...it's like TV Tropes, but LINKED DATA!
Color Wash
- 539 statements
- 102 feature instances
- 139 referencing feature instances
Color Wash | type |
FeatureClass | |
Color Wash | label |
Color Wash | |
Color Wash | page |
ColorWash | |
Color Wash | comment |
Color Wash refers to a process designed to create a largely uniform tint or stylized color timing to a work, typically done in post-production on the natural footage but cinematographers and production designers have used lens filters, lighting gels and coordinated sets/costumes to achieve the same effect in-camera. The methods applied and the reasons for it depend on the intended goals. Warm Place, Warm Lighting helps convey that the characters are sweating it out in a hot location. Real Is Brown may be a variant of Deliberately Monochrome with a Splash of Color. Very popular is an Orange/Blue Contrast pushing skin tone to appear orange-y and everything else teal for Color Contrast. Mood Lighting often goes along with Unnaturally Blue Lighting. And there are standard flashback. Using lots of Color Wash can sometimes create a grating visual, but it can also be used to highlight important details or comment on a character's state of mind. Like any trope, it depends on execution. |
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Color Wash | fetched |
2024-01-29T12:29:43Z | |
Color Wash | parsed |
2024-01-29T12:29:43Z | |
Color Wash | processingComment |
Dropped link to Avalon2001: Not an Item - UNKNOWN | |
Color Wash | processingComment |
Dropped link to BattlefieldThree: Not an Item - UNKNOWN | |
Color Wash | processingComment |
Dropped link to BlueOrangeContrast: Not an Item - FEATURE | |
Color Wash | processingComment |
Dropped link to ColorCodedForYourConvenience: Not an Item - FEATURE | |
Color Wash | processingComment |
Dropped link to Devo: Not an Item - IGNORE | |
Color Wash | processingComment |
Dropped link to HollywoodDarkness: Not an Item - FEATURE | |
Color Wash | processingComment |
Dropped link to MeaningfulBackgroundEvent: Not an Item - FEATURE | |
Color Wash | processingComment |
Dropped link to RedFactionGuerrilla: Not an Item - UNKNOWN | |
Color Wash | processingComment |
Dropped link to RuleOfThree: Not an Item - FEATURE | |
Color Wash | processingComment |
Dropped link to SicklyGreenGlow: Not an Item - FEATURE | |
Color Wash | processingComment |
Dropped link to StarWars: Not an Item - CAT | |
Color Wash | processingComment |
Dropped link to StylisticSuck: Not an Item - FEATURE | |
Color Wash | processingComment |
Dropped link to TearsForFears: Not an Item - IGNORE | |
Color Wash | processingComment |
Dropped link to TheHaloEffect: Not an Item - UNKNOWN | |
Color Wash | processingComment |
Dropped link to TheRing: Not an Item - UNKNOWN | |
Color Wash | processingComment |
Dropped link to UnlockableContent: Not an Item - FEATURE | |
Color Wash | processingComment |
Dropped link to UnnaturallyBlueLighting: Not an Item - FEATURE | |
Color Wash | processingUnknown |
Avalon (2001) | |
Color Wash | processingUnknown |
TheRing | |
Color Wash | processingUnknown |
The Halo Effect (Music) | |
Color Wash | processingUnknown |
BattlefieldThree | |
Color Wash | processingUnknown |
RedFactionGuerrilla | |
Color Wash | isPartOf |
DBTropes | |
Color Wash / int_10ddd3d5 | type |
Color Wash | |
Color Wash / int_10ddd3d5 | comment |
In The Legend of Zelda: Twilight Princess, the Twilight Realm was initially designed as grayscale with some splashes of color. However, the design later changed to an incredibly hyper-saturated color scheme, with gold, brown and magenta being the most prominent colors. Most praised the new design, citing it as more original and evocative of a creepy, alien twilight world. Used to a lesser extent with normal-Hyrule, which has a faint yellowish tint to most things. |
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Color Wash / int_10ddd3d5 | featureApplicability |
1.0 | |
Color Wash / int_10ddd3d5 | featureConfidence |
1.0 | |
The Legend of Zelda: Twilight Princess (Video Game) | hasFeature |
Color Wash / int_10ddd3d5 | |
Color Wash / int_14e0f4f9 | type |
Color Wash | |
Color Wash / int_14e0f4f9 | comment |
The director of the film adaptation of Fiddler on the Roof wanted the film to be shot in earthy tones, and the director of photography noticed a woman wearing nylons in the exact shade of brown he wanted, so he asked for them right then and there. The film was shot with the nylon over the lens, and the weave of it can even be seen in parts of the film. | |
Color Wash / int_14e0f4f9 | featureApplicability |
1.0 | |
Color Wash / int_14e0f4f9 | featureConfidence |
1.0 | |
Fiddler on the Roof (Theatre) | hasFeature |
Color Wash / int_14e0f4f9 | |
Color Wash / int_187d570b | type |
Color Wash | |
Color Wash / int_187d570b | comment |
In Devil May Cry 5, King Cerberus changes the theme of his battle arena to fit which among of his heads' Fire, Ice, Lightning powers is currently dominant. Apart from the demon itself changing colors or the presence of temporary structures (from his ice powers), the color palette of the arena itself may temporarily shift to red (fire), light blue (ice), or purple (lightning). | |
