiveness |
| Alex Rider (2020) / int_557838d1 |
type |
Adaptational Attractiveness |
| Alice (2009) / int_557838d1 |
type |
Adaptational Attractiveness |
| American Horror Story: Roanoke / int_557838d1 |
type |
Adaptational Attractiveness |
| Archive 81 / int_557838d1 |
type |
Adaptational Attractiveness |
| Battlestar Galactica (2003) / int_557838d1 |
type |
Adaptational Attractiveness |
| Behind Her Eyes / int_557838d1 |
type |
Adaptational Attractiveness |
| Bel-Air / int_557838d1 |
type |
Adaptational Attractiveness |
| Black Lightning (2018) / int_557838d1 |
type |
Adaptational Attractiveness |
| Brave New World / int_557838d1 |
type |
Adaptational Attractiveness |
| Castle Rock / int_557838d1 |
type |
Adaptational Attractiveness |
| Charlie's Angels (2011) / int_557838d1 |
type |
Adaptational Attractiveness |
| Cormoran Strike / int_557838d1 |
type |
Adaptational Attractiveness |
| Cowboy Bebop (2021) / int_557838d1 |
type |
Adaptational Attractiveness |
| Dark Shadows (1991) / int_557838d1 |
type |
Adaptational Attractiveness |
| Dirk Gently's Holistic Detective Agency / int_557838d1 |
type |
Adaptational Attractiveness |
| Doom Patrol (2019) / int_557838d1 |
type |
Adaptational Attractiveness |
| Emerald City / int_557838d1 |
type |
Adaptational Attractiveness |
| Fallout (2024) / int_557838d1 |
type |
Adaptational Attractiveness |
| Feud / int_557838d1 |
type |
Adaptational Attractiveness |
| From Dusk Till Dawn / int_557838d1 |
type |
Adaptational Attractiveness |
| Get Even / int_557838d1 |
type |
Adaptational Attractiveness |
| Get Even (2020) / int_557838d1 |
type |
Adaptational Attractiveness |
| Good Omens (2019) / int_557838d1 |
type |
Adaptational Attractiveness |
| Gossip Girl (2007) / int_557838d1 |
type |
Adaptational Attractiveness |
| Gotham / int_557838d1 |
type |
Adaptational Attractiveness |
| Guest from the Future / int_557838d1 |
type |
Adaptational Attractiveness |
| Harry And Charles / int_557838d1 |
type |
Adaptational Attractiveness |
| Hercules: The Legendary Journeys / int_557838d1 |
type |
Adaptational Attractiveness |
| Honey, I Shrunk the Kids / int_557838d1 |
type |
Adaptational Attractiveness |
| House of the Dragon / int_557838d1 |
type |
Adaptational Attractiveness |
| I Am Frankie / int_557838d1 |
type |
Adaptational Attractiveness |
| Impeachment / int_557838d1 |
type |
Adaptational Attractiveness |
| Inspector Lynley / int_557838d1 |
type |
Adaptational Attractiveness |
| Jack and the Beanstalk: The Real Story / int_557838d1 |
type |
Adaptational Attractiveness |
| Jason and the Argonauts / int_557838d1 |
type |
Adaptational Attractiveness |
| Journey to the West (1996) / int_557838d1 |
type |
Adaptational Attractiveness |
| Kabouter Plop / int_557838d1 |
type |
Adaptational Attractiveness |
| Kindred: The Embraced / int_557838d1 |
type |
Adaptational Attractiveness |
| L'Allieva / int_557838d1 |
type |
Adaptational Attractiveness |
| Law & Order: UK / int_557838d1 |
type |
Adaptational Attractiveness |
| Legend of the Seeker / int_557838d1 |
type |
Adaptational Attractiveness |
| Legion (2017) / int_557838d1 |
type |
Adaptational Attractiveness |
| Lexx / int_557838d1 |
type |
Adaptational Attractiveness |
| Locke & Key (2020) / int_557838d1 |
type |
Adaptational Attractiveness |
| Lockwood & Co. (2023) / int_557838d1 |
type |
Adaptational Attractiveness |
| Lucifer (2016) / int_557838d1 |
type |
Adaptational Attractiveness |
| Luke Cage (2016) / int_557838d1 |
type |
Adaptational Attractiveness |
| Masters of Sex / int_557838d1 |
type |
Adaptational Attractiveness |
| Medium / int_557838d1 |
type |
Adaptational Attractiveness |
| Mockingbird Lane / int_557838d1 |
type |
Adaptational Attractiveness |
| Monkey / int_557838d1 |
type |
Adaptational Attractiveness |
| Monkey King: Quest for The Sutra / int_557838d1 |
type |
Adaptational Attractiveness |
| Mortal Kombat: Conquest / int_557838d1 |
type |
Adaptational Attractiveness |
| Night Gallery / int_557838d1 |
type |
Adaptational Attractiveness |
| Night Stalker / int_557838d1 |
type |
Adaptational Attractiveness |
| North and South (U.S.) / int_557838d1 |
type |
Adaptational Attractiveness |
| Once Upon a Time in Wonderland / int_557838d1 |
type |
Adaptational Attractiveness |
| One Day at a Time (2017) / int_557838d1 |
type |
Adaptational Attractiveness |
