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Self-Adaptation

 Self-Adaptation
type
FeatureClass
 Self-Adaptation
label
Self-Adaptation
 Self-Adaptation
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SelfAdaptation
 Self-Adaptation
comment
So, you made a thing, and that thing is popular. Suddenly, folks are hounding you to adapt it into a film, TV series, or whatever that they can make money from. And while you like the idea, you're more than a bit worried about Adaptation Decay, and not entirely sure you can trust the execs with your masterpiece.
So what do you do? Well, usually you'd have little choice in the matter outside what company you give permission to tamper with your work, after which they'll decide just how much they want you involved. But by some random miracle, you've got quite a bit more leverage than that or said company is surprisingly open to your suggestions. In which case, why do you need someone else to write the adaptation? You're a versatile person, how hard could making the adaptation be? You know what bits are important and what can be cut, and how to make sure your favorite bits stay in. Or perhaps add, alter, or remove parts that you have missed or were unsatisfied with. So you write it yourself.
These are the results.
Compare Copiously Credited Creator, Directed by Cast Member, Written by Cast Member, Creator Cameo, and Self-Remake.
 Self-Adaptation
fetched
2024-04-09T21:31:02Z
 Self-Adaptation
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2024-04-09T21:31:02Z
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HannibalRising
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HowToTalkToGirlsAtParties
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ToKillAMockingbird
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TheLastOfUs
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DBTropes
 Self-Adaptation / int_13658868
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Self-Adaptation
 Self-Adaptation / int_13658868
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Emma Donoghue wrote the screenplay for the film adaptation of her novel Room.
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Self-Adaptation / int_13658868
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Self-Adaptation
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Robin Hardy, the director of The Wicker Man (1973), wrote a novelization with Anthony Shaffer, the screenwriter. Hardy went on to write a loose sequel called Cowboys For Christ, from which he directed a movie adaptation called The Wicker Tree.
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Self-Adaptation / int_13bb4300
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Self-Adaptation
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Bruce Wagner wrote both Wild Palms and the comic book it was based on.
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Self-Adaptation / int_15196c90
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Self-Adaptation
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The two adaptations of the Diamond Brothers books by Anthony Horowitz were a 1988 film based on the first book, and a 1991 TV series adapted from the third book. Both adaptations were written by Horowitz himself, and he also directed the 1991 series.
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Self-Adaptation
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He wrote and directed The Shape of Water and wrote its novelization with Peter Kraus.
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Self-Adaptation
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Yoh Yoshinari is the director of both the original Little Witch Academia short films, as well as the TV series adaptation. Likewise, most of the staff that worked on the original films also worked on the TV series. Yoh Yoshinari also penned the stories for the numerous manga adaptations.
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Self-Adaptation / int_1d532433
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Self-Adaptation
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Florian Zeller directed and co-wrote a film adaptation of his own play, The Father.
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Self-Adaptation
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Ohkawa was also the supervising scriptwriter for the first season of Magic Knight Rayearth's TV anime adaptation, and later became the sole scriptwriter for the second season. Mokona also designed several characters who are exclusive to the anime, such as the second season's villains Nova and Debonair.
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Self-Adaptation / int_1fca96ce
 Self-Adaptation / int_1feb2526
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Self-Adaptation
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One Foot in the Grave creator, David Renwick wrote the show's novelization and adapted four episodes for radio.
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Self-Adaptation / int_1feb2526
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Self-Adaptation
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Masaru Nakamura novelized the live-action film adaptation of Dororo that he wrote with Akihiko Shiota.
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Self-Adaptation
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Daphne du Maurier wrote her novel, Rebecca in 1938 and adapted it into a play the following year.
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He wrote The Strain with Chuck Hogan then directed the TV series with Hogan writing.
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Self-Adaptation / int_22e3bdd9
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Self-Adaptation
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Peter Shaffer who wrote the play Amadeus made a screenplay of its film adaptation
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Self-Adaptation / int_23624aeb
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Self-Adaptation
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The Moone Boy novels were written by the TV series' writers, Nick Vincent Murphy and Chris O'Dowd. O'Dowd was said to be writing and producing an American remake.
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Self-Adaptation
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The writers of The Simpsons put full creative control on both The Simpsons Hit & Run and The Simpsons Game.
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Self-Adaptation / int_261c8d3f
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Self-Adaptation
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Superman vs. the Elite was written by the original author of Action Comics #775, Joe Kelly of Man of Action Studios.
