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Album Closure
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Even outside of the Rock Opera genre, an album of music can be seen as a story in itself. Consequently, it's extremely common for the last song on an album to try to provide some sort of closure to that story. This is often accomplished by making the final track a slow, introspective ballad where the rest of the album might have been more upbeat—as though after all they've been through, the singer is slowing down to really reflect on what they've learned. If the album is romance-themed, this might be either a tentatively hopeful love song about finding true connection after all the tumult, or a Downer Ending about break-ups and departures. On other albums, it's common for the last track to discuss death and dying—or, contrastingly, rebirth and renewal. The song might be longer than the other tracks, transition between different styles, include some Spoken Word in Music, or have a title like "The End" or "The Last [X] ." May call back to an earlier song, either from the same album or a different one. This is the musical equivalent of Dénouement. Extremely common on Concept Albums. Opposite trope to Album Intro Track, sister-trope to Solemn Ending Theme (which is about credits music). May overlap with Hidden Track or Medley. Might be a Grief Song, Break Up Song, Lonely Piano Piece, or "When I'm Gone" Song, among others. |
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Blonde on Blonde (1966) and Desire (1976) both cap eclectic albums with intimate love songs to his (new and soon-to-be-ex, respectively) wife, "Sad-Eyed Lady of the Lowlands" and "Sara." | |
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Volume 1 ends with "The GiIvaSunner Staff Roll", a rip of the credits music from Kirby's Epic Yarn. | |
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Out of keeping with her normal pattern, Swift concludes folklore with its saddest song: "hoax," a quiet piano ballad about feeling broken by a lover's betrayal but staying anyway. | |
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Good Kid: Good Kid 2 ends with "Drifting", which is about a the singer anticipating his girlfriend breaking up with him because they don't communicate as well anymore. The last line, "and now I know that you've been gone," confirms that the break-up did eventually happen. | |
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Kacey Musgraves' Golden Hour ends with "Rainbow", a song about staying hopeful even when times are hard. | |
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SiIvaGunner is fond of doing this for their Bandcamp releases, particularly their Highest Quality Rips series (hidden tracks notwithstanding). Volume 1 ends with "The GiIvaSunner Staff Roll", a rip of the credits music from Kirby's Epic Yarn. Volume FOUR HOURS! ends with "A Grand New Era ~Ending~", a medley rip which serves as the first part of the Reboot's ending, where The Voice Inside Your Head and Chad Warden make an arrangement to merge the two universes at the cost of Snow Halation.note The Hidden Track is the Golden Ending, in which Chad gives a lengthy speech about how important Snow Halation truly is, and, using the MF Like Button, pulls a Heroic Sacrifice to restore it into the world of SiIva. Volume L (Side A) ends with an arrangement of "Cross Your Heart" from Haunted Castle using the soundfont of Castlevania: The Adventure. Volume L (Side B) ends with "King Towa (Lost Rip Recreation)", which remasters a removed rip mashing up "King Tower" from ''The Urbz: Sims in the City" with Kendrick Lamar's "King Kunta". This is followed by another, shorter track: a MIDI arrangement of the Gracie Films jingle called "And Now The Movie's Over". Volume V ends with "When Summer Ends", a.k.a. "Summer (Where Do We Begin?) - Phineas and Ferb The Movie Game: The Dimension of Doooom!", which mashes up the advertised track with Green Day's "Wake Me Up When September Ends", a cheeky nod to how pitched-up Green Day songs make Billie Joe Armstrong sound like Phineas.note Furthermore, the rip was uploaded on September 30, a further reference to the song's title. Volume FF ends with a posthumously released rip from contributor R.L.99, who had died in late 2021. The rip, "Dancing Masked" (a.k.a. "Showdown with the Ultimate Chimera - MOTHER 3"), would also fit the Longest Song Goes Last trope if the 26-minute "Character Select (Extended Version) - Super Smash Bros." and the 18-minute "Pokey Means Business!" rip weren't already featured earlier in the album. Volume DQ ends with a true Longest Song Goes Last: "Minecraft Is Restored" (a.k.a. "Alpha - Minecraft"), a 21-minute arrangement of "Balance Is Restored" from Final Fantasy VI In the Style of various songs from Minecraft. |
