...it's like TV Tropes, but LINKED DATA!
Innocent Soprano
- 236 statements
- 44 feature instances
- 30 referencing feature instances
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A musical trope. In opera and musical theater, the roles of The Ingenue and other young, romantic, and virtuous beautiful maidens are traditionally sung by lyric sopranos. Like her Spear Counterpart and probable love interest the Tenor Boy, the Innocent Soprano's high, pure, and clear singing voice highlights her youth and chastity, or her relative lack of experience and stupidity. There is also the opportunity for dissonance if tragedy befalls the poor girl over the course of the film, as her high voice will have to sing about difficult subject matter. "Mad scenes", which had the ingenue soprano undergo a Sanity Slippage into The Ophelia, were a staple of French and Italian opera and were often technically challenging to allow a soprano performer to show off her prowess. The reason for this may be because a high singing voice sounds more childlike, and Children Are Innocent — in fact, the Rare Male Example is likely to be a young boy whose voice has not yet deepened. To further emphasize this, the Innocent Soprano will probably have a worldlier foil who sings in the mezzo or alto ranges. In modern works that don't make use of the traditional ingenue, this can still show up as casting female characters who are naive or childlike as sopranos, especially if they are the romantic lead or Purity Personified. The Innocent Soprano can also show up in works that aren't musicals but involve music in some way, as long as the soprano voice is explicitly tied to innocence. The voice is likely considered a Beautiful Singing Voice in-universe as well. Note that this refers to the intended vocal range for the role; a production may transpose songs for a performer with a lower range. Compare Tenor Boy, the young and idealistic tenor lead who is likely to be her Spear Counterpart and/or love interest, and Cherubic Choir, where a choir of high children's voices has positive connotations. Contrast the likely musical theater antagonists, the Alto Villainess or basso profundo examples of Evil Sounds Deep. See also Soprano and Gravel. Nothing to do with Instant Soprano. |
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| Innocent Soprano / int_107f2100 | type |
Innocent Soprano | |
| Innocent Soprano / int_107f2100 | comment |
La Bohème: Mimi the innocent and dainty seamstress is a light soprano. | |
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Innocent Soprano | |
| Innocent Soprano / int_1338fbdc | comment |
Così Fan Tutte: The gentle and naive Fiordiligi, who struggles with her conscience more than her mezzo sister, is a soprano. | |
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| Innocent Soprano / int_180a47e1 | type |
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| Innocent Soprano / int_180a47e1 | comment |
In Madame Butterfly, the eponymous heroine, a soprano, is a naive and innocent girl of fifteen (around eighteen in the finale), who falls deeply in love with the very undeserving Pinkerton and blindly trusts him throughout the first two acts, despite everyone in the second act telling her he's not coming back. Even when she learns he has married another, she refers to that woman as the happiest one in the world. | |
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| Innocent Soprano / int_29efc2f3 | comment |
Sleeping Beauty: While Aurora is coyer and more flirtatious than a traditional ingenue, she still draws heavily from the archetype, being a beautiful, sheltered, and pure-hearted young princess. She is a classical soprano, singing almost exclusively in the head voice. | |
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| Innocent Soprano / int_2bca217e | comment |
Into the Woods: Played With. The film's sopranos are fairytale heroines Cinderella and Rapunzel, who are beautiful young maidens who become affianced to princes...so they would both be straightforward ingenues were this not a Fractured Fairy Tale. Instead, Cinderella is snarky and determined, while Rapunzel is ditzy and innocent due to being locked in a tower her whole life, but she's also mentally unstable. | |
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| Innocent Soprano / int_2c89f3c9 | type |
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| Innocent Soprano / int_2c89f3c9 | comment |
In The Adventures of Buratino, Malvina is kind-hearted and friendly (if with some Innocently Insensitive bossiness), and Pierrot is a gentle, naive boy with a huge crush on her. They have the highest singing voices among the cast: even other characters played by child actors are more roguish and have lower voices. | |
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| Innocent Soprano / int_2d36f9cb | comment |
