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Ghost Quartet (Music)
- 204 statements
- 39 feature instances
- 4 referencing feature instances
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Ghost Quartet is a song cycle/concept album/musical performance written by Dave Malloy and performed by Malloy, Brent Arnold, Brittain Ashford, and Gelsey Bell, described by Malloy as "a song cycle about death, love, and whiskey". The show was critically acclaimed in an off-Broadway engagement in 2014, and has since toured across the United States and in Scotland.In March 2020, in response to the closing of theaters due to the ongoing COVID-19 pandemic, Malloy released a full, professionally-shot recording of the show for free. You can watch it here. | |
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| Ghost Quartet (Music) / int_1e584efa | type |
Cruel and Unusual Death | |
| Ghost Quartet (Music) / int_1e584efa | comment |
Cruel and Unusual Death: Rose wants the Bear to maul the Astronomer and turn her sister Pearl into a crow, then to put them into a cave until the crow starves, at which point she'll have no choice but to peck out his eyes and eat them. | |
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All There in the Script | |
| Ghost Quartet (Music) / int_222969af | comment |
All There in the Script: The regular speech parts ("Midnight", "Monk", "Family Meeting", and the beginning of "The Camera Shop� and “Tango Dancer�) are all excluded from the cast album but are present in the complete score and on the live album. | |
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Ode to Intoxication | |
| Ghost Quartet (Music) / int_2f551929 | comment |
Ode to Intoxication: "Four Friends" and, to some extent, "Fathers & Sons." | |
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Reincarnation Romance | |
| Ghost Quartet (Music) / int_3016de81 | comment |
Reincarnation Romance: It seems that the incarnations of the Astronomer and Rose Red are destined to love each other, no matter the timeline. This works out much better in the Subway timeline than it does in the Two Sisters timeline. | |
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| Ghost Quartet (Music) / int_319e4a2f | type |
Even Evil Has Standards | |
| Ghost Quartet (Music) / int_319e4a2f | comment |
Even Evil Has Standards: The Bear balks at fulfilling Rose's request to kill the Astronomer and turn Pearl into a crow. As he says, he is not a murderer or a crazy person, he just likes honey. Never mind that he just threatened to eat Rose after she brought him the things he wanted. | |
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| Ghost Quartet (Music) / int_34f6774c | type |
Concept Album | |
| Ghost Quartet (Music) / int_34f6774c | comment |
Concept Album: Ghost Quartet began as this, and when it was adapted to the stage, it kept some of the quirks of an album. Each song is announced live as "Side [blank], Track [blank]": for example, "I Don't Know" is Side 1, Track 1. | |
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| Ghost Quartet (Music) / int_37690091 | type |
Stable Time Loop | |
| Ghost Quartet (Music) / int_37690091 | comment |
Stable Time Loop: The Camera Shop Owner's assurance to Rose that "this is a circular story" in "The Camera Shop" and the line "This has all happened before" in "Usher, Pt. 3" seem to imply that the whole story is this. | |
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| Ghost Quartet (Music) / int_4efe80e1 | type |
Lazy Bum | |
| Ghost Quartet (Music) / int_4efe80e1 | comment |
Lazy Bum: The Bear wants a pot of honey. Rather than get it himself, he has Rose go on a quest spanning multiple centuries and lifetimes to get him one, along with some other things. And then once he gets the honey pot, he reneges on his deal to maul the Astronomer and turn Pearl into a crow. | |
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Reincarnation | |
| Ghost Quartet (Music) / int_50f5dabe | comment |
Reincarnation: The four characters in each timeline are all implied to be past and/or future versions of themselves in the others. | |
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Melismatic Vocals | |
| Ghost Quartet (Music) / int_5967d6df | comment |
Melismatic Vocals: An impressive, notable one at the beginning of "Soldier & Rose." | |
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Audience Participation Song | |
| Ghost Quartet (Music) / int_5fe1360d | comment |