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The official Diablo II soundtrack closes with two conjoined songs ("Coda" and "Roger and Me") that were composed specifically for the soundtrack and don't appear in the game at all. | |
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WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? by Billie Eilish ends with "goodbye," a short, slow song comprising one lyric from each of the album's previous songs. | |
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Mellon Collie and the Infinite Sadness ends with "Farewell and Goodnight", a Surprisingly Gentle Song featuring vocals from the whole band that wishes the listener goodbye. The album is a Concept Album cycling through the day, so ending with a lullaby is fitting. It also Book Ends to the Title Track, a gentle and mellow Album Intro Track. | |
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The Slim Shady LP ends with "Still Don't Give A Fuck", a sequel to his Slim Shady EP and LP song "Just Don't Give A Fuck". "Still Don't Give A Fuck" opens with Marshall in Sincerity Mode admitting he values his life, and is afraid of death, referencing the constant suicide jokes on the rest of the album (as well as his own suicide attempt, which The Slim Shady LP is in part an attempt to process). The hook of the song is him telling everyone who got offended by the album 'fuck you' and 'kiss my ass'. | |
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The last song on Red is "Begin Again," a soft, tentative song about moving on after the kind of tempestuous relationship the greater album is preoccupied with. | |
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Machine Girl's album ...BECAUSE IM YOUNG ARROGANT AND HATE EVERYTHING YOU STAND FOR ends with the track "It Takes a Nation of Millennials to Destroy a Nation of Millions". It's a bit slower than the rest of the album, reuses samples and motifs from earlier in the album, and its lyrics are a neat summary of the album's mission statement. | |
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The Marshall Mathers LP closes with "Criminal", an infamously button-pushing song in which he tells us that if we genuinely think he thinks this stuff or does it in real life, then he'll kill us. It opens with a grotesquely homophobic verse consisting of a Rhyming List of slurs for sexual minorities, as a Metaphorgotten about how much his lyrics hurt feelings and make us mad, and the hook reminds us "every time I write a rhyme, people think it is a crime..." | |
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Highway 61 Revisited (1965) ends with "Desolation Row", which is not only Longest Song Goes Last but also seems to sum up the whole album. | |
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The Dark Side of the Moon closes with "Eclipse", the second half of "Brain Damage," which helps to bring all the themes of the album that it was illustrating together in an epic closer. | |
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Phoebe Bridgers's album Punisher concludes with the melancholy song "I Know the End." It's the longest song on the album by over a minute and shifts into pseudo-Heavy Metal for the outro, which is about the apocalypse. | |
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The White Album ends on "Good Night," a lullaby from Ringo Starr to the listeners, wrapping up the ride the double album has taken them upon. | |
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Volume L (Side A) ends with an arrangement of "Cross Your Heart" from Haunted Castle using the soundfont of Castlevania: The Adventure. | |
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The Times They Are A-Changin' (1964), his most Protest Song-heavy album, ends with "Restless Farewell." | |
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reputation, a dense electropop record, ends with "New Year's Day," a slow, simple, acoustic piano ballad about the renewal of commitment. | |
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Bright Red by experimental artist Laurie Anderson ends with a long Spoken Word in Music piece called "Same Time Tomorrow" about endings and the cyclical nature of time. | |
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The final song on Allie X's EP ColXtion I is the Love Is Like Religion song "Sanctuary," about finding refuge from life's difficulties with her beloved. | |
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Averted with Midnights, which ends with "Mastermind," an upbeat song about the narrator scheming her way into a relationship with her love interest, only for said love interest to be aware of her scheming the whole time but choosing to be with her anyway. | |