| One Piece (2023) / int_557838d1 |
type |
Adaptational Attractiveness |
| Orphan Black: 7 Genes / int_557838d1 |
type |
Adaptational Attractiveness |
| Power Rangers Mystic Force / int_557838d1 |
type |
Adaptational Attractiveness |
| Preacher (2016) / int_557838d1 |
type |
Adaptational Attractiveness |
| Pride and Prejudice (1995) / int_557838d1 |
type |
Adaptational Attractiveness |
| Red Dwarf USA / int_557838d1 |
type |
Adaptational Attractiveness |
| Richie Rich / int_557838d1 |
type |
Adaptational Attractiveness |
| Riverdale / int_557838d1 |
type |
Adaptational Attractiveness |
| Rizzoli & Isles / int_557838d1 |
type |
Adaptational Attractiveness |
| Scorpion / int_557838d1 |
type |
Adaptational Attractiveness |
| Seconds from Disaster / int_557838d1 |
type |
Adaptational Attractiveness |
| Shadowhunters / int_557838d1 |
type |
Adaptational Attractiveness |
| Sherlock / int_557838d1 |
type |
Adaptational Attractiveness |
| Sleepy Hollow / int_557838d1 |
type |
Adaptational Attractiveness |
| Slow Horses / int_557838d1 |
type |
Adaptational Attractiveness |
| Sons of Liberty / int_557838d1 |
type |
Adaptational Attractiveness |
| Stargirl (2020) / int_557838d1 |
type |
Adaptational Attractiveness |
| Strangers From Hell / int_557838d1 |
type |
Adaptational Attractiveness |
| Strike (2017) / int_557838d1 |
type |
Adaptational Attractiveness |
| Supergirl (2015) / int_557838d1 |
type |
Adaptational Attractiveness |
| Sweet Tooth / int_557838d1 |
type |
Adaptational Attractiveness |
| The Andy Griffith Show / int_557838d1 |
type |
Adaptational Attractiveness |
| The Apprentice / int_557838d1 |
type |
Adaptational Attractiveness |
| The Assassination of Gianni Versace / int_557838d1 |
type |
Adaptational Attractiveness |
| The Baby-Sitters Club (2020) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Beach Boys: An American Family / int_557838d1 |
type |
Adaptational Attractiveness |
| The Casual Vacancy / int_557838d1 |
type |
Adaptational Attractiveness |
| The Day of the Triffids (2009) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Dropout / int_557838d1 |
type |
Adaptational Attractiveness |
| The Handmaid's Tale / int_557838d1 |
type |
Adaptational Attractiveness |
| The Haunting Hour / int_557838d1 |
type |
Adaptational Attractiveness |
| The Inbetweeners / int_557838d1 |
type |
Adaptational Attractiveness |
| The Julekalender / int_557838d1 |
type |
Adaptational Attractiveness |
| The Keepers / int_557838d1 |
type |
Adaptational Attractiveness |
| The Last Kingdom / int_557838d1 |
type |
Adaptational Attractiveness |
| The Many Loves of Dobie Gillis / int_557838d1 |
type |
Adaptational Attractiveness |
| The Mrs Bradley Mysteries / int_557838d1 |
type |
Adaptational Attractiveness |
| The New Legends Of Monkey / int_557838d1 |
type |
Adaptational Attractiveness |
| The Punisher (2017) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Sandman (2022) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Serpent / int_557838d1 |
type |
Adaptational Attractiveness |
| The Stand (2020) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Tick (2016) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Tudors / int_557838d1 |
type |
Adaptational Attractiveness |
| The Umbrella Academy (2019) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Watch (2021) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Witcher (2019) / int_557838d1 |
type |
Adaptational Attractiveness |
| Tinker, Tailor, Soldier, Spy / int_557838d1 |
type |
Adaptational Attractiveness |
| Tremors / int_557838d1 |
type |
Adaptational Attractiveness |
| True Blood / int_557838d1 |
type |
Adaptational Attractiveness |
| 24 (India) / int_557838d1 |
type |
Adaptational Attractiveness |
| Unbelievable / int_557838d1 |
type |
Adaptational Attractiveness |
| Video Power / int_557838d1 |
type |
Adaptational Attractiveness |
| Voltes V: Legacy / int_557838d1 |
type |
Adaptational Attractiveness |
| War and Peace (2016) / int_557838d1 |
type |
Adaptational Attractiveness |
| Welcome to Chippendales / int_557838d1 |
type |
Adaptational Attractiveness |
| Wentworth / int_557838d1 |
type |
Adaptational Attractiveness |
| Wives and Daughters / int_557838d1 |
type |
Adaptational Attractiveness |
| Wolf Hall / int_557838d1 |
type |
Adaptational Attractiveness |
| Wonder Woman (1975) / int_557838d1 |