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Self-Adaptation
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He wrote the screenplay and novelization to Night of the Living Dead (1968). He then wrote a sequel novel called Return of the Living Dead, directed a movie with the same name, then wrote a novelization to the movie.
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Self-Adaptation / int_2dfaf313
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Bob Gale, one of the two writers of Back to the Future, wrote the screenplay of its musical adaptation. Robert Zemeckis, who also helped in its production as co-writer and director, co-produced the musical as well.
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Sam & Max: Freelance Police creator Steve Purcell was heavily involved with Sam & Max Hit the Road, The Adventures of Sam & Max: Freelance Police, and Sam & Max: Freelance Police.
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Self-Adaptation
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He also wrote a picture book based on MirrorMask for which he wrote the story and screenplay.
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The Brothers Chaps re-wrote every episode of Strong Bad's Cool Game for Attractive People to make it true to their web cartoon Homestar Runner.
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Self-Adaptation / int_34e0e9fc
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Self-Adaptation
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The Cherry Queen: Justus Pfaue wrote both the novel the miniseries is based off and its script.
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Self-Adaptation
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The Doctor Who Novelisations have this happen a fair bit, to the point almost half the novelisations are written by the original scriptwriters. Among other examples:
Terrance Dicks novelized most of the serials he wrote, also writing junior novels for "Robot" and "The Brain of Morbius". The only serial he didn't novelize was "The War Games" which was written by the serial's co-writer, Malcolm Hulke.
Hulke novelized all of his own serials apart from "The Faceless Ones" which was written by Dicks.
Douglas Adams is a famous aversion: he insisted that if his serials were to be novelized, he'd do it himself, and then never got around to it in his lifetime. (It didn't help that he occasionally suggested that maybe someone whose original novels were international bestsellers shouldn't be paid the standard Target rate.) Two of his stories were eventually novelized by James Goss (along with an unmade film proposal by Adams, Doctor Who and the Krikkitmen) and the third was novelized by Gareth Roberts, four decades after Adams left Who and almost two decades after he died.
Eric Saward wrote the novelizations of all but two of the stories that he wrote, the exceptions being "Earthshock" (written by Ian Marter, who played Fourth Doctor companion Harry Sullivan) and "A Fix With Sontarans" (which never got novelized; it was created as a non-canon crossover with Jim'll Fix It, and the canonically ambiguous Re-Cut made after presenter Jimmy Savile was outed as a serial child predator only came out in 2022).
When the first novelizations of new series episodes were released, the ones for "Rose" and "The Day of the Doctor" were written by the episodes' original writers, Russell T. Davies and Steven Moffat, respectively.
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Self-Adaptation
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Ernest Cline co-wrote the screenplay for the film adaptation of his book, Ready Player One.
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Mari Okada wrote the scripts for the anime adaptation of her own manga, O Maidens in Your Savage Season.
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Lindy West helped develop her book (Shrill: Notes From A Loud Woman) into the television series Shrill.
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Scott Adams, creator of the long-running comic strip Dilbert, developed the animated series with Seinfeld producer Larry Charles and also co-wrote a majority of the episodes' scripts.
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Self-Adaptation
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William Peter Blatty produced and wrote The Exorcist, which was based on his novel of the same name. More directly, he directed The Exorcist III, based on his novel sequel Legion, at least in part out of his disdain for Exorcist II: The Heretic. Blatty also wrote, directed, and produced The Ninth Configuration based on his book of the same name.
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Self-Adaptation
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Peter S. Beagle wrote the script for the animated movie adaptation of his novel The Last Unicorn. Due to a notorious case of "Hollywood accounting", his share of the profits was much smaller than would seem fair.
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Jim Davis scripted all the Garfield TV specials that aired in the 1980s and early 1990s. It wasn't until Garfield and Friends that he allowed others to write his characters.
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One Piece Film: Strong World as the writer.
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Judith Viorist, author of Alexander and the Terrible, Horrible, No Good, Very Bad Day, wrote the screenplay and lyrics to HBO Storybook Musicals musical adaptation from 1990.
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The Perks of Being a Wallflower was written and directed by Stephen Chbosky, who wrote the original novel.
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J.M. Barrie wrote the original Peter Pan short story, Peter Pan in Kensington Gardens, wrote the 1904 play then wrote its more famous novelization in 1911.
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Tara Duncan's 2021 animated series was produced by Princess Sam Pictures, whose CEO is Sophie Audouin-Mamikonian, author of the books.
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Mr. Blake at Your Service! is based on director Gilles Legardinier's own 2012 novel.