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Her next album, Speak Now, ends with a Sequel Song to "Change": "Long Live," another song to her band about how they did overcome challenges and conquer the world. She expresses the hope that they will remember each other forever, even if they should part ways someday. | |
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Similarly, "Clean," the closing track to 1989 is about finally getting "clean" from a toxic relationship—complete with Redemption in the Rain. | |
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1989 (Music) | hasFeature |
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Halsey's MANIC finishes with "929," a simple autobiographical track where Halsey honestly addresses where she is in life and her various feelings about it. | |
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The last song on Never for Ever is "Breathing," which is from the perspective of a child in the womb during a nuclear apocalypse. | |
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Acid Bath's Paegan Terrorism Tactics ends with "Dead Girl", a 7 minute acoustic ballad about necrophilia. The CD includes a hidden spoken word track after over 10 minutes of silence. | |
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GAMI GANG ends with "gg", with lyrics that connect to it being the last song ("I've still got lots of things to say / But it looks like we're running out of time / So I'll compile it down the best I can...") The singer acknowledges that he's incapable of changing and won't be able to relate to his girlfriend anymore. However, he still plans to support her. | |
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Bringing It All Back Home (1965), his first electric album, ends with "It's All Over Now, Baby Blue." | |
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Yeezus closes with "Bound 2", which contrasts the rest of the album's abrasive sound and angry lyrics with a Silly Love Song paying tribute to his then-wife Kim Kardashian, as well as a throwback to the chipmunk soul Kanye specialized in at the beginning of his career. | |
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My Beautiful Dark Twisted Fantasy closes with "Who Will Survive in America", which samples Gil Scott-Heron's spoken word piece "Comment #1" to question the place of black people in modern America. | |
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The Cardigans ended Life with "Closing Time" which includes callbacks to several of the album's previous songs and provides a "Where Are They Now?" Epilogue for some of the characters mentioned therein. | |
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The Cardigans (Music) | hasFeature |
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Album Closure / int_acde0acf | type |
Album Closure | |
Album Closure / int_acde0acf | comment |
Time Out of Mind (1997) ends with the "Highlands", a 16-minute stream-of-consciousness song about moving on from all the ruminations on death and loss that make up the album. | |
Album Closure / int_acde0acf | featureApplicability |
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Album Closure / int_acde0acf | featureConfidence |
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Time Out of Mind (Music) | hasFeature |
Album Closure / int_acde0acf | |
Album Closure / int_aef3a526 | type |
Album Closure | |
Album Closure / int_aef3a526 | comment |
Jhariah: The Great Tale of How I Ruined It All ends with the Title Track. The album takes place After the End, where the survivors have been taken in by a cult. The protagonist hides away and survives, but is soon inspired to take on the leader himself. In the last track, he admits it's not a really a sad or a happy ending; he defeated the leader and is rebuilding the city, but now he runs the cult himself and feels like he could have stopped it altogether had he acted earlier. A BEGINNER'S GUIDE TO FAKING YOUR DEATH ends with "Flight of the Crows". The album follows the story of a man who fakes his death to avoid his past, and grows to regret it once he fears the consequences will catch up to him. In "Flight of the Crows", he decides to Face Death with Dignity and kill himself (or otherwise disappear again), telling everyone to just forget about him so they aren't hurt. The last 30 seconds are a grand theatrical finish before the album ends (except the bonus track). |
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Album Closure / int_aef3a526 | featureApplicability |
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Jhariah (Music) | hasFeature |
Album Closure / int_aef3a526 | |
Album Closure / int_b43b88a8 | type |