Audience Participation Song: Audience members get various percussion instruments to play in "Any Kind of Dead Person." At the end of "The Wind and Rain," the performers hand their instruments off to the audience and leave. They aren't encouraged to keep playing, but the performers don't return for their bows until the music has completely stopped. During "Four Friends," whiskey is passed out to audience members. | |
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| Ghost Quartet (Music) / int_60f567f1 | type |
Lonely Piano Piece | |
| Ghost Quartet (Music) / int_60f567f1 | comment |
Lonely Piano Piece: "Hero," towards the end. | |
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Viewers Are Geniuses | |
| Ghost Quartet (Music) / int_641cf81d | comment |
Viewers Are Geniuses: The album is best appreciated by a listener familiar with Arabian Nights, Wind in the Pines, The Brothers Grimm, The Fall of the House of Usher, Ulysses, Thelonious Monk, The Twilight Zone (1959), Into the Woods, astronomy, and, of course, whiskey. | |
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Author Appeal | |
| Ghost Quartet (Music) / int_6627695f | comment |
Author Appeal: Intricate harmonies, cast members playing a myriad of instruments, audience percussion, and drinking all show up here and in Natasha, Pierre, and the Great Comet of 1812. | |
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| Ghost Quartet (Music) / int_6f77ef8e | type |
Anti-Love Song | |
| Ghost Quartet (Music) / int_6f77ef8e | comment |
Anti-Love Song: "Soldier & Rose" seems like a pretty little love song until Rose shoots the Soldier in the head and takes her pot of honey to pay the Bear. | |
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| Ghost Quartet (Music) / int_78e8eba5 | type |
"I Am" Song | |
| Ghost Quartet (Music) / int_78e8eba5 | comment |
"I Am" Song: "Starchild" and "The Astronomer" | |
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Anachronic Order | |
| Ghost Quartet (Music) / int_8b6e8d7 | comment |
Anachronic Order: It takes a few listens to follow the overall timeline and point where each timeline changes or interweaves with another one. | |
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| Ghost Quartet (Music) / int_8d718b9e | type |
Bears Are Bad News | |
| Ghost Quartet (Music) / int_8d718b9e | comment |
Bears Are Bad News: Played with. The bear in Pearl's game is the final boss, but the Bear in the Two Sisters timeline isn't evil so much as he is lazy and dishonest. | |
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| Ghost Quartet (Music) / int_9b6acdb3 | type |
Lyrical Cold Open | |
| Ghost Quartet (Music) / int_9b6acdb3 | comment |
Lyrical Cold Open: "I Don't Know" starts with Dave's voice before the other singers, and then instruments, join in. | |
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One-Man Band | |
| Ghost Quartet (Music) / int_9e94650e | comment |
One-Man Band: Each member of the quartet plays a collection of instruments, in addition to and sometimes at the same time as singing. | |
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Leitmotif | |
| Ghost Quartet (Music) / int_9f6fb586 | comment |
Leitmotif: A particular melody for piano and cello is played in each of the “Usher� songs. | |
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Noodle Implements | |
| Ghost Quartet (Music) / int_b5914444 | comment |
Noodle Implements: The Bear requires one pot of honey, one piece of stardust, one secret baptism, and a photo of a ghost to perform what Rose asks of him. Or so he claims. All he really wants is the honey. | |
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Forgiveness | |
| Ghost Quartet (Music) / int_b75b35ac | comment |
Forgiveness: One of the key themes of the show. "Hero" has Rose thinking about her actions over the course of the show and vowing to "let the dead be dead." Additionally, "Midnight", the next song, has Pearl and the Pusher reconcile, now that they are no longer those versions of themselves. | |
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| Ghost Quartet (Music) / int_bda474d2 | type |
Last Note Nightmare | |
| Ghost Quartet (Music) / int_bda474d2 | comment |