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In contrast to previous shows based off of Sonic the Hedgehog, Sonic Team, the developers of the original games, was deeply involved with the production of Sonic X. So much so that elements from the anime would later be transplanted into the games.
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Wrote the novelization to his show, Bernard's Watch.
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As well as writing the The Twilight Zone episode, Button, Button, Richard Matheson wrote the script for the movie, Duel based on his own short story
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Ernest Thompson wrote the film adaptation of his own play, On Golden Pond.
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Percy Jackson and the Olympians (2023): Rick Riordan, the author of the original books, is an executive producer.
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Rolie Polie Olie and George Shrinks were both based on books written and illustrated by William Joyce, who also worked very heavily on the series' development processes, including designing much of the early concept art (he even won a Special Emmy for Outstanding Production Design on Rolie Polie Olie in 1999) and overseeing the shows' scriptwriting as an executive producer.
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Miyuki Miyabe wrote the manga adaptation of his novel, Brave Story.
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Holes: After Richard Kelly's screenplay for the film was rejected due to being an In Name Only adaptation set in a post-apocalyptic world, original author Louis Sachar wrote the final screenplay himself, keeping the film very faithful to the book.
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He directed the 1970 animated short Yasashii Lion (The Kindly Lion) by Mushi Productions based on the children's book of the same name. He created the artwork for the short alongside writing the lyrics for every song in the short.
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One Piece Film: Gold and One Piece Film: Red as a Producer.
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He was meant to novelize Starship Titanic but ended up getting Terry Jones to do it as he didn't have time to write the book and the video game.
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Rocky IV star, director, and writer Sylvester Stallone wrote the movie's novelization.
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Rob Grant and Doug Naylor wrote the Red Dwarf TV series based on the Dave Hollins: Space Cadet sketches on their Son of Cliché radio show. They then wrote the Red Dwarf tie-in novels.
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The The Haunting Hour episode Catching Cold was based on Neal Shusterman's short story of the same name, and he wrote the episode.
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He wrote the novelization to his TV show Neverwhere because The BBC wouldn't let him make all the decisions he wanted to.
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Marjane Satrapi, the writer and artist of Persepolis, also co-directed and co-wrote the movie adaptation.
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Chance Calloway, the creator of Pretty Dudes, was an author before he created the show, so he adapted his own scripts into prose for the novelization. The book was published under his pen name C.S.R. Calloway.
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The Summer I Turned Pretty: Jenny Han, who wrote the books this series is based on, also created it.
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Steven Levenson, who wrote the book of Dear Evan Hansen, also wrote the screenplay of the film adaptation.
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Momoko Sakura, creator of Chibi Maruko-chan, wrote the first 219 episodes of the anime adaptation, and served as a supervisor from episode 220 onward until her death in 2018.
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A rather tragic case with Batman creator-in-all-but-name Bill Finger, whose work scripting the Clock King two-parter of Batman (1966) was the only time he was directly credited for any Batman work during his lifetime.
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The Toxic Avenger writer and director Lloyd Kaufman wrote its novelization with Adam Jahnke.
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The Cramp Twins was written by Brian Wood, based on his graphic novel of the same name.
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Star Trek creator Gene Roddenberry wrote the novelization for Star Trek: The Motion Picture, which he had produced.
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Super Mario Bros. mastermind Shigeru Miyamoto directly helped produce The Super Mario Bros. Movie, in an attempt to not let it become too distanced from the source material like the live-action film.
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They were fully involved in the production of Cardcaptor Sakura's anime adaptation. Nanase Ohkawa, the main writer for the manga, was one of the anime's writers; in fact, she wrote 53 of the anime's 70 episodes. Mokona, the manga's main artist, also oversaw designs for costumes and Clow Cards that were exclusive to the anime. For the anime adaptation of the sequel, Cardcaptor Sakura Clear Card, Ohkawa was the sole writer for all the episodes.
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Maureen Jennings, author of the original Murdoch Mysteries novels, acted as a creative consultant for the TV adaptation of her work and contributed several scripts herself.
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Cece Bell, the author of El Deafo, worked on the Animated Miniseries of the same name as an executive producer, writer, and narrator.
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Michael Rex, author of Fangbone! Third Grade Barbarian, helped out a lot with developing the Fangbone! Animated Adaptation, even doing some of the show's concept art. He also received executive producer credit, overseeing the series' development and scriptwriting. His own blog even talks quite a bit about his work on the cartoon.