Album Closure | |
Album Closure / int_b43b88a8 | comment |
The closing track on Taeyeon's INVU is called "Ending Credits." | |
Album Closure / int_b43b88a8 | featureApplicability |
1.0 | |
Album Closure / int_b43b88a8 | featureConfidence |
1.0 | |
Taeyeon (Music) | hasFeature |
Album Closure / int_b43b88a8 | |
Album Closure / int_b679bdad | type |
Album Closure | |
Album Closure / int_b679bdad | comment |
Discovery (Daft Punk Album) ends with the aptly-named ten-minute "Too Long", which celebrates finally getting to do whatever you want with your life. It's a nice way to see the listener out the metaphorical door. | |
Album Closure / int_b679bdad | featureApplicability |
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Album Closure / int_b679bdad | featureConfidence |
1.0 | |
Discovery (Daft Punk Album) (Music) | hasFeature |
Album Closure / int_b679bdad | |
Album Closure / int_ba9da2e1 | type |
Album Closure | |
Album Closure / int_ba9da2e1 | comment |
Very common with the Foo Fighters. The last tracks seem to always go for a theme like closure ("Exhausted", "Home"), persistence ("New Way Home", "I Am A River", "Concrete and Gold"), departure ("M.I.A.", "Come Back", "Love Dies Young"), and restarting ("End Over End", "Walk"). | |
Album Closure / int_ba9da2e1 | featureApplicability |
1.0 | |
Album Closure / int_ba9da2e1 | featureConfidence |
1.0 | |
Foo Fighters (Music) | hasFeature |
Album Closure / int_ba9da2e1 | |
Album Closure / int_bd3f4b1a | type |
Album Closure | |
Album Closure / int_bd3f4b1a | comment |
Will Wood Everything is a Lot ends with the Title Track note On the remastered version, this song is split into two, “Everything Is A Lot”, and “Destroy To Enjoy” , which starts off as a regular song, then fades into construction noises for about two minutes, and finally ends with a group of people chanting about various Buddhist concepts and drugs. The Normal Album ends with a song constantly telling the viewer that they're going to die someday, likely in some horrible way, and be forgotten. |
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Album Closure / int_bd3f4b1a | featureApplicability |
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Album Closure / int_bd3f4b1a | featureConfidence |
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Will Wood (Music) | hasFeature |
Album Closure / int_bd3f4b1a | |
Album Closure / int_c01df100 | type |
Album Closure | |
Album Closure / int_c01df100 | comment |
The Wall ends with "Outside the Wall," a brief track that, while still leaving Pink's fate ambiguous, wraps up the album with a message about how it's not all that great to isolate yourselfnote along with "Isn't this where-" which leads into the intro track. | |
Album Closure / int_c01df100 | featureApplicability |
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Album Closure / int_c01df100 | featureConfidence |
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The Wall (Music) | hasFeature |
Album Closure / int_c01df100 | |
Album Closure / int_c2d16486 | type |
Album Closure | |
Album Closure / int_c2d16486 | comment |
The Division Bell, which for over two decades seemed to be their last album, ends with "High Hopes" that sounds like an elegy for the band's whole existence and quotes a line from their second single, 27 years earlier, before ending on funeral bells. | |
Album Closure / int_c2d16486 | featureApplicability |
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Album Closure / int_c2d16486 | featureConfidence |
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The Division Bell (Music) | hasFeature |
Album Closure / int_c2d16486 | |
Album Closure / int_c335c44 | type |
Album Closure | |
Album Closure / int_c335c44 | comment |
Adore ends with "17", a 17-second acoustic instrumental that according to the liner notes is supposed to provide space for breathing and reflection. | |
Album Closure / int_c335c44 | featureApplicability |
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Album Closure / int_c335c44 | featureConfidence |
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Adore (Music) | hasFeature |
Album Closure / int_c335c44 | |
Album Closure / int_c5e2645 | type |
Album Closure | |
Album Closure / int_c5e2645 | comment |
Dessa's album Chime ends with "I Hope I'm Wrong," a sad song about her mother's death. | |
Album Closure / int_c5e2645 | featureApplicability |
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Album Closure / int_c5e2645 | featureConfidence |
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Dessa (Music) | hasFeature |
Album Closure / int_c5e2645 | |
Album Closure / int_c635e8e | type |
Album Closure | |
Album Closure / int_c635e8e | comment |