Color Wash / int_187d570b | featureApplicability |
1.0 | |
Color Wash / int_187d570b | featureConfidence |
1.0 | |
Devil May Cry 5 (Video Game) | hasFeature |
Color Wash / int_187d570b | |
Color Wash / int_1e276481 | type |
Color Wash | |
Color Wash / int_1e276481 | comment |
Traffic (2000) has different filters for different locales. For example, Mexico is always awash in orange-yellow, whereas the United States has a blue filter. | |
Color Wash / int_1e276481 | featureApplicability |
1.0 | |
Color Wash / int_1e276481 | featureConfidence |
1.0 | |
Traffic (2000) | hasFeature |
Color Wash / int_1e276481 | |
Color Wash / int_20409a0a | type |
Color Wash | |
Color Wash / int_20409a0a | comment |
The Defenders (2017) has a habit of using color wash to reflect the thematic colors of its main protagonists: red for Matt Murdock, yellow for Luke Cage, green for Danny Rand, and blue for Jessica Jones. This is especially predominant in the first episode, when the heroes are all running their own thing, and the colors start to gradually blend together as the heroes begin teaming up. | |
Color Wash / int_20409a0a | featureApplicability |
1.0 | |
Color Wash / int_20409a0a | featureConfidence |
1.0 | |
The Defenders (2017) | hasFeature |
Color Wash / int_20409a0a | |
Color Wash / int_2221ecbd | type |
Color Wash | |
Color Wash / int_2221ecbd | comment |
Related, CSI: NY uses Unnaturally Blue Lighting, particularly in season one (and the crossover with Miami has Horatio Caine bringing his orange light...). | |
Color Wash / int_2221ecbd | featureApplicability |
1.0 | |
Color Wash / int_2221ecbd | featureConfidence |
1.0 | |
CSI: NY | hasFeature |
Color Wash / int_2221ecbd | |
Color Wash / int_2275c659 | type |
Color Wash | |
Color Wash / int_2275c659 | comment |
Earlier episodes of House have an almost orange look to them, fading out to a very slight greenish tint for the rest of the series. | |
Color Wash / int_2275c659 | featureApplicability |
1.0 | |
Color Wash / int_2275c659 | featureConfidence |
1.0 | |
House | hasFeature |
Color Wash / int_2275c659 | |
Color Wash / int_230ec9cf | type |
Color Wash | |
Color Wash / int_230ec9cf | comment |
In Skins, scenes that take place outdoors have very saturated colours. This is often seen as very good cinematography. | |
Color Wash / int_230ec9cf | featureApplicability |
1.0 | |
Color Wash / int_230ec9cf | featureConfidence |
1.0 | |
Skins | hasFeature |
Color Wash / int_230ec9cf | |
Color Wash / int_2319cc69 | type |
Color Wash | |
Color Wash / int_2319cc69 | comment |
Ori and the Will of the Wisps has a more varied palette overall, except in the areas hardest hit by The Corruption, such as the Silent Woods, which are blue-gray; Windswept Wastes, which are burnt orange; and Willow's End, which is neon magenta. | |
Color Wash / int_2319cc69 | featureApplicability |
1.0 | |
Color Wash / int_2319cc69 | featureConfidence |
1.0 | |
Ori and the Will of the Wisps (Video Game) | hasFeature |
Color Wash / int_2319cc69 | |
Color Wash / int_238849d4 | type |
Color Wash | |
Color Wash / int_238849d4 | comment |
Contagion (2011) varies from scene to scene, with green, yellow and blue being popular choices. | |
Color Wash / int_238849d4 | featureApplicability |
1.0 | |
Color Wash / int_238849d4 | featureConfidence |
1.0 | |
Contagion (2011) | hasFeature |
Color Wash / int_238849d4 | |
Color Wash / int_25124728 | type |
Color Wash | |
Color Wash / int_25124728 | comment |
Brother Bear uses an orange wash to emphasize the setting of Native American Alaska. | |
Color Wash / int_25124728 | featureApplicability |
1.0 | |
Color Wash / int_25124728 | featureConfidence |
1.0 | |
Brother Bear | hasFeature |
Color Wash / int_25124728 | |
Color Wash / int_2824e7fe | type |
Color Wash | |
Color Wash / int_2824e7fe | comment |
In the Toei first series anime of Yu-Gi-Oh!, the palette seems to be made up entirely of super-saturated neons that don't go together. | |
Color Wash / int_2824e7fe | featureApplicability |
1.0 | |
Color Wash / int_2824e7fe | featureConfidence |
1.0 | |
Yu-Gi-Oh! (first anime series) | hasFeature |
Color Wash / int_2824e7fe | |
Color Wash / int_2bb4ae0f | type |
Color Wash | |
Color Wash / int_2bb4ae0f | comment |
Heroes often filmed their New York settings in a blue or green light, while Texas, California, and other outdoors settings in the show had a yellow or orange light. | |
Color Wash / int_2bb4ae0f | featureApplicability |
1.0 | |
Color Wash / int_2bb4ae0f | featureConfidence |
1.0 | |
Heroes | hasFeature |
Color Wash / int_2bb4ae0f | |
Color Wash / int_2ea6ae26 | type |
Color Wash | |
Color Wash / int_2ea6ae26 | comment |
Star Trek: Picard: In "Absolute Candor", the Qowat Milat monastery scenes have a strong orange tint, although it's slightly less intense for North Station. In "Et in Arcadia Ego, Part 2", there's a greenish-grey hue in the scene where Narek and Narissa first meet on the Artifact. |
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Color Wash / int_2ea6ae26 | featureApplicability |
1.0 | |
Color Wash / int_2ea6ae26 | featureConfidence |
1.0 | |
Star Trek: Picard | hasFeature |
