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Voice Types
- 412 statements
- 78 feature instances
- 4 referencing feature instances
Voice Types | type |
FeatureClass | |
Voice Types | label |
Voice Types | |
Voice Types | page |
VoiceTypes | |
Voice Types | comment |
In modern musical theatre, just as in Opera before it, certain types of roles are commonly associated with certain vocal ranges. While these vocal range cliches differ depending on the style of the show (more rock- or pop-oriented musicals lean toward tenors and alto/mezzo belters across the board), these generally seem to hold up pretty strong. Most of these associations do indeed stem from similar associations in opera, and especially in operetta, which is where American musicals developed from in the first place. Advertisement:propertag.cmd.push(function() { proper_display('tvtropes_mobile_ad_1'); })NOTE: Under notable roles, try to limit entries to roles that are generally agreed to be said voice parts. Roles with very contested ranges should be kept to a minimum. Also, singing in opera requires a very different technique than pop singers and musical theatre singers; opera has existed since long before microphones and sound systems and opera singers therefore are trained to use easily ten times the breath support and voice projection that pop singers are trained to use to ensure that their voices can be heard without microphones over a full orchestra. To further complicate matters, each vocal category has its own subcategories, similar to how wrestlers and boxers are categorized (featherweight, lightweight, middleweight, and heavyweight) based on the type of music and the volume of the orchestra; in opera, the most basic categories for each voice category can be divided thus: Advertisement:propertag.cmd.push(function() { proper_display('tvtropes_mobile_ad_2'); }) Light Lyric (lightweight) : Sweet, light but not weak, can be heard over smaller orchestras. There is a special type of Soprano, called a Soubrette (featherweight) that is even lighter, bubbly and a bit warmer in timbre. Full Lyric (middleweight): richer, and smooth. Can be heard over heavier orchestrations, but not too heavy. Dramatic (heavyweight): Powerful, and heavy. Can and must be heard over very heavy orchestrations. *Too many singers have ruined their voices and prematurely ended their careers trying to sing roles that are too heavy for their voices*. Furthermore, all three female voice types share an additional category: the coloratura. The main attribute of the coloratura singer is their vocal agility - rapid trills, large gaps between successive notes and various other forms of ornamentation are all par for the course. Since they specialise in vocal acrobatics, coloratura singers can have either lyric or dramatic vocal tone. Advertisement:propertag.cmd.push(function() { proper_display('tvtropes_mobile_ad_3'); }) |
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Voice Types | fetched |
2020-06-22T19:45:08Z | |
Voice Types | parsed |
2020-06-25T03:09:23Z | |
Voice Types | processingComment |
Dropped link to BeautyAndTheBeast: Not an Item - UNKNOWN | |
Voice Types | processingComment |
Dropped link to BoyBand: Not an Item - FEATURE | |
Voice Types | processingComment |
Dropped link to CompanySondheim: Not an Item - UNKNOWN | |
Voice Types | processingComment |
Dropped link to FunHome: Not an Item - UNKNOWN | |
Voice Types | processingComment |
Dropped link to GenderBender: Not an Item - FEATURE | |
Voice Types | processingComment |
Dropped link to InspectorJavert: Not an Item - FEATURE | |
Voice Types | processingComment |
Dropped link to Rebecca: Not an Item - UNKNOWN | |
Voice Types | processingComment |
Dropped link to TheCynic: Not an Item - FEATURE | |
Voice Types | processingComment |
Dropped link to TheDecemberists: Not an Item - IGNORE | |
Voice Types | processingComment |
Dropped link to TheSilenceOfTheLambs: Not an Item - UNKNOWN | |
Voice Types | processingUnknown |
The Silence of the Lambs | |
Voice Types | processingUnknown |