Last Note Nightmare: There are a good few throughout the show: "Usher, Pt. 2" is a pretty eerie song throughout, with the song being the death scene of Roxie. It starts off average enough, with Lord Usher (Dave) narrating that on the night Roxie died, his "wife sang our son played his guitar", noting that they played "wild improvisations, dirges and waltzes, fevered rhapsodies" before the song slams into this discordant mess with Lady Usher (Gelsey) and The Fool (Brent) loudly singing: "THE STONES ARE ALIVE, THE STONES ARE ALIVE! THE DECAYING TREES! THE BOOKS ON THE WALL, THE BOOKS ON THE WALL! THE CONDENSATION ON THE WINDOW! ON THE WINDOW! IT IS ALL ALIVE! ALL ALIVE!" before all the instruments suddenly drop out and the cast sings "the driver can't stop, the ghost is here." until we suddenly cut back into Roxie's death scene. It becomes normal and melancholic with Lady Usher operatically wailing "O, Roxie, why did you have to die? I forgive you." she sings "O, Roxie" two more times until suddenly calling Roxie "Rose". The music suddenly goes into a dissonant crescendo with loud drumming and harp glissandos as she announces that "I SHALL PRESERVE HER CORPSE A FORTNIGHT WITHIN THE VAULT UNDERNEATH OUR BEDROOM." "Usher, Pt. 3" isn't much better. It's pretty normal at first, jumping between the Subway and Usher timelines, showing us the conclusion of the Usher arc where it's revealed that Roxie was Buried Alive in the vault, and she gets out and kills her mother, and we find out more about the game The Victim (a.k.a: Pearl) (Gelsey) was playing before they were pushed onto the subway tracks. After the end of the Usher section, it goes back into the game, where we get to the Pusher attacking [[spoiler Pearl.]] After The Pusher (Brent) sings that "The Pusher couldn't help himself" and the cast says that "And the Pusher pushed Pearl onto the subway track.", The Victim sings "Pushed me into the path of the screaming TRAIIIIIIIIIIIIIN!!!!", being the one of the highest notes Gelsey hits during the show (a B5). A cymbal crashes, and the rest of the cast plays a Drone of Dread as she goes into a creepy-as-hell monologue from both the perspectives of Lady Usher and The Victim. As the monologue ends, the drone goes into a loud crescendo before cutting off, going into the A Cappella song "Prayer". | |
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| Ghost Quartet (Music) / int_bef696dd | type |
Mind Screw | |
| Ghost Quartet (Music) / int_bef696dd | comment |
Mind Screw: The interactions between the various incarnations of everybody are often this. For example: Rose takes the baby for the secret baptism from Roxie Usher, who is Rose. The Starchild, Roxie's baby, is also Rose. And Roxie's not-so-imaginary imaginary friend as a child is...also Rose. How many people has Rose been? | |
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One-Woman Wail | |
| Ghost Quartet (Music) / int_c4b8e2ae | comment |
One-Woman Wail: Gelsey Bell's periodic ghostly screeching (especially during "The Photograph"). | |
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| Ghost Quartet (Music) / int_c75df49a | type |
Shout-Out | |
| Ghost Quartet (Music) / int_c75df49a | comment |
Shout-Out: Per Dave, the part in "The Camera Shop" where the Bear lists his demands ("One pot of honey," etc.) is a direct reference to Into the Woods, right down to the way the piano in the background sounds. | |
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| Ghost Quartet (Music) / int_d29f109e | type |
Live Album | |
| Ghost Quartet (Music) / int_d29f109e | comment |
Live Album: Live at the McKittrick, which includes the interstitial dialogue scenes and the intro to "The Camera Shop". The McKittrick Hotel is home to a performance art piece of its own, Sleep No More, and if you listen closely, you can hear it going on during the show. | |
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| Ghost Quartet (Music) / int_d2ddb362 | type |
ReasonYouSuckSpeech | |
| Ghost Quartet (Music) / int_d2ddb362 | comment |
"Reason You Suck" Speech: In "Bad Men," Rose Red delivers one of these shortly after discovering the Astronomer was cheating on her with her sister, Pearl White. | |
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Retroactive Recognition | |
| Ghost Quartet (Music) / int_d4acfe18 | comment |
Retroactive Recognition: Malloy, Ashford, and Bell are much more popular now, thanks to the Broadway debut of Natasha, Pierre, and the Great Comet of 1812. which Malloy wrote (and occasionally stars in) and Ashford and Bell feature in. | |
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Last Request | |
| Ghost Quartet (Music) / int_d6618014 | comment |
Last Request: The Soldier wants Rose to dance with her, then take her into a back alley and shoot her. Rose, only in it for the pot of honey the Soldier has, obliges. | |