Color Wash / int_2ea6ae26 | |
Color Wash / int_2f1b5710 | type |
Color Wash | |
Color Wash / int_2f1b5710 | comment |
Jekyll plays with this to wonderful effect. When Tom Jackman is awake, colors are subdued by means of a subtle blue filter, while vivid colors mark Hyde being awake. | |
Color Wash / int_2f1b5710 | featureApplicability |
1.0 | |
Color Wash / int_2f1b5710 | featureConfidence |
1.0 | |
Jekyll | hasFeature |
Color Wash / int_2f1b5710 | |
Color Wash / int_305d1c25 | type |
Color Wash | |
Color Wash / int_305d1c25 | comment |
In Cucumber Quest, by the water scene, in blues. | |
Color Wash / int_305d1c25 | featureApplicability |
1.0 | |
Color Wash / int_305d1c25 | featureConfidence |
1.0 | |
Cucumber Quest (Webcomic) | hasFeature |
Color Wash / int_305d1c25 | |
Color Wash / int_3af7ad3f | type |
Color Wash | |
Color Wash / int_3af7ad3f | comment |
The effect is downplayed in Gravity Rush 2, with the poor district in Jirga Para Lhao shrouded in overcast greys to give it a gloomy, dismal feel in comparison to the brighter, more colorful areas of the city. It returns in full force in the last third of the game, when Kat finds herself back in Hekseville, which retains the old color wash with higher resolutiom visuals. | |
Color Wash / int_3af7ad3f | featureApplicability |
1.0 | |
Color Wash / int_3af7ad3f | featureConfidence |
1.0 | |
Gravity Rush 2 (Video Game) | hasFeature |
Color Wash / int_3af7ad3f | |
Color Wash / int_3d6e4e50 | type |
Color Wash | |
Color Wash / int_3d6e4e50 | comment |
The opening and closing scenes of The Day the Earth Caught Fire are in yellow-tinted monochrome, while the rest of the film is in standard black and white. The tinted scenes are in the story present, and the untinted scenes are a long flashback leading up to the present. | |
Color Wash / int_3d6e4e50 | featureApplicability |
1.0 | |
Color Wash / int_3d6e4e50 | featureConfidence |
1.0 | |
The Day the Earth Caught Fire | hasFeature |
Color Wash / int_3d6e4e50 | |
Color Wash / int_3e5de40b | type |
Color Wash | |
Color Wash / int_3e5de40b | comment |
The Scrubs episode "My Way Home" features heavy color saturation as a homage to The Wizard of Oz. | |
Color Wash / int_3e5de40b | featureApplicability |
1.0 | |
Color Wash / int_3e5de40b | featureConfidence |
1.0 | |
Scrubs | hasFeature |
Color Wash / int_3e5de40b | |
Color Wash / int_42b5b5bf | type |
Color Wash | |
Color Wash / int_42b5b5bf | comment |
The entirety of Utopia is shot in vividly over-saturated colors. | |
Color Wash / int_42b5b5bf | featureApplicability |
1.0 | |
Color Wash / int_42b5b5bf | featureConfidence |
1.0 | |
Utopia | hasFeature |
Color Wash / int_42b5b5bf | |
Color Wash / int_44127c7c | type |
Color Wash | |
Color Wash / int_44127c7c | comment |
Power Rangers consistently uses this for a relatively inexpensive method of giving BBC Quarry planets an Alien Sky and otherworldly atmosphere (and to distinguish them from the very similar quarries the Rangers visit all the time on Earth): the moon is blue, a volcanic planet is red, the post-nuclear Robot War wasteland is yellow, etc. | |
Color Wash / int_44127c7c | featureApplicability |
1.0 | |
Color Wash / int_44127c7c | featureConfidence |
1.0 | |
Power Rangers (Franchise) | hasFeature |
Color Wash / int_44127c7c | |
Color Wash / int_44ebe34f | type |
Color Wash | |
Color Wash / int_44ebe34f | comment |
In Haven (2020), each biome of the planet Source has a unique color wash. The plains are cyan, Rust-covered areas are magenta, the swamp is green, the desert is yellow, and the lava zone is red. Abandoned buildings are generally gray with electric blue Tron Lines, corrupted fauna have a red-brown aura, and consumable plants are highlighted with their own colors. | |
Color Wash / int_44ebe34f | featureApplicability |
1.0 | |
Color Wash / int_44ebe34f | featureConfidence |
1.0 | |
Haven (2020) (Video Game) | hasFeature |
Color Wash / int_44ebe34f | |
Color Wash / int_47ff178b | type |
Color Wash | |
Color Wash / int_47ff178b | comment |
Early black-and-white films, especially during the Silent Era, like Civilization, would tint the film to give it an evocative mood. | |
Color Wash / int_47ff178b | featureApplicability |
1.0 | |
Color Wash / int_47ff178b | featureConfidence |
1.0 | |
Civilization | hasFeature |
Color Wash / int_47ff178b | |
Color Wash / int_49a88435 | type |
Color Wash | |
Color Wash / int_49a88435 | comment |
Final Fantasy XII: Whenever you fight with an Esper, the whole screen is tinted the color associated with that Esper (e.g., red for Belias, blue for Mateus). | |
Color Wash / int_49a88435 | featureApplicability |
1.0 | |
Color Wash / int_49a88435 | featureConfidence |
1.0 | |
Final Fantasy XII (Video Game) | hasFeature |
Color Wash / int_49a88435 | |
Color Wash / int_49a88442 | type |
Color Wash | |
Color Wash / int_49a88442 | comment |
Final Fantasy XIV has a slight gray tint that dulls out the colors of the whole game. | |
Color Wash / int_49a88442 | featureApplicability |
1.0 | |
Color Wash / int_49a88442 | featureConfidence |
1.0 | |
Final Fantasy XIV (Video Game) | hasFeature |
Color Wash / int_49a88442 | |