Beauty and the Beast (Theatre) | |
Voice Types | processingUnknown |
Company (Sondheim) (Theatre) | |
Voice Types | processingUnknown |
Fun Home (Theatre) | |
Voice Types | processingUnknown |
Rebecca (Theatre) | |
Voice Types | isPartOf |
DBTropes | |
Voice Types / int_14e0f4f9 | type |
Voice Types | |
Voice Types / int_14e0f4f9 | comment |
Tevye in Fiddler on the Roof | |
Voice Types / int_14e0f4f9 | featureApplicability |
1.0 | |
Voice Types / int_14e0f4f9 | featureConfidence |
1.0 | |
Fiddler on the Roof (Theatre) | hasFeature |
Voice Types / int_14e0f4f9 | |
Voice Types / int_154a6eb0 | type |
Voice Types | |
Voice Types / int_154a6eb0 | comment |
Chris, Thuy, and John in Miss Saigon | |
Voice Types / int_154a6eb0 | featureApplicability |
1.0 | |
Voice Types / int_154a6eb0 | featureConfidence |
1.0 | |
Miss Saigon (Theatre) | hasFeature |
Voice Types / int_154a6eb0 | |
Voice Types / int_1913b4de | type |
Voice Types | |
Voice Types / int_1913b4de | comment |
Gabe Goodman in Next to Normal | |
Voice Types / int_1913b4de | featureApplicability |
1.0 | |
Voice Types / int_1913b4de | featureConfidence |
1.0 | |
Next to Normal (Theatre) | hasFeature |
Voice Types / int_1913b4de | |
Voice Types / int_1afaadc2 | type |
Voice Types | |
Voice Types / int_1afaadc2 | comment |
Mark from RENT, although he does break into the tenor range occasionally. Same with Benny and Collins. All three could be described as baritenors, although Collins does need a solid low range. |
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Voice Types / int_1afaadc2 | featureApplicability |
1.0 | |
Voice Types / int_1afaadc2 | featureConfidence |
1.0 | |
RENT (Theatre) | hasFeature |
Voice Types / int_1afaadc2 | |
Voice Types / int_1c2cf038 | type |
Voice Types | |
Voice Types / int_1c2cf038 | comment |
Coalhouse Walker Jr. in Ragtime | |
Voice Types / int_1c2cf038 | featureApplicability |
1.0 | |
Voice Types / int_1c2cf038 | featureConfidence |
1.0 | |
Ragtime | hasFeature |
Voice Types / int_1c2cf038 | |
Voice Types / int_28fba44c | type |
Voice Types | |
Voice Types / int_28fba44c | comment |
Officer Lockstock in Urinetown | |
Voice Types / int_28fba44c | featureApplicability |
1.0 | |
Voice Types / int_28fba44c | featureConfidence |
1.0 | |
Urinetown (Theatre) | hasFeature |
Voice Types / int_28fba44c | |
Voice Types / int_297bdfdf | type |
Voice Types | |
Voice Types / int_297bdfdf | comment |
Graf von Krolock in Tanz Der Vampire is the dramatic type; Chagal in the same show is a character baritone. Krolock's son Herbert is a low tenor/high baritone in the Webber!Phantom range. | |
Voice Types / int_297bdfdf | featureApplicability |
1.0 | |
Voice Types / int_297bdfdf | featureConfidence |
1.0 | |
Tanz der Vampire (Theatre) | hasFeature |
Voice Types / int_297bdfdf | |
Voice Types / int_2bca217e | type |
Voice Types | |
Voice Types / int_2bca217e | comment |
Ditto the the male leads of Into the Woods (The Baker, The Princes, The Narrator/Mysterious Man) | |
Voice Types / int_2bca217e | featureApplicability |
1.0 | |
Voice Types / int_2bca217e | featureConfidence |
1.0 | |
Into the Woods (Theatre) | hasFeature |
Voice Types / int_2bca217e | |
Voice Types / int_2eeec9bd | type |
Voice Types | |
Voice Types / int_2eeec9bd | comment |
Mary and Gussie in Merrily We Roll Along | |
Voice Types / int_2eeec9bd | featureApplicability |
1.0 | |
Voice Types / int_2eeec9bd | featureConfidence |
1.0 | |
Merrily We Roll Along (Theatre) | hasFeature |
Voice Types / int_2eeec9bd | |
Voice Types / int_3274a15d | type |
Voice Types | |
Voice Types / int_3274a15d | comment |
Stine (high baritone), Stone, Buddy/Irwin, and Munoz/Pancho in City of Angels | |
Voice Types / int_3274a15d | featureApplicability |
1.0 | |
Voice Types / int_3274a15d | featureConfidence |
1.0 | |
CityOfAngels | hasFeature |
Voice Types / int_3274a15d | |
Voice Types / int_3bf08143 | type |
Voice Types | |
Voice Types / int_3bf08143 | comment |
Monty Navarro and all eight of the D'Ysquith family as played by the same actor in A Gentleman's Guide to Love and Murder. | |