Micaela of Carmen is a sweet and pure village maiden, and a soprano. Notably, she's not the heroine; the independent and volatile protagonist Carmen, who contrasts her, is a mezzo. | |
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| Innocent Soprano / int_3932a05b | type |
Innocent Soprano | |
| Innocent Soprano / int_3932a05b | comment |
The Magic Flute: Pamina, the virtuous Damsel in Distress, is a lyric soprano. Inverted with her mother, the evil Queen of the Night, who is an even higher soprano and sings the highest note in the show. | |
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Innocent Soprano | |
| Innocent Soprano / int_427ae18f | comment |
In the Soviet musical adaptation of Ali Baba and the Forty Thieves, Ali Baba's wife, The Ingenue Zainab, has a very high voice, in contrast to the contralto of Kasim's savvier and less scrupulous wife Fatima. | |
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| Innocent Soprano / int_42d524bb | type |
Innocent Soprano | |
| Innocent Soprano / int_42d524bb | comment |
Luisa in The Fantasticks. She is a spacey and pretty young woman who thinks of herself as half of a pair of young Star-Crossed Lovers. She Thinks Like a Romance Novel and growing up and seeing the world is a part of her arc. Her role has lots of high soprano sections. | |
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| Innocent Soprano / int_4463c1c1 | type |
Innocent Soprano | |
| Innocent Soprano / int_4463c1c1 | comment |
The Personal History of David Copperfield: The beautiful but very childish Dora (described as a "child-wife" in the novel) is shown to be a soprano (albeit not a particularly good one). | |
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| Innocent Soprano / int_490e100 | type |
Innocent Soprano | |
| Innocent Soprano / int_490e100 | comment |
13: Kendra, who is mentioned repeatedly as being Purity Personified and isn't that bright, is listed as a soprano. | |
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| Innocent Soprano / int_4a94a5fc | type |
Innocent Soprano | |
| Innocent Soprano / int_4a94a5fc | comment |
Played with in Maskerade (a parody of The Phantom of the Opera) where the cheerful, bubbly, and pretty but unbelievably dim Christine has no singing talent, and in fact only got the main role because her father is one of the opera's backers. Agnes has to sing in her placeinvoked thanks to her Magic Music talents letting her sing multiple voices at the same time — she can both be in the choir and cover for Christine's tone-deaf "soprano" squeaking. | |
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Innocent Soprano | |
| Innocent Soprano / int_55143155 | comment |
Lucia di Lammermoor: The titular character is a delicate young woman sung by a coloratura soprano. This is utilized for dramatic effect as Lucia undergoes a Sanity Slippage, resulting in several Glass Shattering Sounds. | |
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| Innocent Soprano / int_554e431b | type |
Innocent Soprano | |
| Innocent Soprano / int_554e431b | comment |
Anne in A Little Night Music, a naive teenager married to a much older man, but is explicitly still a virgin and does not fully grasp the concept of marriage. She is a soprano, going up to A5. | |
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| Innocent Soprano / int_5d880aee | type |
Innocent Soprano | |
| Innocent Soprano / int_5d880aee | comment |
Gilda in Rigoletto, the titular character's beautiful young daughter who is kept a secret from society. Because of her upbringing, she naively falls for the villainous Duke. The most innocent character, she is also the only soprano; the villainous Maddalena is a contralto while other women are mezzos. | |
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Innocent Soprano | |
| Innocent Soprano / int_6c4031ea | comment |
Snow White and the Seven Dwarfs: Snow White is one of the younger princesses in her early to mid-teens, and is a girl so lovely and innocent that the dwarfs and prince are instantly charmed by her. She's fittingly a soprano, and her songs have many high operatic runs and trills. | |
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Innocent Soprano | |
| Innocent Soprano / int_77275215 | comment |
The soprano Elsa in Lohengrin is an innocent, kind Damsel in Distress. Her innocence and naivety is the reason the villains end up easily manipulating her. | |
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Innocent Soprano | |
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In The Snow Maiden, the titular heroine, a lyric coloratura soprano, is a naive child of Father Frost and Spring Beauty, completely unable to understand the concept of passionate love. | |
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Innocent Soprano | |
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Frozen: Anna is a youthful and naive high soprano, in contrast to her troubled sister Elsa, who sings in a powerful mezzo-soprano. Fittingly, she falls for the tenor Kristoff. | |
