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Minutes to Midnight (Music)
- 171 statements
- 32 feature instances
- 8 referencing feature instances
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Minutes to Midnight (Music) | comment |
Minutes to Midnight is the third studio album by Linkin Park, released in 2007. The album marked a definitive shift in the band's repertoire in many ways, spurred on by the band members' desire to experiment in the studio.Following the nu metal sound of their successful first two albums (Hybrid Theory, Meteora) steadily falling out of style nearing the end of the 2000s, Minutes marked the band's first foray away from that genre and towards arena-ready alternative rock and metal, overseen by record producer Rick Rubin. As such, the instrumentation used in songs is generally lighter, and lead vocalist Mike Shinoda embraces singing and harmonizing over his traditional rapping.Further unique characteristics of Minutes include its political themes, revolving around the Doomsday Clock (which inspired the album's name), environmentalism, The War on Terror, and social unrest, which helped transition the band members into a more mature phase in their development. The recurring concerns of betrayal and loss helped keep the subject matter consistent with the band's previous work. The album also contains profanity unlike its predecessors, which made it the band's first full-length album to receive a Parental Advisory label.While Minutes became a massive hit, debuting at #1 in 15 countries, the change in the band's style heavily split their fanbase, and remains a point of mild division in their history considering they would only experiment further with alternative influences in future releases. Older listeners who loved their work in nu metal thought the band had sold out, while others who enjoyed softer rock and may not have had an entry point to the band embraced the newer direction. | |
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Minutes to Midnight (Music) / int_14beeefd | type |
Darker and Edgier | |
Minutes to Midnight (Music) / int_14beeefd | comment |
Darker and Edgier: Not so much in music or style, but in lyrical content. The lyrics to "Hands Held High" are notably pretty angry, with swear words: | |
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Minutes to Midnight (Music) / int_16d8476f | type |
Protest Song | |
Minutes to Midnight (Music) / int_16d8476f | comment |
Protest Song: The video for "What I've Done" is very moving, as it juxtaposes various hate groups, nuclear bombings, and starving people with freedom fighters, peacemakers, and the privileged elite. "Hands Held High" protests The War on Terror. It is rumored that "The Little Things Give You Away" is about the Bush Administration's delayed response to Hurricane Katrina, though this has not been confirmed by the band. | |
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Minutes to Midnight (Music) / int_22093e9b | type |
New Sound Album | |
Minutes to Midnight (Music) / int_22093e9b | comment |
New Sound Album: Very much so. This led to their decline in popularity, even though they broke out of their niche to appeal to a wider fanbase. It was also a "new technique album," where the band abandoned their usual songwriting practice of recording the songs as individual productions, then figuring out how to play them live, and wrote songs based on jam sessions. | |
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Minutes to Midnight (Music) / int_2497e5b8 | type |
Atomic F-Bomb | |
Minutes to Midnight (Music) / int_2497e5b8 | comment |
Atomic F-Bomb: Found at the end of the bridge of "Given Up". | |
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Minutes to Midnight (Music) / int_258a3bf7 | type |
Doomsday Clock | |
Minutes to Midnight (Music) / int_258a3bf7 | comment |
Doomsday Clock: The title of the album stems from this. While they didn't really get into their concerns toward nuclear warfare until the following album, A Thousand Suns, the video for "Shadow of the Day" references this amid political unrest. The opening features Chester waking up at 11:55 pm and proceeding to go out, and the song is just under five minutes long. | |
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Minutes to Midnight (Music) / int_2e22f7d4 | type |
Minimalistic Cover Art | |
Minutes to Midnight (Music) / int_2e22f7d4 | comment |
Minimalistic Cover Art: A black-and-white, shadowy picture of the band from a distance. | |
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Minutes to Midnight (Music) / int_38da8916 | type |
Uncommon Time | |
Minutes to Midnight (Music) / int_38da8916 | comment |