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Kirby: Right Back at Ya! was produced by Warpstar, Inc., a joint investment between the Kirby series publisher Nintendo and its original developer HAL Laboratory, with the direct involvement of the series' creator Masahiro Sakurai.
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Danny Rubin wrote both the Groundhog Day movie and its stage musical adaptation.
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Dalton Trumbo directed only one film, an adaptation of his novel, Johnny Got His Gun.
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Fate/Apocrypha's writer, Yuichiro Higashide, also wrote the scripts for its anime adaptation.
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Luke Pearson is the showrunner of Hilda which is based on his own graphic novels. He also wrote several episodes, including "The Deerfox", "The Storm", "The Windmill", "The Train to Tofoten", "The Fairy Mound", and "The Fairy Isle".
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Rakuda, the author of the Oresuki light novels, wrote the scripts and handled the series composition for its anime adaptation and OVA.
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The Tick creator Ben Edlund has been a writer for the 1994 cartoon, the 2001 live-action series, and the 2016 live-action series of the same name.
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One of the writers of Futurama wrote the entire script of the 2003 video game.
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Maggie and the Ferocious Beast was based on a book by authors Michael and Betty Paraskevas, who were very involved in the show's production, even writing many of the episodes. The same applies with their more obscure Marvin the Tap-Dancing Horse, which the Paraskevas worked on as executive producers.
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Playwright Ins Choi is heavily involved in the TV adaptation of his play Kim's Convenience; he plays a big role in the development and has also co/written several episodes, including the pilot ("Gay Discount") and the Season 1 finale ("Family Singing Contest").
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Annette and Gina Cascone wrote all the episodes of Deadtime Stories, based on their book series.
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The Little Witch has a stage adaptation by the original author, Otfried Preußler.
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Aaron McGruder, creator of The Boondocks, also created the animated series based on them, and wrote every single episode of the first three seasons (though he was totally absent during the fourth and final season).
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He wrote and directed The Producers in 1967, wrote the book and songs to the 2001 stage musical then produced and wrote the screenplay to the 2005 musical movie.
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To celebrate the 20th anniversary of the Yu-Gi-Oh! franchise's beginning, a movie was planned. The producer asked the creator of the original manga Kazuki Takahashi to write the movie, and he soon took over the project, becoming the executive producer, sole scriptwriter, and character designer for Yu-Gi-Oh! The Dark Side of Dimensions. He also personally provided the key animation for one scene.
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One Piece (2023): Eiichiro Oda was extensively involved with the live-action series' production to make sure it stayed true to his creation.
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Max Headroom was originally a British telemovie, and a couple of years later was expanded by its creators into a full American series.
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Chris Roberts, creator of Wing Commander, wrote the story for and directed the movie.
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Liquid Sky writer, Anne Carlisle wrote a novelization based on her own screenplay five years later.
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Thea von Harbou wrote the screenplay for Metropolis, which was based on her book of the same name.
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The scripts for the Peanuts specials, more often than not, would simply be ripped directly from the comic strips with minimal changes, so Charles Schulz was the lead writer by default. But Schulz had a lot of creative control, often writing any additional material as well, and many of the specials' trademarks — the jazz score, the casting of children, and the simplistic animation style — were his decisions.
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Wrote the TV series based on his book, Aquila then novelized the second season.
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George A. Romero wrote and directed Dawn Of The Dead and Martin then novelized both with Susan Sparrow.
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He did the same with Good Omens based on a book he wrote with Terry Pratchett.
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Jordan Mechner, the creator of the Prince of Persia franchise, was the screenwriter for Prince of Persia: The Sands of Time, doing the first two drafts of the script, and was on set during the filming. He is credited with writing the story.
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One Piece Film: Z as an Executive Producer.
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The Cuphead Show! is co-created and produced by Chad and Jared Moldenhauer, co-creators of the original game.
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The Mousetrap started as the Three Blind Mice radio play written by Agatha Christie that she adapted into the short story of the same name and then turned into the titular play.
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Wrote and produced a TV show based on his American Gods.
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As mentioned above, he wanted to novelize his Doctor Who episodes but never got around to doing itnote While Adams' laziness is infamous there is evidence that it's more likely he knew his success with Hitchhikers priced him out of being commissioned to write them..
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Simon Nye wrote Men Behaving Badly based on his book of the same name.
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Franchise creator Shea Fontana wrote every graphic novel tie-in for the 2015 DC Super Hero Girls continuity (though the final chapter of the last graphic novel tie-in, Spaced Out, which served as a sneak peek for the next continuity, was instead written by Sholly Fisch).