type |
Adaptational Attractiveness |
| You (2018) / int_557838d1 |
type |
Adaptational Attractiveness |
| Yumi's Cells / int_557838d1 |
type |
Adaptational Attractiveness |
| Marrying Mr. Darcy (Tabletop Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| X-Men Trading Card Game (Tabletop Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Beetlejuice (Theatre) / int_557838d1 |
type |
Adaptational Attractiveness |
| Bullets Over Broadway (Theatre) / int_557838d1 |
type |
Adaptational Attractiveness |
| Cabaret (Theatre) / int_557838d1 |
type |
Adaptational Attractiveness |
| Camelot (Theatre) / int_557838d1 |
type |
Adaptational Attractiveness |
| Cesare - Il Creatore che ha distrutto (Theatre) / int_557838d1 |
type |
Adaptational Attractiveness |
| Cinderella (Rodgers and Hammerstein) (Theatre) / int_557838d1 |
type |
Adaptational Attractiveness |
| Death of a Salesman (Theatre) / int_557838d1 |
type |
Adaptational Attractiveness |
| Frozen (2018) (Theatre) / int_557838d1 |
type |
Adaptational Attractiveness |
| Grease (Theatre) / int_557838d1 |
type |
Adaptational Attractiveness |
| Gypsy (Theatre) / int_557838d1 |
type |
Adaptational Attractiveness |
| Hamlet (Theatre) / int_557838d1 |
type |
Adaptational Attractiveness |
| Henry V (Theatre) / int_557838d1 |
type |
Adaptational Attractiveness |
| Inherit the Wind (Theatre) / int_557838d1 |
type |
Adaptational Attractiveness |
| Macbeth (Theatre) / int_557838d1 |
type |
Adaptational Attractiveness |
| Marat/Sade (Theatre) / int_557838d1 |
type |
Adaptational Attractiveness |
| Matilda (Theatre) / int_557838d1 |
type |
Adaptational Attractiveness |
| Nine (Musical) (Theatre) / int_557838d1 |
type |
Adaptational Attractiveness |
| Notre-Dame de Paris (Theatre) / int_557838d1 |
type |
Adaptational Attractiveness |
| Pokémon Live! (Theatre) / int_557838d1 |
type |
Adaptational Attractiveness |
| Seussical (Theatre) / int_557838d1 |
type |
Adaptational Attractiveness |
| Tanz der Vampire (Theatre) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Hunchback of Notre Dame (Theatre) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Little Mermaid (Theatre) / int_557838d1 |
type |
Adaptational Attractiveness |
| The SpongeBob Musical (Theatre) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Wiz (Theatre) / int_557838d1 |
type |
Adaptational Attractiveness |
| West Side Story (Theatre) / int_557838d1 |
type |
Adaptational Attractiveness |
| Wicked (Theatre) / int_557838d1 |
type |
Adaptational Attractiveness |
| Batman: The Telltale Series (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Bloodstained: Ritual of the Night (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Catto Boi (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Crash Team Racing Nitro-Fueled (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Crusader Kings II: Game of Thrones Mod (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Deadpool (2013) (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Destroy All Humans! 2: Reprobed (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Downfall (2009) (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Ebenezer and the Invisible World (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| El Shaddai: Ascension of the Metatron (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Fire Emblem Gaiden (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Five Nights At The Krusty Krab (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Friday Night Funkin' HD (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Harvest Moon: Magical Melody (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Jurassic Park: The Game (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Kinder (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| King's Knight (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Leisure Suit Larry: Wet Dreams Don't Dry (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Mafia: The City of Lost Heaven (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Metal Slug Code J (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Middle-earth: Shadow of War (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Mighty Gunvolt (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Moemon (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Pathologic 