Uncommon Time: "The Little Things Give You Away" is done in 3/4. | |
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Minutes to Midnight (Music) / int_43a831db | type |
Epic Tracking Shot | |
Minutes to Midnight (Music) / int_43a831db | comment |
Epic Tracking Shot: The camera in the "Given Up" video never once pans away or cuts. | |
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Minutes to Midnight (Music) / int_44cf7d2c | type |
Incredibly Long Note | |
Minutes to Midnight (Music) / int_44cf7d2c | comment |
Incredibly Long Note: The last line of the bridge in "Given Up" combines this with Metal Scream, resulting in a seventeen-second long, two-note scream. However, Chester generally avoids holding it for that long during live performances in order to preserve his voice. | |
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Minutes to Midnight (Music) / int_4bca5b2e | type |
We Have Become Complacent | |
Minutes to Midnight (Music) / int_4bca5b2e | comment |
We Have Become Complacent: The purpose of "What I've Done" is to warn against this and instead begin to embrace the fact that we all need to step up and make a difference. | |
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Minutes to Midnight (Music) / int_51f90774 | type |
Step Up to the Microphone | |
Minutes to Midnight (Music) / int_51f90774 | comment |
Step Up to the Microphone: The rest of the band encouraged Brad Delson to play more prominent guitar parts, despite the fact that he was previously too shy to play solos because he hated showing off. He also contributed harmonies for a number of the tracks. This also marks the first time Mike began to sing, rather than just letting Chester sing the choruses or the entire vocal harmony. Additionally, Mike gets two songs to himself, one Political Rap song that sounds like it would belong to Fort Minor and another song that has him singing solo for the first time. The iTunes version adds another track that just featured Mike Shinoda singing | |
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Minutes to Midnight (Music) / int_528ba189 | type |
Album Intro Track | |
Minutes to Midnight (Music) / int_528ba189 | comment |
Album Intro Track: "Wake", a calm and uplifting instrumental. | |
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Minutes to Midnight (Music) / int_5fe1360d | type |
Audience Participation Song | |
Minutes to Midnight (Music) / int_5fe1360d | comment |
Audience Participation Song: "Hands Held High" features a chorus of amens, which the audience gladly replicates live. | |
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Minutes to Midnight (Music) / int_6f77ef8e | type |
Anti-Love Song | |
Minutes to Midnight (Music) / int_6f77ef8e | comment |
Anti-Love Song: "Valentine's Day", ostensibly: | |
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Minutes to Midnight (Music) / int_74149c93 | type |
Epic Rocking | |
Minutes to Midnight (Music) / int_74149c93 | comment |
Epic Rocking: The end of "The Little Things Give You Away" has two minutes of Brad, Chester, and Mike harmonizing with one another to awesome effects. | |
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Minutes to Midnight (Music) / int_78f26d1c | type |
A Wild Rapper Appears! | |
Minutes to Midnight (Music) / int_78f26d1c | comment |
A Wild Rapper Appears!: A variation. The album doesn't feature a lot of rapping, so when Mike does show up to rap, it feels like this is in effect. | |
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Minutes to Midnight (Music) / int_7bef792a | type |
BreakUpSong | |
Minutes to Midnight (Music) / int_7bef792a | comment |
Break Up Song: "In Pieces", ostensibly. "Valentine's Day" seems to count too. | |
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Minutes to Midnight (Music) / int_89937faf | type |
Watching the Sunset | |
Minutes to Midnight (Music) / int_89937faf | comment |
Watching the Sunset: Invoked in "Shadow of the Day": | |
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Minutes to Midnight (Music) / int_89937faf | |
Minutes to Midnight (Music) / int_8bc5e5a1 | type |
Rap Rock | |
Minutes to Midnight (Music) / int_8bc5e5a1 | comment |
Rap Rock: The notable lack of rapping was one of the main criticisms of the album. Only "Bleed It Out" can be classed as rap rock, as the other song with rapping in it ("Hands Held High") is a Political Rap song that sounds like it belongs in Fort Minor. | |
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Minutes to Midnight (Music) / int_92bec282 | type |
Back to Front | |
Minutes to Midnight (Music) / int_92bec282 | comment |