Voice Types / int_3bf08143 | featureApplicability |
1.0 | |
Voice Types / int_3bf08143 | featureConfidence |
1.0 | |
A Gentleman's Guide to Love and Murder (Theatre) | hasFeature |
Voice Types / int_3bf08143 | |
Voice Types / int_3eab69f5 | type |
Voice Types | |
Voice Types / int_3eab69f5 | comment |
Rosemary, Hedy, Smitty and all of the girls in How to Succeed in Business Without Really Trying. | |
Voice Types / int_3eab69f5 | featureApplicability |
1.0 | |
Voice Types / int_3eab69f5 | featureConfidence |
1.0 | |
HowToSucceedInBusinessWithoutReallyTrying | hasFeature |
Voice Types / int_3eab69f5 | |
Voice Types / int_41dc2f4b | type |
Voice Types | |
Voice Types / int_41dc2f4b | comment |
Jimmy in Thoroughly Modern Millie. | |
Voice Types / int_41dc2f4b | featureApplicability |
1.0 | |
Voice Types / int_41dc2f4b | featureConfidence |
1.0 | |
ThoroughlyModernMillie | hasFeature |
Voice Types / int_41dc2f4b | |
Voice Types / int_42482e40 | type |
Voice Types | |
Voice Types / int_42482e40 | comment |
Bill Sykes in Oliver! | |
Voice Types / int_42482e40 | featureApplicability |
1.0 | |
Voice Types / int_42482e40 | featureConfidence |
1.0 | |
Oliver! (Theatre) | hasFeature |
Voice Types / int_42482e40 | |
Voice Types / int_4365ccaa | type |
Voice Types | |
Voice Types / int_4365ccaa | comment |
Frankie Epps, Jim Conley, Britt Craig, and generally half the cast of Parade | |
Voice Types / int_4365ccaa | featureApplicability |
1.0 | |
Voice Types / int_4365ccaa | featureConfidence |
1.0 | |
Parade | hasFeature |
Voice Types / int_4365ccaa | |
Voice Types / int_4388e597 | type |
Voice Types | |
Voice Types / int_4388e597 | comment |
Walter de Courcey (if he's not a tenor) in Chess. | |
Voice Types / int_4388e597 | featureApplicability |
1.0 | |
Voice Types / int_4388e597 | featureConfidence |
1.0 | |
Chess (Theatre) | hasFeature |
Voice Types / int_4388e597 | |
Voice Types / int_439badcd | type |
Voice Types | |
Voice Types / int_439badcd | comment |
Princess Puffer in Drood | |
Voice Types / int_439badcd | featureApplicability |
1.0 | |
Voice Types / int_439badcd | featureConfidence |
1.0 | |
Drood (Theatre) | hasFeature |
Voice Types / int_439badcd | |
Voice Types / int_43ab80dc | type |
Voice Types | |
Voice Types / int_43ab80dc | comment |
Che in Evita | |
Voice Types / int_43ab80dc | featureApplicability |
1.0 | |
Voice Types / int_43ab80dc | featureConfidence |
1.0 | |
Evita (Theatre) | hasFeature |
Voice Types / int_43ab80dc | |
Voice Types / int_43c9273b | type |
Voice Types | |
Voice Types / int_43c9273b | comment |
Mama Rose in Gypsy | |
Voice Types / int_43c9273b | featureApplicability |
1.0 | |
Voice Types / int_43c9273b | featureConfidence |
1.0 | |
Gypsy (Theatre) | hasFeature |
Voice Types / int_43c9273b | |
Voice Types / int_43d5d8e7 | type |
Voice Types | |
Voice Types / int_43d5d8e7 | comment |
The eponymous character and the Leading Player (if played by a man) in Pippin | |
Voice Types / int_43d5d8e7 | featureApplicability |
1.0 | |
Voice Types / int_43d5d8e7 | featureConfidence |
1.0 | |
Pippin (Theatre) | hasFeature |
Voice Types / int_43d5d8e7 | |
Voice Types / int_468d7b54 | type |
Voice Types | |
Voice Types / int_468d7b54 | comment |
The female cast of Passing Strange | |
Voice Types / int_468d7b54 | featureApplicability |
1.0 | |
Voice Types / int_468d7b54 | featureConfidence |
1.0 | |
Passing Strange (Theatre) | hasFeature |
Voice Types / int_468d7b54 | |
Voice Types / int_46bfa67f | type |
Voice Types | |
Voice Types / int_46bfa67f | comment |
Katja from Missing Stars is said to be a soprano. She's reserved and a potential love interest. | |
Voice Types / int_46bfa67f | featureApplicability |
1.0 | |
Voice Types / int_46bfa67f | featureConfidence |
1.0 | |
Missing Stars (Visual Novel) | hasFeature |
Voice Types / int_46bfa67f | |
Voice Types / int_49dc9ffa | type |
Voice Types | |
Voice Types / int_49dc9ffa | comment |
Citizen Chauvelin in The Scarlet Pimpernel. | |
Voice Types / int_49dc9ffa | featureApplicability |