Color Wash / int_49ad83ee | type |
Color Wash | |
Color Wash / int_49ad83ee | comment |
World of Warcraft uses different color grading in different areas. The difference is sometimes very noticeable; for instance, Ghostlands looks very different when you're looking in from Zul'Aman than when you're inside and the darker color grade takes hold. It's sometimes so strong (particular with red colored areas like Durotar) that it takes a while for eyes to readjust to another color when changing zones. | |
Color Wash / int_49ad83ee | featureApplicability |
1.0 | |
Color Wash / int_49ad83ee | featureConfidence |
1.0 | |
World of Warcraft (Video Game) | hasFeature |
Color Wash / int_49ad83ee | |
Color Wash / int_4de38b67 | type |
Color Wash | |
Color Wash / int_4de38b67 | comment |
In Nocturnal Animals, scenes in the present day tend to be cold and desaturated, flashbacks are natural, and the film within the film is more saturated and harshly lit. | |
Color Wash / int_4de38b67 | featureApplicability |
1.0 | |
Color Wash / int_4de38b67 | featureConfidence |
1.0 | |
Nocturnal Animals | hasFeature |
Color Wash / int_4de38b67 | |
Color Wash / int_53e46835 | type |
Color Wash | |
Color Wash / int_53e46835 | comment |
The Wrong Guy uses a bland mix of grey and blue-green in the early "corporate" scenes. After the boss is murdered and Nelson discovers his corpse, color begins to seep in, starting with the red blood. By the time Nelson meets Lynn, the palette is brighter and a broader spectrum. | |
Color Wash / int_53e46835 | featureApplicability |
1.0 | |
Color Wash / int_53e46835 | featureConfidence |
1.0 | |
The Wrong Guy | hasFeature |
Color Wash / int_53e46835 | |
Color Wash / int_5921531a | type |
Color Wash | |
Color Wash / int_5921531a | comment |
Persona 3 recycles a lot of demon artwork from the mainline Shin Megami Tensei series, and splashes it with a desaturated gray filter to match the rest of the game's rather-dreary, muted color palette. | |
Color Wash / int_5921531a | featureApplicability |
1.0 | |
Color Wash / int_5921531a | featureConfidence |
1.0 | |
Persona 3 (Video Game) | hasFeature |
Color Wash / int_5921531a | |
Color Wash / int_5921531c | type |
Color Wash | |
Color Wash / int_5921531c | comment |
During Persona 5 Royal's third semester, there is a noticeable gray filter over most of the outside areas of Tokyo to represent the chill of winter. During snowy days, interiors get hit with the gray wash too. | |
Color Wash / int_5921531c | featureApplicability |
1.0 | |
Color Wash / int_5921531c | featureConfidence |
1.0 | |
Persona 5 (Video Game) | hasFeature |
Color Wash / int_5921531c | |
Color Wash / int_59da62aa | type |
Color Wash | |
Color Wash / int_59da62aa | comment |
Fallout: New Vegas has an orange-brown tint, in keeping with its desert and Western themes. It's probably not as obvious as Fallout 3's green tint, though, since the Mojave is, like most deserts, pretty brown to begin with. Some areas shift to a different tint when you enter them. For example, the recently nuked Camp Searchlight is very green, and Camp Forlorn Hope is a drab sepia, in keeping with its occupants' low morale. This filter is seen in a few other places around the Colorado River, like the Deathclaw Promontory. The Sierra Madre resort in the Dead Money DLC uses a strong reddish-brown filter, which makes a lot of the outdoor scenery look either orange or purple. The Lonesome Road DLC's color palette is like that of the main game, but amplified. The exceptions are the three nuclear blast sites (the Courier's Mile, and the two optional post-endgame areas, Long 15 and Dry Wells), which have the same tint as Camp Searchlight. |
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Color Wash / int_59da62aa | featureApplicability |
1.0 | |
Color Wash / int_59da62aa | featureConfidence |
1.0 | |
Fallout: New Vegas (Video Game) | hasFeature |
Color Wash / int_59da62aa | |
Color Wash / int_5b403d6 | type |
Color Wash | |
Color Wash / int_5b403d6 | comment |
In Season of Miracles, the colors look desaturated for a while after Rafer is diagnosed with a fatal blood disease. | |
Color Wash / int_5b403d6 | featureApplicability |
1.0 | |
Color Wash / int_5b403d6 | featureConfidence |
1.0 | |
Season of Miracles | hasFeature |
Color Wash / int_5b403d6 | |
Color Wash / int_60381be1 | type |
Color Wash | |
Color Wash / int_60381be1 | comment |
O Brother, Where Art Thou? plays with this a lot. The producers messed with the hue and saturation until everything was an intensely colorful brown, imitating the look of early 20th-century photos. This was also done because dying yellow crops look better in a Depression-era film, whereas most of the greenery was verdant as Hawaii during filming. Also, it was the first feature film to be entirely digitally color corrected. The directors consulted with modern colorists on how to accomplish the look they wanted, as they wanted to preserve particular colors, and the reply was that it was impossible to not affect everything in the frame. They explored digital color correction and were able to manipulate the specific set of colors they wanted, which turned out to be rather groundbreaking. | |