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Screw This, I'm Outta Here | |
| Ghost Quartet (Music) / int_d9cf40fa | comment |
Screw This, I'm Outta Here: In between "Usher, Pt. 2" and "Usher, Pt. 3," the Fool runs off to New York City with his cello. | |
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| Ghost Quartet (Music) / int_dbfd6b8 | type |
Lyrical Dissonance | |
| Ghost Quartet (Music) / int_dbfd6b8 | comment |
Lyrical Dissonance: The happy, jazzy beat of "Fathers & Sons" is almost enough to make the listener forget that it's about parental neglect and drug abuse. | |
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| Ghost Quartet (Music) / int_ddcb019c | type |
Non-Linear Character | |
| Ghost Quartet (Music) / int_ddcb019c | comment |
Non-Linear Character: Rose seems to originally belong to somewhere in the early modern era, where there are telescopes and a rudimentary understanding of astronomy, but she can travel with ease back to Scheherazade's time or forward to the modern era. | |
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| Ghost Quartet (Music) / int_e8dcd1c0 | type |
Four Lines, All Waiting | |
| Ghost Quartet (Music) / int_e8dcd1c0 | comment |
Four Lines, All Waiting: There are four main timelines (Arabian Nights, Two Sisters, Usher, and Subway) that the story returns to at will, though they tend to overlap, and even intersect (as in "Usher, Pt. 3"). | |
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Merged Reality | |
| Ghost Quartet (Music) / int_ea74a7bf | comment |
Merged Reality: Rose's quest to find the items the Bear requires take her to both past and future, and every timeline sets up the one after it so that Rose and Pearl have nearly every relationship possible between two women. | |
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Dark Reprise | |
| Ghost Quartet (Music) / int_f3fd818b | comment |
"Usher, Pt. 2" is a pretty eerie song throughout, with the song being the death scene of Roxie. It starts off average enough, with Lord Usher (Dave) narrating that on the night Roxie died, his "wife sang our son played his guitar", noting that they played "wild improvisations, dirges and waltzes, fevered rhapsodies" before the song slams into this discordant mess with Lady Usher (Gelsey) and The Fool (Brent) loudly singing: "THE STONES ARE ALIVE, THE STONES ARE ALIVE! THE DECAYING TREES! THE BOOKS ON THE WALL, THE BOOKS ON THE WALL! THE CONDENSATION ON THE WINDOW! ON THE WINDOW! IT IS ALL ALIVE! ALL ALIVE!" before all the instruments suddenly drop out and the cast sings "the driver can't stop, the ghost is here." until we suddenly cut back into Roxie's death scene. It becomes normal and melancholic with Lady Usher operatically wailing "O, Roxie, why did you have to die? I forgive you." she sings "O, Roxie" two more times until suddenly calling Roxie "Rose". The music suddenly goes into a dissonant crescendo with loud drumming and harp glissandos as she announces that "I SHALL PRESERVE HER CORPSE A FORTNIGHT WITHIN THE VAULT UNDERNEATH OUR BEDROOM." | |
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Buried Alive | |
| Ghost Quartet (Music) / int_f8f71b5f | comment |
"Usher, Pt. 3" isn't much better. It's pretty normal at first, jumping between the Subway and Usher timelines, showing us the conclusion of the Usher arc where it's revealed that Roxie was Buried Alive in the vault, and she gets out and kills her mother, and we find out more about the game The Victim (a.k.a: Pearl) (Gelsey) was playing before they were pushed onto the subway tracks. After the end of the Usher section, it goes back into the game, where we get to the Pusher attacking [[spoiler Pearl.]] After The Pusher (Brent) sings that "The Pusher couldn't help himself" and the cast says that "And the Pusher pushed Pearl onto the subway track.", The Victim sings "Pushed me into the path of the screaming TRAIIIIIIIIIIIIIN!!!!", being the one of the highest notes Gelsey hits during the show (a B5). A cymbal crashes, and the rest of the cast plays a Drone of Dread as she goes into a creepy-as-hell monologue from both the perspectives of Lady Usher and The Victim. As the monologue ends, the drone goes into a loud crescendo before cutting off, going into the A Cappella song "Prayer". | |
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Ghost Quartet (Music) |
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