1.0 | |
Voice Types / int_49dc9ffa | featureConfidence |
1.0 | |
TheScarletPimpernel | hasFeature |
Voice Types / int_49dc9ffa | |
Voice Types / int_4fc1c922 | type |
Voice Types | |
Voice Types / int_4fc1c922 | comment |
Madame Morrible from Wicked is a contralto, and in "Thank Goodness" gets a very low note. | |
Voice Types / int_4fc1c922 | featureApplicability |
1.0 | |
Voice Types / int_4fc1c922 | featureConfidence |
1.0 | |
Wicked (Theatre) | hasFeature |
Voice Types / int_4fc1c922 | |
Voice Types / int_554e431b | type |
Voice Types | |
Voice Types / int_554e431b | comment |
Henrik Egerman in A Little Night Music | |
Voice Types / int_554e431b | featureApplicability |
1.0 | |
Voice Types / int_554e431b | featureConfidence |
1.0 | |
A Little Night Music (Theatre) | hasFeature |
Voice Types / int_554e431b | |
Voice Types / int_563f7096 | type |
Voice Types | |
Voice Types / int_563f7096 | comment |
Anastasia in Anastasia. | |
Voice Types / int_563f7096 | featureApplicability |
1.0 | |
Voice Types / int_563f7096 | featureConfidence |
1.0 | |
Anastasia (Theatre) | hasFeature |
Voice Types / int_563f7096 | |
Voice Types / int_56418b24 | type |
Voice Types | |
Voice Types / int_56418b24 | comment |
The Prince in Cinderella (Rodgers and Hammerstein) | |
Voice Types / int_56418b24 | featureApplicability |
1.0 | |
Voice Types / int_56418b24 | featureConfidence |
1.0 | |
Cinderella (Rodgers and Hammerstein) (Theatre) | hasFeature |
Voice Types / int_56418b24 | |
Voice Types / int_56a86158 | type |
Voice Types | |
Voice Types / int_56a86158 | comment |
The eponymous role in the Yeston/Kopit version of The Phantom of the Opera, and ironically also Raoul can be played by one. | |
Voice Types / int_56a86158 | featureApplicability |
1.0 | |
Voice Types / int_56a86158 | featureConfidence |
1.0 | |
The Phantom of the Opera (Franchise) | hasFeature |
Voice Types / int_56a86158 | |
Voice Types / int_66d586bb | type |
Voice Types | |
Voice Types / int_66d586bb | comment |
Scar and Mufasa in The Lion King | |
Voice Types / int_66d586bb | featureApplicability |
1.0 | |
Voice Types / int_66d586bb | featureConfidence |
1.0 | |
TheLionKing | hasFeature |
Voice Types / int_66d586bb | |
Voice Types / int_68feb0fc | type |
Voice Types | |
Voice Types / int_68feb0fc | comment |
Mr. Graydon in Thoroughly Modern Millie. | |
Voice Types / int_68feb0fc | featureApplicability |
1.0 | |
Voice Types / int_68feb0fc | featureConfidence |
1.0 | |
Thoroughly Modern Millie | hasFeature |
Voice Types / int_68feb0fc | |
Voice Types / int_6e6f5d8b | type |
Voice Types | |
Voice Types / int_6e6f5d8b | comment |
Peggy Sawyer in 42nd Street but the role can be played by a high soprano as well. | |
Voice Types / int_6e6f5d8b | featureApplicability |
1.0 | |
Voice Types / int_6e6f5d8b | featureConfidence |
1.0 | |
42nd Street | hasFeature |
Voice Types / int_6e6f5d8b | |
Voice Types / int_6eb8058d | type |
Voice Types | |
Voice Types / int_6eb8058d | comment |
Rosabella in The Most Happy Fella. | |
Voice Types / int_6eb8058d | featureApplicability |
1.0 | |
Voice Types / int_6eb8058d | featureConfidence |
1.0 | |
The Most Happy Fella (Theatre) | hasFeature |
Voice Types / int_6eb8058d | |
Voice Types / int_7466d203 | type |
Voice Types | |
Voice Types / int_7466d203 | comment |
Much like Mark from Rent, Melchior from Spring Awakening is mostly a baritone that occasionally breaks into the tenor range, such as in his solo in "Mirror-Blue Night." Hanschen is a straight-up baritone, though. |
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Voice Types / int_7466d203 | featureApplicability |
1.0 | |
Voice Types / int_7466d203 | featureConfidence |
1.0 | |
Spring Awakening (Theatre) | hasFeature |
Voice Types / int_7466d203 | |
Voice Types / int_78c1833b | type |
Voice Types | |
Voice Types / int_78c1833b | comment |
The Emcee in Cabaret, though this one can go all over the place. | |
Voice Types / int_78c1833b | featureApplicability |
1.0 | |
Voice Types / int_78c1833b | featureConfidence |
1.0 | |
Cabaret (Theatre) | hasFeature |