Color Wash / int_60381be1 | featureApplicability |
1.0 | |
Color Wash / int_60381be1 | featureConfidence |
1.0 | |
O Brother, Where Art Thou? | hasFeature |
Color Wash / int_60381be1 | |
Color Wash / int_64dd58b2 | type |
Color Wash | |
Color Wash / int_64dd58b2 | comment |
The first Harry Potter film is full of vivid colours, with plenty of warm reds and gold. However, every subsequent entry in the series becomes more and more desaturated until Deathly Hallows is practically in black and white. | |
Color Wash / int_64dd58b2 | featureApplicability |
1.0 | |
Color Wash / int_64dd58b2 | featureConfidence |
1.0 | |
Harry Potter | hasFeature |
Color Wash / int_64dd58b2 | |
Color Wash / int_671cb3d | type |
Color Wash | |
Color Wash / int_671cb3d | comment |
Banshee: Befitting the bleak, gritty tone of the story, the colors are desaturated and the lighting is made to look more harsh. On the flip side, flashbacks to Hood and Carrie's life under Rabbit are often shown in a monochromatic tint. | |
Color Wash / int_671cb3d | featureApplicability |
1.0 | |
Color Wash / int_671cb3d | featureConfidence |
1.0 | |
Banshee | hasFeature |
Color Wash / int_671cb3d | |
Color Wash / int_6a5cadf7 | type |
Color Wash | |
Color Wash / int_6a5cadf7 | comment |
The last two series of Foyle's War are noticeably desaturated compared to the rest of the show, reflecting the more morally ambiguous nature of Foyle and Sam's work in MI-5 and the difficulties of life in postwar England (which was still difficult thanks to continued rationing, economic troubles, and Shell Shocked Veterans with inadequate support). | |
Color Wash / int_6a5cadf7 | featureApplicability |
1.0 | |
Color Wash / int_6a5cadf7 | featureConfidence |
1.0 | |
Foyle's War | hasFeature |
Color Wash / int_6a5cadf7 | |
Color Wash / int_6af78ff5 | type |
Color Wash | |
Color Wash / int_6af78ff5 | comment |
When played on a Super Game Boy, Metroid II: Return of Samus defaults to using a red, black, green, and yellow palette, befitting the "alien" nature of SR388. Because it was released before the Super Game Boy went into development, however, this default palette is precoded into the SGB's hardware (as with numerous other pre-SGB games), and doesn't feature any of the more advanced color trickery seen in SGB-optimized titles. | |
Color Wash / int_6af78ff5 | featureApplicability |
1.0 | |
Color Wash / int_6af78ff5 | featureConfidence |
1.0 | |
Metroid II: Return of Samus (Video Game) | hasFeature |
Color Wash / int_6af78ff5 | |
Color Wash / int_6c1d09b3 | type |
Color Wash | |
Color Wash / int_6c1d09b3 | comment |
Almost everywhere in Fallout 3 has a strong green tint (save for the Tranquillity Lane simulation, which is sepia-toned). If you remove the tint with a visual overhaul mod, you'll find that a lot of textures had their saturation reduced to exaggerate the effect, making the Capital Wasteland look quite grey without it. The areas added by some of the DLC packs have their own color palettes. The industrial setting of The Pitt has a red-brown wash, whereas Alaska in Operation Anchorage is tinted a wintry blue. Point Lookout cranks the wash of the main game up and adds a thick green haze, likely to hide the lack of detail outside of the playable parts of the map. |
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Color Wash / int_6c1d09b3 | featureApplicability |
1.0 | |
Color Wash / int_6c1d09b3 | featureConfidence |
1.0 | |
Fallout 3 (Video Game) | hasFeature |
Color Wash / int_6c1d09b3 | |
Color Wash / int_710fe7f1 | type |
Color Wash | |
Color Wash / int_710fe7f1 | comment |
Many scenes in Side Effects are tinted warm yellow, especially in the first half. | |
Color Wash / int_710fe7f1 | featureApplicability |
1.0 | |
Color Wash / int_710fe7f1 | featureConfidence |
1.0 | |
Side Effects | hasFeature |
Color Wash / int_710fe7f1 | |
Color Wash / int_72a1ac51 | type |
Color Wash | |
Color Wash / int_72a1ac51 | comment |
Used in Grand Theft Auto: San Andreas for an accentuated atmospheric sense. Since San Andreas is a huge state with contrasting environments, there's a color wash scheme that differs from place to place. Los Santos is orange-ish with heat hazes; San Fierro has unnaturally teal lighting to convey a mild-to-cold atmosphere, reinforced by the city's constant fog; Las Venturas goes for a less blatant color scheme, but with a dash of yellow to convey the desert's hot weather; the forested countrysides of Red and Flint Counties have a pastel green/brown tint to them; and finally, the deserts of Bone County take it further, with bright white sand and yellow skies that turn purple at night. All of this is much more pronounced in the PS2 version; later versions such as the PC port toned it down for a more sober, less in-your-face look, but it's definitely noticeable, especially when the sun is setting. | |
Color Wash / int_72a1ac51 | featureApplicability |
1.0 | |
Color Wash / int_72a1ac51 | featureConfidence |
1.0 | |
Grand Theft Auto: San Andreas (Video Game) | hasFeature |
Color Wash / int_72a1ac51 | |
Color Wash / int_747d9a6f | type |
Color Wash | |
Color Wash / int_747d9a6f | comment |
