...it's like TV Tropes, but LINKED DATA!
Last Note Hilarity
- 313 statements
- 50 feature instances
- 31 referencing feature instances
| Last Note Hilarity | type |
FeatureClass | |
| Last Note Hilarity | label |
Last Note Hilarity | |
| Last Note Hilarity | page |
LastNoteHilarity | |
| Last Note Hilarity | comment |
You've just heard a really rocking song, and at the end, when you think it's over, the track surprises you. Maybe you hear something that sounds like the engineer forgot to stop the recording and someone in the band says something funny. Maybe the genre of the song all-of-a-sudden changes. Maybe the last line of the song is just so ridiculous sounding, that you fall out of your chair. That's the kind of thing that goes in this trope! This can be compared to Last Note Nightmare and a Musical Funny Moment. |
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| Last Note Hilarity | fetched |
2023-09-24T02:35:56Z | |
| Last Note Hilarity | parsed |
2023-09-24T02:35:56Z | |
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| Last Note Hilarity | isPartOf |
DBTropes | |
| Last Note Hilarity / int_160c1407 | type |
Last Note Hilarity | |
| Last Note Hilarity / int_160c1407 | comment |
Metallica's version of "Blitzkrieg" ends with, in order, an atonal guitar squeal, someone belching loudly, someone giggling, and Lars informing everyone that he "fucked up in one place." Their "Last Caress / Green Hell" medley seems to come to an end, then segues into a spontaneous and comically offkey rendition of the beginning of "Run For The Hills", which then quickly fades out. |
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| Metallica (Music) | hasFeature |
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| Last Note Hilarity / int_18fd74a7 | type |
Last Note Hilarity | |
| Last Note Hilarity / int_18fd74a7 | comment |
Duane's solo work, Action Adventure World, has his Super Mario Land song end with a love song from Mario to Daisy, capping it off with a belch. | |
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| Last Note Hilarity / int_21495938 | type |
Last Note Hilarity | |
| Last Note Hilarity / int_21495938 | comment |
Liquid Tension Experiment's "When the Water Breaks" is a serious Progressive Rock instrumental throughout most of its nearly 17-minute run. The last minute or so, however, is a quirky honky-tonk piano solo. "Universal Mind" is similarly epic... until the last 30 seconds, which is circus music. | |
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| Last Note Hilarity / int_26e8b0fd | type |
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| Last Note Hilarity / int_26e8b0fd | comment |
The SpongeBob Musical: The Triumphant Reprise of "Bikini Bottom Day" at the end of the show features the Bikini Bottomites forming an impromptu band and ends with them (badly) playing their instruments all at once. | |
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| Last Note Hilarity / int_32fb0c3a | type |
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| Last Note Hilarity / int_32fb0c3a | comment |
Avenue Q's "My Girlfriend Who Lives in Canada" Beat. Beat. Beat. *orchestra hit* Not as pronounced in the soundtrack, but onstage, not only the characters, but also their puppeteers, the whole orchestra and the conductor stare slack-jawed in a seemingly endless awkward moment. Drives it home. |
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He deliberately mangles the last note on "Skoal (The Grundy County Spittin' Incident)" (John Michael Montgomery's "Sold (The Grundy County Auction Incident)"), then exclaims, "That was horrible!" | |
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"Seven Seas of Rhye" ends its grandiose, vaguely egomaniacal lyrics with the band singing the refrain from "I Do Like to Be Beside the Seaside" | |
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The album version of "Sssnakepit" by Enter Shikari finishes with a low-pitched, wobbling "Yeahhh" sound, which guitarist Rory starts laughing at, saying it "Sounds like Louis Armstrong". The final drumbeat continues with the band still giggling, before cutting the song off with another "Yeahhhh". | |
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| Last Note Hilarity / int_3c53ffa8 | type |
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| Last Note Hilarity / int_3c53ffa8 | comment |
Rush's "Chain Lightning" ends with a deep voice remarking "That's nice.", followed by the absolute final note. | |
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| Last Note Hilarity / int_41c13dd7 | type |
Last Note Hilarity | |
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The Replacements' "Androgynous" ends with Paul Westerberg comically flubbing a note on the piano and abruptly stopping the song. | |
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Steve Earle: "Snake Oil" ends with "I knew there was a first-taker on this album somewhere". | |
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| Last Note Hilarity / int_4df48f8c | type |
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In the Overly Sarcastic Productions "Animal Brides" episode, this is how Red reacts to a guitar string snapping (she plays guitar and sings over the end credits) | |