Voice Types / int_78c1833b | |
Voice Types / int_79c00bf7 | type |
Voice Types | |
Voice Types / int_79c00bf7 | comment |
All of the females in Heathers are generally mezzo-sopranos, though Heather Mc Namara and Martha are sometimes classified as sopranos, and Veronica is sometimes classified as an alto. | |
Voice Types / int_79c00bf7 | featureApplicability |
1.0 | |
Voice Types / int_79c00bf7 | featureConfidence |
1.0 | |
Heathers (Theatre) | hasFeature |
Voice Types / int_79c00bf7 | |
Voice Types / int_7a8aa955 | type |
Voice Types | |
Voice Types / int_7a8aa955 | comment |
Guido Contini in Nine. | |
Voice Types / int_7a8aa955 | featureApplicability |
1.0 | |
Voice Types / int_7a8aa955 | featureConfidence |
1.0 | |
Nine (Musical) (Theatre) | hasFeature |
Voice Types / int_7a8aa955 | |
Voice Types / int_7db52f7e | type |
Voice Types | |
Voice Types / int_7db52f7e | comment |
Death, Franz Joseph, and Rudolf in Elisabeth are all tenors, with varying degrees of heroism/wide-eyed-ness/obliviousness depending on the production. | |
Voice Types / int_7db52f7e | featureApplicability |
1.0 | |
Voice Types / int_7db52f7e | featureConfidence |
1.0 | |
Elisabeth (Theatre) | hasFeature |
Voice Types / int_7db52f7e | |
Voice Types / int_81ccfb64 | type |
Voice Types | |
Voice Types / int_81ccfb64 | comment |
Mrs. Johnstone in Blood Brothers | |
Voice Types / int_81ccfb64 | featureApplicability |
1.0 | |
Voice Types / int_81ccfb64 | featureConfidence |
1.0 | |
Blood Brothers (Theatre) | hasFeature |
Voice Types / int_81ccfb64 | |
Voice Types / int_829b2f67 | type |
Voice Types | |
Voice Types / int_829b2f67 | comment |
Captain Georg von Tropp in The Sound of Music | |
Voice Types / int_829b2f67 | featureApplicability |
1.0 | |
Voice Types / int_829b2f67 | featureConfidence |
1.0 | |
TheSoundOfMusic | hasFeature |
Voice Types / int_829b2f67 | |
Voice Types / int_8516bd41 | type |
Voice Types | |
Voice Types / int_8516bd41 | comment |
Billy Flynn in Chicago. | |
Voice Types / int_8516bd41 | featureApplicability |
1.0 | |
Voice Types / int_8516bd41 | featureConfidence |
1.0 | |
Chicago (Theatre) | hasFeature |
Voice Types / int_8516bd41 | |
Voice Types / int_853937a3 | type |
Voice Types | |
Voice Types / int_853937a3 | comment |
Henry Higgins in My Fair Lady, which can also vary because Henry Higgins' lines can be spoken as easily as sung. | |
Voice Types / int_853937a3 | featureApplicability |
1.0 | |
Voice Types / int_853937a3 | featureConfidence |
1.0 | |
My Fair Lady (Theatre) | hasFeature |
Voice Types / int_853937a3 | |
Voice Types / int_86814e56 | type |
Voice Types | |
Voice Types / int_86814e56 | comment |
The opera sequence from Final Fantasy VI features two male characters: the heroic tenor Draco and the villainous bass Prince Ralse. | |
Voice Types / int_86814e56 | featureApplicability |
1.0 | |
Voice Types / int_86814e56 | featureConfidence |
1.0 | |
Final Fantasy VI (Video Game) | hasFeature |
Voice Types / int_86814e56 | |
Voice Types / int_8c2215d5 | type |
Voice Types | |
Voice Types / int_8c2215d5 | comment |
C.B. in Starlight Express. Starts off appearing to fit the male-ingenue standard, but that impression quickly, um, fades. | |
Voice Types / int_8c2215d5 | featureApplicability |
1.0 | |
Voice Types / int_8c2215d5 | featureConfidence |
1.0 | |
Starlight Express (Theatre) | hasFeature |
Voice Types / int_8c2215d5 | |
Voice Types / int_8d7f29ec | type |
Voice Types | |
Voice Types / int_8d7f29ec | comment |
On Glee, Rachel is a mezzosoprano and Santana is an alto. Most of the boys are in the tenor range, with the exception of Kurt (Chris Colfer), who is a true countertenor and does not use falsetto. | |
Voice Types / int_8d7f29ec | featureApplicability |
1.0 | |
Voice Types / int_8d7f29ec | featureConfidence |
1.0 | |
Glee | hasFeature |
Voice Types / int_8d7f29ec | |
Voice Types / int_90f7114 | type |
Voice Types | |
Voice Types / int_90f7114 | comment |
Judge Turpin in Sweeney Todd: The Demon Barber of Fleet Street | |
Voice Types / int_90f7114 | featureApplicability |