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| Innocent Soprano / int_8c8d053c | comment |
The Disney short The Goddess of Spring depicts Persephone as an Ingenue who gets a soprano singing voice to highlight how innocent she is, and how terrible Hades is for abducting her. | |
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| Innocent Soprano / int_8cb79edc | comment |
Sayu Yagami in Death Note: The Musical, is a sweet, innocent soprano who is oblivious to her brother's villainy. She's pretty much the only character who isn't screwed up. | |
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| Innocent Soprano / int_90f7114 | type |
Innocent Soprano | |
| Innocent Soprano / int_90f7114 | comment |
Sweeney Todd: The Demon Barber of Fleet Street: Johanna, Sweeney's beautiful and innocent but cloistered young daughter, is a soprano. Fittingly, her love interest, Anthony, is a Tenor Boy. However, Johanna is ultimately a subversion as she is later revealed to be somewhat mentally unstable, and expresses a surprising amount of strength later in the show, where her abusive guardian sends her to an insane asylum. She earns her freedom by shooting the asylum keeper. | |
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Innocent Soprano | |
| Innocent Soprano / int_91923998 | comment |
Natasha, Pierre, and the Great Comet of 1812: Ingenue heroine Natasha (introduced as "Natasha is young; she loves Andrey with all her heart") is fittingly a soprano. Her more realistic cousin Sonya is a mezzo, while the villainous Helene and the strict, older Marya are altos. | |
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Innocent Soprano | |
| Innocent Soprano / int_95dc968e | comment |
In About the Little Red Riding Hood, the eponymous character, an innocent, trusting and ever-helpful All-Loving Heroine, has a very high singing voice. | |
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Innocent Soprano | |
| Innocent Soprano / int_9ab064e6 | comment |
Les Misérables: Cosette is a beauteous and innocent young woman coming of age in the latter half of the show, and fittingly sings in the soprano range (the only female character to do so). | |
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Innocent Soprano | |
| Innocent Soprano / int_a33fdeb | comment |
In Engelbert Humperdinck's Hansel and Gretel (1893): Although Children Are Innocent is played straight with both of the leads, the soprano Gretel is much more virtuous and pious than her mezzo brother Hansel. Hansel constantly drags her into mischief and she follows only reluctantly. The Sand Fairy and the Dew Fairy, pure and all-loving spirits of nature, are sung by coloratura sopranos. |
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Innocent Soprano | |
| Innocent Soprano / int_af2a147e | comment |
Giselle from Enchanted is a sweet, innocent young woman who sings in the mixed and head voice range a lot, notably in "True Love's Kiss" and "Happy Working Song". She is also a not-so-subtle Affectionate Parody of Snow White. | |
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Shonen Note: Boy Soprano is a non-musical Rare Male Example — it's pointed out that Yutaka's ability to sing soprano is exceedingly rare for boys. Fittingly he has a bright, sweet, innocent, and caring personality. | |
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Innocent Soprano | |
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In Eugene Onegin, Tatiana, a soprano, starts her life as an innocent girl badly hit by Wrong Genre Savvy. | |
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In Khovanshchina, Emma, a soprano, is an innocent Damsel in Distress. | |
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Innocent Soprano | |
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Hamilton: Eliza is a soprano, to emphasize her sweetness, femininity, and naivete regarding Alexander. Her sisters and her husband's mistress all sing in the mezzo range for contrast. | |
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Innocent Soprano | |
| Innocent Soprano / int_ca171922 | comment |
Guys and Dolls: Missionary Sarah Brown is a forthright, morality-driven soprano who ends up being the Love Interest of Sky Masterson. Her song "I'll Know" highlights her Wide-Eyed Idealist view of romance. | |
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Innocent Soprano | |
| Innocent Soprano / int_ce979d37 | comment |
In Iolanta, the soprano Iolanta is kind-hearted and innocent to the point that the young man who loves her compares her to an angel on Earth, as do several other characters (while the young man who is not attracted to her dismisses her as too childish for his liking). | |
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Innocent Soprano | |
| Innocent Soprano / int_ced9895f | comment |