[PROTOTYPE] is one of the reddest games ever made, with red menus, red monsters, red zombies, red pulsing hives and building, and red skies. | |
Color Wash / int_747d9a6f | featureApplicability |
1.0 | |
Color Wash / int_747d9a6f | featureConfidence |
1.0 | |
[PROTOTYPE] / Videogame | hasFeature |
Color Wash / int_747d9a6f | |
Color Wash / int_76278042 | type |
Color Wash | |
Color Wash / int_76278042 | comment |
Suspiria (1977) by Dario Argento is the go-to example as red, green, and blue lighting are both common motifs of this film and played for horror. | |
Color Wash / int_76278042 | featureApplicability |
1.0 | |
Color Wash / int_76278042 | featureConfidence |
1.0 | |
Suspiria (1977) | hasFeature |
Color Wash / int_76278042 | |
Color Wash / int_77582c7b | type |
Color Wash | |
Color Wash / int_77582c7b | comment |
The color and lighting in the '70s scenes of X-Men: Days of Future Past deliberately invokes the feel of movies from that era. | |
Color Wash / int_77582c7b | featureApplicability |
1.0 | |
Color Wash / int_77582c7b | featureConfidence |
1.0 | |
X-Men: Days of Future Past | hasFeature |
Color Wash / int_77582c7b | |
Color Wash / int_7b396f21 | type |
Color Wash | |
Color Wash / int_7b396f21 | comment |
Kontroll is set in the Budapest Metro (underground railway), and most scenes have a green-yellow cast. When we see these scenes being filmed in the "making of" feature, they all have natural colors and are brighter. | |
Color Wash / int_7b396f21 | featureApplicability |
1.0 | |
Color Wash / int_7b396f21 | featureConfidence |
1.0 | |
Kontroll | hasFeature |
Color Wash / int_7b396f21 | |
Color Wash / int_7f061cb7 | type |
Color Wash | |
Color Wash / int_7f061cb7 | comment |
The movie version of Kamikaze Girls is really, really yellow. | |
Color Wash / int_7f061cb7 | featureApplicability |
1.0 | |
Color Wash / int_7f061cb7 | featureConfidence |
1.0 | |
Kamikaze Girls | hasFeature |
Color Wash / int_7f061cb7 | |
Color Wash / int_84339845 | type |
Color Wash | |
Color Wash / int_84339845 | comment |
The miniseries Children of Dune did a lot of oversaturated brown and orange, probably to emphasize the desert planet setting and give it a visual style similar to older Biblical films, most of which were filmed in places like Italy, Spain, and other regions containing dry, arid locations similar to the ancient Middle East. | |
Color Wash / int_84339845 | featureApplicability |
1.0 | |
Color Wash / int_84339845 | featureConfidence |
1.0 | |
ChildrenOfDune | hasFeature |
Color Wash / int_84339845 | |
Color Wash / int_85c47924 | type |
Color Wash | |
Color Wash / int_85c47924 | comment |
In i am sam, a blue filter is used in certain scenes, portraying bad times for Sam, like in court or in the hospital. | |
Color Wash / int_85c47924 | featureApplicability |
1.0 | |
Color Wash / int_85c47924 | featureConfidence |
1.0 | |
i am sam | hasFeature |
Color Wash / int_85c47924 | |
Color Wash / int_8607fd53 | type |
Color Wash | |
Color Wash / int_8607fd53 | comment |
Gravity Rush: The first game gives each district of Hekseville its own distinct color. The run-down residential Aldnoir is reddish-brown, the entertainment area of Pleajeune appears to be Always Night and is a more festive purple, the industrial district Endestria is yellow, and downtown Vendecentre is a light green. The effect is downplayed in Gravity Rush 2, with the poor district in Jirga Para Lhao shrouded in overcast greys to give it a gloomy, dismal feel in comparison to the brighter, more colorful areas of the city. It returns in full force in the last third of the game, when Kat finds herself back in Hekseville, which retains the old color wash with higher resolutiom visuals. |
|
Color Wash / int_8607fd53 | featureApplicability |
1.0 | |
Color Wash / int_8607fd53 | featureConfidence |
1.0 | |
Gravity Rush (Video Game) | hasFeature |
Color Wash / int_8607fd53 | |
Color Wash / int_87a41838 | type |
Color Wash | |
Color Wash / int_87a41838 | comment |
Animated band Savlonic exists in a world dominated by shades of red. | |
Color Wash / int_87a41838 | featureApplicability |
1.0 | |
Color Wash / int_87a41838 | featureConfidence |
1.0 | |
Savlonic (Music) | hasFeature |
Color Wash / int_87a41838 | |
Color Wash / int_892bbfb8 | type |
Color Wash | |
Color Wash / int_892bbfb8 | comment |
Director David O Russell used a similar technique while filming Three Kings. Except he went for a more high contrast/bleached look in an effort to try and reproduce "the odd color of the newspaper images of the Gulf War". | |
Color Wash / int_892bbfb8 | featureApplicability |
1.0 | |
Color Wash / int_892bbfb8 | featureConfidence |
1.0 | |
Three Kings | hasFeature |
Color Wash / int_892bbfb8 | |
Color Wash / int_8e0265d8 | type |
Color Wash | |
Color Wash / int_8e0265d8 | comment |
Clerks II, except for the dance scene. The film was originally intended to shot in black and white like the first one, but producer Harvey Weinstein wanted the film to open wide so director Kevin Smith chose to desaturate the colors instead. | |
Color Wash / int_8e0265d8 | featureApplicability |
1.0 | |
Color Wash / int_8e0265d8 | featureConfidence |