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| Last Note Hilarity / int_60381be1 | type |
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| Last Note Hilarity / int_60381be1 | comment |
"Man of Constant Borrow" ("I Am a Man of Constant Sorrow" by The Soggy Bottom Boys) ends with Diamond Rio's backing vocal getting the Broken Record treatment. | |
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| Last Note Hilarity / int_6276800c | type |
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The Nostalgia Critic: Discussed. The [The Nostalgia Critic S 6 E 14 crossover episode]] reviewing Les Misérables (2012) spends a not insignificant part mocking Colm Wilkinson's previous performance as Valjean, where he sings the last note of "Bring Him Home?" in such a way that makes his voice sounds like a dog's whine. | |
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| Last Note Hilarity / int_6316090a | type |
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| Last Note Hilarity / int_6316090a | comment |
Alestorm's cover of "You Are a Pirate" from LazyTown ends with the softly spoken line "You are a pirate... ya gobshite". | |
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| Last Note Hilarity / int_635d71ce | type |
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Roy Wood's "Are You Ready to Rock" randomly puts in bagpipes at the end. | |
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| Last Note Hilarity / int_66940b94 | type |
Last Note Hilarity | |
| Last Note Hilarity / int_66940b94 | comment |
The Outside Agency have this trope as Signature Style. In a lot of their songs there is a Stinger quote from a film or TV show or even merged quotes from different media, for comedic effect. Often used as a direct answer to the song that preceded them. Here’s an example | |
| Last Note Hilarity / int_66940b94 | featureApplicability |
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| Last Note Hilarity / int_6ce0d19c | type |
Last Note Hilarity | |
| Last Note Hilarity / int_6ce0d19c | comment |
In an episode of Quantum Leap Sam leaps into a concert pianist playing Carnegie Hall just after the final note, but the audience is demanding an encore. Sam plays the only song he knows: Chopsticks. | |
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| Last Note Hilarity / int_754a3044 | type |
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Yet another song, Ninja High Skool, ends with random sequences of squealing in German about ten seconds apart from each other. | |
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In Steven Universe, the song "Giant Woman" ends with a goat bleating. It first played when Opal rescued Steven and a goat from a monster. | |
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| Last Note Hilarity / int_829b2f67 | type |
Last Note Hilarity | |
| Last Note Hilarity / int_829b2f67 | comment |
Done in-universe in The Sound of Music during the kids' first rendition of "So Long, Farewell" as Kurt's line finishes with an impossibly (for him) high note that is actually being sung by one of the girls behind him. | |
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| Last Note Hilarity / int_89e6a418 | type |
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| Last Note Hilarity / int_89e6a418 | comment |
Sarcofago's I.N.R.I. album is an almost half hour of extremely violent and obscene lo-fi proto-black metal, which ends with what sounds like sped-up carnival music and... toilet noises. | |
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| Last Note Hilarity / int_8ba4613a | type |
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| Last Note Hilarity / int_8ba4613a | comment |
The end of "What's Up People!?" the second Death Note opening. The singer screams "WHAT'S UP PEOPLE!?" about five times, then starts babbling something in Japanese which sounds like "I'M SORRY ABOUT THE BROKEN GLASS! AND THE TOILET AS WELL! WOAH! WE'RE IN TROUBLE! Cough cough..." This is already listed as a Last Note Nightmare as well. | |
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| Last Note Hilarity / int_8d817ccb | type |
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Both Lost and The X-Files follows ominous credits music with hilarious\adorable Vanity Plates, "BAD ROBOT!" and "I've made this!". | |
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| Last Note Hilarity / int_923dd091 | type |
Last Note Hilarity | |
| Last Note Hilarity / int_923dd091 | comment |
CollegeHumor is fond of this trope. See for instance Awkward Rap. Several other songs end in similar ways. | |
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| Last Note Hilarity / int_95cc2775 | type |
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| Last Note Hilarity / int_95cc2775 | comment |
The guitar riff at the end of "Hell No" keeps going higher and higher and higher, exaggerating the actual riff of the source song ("Hell Yeah" by Montgomery Gentry). | |
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| Last Note Hilarity / int_9ad7adc8 | type |