Sera Myu: Zigzagged. Princess Kakyuu is an operatic soprano of the Purity Personified variety. Inverted with Queen Beryl, Lilith, and Mistress 9, who are all villainous sopranos. |
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| Innocent Soprano / int_d7243b62 | type |
Innocent Soprano | |
| Innocent Soprano / int_d7243b62 | comment |
In Der Rosenkavalier, Sophie, the "younger and fairer" Love Interest apprehensively facing an Arranged Marriage at fifteen, is a high soprano. The crosscast Octavian, normally a fiery mezzo-soprano, also affects a high-pitched Simpleton Voice when in "Mariandel" drag. | |
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Innocent Soprano | |
| Innocent Soprano / int_dbed457f | comment |
In The Tsars Bride, Marfa, a lyric coloratura soprano, is innocence personified, a sweet young woman completely oblivious to the plotting and scheming going on around her. | |
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1.0 | |
| Innocent Soprano / int_dbed457f | featureConfidence |
1.0 | |
| The Tsars Bride (Theatre) | hasFeature |
Innocent Soprano / int_dbed457f | |
| Innocent Soprano / int_e3b8885 | type |
Innocent Soprano | |
| Innocent Soprano / int_e3b8885 | comment |
A Funny Thing Happened on the Way to the Forum: Philia, a Brainless Beauty who is an Affectionate Parody of the traditional Purity Personified love interest, sings in the soprano range. | |
| Innocent Soprano / int_e3b8885 | featureApplicability |
1.0 | |
| Innocent Soprano / int_e3b8885 | featureConfidence |
1.0 | |
| A Funny Thing Happened on the Way to the Forum (Theatre) | hasFeature |
Innocent Soprano / int_e3b8885 | |
| Innocent Soprano / int_e46d33d6 | type |
Innocent Soprano | |
| Innocent Soprano / int_e46d33d6 | comment |
Encanto: Isabela is the oldest of the Madrigal grandkids and a very feminine golden child who has the power to make flowers bloom where she treads. She sings in a very light and clear soprano. | |
| Innocent Soprano / int_e46d33d6 | featureApplicability |
1.0 | |
| Innocent Soprano / int_e46d33d6 | featureConfidence |
1.0 | |
| Encanto | hasFeature |
Innocent Soprano / int_e46d33d6 | |
| Innocent Soprano / int_ebb4cc84 | type |
Innocent Soprano | |
| Innocent Soprano / int_ebb4cc84 | comment |
I Puritani has Elvira, a coloratura soprano role and the romantic heroine. She is rather fragile, innocent, and emotional. | |
| Innocent Soprano / int_ebb4cc84 | featureApplicability |
1.0 | |
| Innocent Soprano / int_ebb4cc84 | featureConfidence |
1.0 | |
| I Puritani (Theatre) | hasFeature |
Innocent Soprano / int_ebb4cc84 | |
| Innocent Soprano / int_f8eaad5b | type |
Innocent Soprano | |
| Innocent Soprano / int_f8eaad5b | comment |
In-universe in Citizen Kane. Susan is forced to star in an opera playing a soprano part, as befitting Charles's visions of her to be a star. While not a bad singer, it's out of her range, and she bombs. The part from what we see appears to be a romantic Ingenue. She's inspired by Marion Davies, whose husband forced her to star in dramatic roles when she was more suited to light comedies. | |
| Innocent Soprano / int_f8eaad5b | featureApplicability |
1.0 | |
| Innocent Soprano / int_f8eaad5b | featureConfidence |
1.0 | |
| Citizen Kane | hasFeature |
Innocent Soprano / int_f8eaad5b | |
| Innocent Soprano / int_f9025486 | type |
Innocent Soprano | |
| Innocent Soprano / int_f9025486 | comment |
West Side Story: Maria is the naive and romantic young Juliet analogue in this tale of Star-Crossed Lovers, and the part fittingly calls for a strong soprano. Her more cynical good friend Anita is a mezzo for contrast. | |
| Innocent Soprano / int_f9025486 | featureApplicability |
1.0 | |
| Innocent Soprano / int_f9025486 | featureConfidence |
1.0 | |
| West Side Story (Theatre) | hasFeature |
Innocent Soprano / int_f9025486 | |
| Innocent Soprano / int_fb173de | type |
Innocent Soprano | |
| Innocent Soprano / int_fb173de | comment |
Operatic soprano Christine Daae of The Phantom of the Opera goes up to a high E at the end of the title song and is the lovely young woman at the center of the story. She blindly trusts in the Phantom and has a sweet romance with Raoul. | |
| Innocent Soprano / int_fb173de | featureApplicability |
1.0 | |
| Innocent Soprano / int_fb173de | featureConfidence |
1.0 | |
| The Phantom of the Opera (Theatre) | hasFeature |
Innocent Soprano / int_fb173de | |
| Innocent Soprano / int_fd06fd96 | type |
Innocent Soprano | |
| Innocent Soprano / int_fd06fd96 | comment |
In Boris Godunov, Kseniya (notably, the only soprano in a very large cast and her part is minor) is gentle, kind, and naive, while everyone else around her is playing the game of thrones. | |
| Innocent Soprano / int_fd06fd96 | featureApplicability |
1.0 | |
| Innocent Soprano / int_fd06fd96 | featureConfidence |
1.0 | |
| Boris Godunov (Theatre) | hasFeature |
Innocent Soprano / int_fd06fd96 |
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