2 (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Pokémon Ruby and Sapphire (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Pokémon Sun and Moon (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| River City Girls (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Secret of Mana (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Sega Heroes (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Sonny (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Spyro Reignited Trilogy (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Stardew Valley Expanded (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Story of Seasons: A Wonderful Life (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Story of Seasons: Friends of Mineral Town (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Story Of Seasons Reunion In Mineral Town (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Street Fighter X Tekken (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Super Don Quixote (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Teenage Mutant Ninja Turtles: Shredder's Revenge (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Tex Murphy (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Battle Cats (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Wolf Among Us (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Thronebreaker: The Witcher Tales (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Tokyo Afterschool Summoners (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Underworld Capital Incident (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Wasteland (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| A Little Lily Princess (Visual Novel) / int_557838d1 |
type |
Adaptational Attractiveness |
| Astoria: Fate's Kiss (Visual Novel) / int_557838d1 |
type |
Adaptational Attractiveness |
| Fullmetal Alchemist: Bluebird's Illusion (Visual Novel) / int_557838d1 |
type |
Adaptational Attractiveness |
| I Love You, Colonel Sanders! (Visual Novel) / int_557838d1 |
type |
Adaptational Attractiveness |
| Jekyll & Hyde (MazM) (Visual Novel) / int_557838d1 |
type |
Adaptational Attractiveness |
| Labyrinths Of Astoria (Visual Novel) |
seeAlso |
Adaptational Attractiveness |
| Snatcher (Visual Novel) / int_557838d1 |
type |
Adaptational Attractiveness |
| Fantasy Kaleidoscope (Web Animation) / int_557838d1 |
type |
Adaptational Attractiveness |
| Five Nights at Freddy's (Tony Crynight) (Web Animation) / int_557838d1 |
type |
Adaptational Attractiveness |
| JessJackdaw (Web Animation) / int_557838d1 |
type |
Adaptational Attractiveness |
| JoJo's Bizarre Adventure: One Cartoonist's Dream (Web Animation) / int_557838d1 |
type |
Adaptational Attractiveness |
| Overly Sarcastic Productions (Web Animation) / int_557838d1 |
type |
Adaptational Attractiveness |
| Pokémon Generations (Web Animation) / int_557838d1 |
type |
Adaptational Attractiveness |
| SSS Warrior Cats (Web Animation) / int_557838d1 |
type |
Adaptational Attractiveness |
| Star Wars: Forces of Destiny (Web Animation) / int_557838d1 |
type |
Adaptational Attractiveness |
| The SpongeBob SquarePants Anime (Web Animation) / int_557838d1 |
type |
Adaptational Attractiveness |
| Tony Cynight's Five Night's at Freddy's (Web Animation) / int_557838d1 |
type |
Adaptational Attractiveness |
| So... You're a Cartoonist? (Webcomic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Wooden Plank Studios / Web Comic / int_557838d1 |
type |
Adaptational Attractiveness |
| A VHS Christmas Carol (Web Video) / int_557838d1 |
type |
Adaptational Attractiveness |
| History Buffs (Web Video) / int_557838d1 |
type |
Adaptational Attractiveness |
| Mortal Kombat: Legacy (Web Video) / int_557838d1 |
type |
Adaptational Attractiveness |
| Stoogeposting (Web Video) / int_557838d1 |
type |
Adaptational Attractiveness |
| Street Fighter: Assassin's Fist (Web Video) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Dom Reviews (Web Video) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Lizzie Bennet Diaries (Web Video) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Presidential Adventures (Web Video) / int_557838d1 |
type |
Adaptational Attractiveness |
| Vaguely Recalling JoJo (Web Video) / int_557838d1 |
type |
Adaptational Attractiveness |