Back to Front: The "Bleed It Out" music video does this creatively. While the band performs in real time, the surrounding bar fight rewinds from its culmination to its beginning. | |
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Minutes to Midnight (Music) / int_979ca348 | type |
Repurposed Pop Song | |
Minutes to Midnight (Music) / int_979ca348 | comment |
Repurposed Pop Song: "Leave Out All the Rest" was used to promote both Danny Boyle's film Sunshine and the first Twilight movie. | |
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Minutes to Midnight (Music) / int_9da3227a | type |
Careful with That Axe | |
Minutes to Midnight (Music) / int_9da3227a | comment |
Careful with That Axe: Chester bellows it out hard (read: swings that axe like a goddamn hurricane) in the bridge of "Given Up", capped off by the infamous seventeen-second, two-note scream. He then repeats the screaming throughout the latter half of "No More Sorrow" | |
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Minutes to Midnight (Music) / int_b2a9e649 | type |
Political Rap | |
Minutes to Midnight (Music) / int_b2a9e649 | comment |
Additionally, Mike gets two songs to himself, one Political Rap song that sounds like it would belong to Fort Minor and another song that has him singing solo for the first time. The iTunes version adds another track that just featured Mike Shinoda singing | |
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Minutes to Midnight (Music) / int_b6699566 | type |
His Own Worst Enemy | |
Minutes to Midnight (Music) / int_b6699566 | comment |
His Own Worst Enemy: The single line of the refrain for "Given Up" invokes this ad vervatim. | |
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Minutes to Midnight (Music) / int_b8e3f20a | type |
Demoted to Extra | |
Minutes to Midnight (Music) / int_b8e3f20a | comment |
Demoted to Extra: Mike is largely demoted to a backing vocalist who harmonizes with Chester, rather than one half of a tag team. Only two songs feature him rapping, and only one features their signature Vocal Tag Team. | |
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Minutes to Midnight (Music) / int_bc00493f | type |
Precision F-Strike | |
Minutes to Midnight (Music) / int_bc00493f | comment |
Precision F-Strike: Twice in "Bleed It Out": | |
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Minutes to Midnight (Music) / int_bfc4b943 | type |
Video Full of Film Clips | |
Minutes to Midnight (Music) / int_bfc4b943 | comment |
Video Full of Film Clips: Since "Leave Out All the Rest" was done to promote Danny Boyle's Sunshine, the video features the band on the spacecraft of the film, though there are no clips featured explicitly from the film. An alternate version of "Leave Out All the Rest" was done for Twilight. Similarly, "What I've Done" has an alternate music video full of Transformers clips. | |
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Minutes to Midnight (Music) / int_e3109dae | type |
Switching P.O.V. | |
Minutes to Midnight (Music) / int_e3109dae | comment |
Switching P.O.V.: "Hands Held High" switches from the perspective of the average American in the first verse, to the perspective of an average Iraqi in the second verse. It shows how the war in Iraq destroys the life of both the American kids who fight, and the innocent Middle Eastern people who face the threat of bombings every day. | |
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Minutes to Midnight (Music) / int_e91cc721 | type |
In the Style of | |
Minutes to Midnight (Music) / int_e91cc721 | comment |
In the Style of: The Arena Rock concerns of the album sound very similar to U2: indeed, Chester's mannerisms in the "What I've Done" video seem to mimic Bono's. | |
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Minutes to Midnight (Music) / int_ea454c4a | type |
Surprisingly Gentle Song | |
Minutes to Midnight (Music) / int_ea454c4a | comment |
Surprisingly Gentle Song: "In Between" was the softest song the band had released up to that point (other than the Hybrid Theory B-side track "My December", as well as the then-unreleased "She Couldn't", also from the Hybrid Theory sessions). That being said, "Leave Out All the Rest" and "Valentine's Day" are also this. | |
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Minutes to Midnight (Music) / int_f0f4b47 | type |
Vocal Tag Team | |
Minutes to Midnight (Music) / int_f0f4b47 | comment |
Vocal Tag Team: Only "Bleed It Out" features this dynamic. Otherwise, Chester has all the lead vocals with Mike doing backing vocals. The only exceptions being "Hands Held High" and "In Between", where Mike has the whole song. | |
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