Encore ends with a triumphant posse cut with Dr. Dre and 50 Cent in which they brag about their success, serving as a goodbye to the audience and a statement of intent to focus on his career as a record label mogul... before Slim Shady points his gun at the audience and commits the mass shooting that the whole album was leading up to. | |
Album Closure / int_c635e8e | featureApplicability |
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Dr. Dre (Music) | hasFeature |
Album Closure / int_c635e8e | |
Album Closure / int_cb296ee | type |
Album Closure | |
Album Closure / int_cb296ee | comment |
At the end of her Every Where Is Somewhere album, K. Flay addresses the last few months of her life and recovering from a low point in "Slow March." | |
Album Closure / int_cb296ee | featureApplicability |
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K. Flay (Music) | hasFeature |
Album Closure / int_cb296ee | |
Album Closure / int_cd377a5 | type |
Album Closure | |
Album Closure / int_cd377a5 | comment |
The final song on Lover is "Daylight," a slow, introspective song where Swift explicitly addresses all that she's learned. It ends with a monologue that delivers the album's thesis statement: "You are what you love." | |
Album Closure / int_cd377a5 | featureApplicability |
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Lover (Music) | hasFeature |
Album Closure / int_cd377a5 | |
Album Closure / int_cdafa8c | type |
Album Closure | |
Album Closure / int_cdafa8c | comment |
Magma's Kohntarkosz ends with "Coltrane Sundia", a Celebrity Elegy to John Coltrane. | |
Album Closure / int_cdafa8c | featureApplicability |
1.0 | |
Album Closure / int_cdafa8c | featureConfidence |
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Magma (Music) | hasFeature |
Album Closure / int_cdafa8c | |
Album Closure / int_d0e51ef7 | type |
Album Closure | |
Album Closure / int_d0e51ef7 | comment |
A Different Kind of Human by Aurora ends with "Mothership," a short, slow song with few lyrics that wraps up the album's themes of belonging and deconstructed Alien Abduction. | |
Album Closure / int_d0e51ef7 | featureApplicability |
1.0 | |
Album Closure / int_d0e51ef7 | featureConfidence |
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Aurora (Singer) (Music) | hasFeature |
Album Closure / int_d0e51ef7 | |
Album Closure / int_d13eaf8 | type |
Album Closure | |
Album Closure / int_d13eaf8 | comment |
Qbomb: HYPERPUNK ends with "Overkiller". It concludes the protagonist's arc about his band by saying that he'll never really get over his emotional problems and no matter how realistic he sets his goals, he never feels like they'll be enough. | |
Album Closure / int_d13eaf8 | featureApplicability |
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Album Closure / int_d13eaf8 | featureConfidence |
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Qbomb (Music) | hasFeature |
Album Closure / int_d13eaf8 | |
Album Closure / int_d4cf1133 | type |
Album Closure | |
Album Closure / int_d4cf1133 | comment |
Hounds of Love ends with a song called "The Morning Fog" that wraps up the lost-at-sea subplot of the album's second half and discusses themes of redemption and new beginnings. | |
Album Closure / int_d4cf1133 | featureApplicability |
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Hounds of Love (Music) | hasFeature |
Album Closure / int_d4cf1133 | |
Album Closure / int_d6344601 | type |
Album Closure | |
Album Closure / int_d6344601 | comment |
The closing track of II by The Presidents of the United States of America is "Ladies and Gentlemen Part 2," which thanks the audience for listening says goodbye . . . at least until the Hidden Track. The album opens with "Ladies and Gentlemen Part 1" which serves as an Album Intro Track, so the two songs together act as Book Ends. | |
Album Closure / int_d6344601 | featureApplicability |
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Album Closure / int_d6344601 | featureConfidence |
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The Presidents of the United States of America (Music) | hasFeature |
Album Closure / int_d6344601 | |
Album Closure / int_ddfd12ff | type |
Album Closure | |
Album Closure / int_ddfd12ff | comment |
Volume L (Side B) ends with "King Towa (Lost Rip Recreation)", which remasters a removed rip mashing up "King Tower" from ''The Urbz: Sims in the City" with Kendrick Lamar's "King Kunta". This is followed by another, shorter track: a MIDI arrangement of the Gracie Films jingle called "And Now The Movie's Over". | |
Album Closure / int_ddfd12ff | featureApplicability |
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Kendrick Lamar (Music) | hasFeature |
Album Closure / int_ddfd12ff | |
Album Closure / int_deda2888 | type |
Album Closure | |
Album Closure / int_deda2888 | comment |