1.0 | |
Voice Types / int_90f7114 | featureConfidence |
1.0 | |
Sweeney Todd: The Demon Barber of Fleet Street (Theatre) | hasFeature |
Voice Types / int_90f7114 | |
Voice Types / int_91923998 | type |
Voice Types | |
Voice Types / int_91923998 | comment |
Balaga in Natasha, Pierre, and the Great Comet of 1812. | |
Voice Types / int_91923998 | featureApplicability |
1.0 | |
Voice Types / int_91923998 | featureConfidence |
1.0 | |
Natasha, Pierre, and the Great Comet of 1812 (Theatre) | hasFeature |
Voice Types / int_91923998 | |
Voice Types / int_9ab064e6 | type |
Voice Types | |
Voice Types / int_9ab064e6 | comment |
Fantine, Madame Thenardier, and as previously mentioned, Eponine in Les Misérables - although Mme. Thenardier can be sung by an alto. | |
Voice Types / int_9ab064e6 | featureApplicability |
1.0 | |
Voice Types / int_9ab064e6 | featureConfidence |
1.0 | |
Les Misérables (Theatre) | hasFeature |
Voice Types / int_9ab064e6 | |
Voice Types / int_9bb469a4 | type |
Voice Types | |
Voice Types / int_9bb469a4 | comment |
Mafala Hatimbi in The Book of Mormon. | |
Voice Types / int_9bb469a4 | featureApplicability |
1.0 | |
Voice Types / int_9bb469a4 | featureConfidence |
1.0 | |
The Book of Mormon (Theatre) | hasFeature |
Voice Types / int_9bb469a4 | |
Voice Types / int_a0075eb5 | type |
Voice Types | |
Voice Types / int_a0075eb5 | comment |
Jud Fry in Oklahoma! | |
Voice Types / int_a0075eb5 | featureApplicability |
1.0 | |
Voice Types / int_a0075eb5 | featureConfidence |
1.0 | |
Oklahoma! (Theatre) | hasFeature |
Voice Types / int_a0075eb5 | |
Voice Types / int_a47889a2 | type |
Voice Types | |
Voice Types / int_a47889a2 | comment |
Hades in Hadestown, drifting towards Basso Profundo. | |
Voice Types / int_a47889a2 | featureApplicability |
1.0 | |
Voice Types / int_a47889a2 | featureConfidence |
1.0 | |
Hadestown (Theatre) | hasFeature |
Voice Types / int_a47889a2 | |
Voice Types / int_ac03a2dd | type |
Voice Types | |
Voice Types / int_ac03a2dd | comment |
Audrey II in Little Shop of Horrors | |
Voice Types / int_ac03a2dd | featureApplicability |
1.0 | |
Voice Types / int_ac03a2dd | featureConfidence |
1.0 | |
Little Shop of Horrors (Theatre) | hasFeature |
Voice Types / int_ac03a2dd | |
Voice Types / int_ae1f8a83 | type |
Voice Types | |
Voice Types / int_ae1f8a83 | comment |
Caiaphas in Jesus Christ Superstar | |
Voice Types / int_ae1f8a83 | featureApplicability |
1.0 | |
Voice Types / int_ae1f8a83 | featureConfidence |
1.0 | |
JesusChristSuperstar | hasFeature |
Voice Types / int_ae1f8a83 | |
Voice Types / int_ae4921b2 | type |
Voice Types | |
Voice Types / int_ae4921b2 | comment |
Georg Nowack and Mr. Maraczek in She Loves Me. | |
Voice Types / int_ae4921b2 | featureApplicability |
1.0 | |
Voice Types / int_ae4921b2 | featureConfidence |
1.0 | |
SheLovesMe | hasFeature |
Voice Types / int_ae4921b2 | |
Voice Types / int_aeedbded | type |
Voice Types | |
Voice Types / int_aeedbded | comment |
Archibald Craven in The Secret Garden. | |
Voice Types / int_aeedbded | featureApplicability |
1.0 | |
Voice Types / int_aeedbded | featureConfidence |
1.0 | |
The Secret Garden (Theatre) | hasFeature |
Voice Types / int_aeedbded | |
Voice Types / int_b278b682 | type |
Voice Types | |
Voice Types / int_b278b682 | comment |
The manga Shounen Note is about a middle school choir. The protagonist, Yutaka, is a prodigious boy soprano but recognizes soon his voice will crack. Yutaka fits The Ingenue stereotype, being a bright eyed and sensitive boy. | |
Voice Types / int_b278b682 | featureApplicability |
1.0 | |
Voice Types / int_b278b682 | featureConfidence |
1.0 | |
Shounen Note (Manga) | hasFeature |
Voice Types / int_b278b682 | |
Voice Types / int_b3b59d72 | type |
Voice Types | |
Voice Types / int_b3b59d72 | comment |
Lurch in The Addams Family | |
Voice Types / int_b3b59d72 | featureApplicability |
1.0 | |
Voice Types / int_b3b59d72 | featureConfidence |
1.0 | |
The Addams Family (Theatre) | hasFeature |
Voice Types / int_b3b59d72 | |
Voice Types / int_ba084d45 | type |