1.0 | |
Clerks II | hasFeature |
Color Wash / int_8e0265d8 | |
Color Wash / int_8ee238c9 | type |
Color Wash | |
Color Wash / int_8ee238c9 | comment |
Persona: Persona 3 recycles a lot of demon artwork from the mainline Shin Megami Tensei series, and splashes it with a desaturated gray filter to match the rest of the game's rather-dreary, muted color palette. During Persona 5 Royal's third semester, there is a noticeable gray filter over most of the outside areas of Tokyo to represent the chill of winter. During snowy days, interiors get hit with the gray wash too. |
|
Color Wash / int_8ee238c9 | featureApplicability |
1.0 | |
Color Wash / int_8ee238c9 | featureConfidence |
1.0 | |
Persona (Franchise) | hasFeature |
Color Wash / int_8ee238c9 | |
Color Wash / int_8f22a5be | type |
Color Wash | |
Color Wash / int_8f22a5be | comment |
Most scenes in Morgan have a cold grey/blue/green/overcast color palette, with flashbacks in sunny natural color. | |
Color Wash / int_8f22a5be | featureApplicability |
1.0 | |
Color Wash / int_8f22a5be | featureConfidence |
1.0 | |
Morgan | hasFeature |
Color Wash / int_8f22a5be | |
Color Wash / int_913b585 | type |
Color Wash | |
Color Wash / int_913b585 | comment |
In the film adaptation of South Pacific, everything appears heavily yellow because the film was filtered through a yellow sheet of cellophane in post. This was overkill of what the filmmakers wanted, which was to make the movie "more yellow", and they hadn't actually intended it to be all yellow. But they released it anyway. | |
Color Wash / int_913b585 | featureApplicability |
1.0 | |
Color Wash / int_913b585 | featureConfidence |
1.0 | |
South Pacific (Theatre) | hasFeature |
Color Wash / int_913b585 | |
Color Wash / int_916669ce | type |
Color Wash | |
Color Wash / int_916669ce | comment |
In Far Out, the color palette is tinted toward ruddy orange. | |
Color Wash / int_916669ce | featureApplicability |
1.0 | |
Color Wash / int_916669ce | featureConfidence |
1.0 | |
Far Out (Webcomic) | hasFeature |
Color Wash / int_916669ce | |
Color Wash / int_94a06714 | type |
Color Wash | |
Color Wash / int_94a06714 | comment |
Spy Game uses different filters for each flashback segment. Vietnam is orange as hell, Berlin is kind of a cool blue, and Beirut is sort of a sandy yellow. This serves to easily delineate between the flashbacks and the central hub of the story. | |
Color Wash / int_94a06714 | featureApplicability |
1.0 | |
Color Wash / int_94a06714 | featureConfidence |
1.0 | |
Spy Game | hasFeature |
Color Wash / int_94a06714 | |
Color Wash / int_9d7264f | type |
Color Wash | |
Color Wash / int_9d7264f | comment |
Because CSI: Miami is set in Miami, everything is drenched in orange. Whenever someone is walking outside in daylight, the sky is a vivid orange as well. Related, CSI: NY uses Unnaturally Blue Lighting, particularly in season one (and the crossover with Miami has Horatio Caine bringing his orange light...). Not to mention, CSI has a green tint. Not so much. In earlier seasons, scenes set in daylight have a noticeable Blue/Orange Contrast, while those taken indoors or at night have a more realistic blue tint. |
|
Color Wash / int_9d7264f | featureApplicability |
1.0 | |
Color Wash / int_9d7264f | featureConfidence |
1.0 | |
CSI: Miami | hasFeature |
Color Wash / int_9d7264f | |
Color Wash / int_9e013bb5 | type |
Color Wash | |
Color Wash / int_9e013bb5 | comment |
The Golem is a silent film from 1920. Every scene is tinted, in a variety of colors. The strength of the tint varies between restorations. | |
Color Wash / int_9e013bb5 | featureApplicability |
1.0 | |
Color Wash / int_9e013bb5 | featureConfidence |
1.0 | |
The Golem | hasFeature |
Color Wash / int_9e013bb5 | |
Color Wash / int_9e9c63cf | type |
Color Wash | |
Color Wash / int_9e9c63cf | comment |
The Rover is set in Australia, "ten years after the collapse." Bright colours seem to have been the first thing to run out after the collapse. The overall colour palette is muted, with a lot of beige landscapes and hazy skies. | |
Color Wash / int_9e9c63cf | featureApplicability |
1.0 | |
Color Wash / int_9e9c63cf | featureConfidence |
1.0 | |
The Rover | hasFeature |
Color Wash / int_9e9c63cf | |
Color Wash / int_a09b76a | type |
Color Wash | |
Color Wash / int_a09b76a | comment |
In The Thirteenth Floor, one character comments about how the colors are off in the computer simulation. | |
Color Wash / int_a09b76a | featureApplicability |
1.0 | |
Color Wash / int_a09b76a | featureConfidence |
1.0 | |
The Thirteenth Floor | hasFeature |
Color Wash / int_a09b76a | |
Color Wash / int_a4274674 | type |
Color Wash | |
Color Wash / int_a4274674 | comment |
Man of Steel has a dark bluish tint when Clark is out in the world, while Smallville scenes use yellowish lighting. | |
Color Wash / int_a4274674 | featureApplicability |
1.0 | |
Color Wash / int_a4274674 | featureConfidence |
1.0 | |
Man of Steel | hasFeature |
Color Wash / int_a4274674 | |
Color Wash / int_a796bde8 | type |
Color Wash | |
Color Wash / int_a796bde8 | comment |
