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Every Frame a Painting (Web Video)
- 64 statements
- 11 feature instances
- 3 referencing feature instances
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Every Frame a Painting (Web Video) | |
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A defunct film form analysis show by Tony Zhou and Taylor Ramos. The show highlights specific creators or elements of film to aid understanding and film literacy.You can watch it in this Youtube channel. Also has accounts in Twitter and Tumblr. Tony occasionally posts articles (his and from other sources) with additional content in both. | |
| Every Frame a Painting (Web Video) | fetched |
2023-09-21T18:52:42Z | |
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2023-09-21T18:52:42Z | |
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Dropped link to MemoriesOfMurder: Not a Feature - ITEM | |
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| Every Frame a Painting (Web Video) / int_372a75a0 | type |
Bile Fascination | |
| Every Frame a Painting (Web Video) / int_372a75a0 | comment |
Bile Fascination:invoked Taken to the logical extreme with his Bayhem essay. He makes it clear from the get-go that he doesn't like Michael Bay's movies, but nonetheless goes into detail about why his style is so profitable. He even uses a snippet of a Werner Herzog interview to help illustrate his point on the matter. | |
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| Every Frame a Painting (Web Video) / int_4f4372e9 | type |
Early-Installment Weirdness | |
| Every Frame a Painting (Web Video) / int_4f4372e9 | comment |
Early-Installment Weirdness: The earlier episodes tend to have more jokes and one-liners, before Tony set into the pure analysis. | |
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| Every Frame a Painting (Web Video) / int_6cb9eee2 | type |
Talking Heads | |
| Every Frame a Painting (Web Video) / int_6cb9eee2 | comment |
Talking Heads: In his Edgar Wright essay, Tony criticizes comedy films, particularly American ones, for largely devolving into this. He then analyzes how Wright averts the trope in his films. He also analyzes an alternative to this trope in his Memories of Murder essay, discussing its heavy use of ensemble staging? where the camera shows the whole cast at once while the dialogue happens. | |
| Every Frame a Painting (Web Video) / int_6cb9eee2 | featureApplicability |
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| Every Frame a Painting (Web Video) / int_7ae4d273 | type |
Point of No Return | |
| Every Frame a Painting (Web Video) / int_7ae4d273 | comment |
Point of No Return: His Snowpiercer episode is centered around showing this in film. In a lesser sense, Tony often says this before he needs to go into details involving spoilers. | |
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| Every Frame a Painting (Web Video) / int_9600368d | type |
Behind the Black | |
| Every Frame a Painting (Web Video) / int_9600368d | comment |
Behind the Black: Discussed as one of Buster Keaton's trademark rules: "If the camera can't see it, the characters can't see it, either." | |
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| Every Frame a Painting (Web Video) / int_c10d1dcb | type |
California Doubling | |
| Every Frame a Painting (Web Video) / int_c10d1dcb | comment |
California Doubling: invokedDiscussed in Vancouver Never Plays Itself, which goes into examples of how Vancouver (Tony's hometown) has been used in films to portray other cities, and the many tricks of the trade that filmmakers use to disguise it. | |
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| Every Frame a Painting (Web Video) / int_c907f51d | type |
Shot/Reverse Shot | |
| Every Frame a Painting (Web Video) / int_c907f51d | comment |
Shot/Reverse Shot: Discussed in Joel & Ethan Coen - Shot | Reverse Shot, specifically how they make theirs interesting. On top of precise, near-invisible timing, they usually frame the camera in between the characters, making the audience feel more involved and somewhat "trapped" with them, building an awkward yet amusing sympathy. They also manage to get the surroundings around them within frame, usually providing information about even minor characters involved. | |
| Every Frame a Painting (Web Video) / int_c907f51d | featureApplicability |
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| Every Frame a Painting (Web Video) / int_e7e558 | type |
The Oner | |
| Every Frame a Painting (Web Video) / int_e7e558 | comment |
The Oner: Discussed in The Spielberg Oner, which compares the flashier examples found in most of present-day film against the more practical, invisible ones used by Spielberg. Tony prefers the latter. | |
| Every Frame a Painting (Web Video) / int_e7e558 | featureApplicability |
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| Every Frame a Painting (Web Video) / int_e9a8bf61 | type |
Edutainment | |
| Every Frame a Painting (Web Video) / int_e9a8bf61 | comment |
Edutainment: The ways Tony analyzes and discusses the topics in his episodes are not only informative, but rather entertaining in their own right. | |
| Every Frame a Painting (Web Video) / int_e9a8bf61 | featureApplicability |
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| Every Frame a Painting (Web Video) | hasFeature |
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| Every Frame a Painting (Web Video) / int_f769e261 | type |
Anything but That! | |
| Every Frame a Painting (Web Video) / int_f769e261 | comment |
Anything but That!: While showing the difference between a profile and a head-on shot, Tony cuts to Hugh Jackman from Les Misérables (2012). | |
| Every Frame a Painting (Web Video) / int_f769e261 | featureApplicability |
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| Every Frame a Painting (Web Video) / int_name | type |
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Every Frame a Painting (Web Video) |
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