Voice Types | |
Voice Types / int_ba084d45 | comment |
King George and Philip Hamilton/John Laurens in Hamilton. | |
Voice Types / int_ba084d45 | featureApplicability |
1.0 | |
Voice Types / int_ba084d45 | featureConfidence |
1.0 | |
Hamilton (Theatre) | hasFeature |
Voice Types / int_ba084d45 | |
Voice Types / int_ba211c5d | type |
Voice Types | |
Voice Types / int_ba211c5d | comment |
Fanny Brice in Funny Girl | |
Voice Types / int_ba211c5d | featureApplicability |
1.0 | |
Voice Types / int_ba211c5d | featureConfidence |
1.0 | |
Funny Girl (Theatre) | hasFeature |
Voice Types / int_ba211c5d | |
Voice Types / int_bb834769 | type |
Voice Types | |
Voice Types / int_bb834769 | comment |
Billy Bigelow in Carousel | |
Voice Types / int_bb834769 | featureApplicability |
1.0 | |
Voice Types / int_bb834769 | featureConfidence |
1.0 | |
Carousel (Theatre) | hasFeature |
Voice Types / int_bb834769 | |
Voice Types / int_c1a0f861 | type |
Voice Types | |
Voice Types / int_c1a0f861 | comment |
Sophie in Mamma Mia!. | |
Voice Types / int_c1a0f861 | featureApplicability |
1.0 | |
Voice Types / int_c1a0f861 | featureConfidence |
1.0 | |
Mamma Mia! (Theatre) | hasFeature |
Voice Types / int_c1a0f861 | |
Voice Types / int_c3657bf5 | type |
Voice Types | |
Voice Types / int_c3657bf5 | comment |
Jonathan Harker in any and all musical adaptations of Dracula | |
Voice Types / int_c3657bf5 | featureApplicability |
1.0 | |
Voice Types / int_c3657bf5 | featureConfidence |
1.0 | |
Dracula | hasFeature |
Voice Types / int_c3657bf5 | |
Voice Types / int_c4282b71 | type |
Voice Types | |
Voice Types / int_c4282b71 | comment |
My Little Pony: Friendship Is Magic fanfic Pagliacci has a group of characters known as the Choir Boys who are all named after different vocal types. But since they're all vicious killers, their songs shouldn't be listened to unless you have a deathwish! | |
Voice Types / int_c4282b71 | featureApplicability |
1.0 | |
Voice Types / int_c4282b71 | featureConfidence |
1.0 | |
MyLittlePonyFriendshipIsMagic | hasFeature |
Voice Types / int_c4282b71 | |
Voice Types / int_c55d93bf | type |
Voice Types | |
Voice Types / int_c55d93bf | comment |
Quasimodo in the The Hunchback of Notre Dame, even more so in the stage version Phoebus is a tenor too, though he does not go as high. |
|
Voice Types / int_c55d93bf | featureApplicability |
1.0 | |
Voice Types / int_c55d93bf | featureConfidence |
1.0 | |
The Hunchback of Notre Dame (Theatre) | hasFeature |
Voice Types / int_c55d93bf | |
Voice Types / int_c6a96bfb | type |
Voice Types | |
Voice Types / int_c6a96bfb | comment |
Most of the newsies in Newsies. | |
Voice Types / int_c6a96bfb | featureApplicability |
1.0 | |
Voice Types / int_c6a96bfb | featureConfidence |
1.0 | |
Newsies (Theatre) | hasFeature |
Voice Types / int_c6a96bfb | |
Voice Types / int_c73d2aa | type |
Voice Types | |
Voice Types / int_c73d2aa | comment |
The eponymous role in Evita | |
Voice Types / int_c73d2aa | featureApplicability |
1.0 | |
Voice Types / int_c73d2aa | featureConfidence |
1.0 | |
Evita (Music) | hasFeature |
Voice Types / int_c73d2aa | |
Voice Types / int_c7b62e5f | type |
Voice Types | |
Voice Types / int_c7b62e5f | comment |
The Innkeeper in Man of La Mancha | |
Voice Types / int_c7b62e5f | featureApplicability |
1.0 | |
Voice Types / int_c7b62e5f | featureConfidence |
1.0 | |
Man of La Mancha (Theatre) | hasFeature |
Voice Types / int_c7b62e5f | |
Voice Types / int_ca171922 | type |
Voice Types | |
Voice Types / int_ca171922 | comment |
Sky Masterson and Nathan Detroit in Guys and Dolls | |
Voice Types / int_ca171922 | featureApplicability |
1.0 | |
Voice Types / int_ca171922 | featureConfidence |
1.0 | |
Guys and Dolls (Theatre) | hasFeature |
Voice Types / int_ca171922 | |
Voice Types / int_cfa85ecb | type |
Voice Types | |
Voice Types / int_cfa85ecb | comment |
Ariel in The Little Mermaid | |
Voice Types / int_cfa85ecb | featureApplicability |
1.0 | |
Voice Types / int_cfa85ecb | featureConfidence |
1.0 | |
The Little Mermaid (Theatre) | hasFeature |