| Aisopos (Webcomic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Big Ethel Energy (Webcomic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Cheshire Crossing (Webcomic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Critical Miss (Webcomic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Erstwhile (Webcomic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Everyone Is Home (Webcomic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Iji (Webcomic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Iji (Captain Lhurgoyf) (Webcomic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Junior Gala (Webcomic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Lore Olympus (Webcomic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Megan Kearney's Beauty and the Beast (Webcomic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Mob Psycho 100 (Webcomic) / int_557838d1 |
type |
Adaptational Attractiveness |
| My Girlfriend's A Hex Maniac (Webcomic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Nuzlocke Comics Fan Works (Webcomic) / int_557838d1 |
type |
Adaptational Attractiveness |
| One-Punch Man (Webcomic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Prequel (Webcomic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Roommates2009 |
seeAlso |
Adaptational Attractiveness |
| Rooster Teeth Comics (Webcomic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Sonic the Comic – Online! (Webcomic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Sonic the Continuation (Webcomic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Storyshift (Webcomic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Tales of Elysium (Webcomic) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Little Crooked Tale (Webcomic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Ugly Club (Webcomic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Weapon Brown (Webcomic) / int_557838d1 |
type |
Adaptational Attractiveness |
| When Curiosity Met Insanity (Webcomic) / int_557838d1 |
type |
Adaptational Attractiveness |
| Angel's Friends / int_557838d1 |
type |
Adaptational Attractiveness |
| Asterix Conquers America / int_557838d1 |
type |
Adaptational Attractiveness |
| Asterix: The Mansions of the Gods / int_557838d1 |
type |
Adaptational Attractiveness |
| Batman: Bad Blood / int_557838d1 |
type |
Adaptational Attractiveness |
| Batman: The Dark Knight Returns / int_557838d1 |
type |
Adaptational Attractiveness |
| Beauty and the Beast (Golden 1992) / int_557838d1 |
type |
Adaptational Attractiveness |
| Ben 10 (2016) / int_557838d1 |
type |
Adaptational Attractiveness |
| Beowulf (2007) / int_557838d1 |
type |
Adaptational Attractiveness |
| Cartoon Network Groovies / int_557838d1 |
type |
Adaptational Attractiveness |
| Castlevania: Nocturne / int_557838d1 |
type |
Adaptational Attractiveness |
| Coraline / int_557838d1 |
type |
Adaptational Attractiveness |
| Creepy Crawlers / int_557838d1 |
type |
Adaptational Attractiveness |
| Cybersix / int_557838d1 |
type |
Adaptational Attractiveness |
| Darkstalkers / int_557838d1 |
type |
Adaptational Attractiveness |
| Dorothy Meets Ozma of Oz / int_557838d1 |
type |
Adaptational Attractiveness |
| DuckTales (2017) / int_557838d1 |
type |
Adaptational Attractiveness |
| Ewoks / int_557838d1 |
type |
Adaptational Attractiveness |
| Face's Music Party / int_557838d1 |
type |
Adaptational Attractiveness |
| Fantastic Mr. Fox / int_557838d1 |
type |
Adaptational Attractiveness |
| Garbage Pail Kids Cartoon / int_557838d1 |
type |
Adaptational Attractiveness |
| Grizzly Tales for Gruesome Kids / int_557838d1 |
type |
Adaptational Attractiveness |
| How the Grinch Stole Christmas! / int_557838d1 |
type |
Adaptational Attractiveness |
| Hulk Hogan's Rock 'n' Wrestling / int_557838d1 |
type |
Adaptational Attractiveness |
| Justice League Action / int_557838d1 |
type |
Adaptational Attractiveness |
| Justice League Dark / int_557838d1 |
type |
Adaptational Attractiveness |
| Madballs / int_557838d1 |
type |
Adaptational Attractiveness |
| Marvel's Spider-Man / int_557838d1 |
type |
Adaptational Attractiveness |
| Mega Man (Ruby-Spears) / int_557838d1 |
type |
Adaptational Attractiveness |
| Mortal Kombat Legends: Battle of the Realms / int_557838d1 |
type |
Adaptational Attractiveness |
| My Adventures with Superman / int_557838d1 |