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| Last Note Hilarity / int_9ad7adc8 | comment |
The Who's "Happy Jack" at the end has Pete Townshend yell "I saw ya!". On one song from Live at Leeds, at the end he yells "Put away your girly magazines!" and Keith Moon replies "Sorry!". To clarify - during The Who's recording sessions, Keith Moon enjoyed ruining takes by making the other band members laugh. Because of this, while recording "Happy Jack" they banished Moon from the studio (there are reports that they tied him to a chair) and he made many attempts to sneak back in. Townshend's proclamation of "I saw ya!" is because he caught sight of Moon making one of these attempts. |
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| Last Note Hilarity / int_aa4e9182 | type |
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| Last Note Hilarity / int_aa4e9182 | comment |
The music video for The Cardigans song "My Favorite Game" has four different uncensored endings. Here is a link the music video with all four of the endings. All of these endings have the girl wrecking her car into a large van, and then a dummy (supposed to represent the girl) reacting to the crash. In order of the endings in the linked video, the first ending shows the dummy bounce over the van, and then it shows the girl dead. The second ending shows the dummy bounce over the van, and then it shows girl getting up before a rock comes in and bounces off her head and cartoonishly knocks her out. The third ending shows the dummy bounce over the van, and then it shows girl walk away like it was only a mild car crash. The fourth ending the dummy doesn't bounce over the van, but the dummy loses its head, it then shows a mannequin head (supposed to represent the girl's decapitated head) land on the road. There is also a censored version of the music video with not only the final crash removed, but all of the other crazy things she does in the car are also removed. Watching the censored version first then later watching one of the uncensored versions without knowing about the crash that happens at the end makes the trope even more effective. |
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| Last Note Hilarity / int_aa9366f9 | type |
Last Note Hilarity | |
| Last Note Hilarity / int_aa9366f9 | comment |
"The Greatest Show On Earth", by Nightwish, is given an instrumental in the deluxe version. The "Narrator", which commented the normal version of the album, shows up one more time at the end of the 24 minute long song. | |
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| Last Note Hilarity / int_b611aafc | type |
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| Last Note Hilarity / int_b611aafc | comment |
AC/DC "Night Prowler" ends with Bon Scott saying "Shazbot. Nanu nanu." "The Jack" ends with Bon Scott thanking an unappreciative audience. |
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| Last Note Hilarity / int_b61a6cb2 | type |
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| Last Note Hilarity / int_b61a6cb2 | comment |
Sigh's "Requiem - Nostalgia" is a sombre, stately Power Ballad (or as close as avant-garde Black Metal can get to such), and then, out of nowhere, it transitions to an excerpt of Fryderyk Chopin's Minute Waltz overlaid with hundreds of samples of giggling babies. | |
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Foo Fighters' "Concrete & Gold" has a few moments of silence and then Dave screams "Fuck you, Darrell!", complaining to the guy in the sound booth. | |
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"Kohle Metal", a remixed Minecraft-themed song by German Let's Player Gronkh, ends with the sound of a creeper being hit, accompanied by Gronkh laughing. | |
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In Waterparks' cover of Green Day's 'Hitchin' A Ride', at the end, Awsten says, "Wow, not as good as the original," jabbing the people who'd say just that. You can look in the comments section of this upload of the cover for proof on that. Doubles as a Take That!. | |
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Psychostick's "Beer" is silly to begin with, but the ending takes the cake — the music stops, but the singer goes on quietly, "I am drunk, drunk is me, I am drunk, wheeeee!" | |
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Lemon Demon's Knife Fight. Most of the song is an intense and serious (well, as serious as a Lemon Demon song can be, anyway) buildup to the actual fight between the two singers, until the climax, when both singers back out after remembering that knives can hurt you and are bad and decide to have a tickle fight instead. The rest of the song is a lighthearted ukelele ditty about how much fun tickle fighting is. Then, quietly, one of them inquires as to where their knife has gone. | |
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Edguy's Catch of the Century ends with the vocalist going on a rant about all of the achievements and swag he's going to have in the future, while another band member tries to calm him down. The song "Standing in the Rain" is a quiet, sad song about the vocalist all alone in the rain. At the very end, he suddenly says the word "umbrella" in a funny accent and laughs. |