The Eminem Show ends with "My Dad's Gone Crazy", in which Slim Shady snorts coke, comes out as gay, tries to remember the advice his mother gave him (it's just an incomprehensible whining noise), says he'd yank his teeth out before he'd bite his tongue... and all this while his little daughter runs around giggling at his antics, telling him off for swearing, and making chainsaw noises (reflecting the subplot in the album about Kim's failed attempt at Taking the Kids after the divorce). | |
Album Closure / int_deda2888 | featureApplicability |
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The Eminem Show (Music) | hasFeature |
Album Closure / int_deda2888 | |
Album Closure / int_eb6614ea | type |
Album Closure | |
Album Closure / int_eb6614ea | comment |
evermore (2020) ends with the title track, another downer song about struggling with depression, but one with a "Ray of Hope" Ending as the narrator starts to heal and move on to a better mental state. | |
Album Closure / int_eb6614ea | featureApplicability |
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evermore (2020) (Music) | hasFeature |
Album Closure / int_eb6614ea | |
Album Closure / int_ef017bb0 | type |
Album Closure | |
Album Closure / int_ef017bb0 | comment |
Disco Inferno's D.I. Go Pop ends with "Footprints in the Snow", a very gentle track that wraps up the album's themes regarding politics and nihilism and instead discusses a better, brighter future. | |
Album Closure / int_ef017bb0 | featureApplicability |
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Disco Inferno (Music) | hasFeature |
Album Closure / int_ef017bb0 | |
Album Closure / int_f14b0844 | type |
Album Closure | |
Album Closure / int_f14b0844 | comment |
Fearless ends with "Change," a song to Swift's band about how they will overcome all the obstacles holding them back and go on to greater things. | |
Album Closure / int_f14b0844 | featureApplicability |
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Fearless (Music) | hasFeature |
Album Closure / int_f14b0844 | |
Album Closure / int_f2f077e3 | type |
Album Closure | |
Album Closure / int_f2f077e3 | comment |
Somewhere City ends with "The Air Up Here", which heavily connects to the first song on the album. It's about the singer reaching out to an old friend after an extended trip to Somewhere City, saying that it has nothing to do with anything bad they did: he just likes Somewhere City more because his life is better and he feels like he belongs there, and he invites them to join him. | |
Album Closure / int_f2f077e3 | featureApplicability |
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Somewhere City (Music) | hasFeature |
Album Closure / int_f2f077e3 | |
Album Closure / int_fbf189a | type |
Album Closure | |
Album Closure / int_fbf189a | comment |
Miracle Musical: The final track, "Dream Sweet in Sea Major", on Hawaii: Part II. It's a calming piece with surreal lyrics about truth, dreams, sailing, and the peaceful end of the universe. Towards the end, it compares the situation to the end of a song. | |
Album Closure / int_fbf189a | featureApplicability |
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Miracle Musical (Music) | hasFeature |
Album Closure / int_fbf189a | |
Album Closure / int_fd635d80 | type |
Album Closure | |
Album Closure / int_fd635d80 | comment |
Origami Angel: Somewhere City ends with "The Air Up Here", which heavily connects to the first song on the album. It's about the singer reaching out to an old friend after an extended trip to Somewhere City, saying that it has nothing to do with anything bad they did: he just likes Somewhere City more because his life is better and he feels like he belongs there, and he invites them to join him. GAMI GANG ends with "gg", with lyrics that connect to it being the last song ("I've still got lots of things to say / But it looks like we're running out of time / So I'll compile it down the best I can...") The singer acknowledges that he's incapable of changing and won't be able to relate to his girlfriend anymore. However, he still plans to support her. |
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Origami Angel (Music) | hasFeature |
Album Closure / int_fd635d80 | |
Album Closure / int_ff21b943 | type |
Album Closure | |
Album Closure / int_ff21b943 | comment |
Elephant by The White Stripes is mostly loud and emotionally intense. It ends with "It's True That We Love One Another," a light-hearted strum-along, with vocals swapping between Jack, Meg, and guest vocalist Holly Golightly. | |
Album Closure / int_ff21b943 | featureApplicability |
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Elephant (Album) (Music) | hasFeature |
Album Closure / int_ff21b943 |
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