Voice Types / int_cfa85ecb | |
Voice Types / int_e08fec3a | type |
Voice Types | |
Voice Types / int_e08fec3a | comment |
Mary Poppins in Mary Poppins but the role can and has been played by a Soprano, as it goes up to a high C. | |
Voice Types / int_e08fec3a | featureApplicability |
1.0 | |
Voice Types / int_e08fec3a | featureConfidence |
1.0 | |
Mary Poppins | hasFeature |
Voice Types / int_e08fec3a | |
Voice Types / int_e38778a5 | type |
Voice Types | |
Voice Types / int_e38778a5 | comment |
Dolly Gallagher Levi in Hello, Dolly! Dolly sings so low that it is often joked that the role was written for a basso profundo. | |
Voice Types / int_e38778a5 | featureApplicability |
1.0 | |
Voice Types / int_e38778a5 | featureConfidence |
1.0 | |
Hello, Dolly! (Theatre) | hasFeature |
Voice Types / int_e38778a5 | |
Voice Types / int_e3b8885 | type |
Voice Types | |
Voice Types / int_e3b8885 | comment |
Pseudolus in A Funny Thing Happened on the Way to the Forum | |
Voice Types / int_e3b8885 | featureApplicability |
1.0 | |
Voice Types / int_e3b8885 | featureConfidence |
1.0 | |
A Funny Thing Happened on the Way to the Forum (Theatre) | hasFeature |
Voice Types / int_e3b8885 | |
Voice Types / int_e6eba2f5 | type |
Voice Types | |
Voice Types / int_e6eba2f5 | comment |
Mary Magdalene in Jesus Christ Superstar. | |
Voice Types / int_e6eba2f5 | featureApplicability |
1.0 | |
Voice Types / int_e6eba2f5 | featureConfidence |
1.0 | |
Jesus Christ Superstar (Music) | hasFeature |
Voice Types / int_e6eba2f5 | |
Voice Types / int_f71832a5 | type |
Voice Types | |
Voice Types / int_f71832a5 | comment |
Leon Czolgosz and the Proprietor in Assassins | |
Voice Types / int_f71832a5 | featureApplicability |
1.0 | |
Voice Types / int_f71832a5 | featureConfidence |
1.0 | |
Assassins (Theatre) | hasFeature |
Voice Types / int_f71832a5 | |
Voice Types / int_f9025486 | type |
Voice Types | |
Voice Types / int_f9025486 | comment |
Tony in West Side Story | |
Voice Types / int_f9025486 | featureApplicability |
1.0 | |
Voice Types / int_f9025486 | featureConfidence |
1.0 | |
West Side Story (Theatre) | hasFeature |
Voice Types / int_f9025486 | |
Voice Types / int_fb173de | type |
Voice Types | |
Voice Types / int_fb173de | comment |
The eponymous role in The Phantom of the Opera The Webber version and Raoul. Although Raoul can be sung by a baritone - notably he was portrayed by baritone John Barrowman. | |
Voice Types / int_fb173de | featureApplicability |
1.0 | |
Voice Types / int_fb173de | featureConfidence |
1.0 | |
The Phantom of the Opera (Theatre) | hasFeature |
Voice Types / int_fb173de | |
Voice Types / int_fbaafac1 | type |
Voice Types | |
Voice Types / int_fbaafac1 | comment |
Billy and Moonface Martin in Anything Goes. | |
Voice Types / int_fbaafac1 | featureApplicability |
1.0 | |
Voice Types / int_fbaafac1 | featureConfidence |
1.0 | |
Anything Goes (Theatre) | hasFeature |
Voice Types / int_fbaafac1 | |
Voice Types / int_fcd86271 | type |
Voice Types | |
Voice Types / int_fcd86271 | comment |
The King of Siam in The King and I. | |
Voice Types / int_fcd86271 | featureApplicability |
1.0 | |
Voice Types / int_fcd86271 | featureConfidence |
1.0 | |
The King and I (Theatre) | hasFeature |
Voice Types / int_fcd86271 | |
Voice Types / int_ff1a7522 | type |
Voice Types | |
Voice Types / int_ff1a7522 | comment |
The Boatman from Sunday in the Park with George | |
Voice Types / int_ff1a7522 | featureApplicability |
1.0 | |
Voice Types / int_ff1a7522 | featureConfidence |
1.0 | |
Sunday in the Park with George (Theatre) | hasFeature |
Voice Types / int_ff1a7522 |
The following is a list of statements referring to the current page from other pages.
SharonSmall | seeAlso |
Voice Types | |
SoullessWarlock | seeAlso |
Voice Types | |
TheRenaissanceRaver | seeAlso |
Voice Types | |
The Sound of Music (Theatre) / int_11a6ee0c | type |
Voice Types |
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Copyright of data TVTropes.org contributors under Creative Commons Attribution-Share Alike 3.0 Unported License.