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Kyuss' "Yeah" from their 1992 album Blues for the Red Sun is an example that closes out an album: after the rather chaotic and noisy "Mondo Generator", the last proper song on the album, what follows is a three-second outtake of John Garcia apparently testing the mic and nonchalantly uttering that very word. | |
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Aerosmith's "Eat The Rich" is a fairly serious hard rocker that ends with... a loud belch. Appropriate, given the subject matter. | |
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Iron Maiden's "The Thin Line Between Love and Hate" ends with drummer Nicko McBrain saying "Aw, fucking missed it!" and having a brief argument with the producer regarding said missed beat. | |
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The ending of the last song on Bruce Dickinson's album Chemical Wedding, the Alchemist, is a long pause of over two minutes, and then a voice speaks about a 'vegetable world on his left foot that forms a sandal' — it can still scare listeners. | |
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The end of South Park's main theme (written and performed by Primus) ends with a fart. In the cartoon's intro, this sound plays when Mr. Hankey hits the South Park billboard. Same thing happened with Sex Pistols' "EMI", which is also the last song in the album. |
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"Night Prowler" ends with Bon Scott saying "Shazbot. Nanu nanu." | |
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The brief Can instrumental "Pnoom" ends with an abrupt crashing sound. | |
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Their Dragon Quest song ends with the protagonist losing the final fight...and then Duane groans at getting a game over, while Brando does the audio equivalent of a Face Palm, to which Duane explains that he purposefully lost the final battle in order to end the song dramatically. | |
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In part seven of To Boldly Flee, The Nostalgia Chick and Oancitizen have to infiltrate Zod's spaceship by posing as two friends from Krypton. They're trying to distract him so Marzgurl and Angry Joe can take the ship and Chick and Oancitizen do this by singing the 1983 Kryptonian hit single, "Distraction" with Zod. Only problem? Oancitizen really wants to sing, but he's playing mute and doing so would blow his and Chick's cover. He spends most of the song trying to wrest the microphone out of Chick's hand, and then cuts in on the last note (his voice lives up to the hype) giving them away. | |
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Cledus T. Judd, a Country Music parodist, does this frequently: On "Please Take the Girl" (Tim McGraw's "Don't Take the Girl"): "Is it Tim McGraw or John Anderson I'm trying to imitate?" He deliberately mangles the last note on "Skoal (The Grundy County Spittin' Incident)" (John Michael Montgomery's "Sold (The Grundy County Auction Incident)"), then exclaims, "That was horrible!" "Cledus Went Down to Florida" ("The Devil Went Down to Georgia" by The Charlie Daniels Band) ends on Shave And A Haircut. "How Do You Milk a Cow" ("How Do You Like Me Now?!" by Toby Keith) ends with "Old McDonald Had a Farm" and the first few notes of the Green Acres theme. "Just Another Day in Parodies" ("Just Another Day in Paradise" by Phil Vassar) ends with a few bars of Scott Joplin's "The Entertainer". "My Voice" ("One Voice" by Billy Gilman), which artificially deepens his voice at the end, has the song end with the "oom papa mow mow" from "Elvira" by The Oak Ridge Boys. "Tree's on Fire" (Johnny Cash's "Ring of Fire") ends with the riff from "Smoke on the Water". "Man of Constant Borrow" ("I Am a Man of Constant Sorrow" by The Soggy Bottom Boys) ends with Diamond Rio's backing vocal getting the Broken Record treatment. The guitar riff at the end of "Hell No" keeps going higher and higher and higher, exaggerating the actual riff of the source song ("Hell Yeah" by Montgomery Gentry). |
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In "One Vision", we get a very awesome and invigorating anthem full of ripping guitars, badass drum beats and complex harmonies (in typical Queen fashion)... and the last line is "just gimme, gimme, gimme FRIED CHICKEN!" | |
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"Strawberry Fields Forever" has a Stop and Go segment, where the song returns with a weird minute of weird sound after the song, featuring John saying "Cranberry sauce!" (the Conspiracy Theorists think it's "I buried Paul"). Another take featured in Anthology goes "I'm very bored", and Ringo plays an extended solo, at the end of which John can be heard saying, "All right, calm down, Ringo.") | |
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The Devin Townshend Project’s song, “March of the Poozers” ends with one of the Poozers making Beaker-like noises before tooting. Then it goes back to the album’s hammy audio drama. | |
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