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Rómulo Gallegos was invited to work as the scriptwriter for the 1947 movie adaptation of his novel, Doña Barbara.
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He wrote Trollhunters with Daniel Kraus, then directed the cartoon series.
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David Rook wrote The White Colt in 1967, then wrote the screenplay for its 1969 film adaptation, Run Wild, Run Free.
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Bryan Lee O'Malley was heavily involved in both the film adaptation and video game adaptation of his Scott Pilgrim comic books.
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Jean Van Hamme wrote Largo Winch based on the novels he wrote in the '70s, the first 5 arcs being straight adaptations of the novels before moving to original stories. Nowadays, the novels have all but faded into obscurity.
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Peter George wrote the screenplay for Dr. Strangelove which was based on his novel Red Alert. He then wrote the movie's novelization.
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Gillian Flynn wrote the film adaptation of Gone Girl.
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Famously played with with Willy Wonka & the Chocolate Factory, an adaptation of Charlie and the Chocolate Factorynote The title was altered a little bit because of The Vietnam War, where U.S. soldiers used "charlie" to refer to the Viet Cong, and other people of East Asian descent.. Although the screenplay is credited to Roald Dahl, much of his script was altered by ghostwriters, which included the addition of the "gobstopper test" in order to give the movie a villain (Slugworth) and a moral. He hated what had been done to his script so much that he (allegedly) stated in his will that the book's sequel, Charlie and the Great Glass Elevator, would never be adapted into a movie.
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French author and filmmaker José Giovanni wrote L'Excommunié and directed its 1972 film adaptation, La Scoumoune. The film is actually The Remake of the 1961 Jean Becker film Un nommé La Rocca, which already adapted the novel. Despite the fact Giovanni also wrote that 1961 film, he wasn't satisfied with it and decided to re-adapt it to the screen himself.
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A Doonesbury Special, based on the newspaper strip, was co-directed and co-written by creator Garry Trudeau.
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Hans Petter Moland directed both In Order of Disappearance and its American remake Cold Pursuit.
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Of Mice and Men was adapted as a stage play by its author, John Steinbeck.
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Invincible (2021) is co-created by the creator of the original comic, Robert Kirkman.
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The Confessions of Frannie Langton: Sara Collins, writer of the book this was based on, also wrote the script for the series and was an executive producer.
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Kevin Jakubowski wrote the screenplay for the film adaptation of his book 8-Bit Christmas.
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Jagged Mind: Allyson Morgan, who wrote the short film First Date which this is based on (part of Bite Size Halloween, a Hulu horror series) also did this.
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Ace Attorney creator Shu Takumi supervised the writing of the original story for the "Turnabout Parallel World" stage play.
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Del Toro wrote the novelization and is writing a stage musical based on Pan's Labyrinth, which he wrote and directed.
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Footrot Flats: The Dog's Tale, based on the New Zealand comic strip of the same name, was directed by the strip's cartoonist, Murray Ball. He also co-wrote the screenplay.
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He wrote the book, lyrics, and music for a 2007 musical based on Young Frankenstein which he wrote and directed in 1974.
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Darren Smith and Terrance Zdunic wrote their musical Repo! The Genetic Opera based on their short play The Necromerchant's Debt and then wrote the movie adaptation.
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He also directed the 1977 animated short The Rose Flower and Joe (ãƒ�ラã�®èŠ±ã�¨ã‚¸ãƒ§ãƒ¼, Bara no Hana to Joe) by Sanrio Animation alongside writing lyrics for the short's theme song. He even drew illustrations for certain scenes in the short (such as Joe's imagination sequences and the end credits) and created the official cover art◊ for it's DVD and VHS release.
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Ruyi's Royal Love in the Palace: The screenplay is by the original novel's author, Liu Lian Zi.
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Batman: Under the Red Hood was written by the original author of Under the Hood, Judd Winick.
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Shouji Gatoh, author of Full Metal Panic!, was one of the writers for the comedy spinoff anime Full Metal Panic? Fumoffu (which is based on the novels' Lighter and Softer side stories rather than the main plot).
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Terrance Dicks adapted his script for Reeltime video drama Shakedown: Return of the Sontarans as part of his Doctor Who New Adventures novel "Shakedown", incorporating the Seventh Doctor and his companions in the Framing Story.
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Rob Grant wrote a Quatermass radio parody with Andrew Marshall called The Quanderhorn Xperimentations. The pair then wrote a novelization.
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The following is a list of statements referring to the current page from other pages.

 Self-Adaptation
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Media Adaptation Tropes
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Trivia
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