type |
Adaptational Attractiveness |
| My Little Pony: Equestria Girls – Magical Movie Night / int_557838d1 |
type |
Adaptational Attractiveness |
| MyLittlePonyandFriends |
seeAlso |
Adaptational Attractiveness |
| My Scene Goes Hollywood / int_557838d1 |
type |
Adaptational Attractiveness |
| Niko and the Sword of Light / int_557838d1 |
type |
Adaptational Attractiveness |
| Pink Panther and Pals / int_557838d1 |
type |
Adaptational Attractiveness |
| Pinocchio (1992) / int_557838d1 |
type |
Adaptational Attractiveness |
| Rolf Kauka's Once Upon a Time / int_557838d1 |
type |
Adaptational Attractiveness |
| SCOOB! / int_557838d1 |
type |
Adaptational Attractiveness |
| Scrooge: A Christmas Carol / int_557838d1 |
type |
Adaptational Attractiveness |
| She-Ra and the Princesses of Power / int_557838d1 |
type |
Adaptational Attractiveness |
| Shinbone Alley / int_557838d1 |
type |
Adaptational Attractiveness |
| Shrek / int_557838d1 |
type |
Adaptational Attractiveness |
| Shrek / int_557838d1 |
type |
Adaptational Attractiveness |
| South Park: Joining the Panderverse / int_557838d1 |
type |
Adaptational Attractiveness |
| SpacePOP / int_557838d1 |
type |
Adaptational Attractiveness |
| Spider-Man: The Animated Series / int_557838d1 |
type |
Adaptational Attractiveness |
| Star Wars Resistance / int_557838d1 |
type |
Adaptational Attractiveness |
| Static Shock / int_557838d1 |
type |
Adaptational Attractiveness |
| Suicide Squad: Hell to Pay / int_557838d1 |
type |
Adaptational Attractiveness |
| Super Dinosaur / int_557838d1 |
type |
Adaptational Attractiveness |
| Superman/Batman: Apocalypse / int_557838d1 |
type |
Adaptational Attractiveness |
| Superman: Red Son / int_557838d1 |
type |
Adaptational Attractiveness |
| Tales from the Cryptkeeper / int_557838d1 |
type |
Adaptational Attractiveness |
| The Addams Family (1992) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Ant Bully / int_557838d1 |
type |
Adaptational Attractiveness |
| The Brave Little Toaster / int_557838d1 |
type |
Adaptational Attractiveness |
| The Death of Superman / int_557838d1 |
type |
Adaptational Attractiveness |
| The Flintstones / int_557838d1 |
type |
Adaptational Attractiveness |
| The Grinch (2018) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Hunchback of Notre Dame (Golden Films) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Little Mermaid / int_557838d1 |
type |
Adaptational Attractiveness |
| The Lorax / int_557838d1 |
type |
Adaptational Attractiveness |
| The Lorax (2012) / int_557838d1 |
type |
Adaptational Attractiveness |
| The Magical Adventures of Quasimodo / int_557838d1 |
type |
Adaptational Attractiveness |
| The Marvel Super Heroes / int_557838d1 |
type |
Adaptational Attractiveness |
| The Mask / int_557838d1 |
type |
Adaptational Attractiveness |
| The Nutcracker and the Mouse King / int_557838d1 |
type |
Adaptational Attractiveness |
| The Real Ghostbusters / int_557838d1 |
type |
Adaptational Attractiveness |
| The Smurfs and the Magic Flute / int_557838d1 |
type |
Adaptational Attractiveness |
| The Twisted Whiskers Show / int_557838d1 |
type |
Adaptational Attractiveness |
| The Ugly Duckling (1939) / int_557838d1 |
type |
Adaptational Attractiveness |
| Un Burattino Di Nome Pinocchio / int_557838d1 |
type |
Adaptational Attractiveness |
| W.I.T.C.H. (2004) / int_557838d1 |
type |
Adaptational Attractiveness |
| What's New, Scooby-Doo? / int_557838d1 |
type |
Adaptational Attractiveness |
| Wonder Woman (2009) / int_557838d1 |
type |
Adaptational Attractiveness |
| Wunschpunsch / int_557838d1 |
type |
Adaptational Attractiveness |
| X-Men: Evolution / int_557838d1 |
type |
Adaptational Attractiveness |
| X-Men: The Animated Series / int_557838d1 |
type |
Adaptational Attractiveness |
| Avengers Confidential: Black Widow & Punisher / int_557838d1 |
type |
Adaptational Attractiveness |
| El Cazador de la Bruja / int_557838d1 |
type |
Adaptational Attractiveness |
| Code Lyoko: Evolution / int_557838d1 |
type |
Adaptational Attractiveness |
| Death Note the Musical (Theatre) / int_557838d1 |
type |
Adaptational Attractiveness |
| Age of Mythology (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Halo: Reach (Video Game) / int_557838d1 |
type |
Adaptational Attractiveness |
| Papyrus / int_557838d1 |
type |
Adaptational Attractiveness |