Metal Gear Solid's Shadow Moses and a good deal of Metal Gear Solid 2: Sons of Liberty are green-blue. Metal Gear Solid 3: Snake Eater continued this trend, opting for a green-yellow filter. | |
Color Wash / int_a796bde8 | featureApplicability |
1.0 | |
Color Wash / int_a796bde8 | featureConfidence |
1.0 | |
Metal Gear Solid (Video Game) | hasFeature |
Color Wash / int_a796bde8 | |
Color Wash / int_ab3a6a48 | type |
Color Wash | |
Color Wash / int_ab3a6a48 | comment |
Heavy Rain has the colors in the prologue very bright and vivid, making everything pop out. When the game actually kicks off, all the colors are muted, with lots of gray tint due to the heavy rain occurring. The only time the colors become more vivid is inside certain buildings, but the colors there aren't quite as colorful compared to the beginning of the game. The color differences also expresses the mood; the bright colors are during happier times before the tragedy strikes. After said event occurs, the darker colors show how dark and depressing the story has become. | |
Color Wash / int_ab3a6a48 | featureApplicability |
1.0 | |
Color Wash / int_ab3a6a48 | featureConfidence |
1.0 | |
Heavy Rain (Video Game) | hasFeature |
Color Wash / int_ab3a6a48 | |
Color Wash / int_aeac03f9 | type |
Color Wash | |
Color Wash / int_aeac03f9 | comment |
The E.M.M.I. zones in Metroid Dread use a gray-green tint, with film grain and low lighting to invoke the sense of dread when dealing with the patrolling E.M.M.I. robots. Once Samus destroys one of them, the color wash and film grain are lifted to restore the zone's natural colors while turning the lights back on. | |
Color Wash / int_aeac03f9 | featureApplicability |
1.0 | |
Color Wash / int_aeac03f9 | featureConfidence |
1.0 | |
Metroid Dread (Video Game) | hasFeature |
Color Wash / int_aeac03f9 | |
Color Wash / int_aeaf3d1b | type |
Color Wash | |
Color Wash / int_aeaf3d1b | comment |
Life on Mars was made to look older (the show takes place in the 1970s) by washing everything with yellow during the coma/whatchamacallit (and that lasted the entire show). In comparison, the 2006 scenes were almost drained. | |
Color Wash / int_aeaf3d1b | featureApplicability |
1.0 | |
Color Wash / int_aeaf3d1b | featureConfidence |
1.0 | |
Life on Mars (2006) | hasFeature |
Color Wash / int_aeaf3d1b | |
Color Wash / int_aeedf9b7 | type |
Color Wash | |
Color Wash / int_aeedf9b7 | comment |
Vagrant Story, like Singularity, is fond of a yellowish-brown color for absolutely everything with occasional blue-lit areas (usually in the Undercity). | |
Color Wash / int_aeedf9b7 | featureApplicability |
1.0 | |
Color Wash / int_aeedf9b7 | featureConfidence |
1.0 | |
Vagrant Story (Video Game) | hasFeature |
Color Wash / int_aeedf9b7 | |
Color Wash / int_b0ec45b8 | type |
Color Wash | |
Color Wash / int_b0ec45b8 | comment |
The Moroder version of Metropolis used color washes over the whole screen: blue for scenes in the underground Worker's City and reddish tones for surface scenes (although there were some variations). | |
Color Wash / int_b0ec45b8 | featureApplicability |
1.0 | |
Color Wash / int_b0ec45b8 | featureConfidence |
1.0 | |
Metropolis | hasFeature |
Color Wash / int_b0ec45b8 | |
Color Wash / int_b5f08143 | type |
Color Wash | |
Color Wash / int_b5f08143 | comment |
Saving Private Ryan looks fairly washed out thanks to cinematographer Janusz Kaminski subjecting it to a very specific post-production technique. This also makes the images appear sharper and shakier, making it look more like documentary footage than a $70 million Hollywood production. Director David O Russell used a similar technique while filming Three Kings. Except he went for a more high contrast/bleached look in an effort to try and reproduce "the odd color of the newspaper images of the Gulf War". Steven Spielberg and Kaminski have done this at least twice now. Minority Report has an icy hue to it, likewise accomplished in the film processing stages of post-production. |
|
Color Wash / int_b5f08143 | featureApplicability |
1.0 | |
Color Wash / int_b5f08143 | featureConfidence |
1.0 | |
Saving Private Ryan | hasFeature |
Color Wash / int_b5f08143 | |
Color Wash / int_b6d45286 | type |
Color Wash | |
Color Wash / int_b6d45286 | comment |
Vicky Cristina Barcelona is very golden-yellowy tinted since Woody Allen likes warm colors. | |
Color Wash / int_b6d45286 | featureApplicability |
1.0 | |
Color Wash / int_b6d45286 | featureConfidence |
1.0 | |
Vicky Cristina Barcelona | hasFeature |
Color Wash / int_b6d45286 | |
Color Wash / int_b834beb1 | type |
Color Wash | |
Color Wash / int_b834beb1 | comment |
Fury (2014), set in Germany in April 1945, has a cold blue/grey tint. | |
Color Wash / int_b834beb1 | featureApplicability |
1.0 | |
Color Wash / int_b834beb1 | featureConfidence |
1.0 | |
Fury (2014) | hasFeature |
Color Wash / int_b834beb1 | |
Color Wash / int_b9419bd1 | type |
Color Wash | |
Color Wash / int_b9419bd1 | comment |
Deus Ex: Human Revolution also has this, but yellow. | |
Color Wash / int_b9419bd1 | featureApplicability |
1.0 | |
Color Wash / int_b9419bd1 | featureConfidence |
1.0 | |
Deus Ex: Human Revolution (Video Game) | hasFeature |
Color Wash / int_b9419bd1 | |
Color Wash / int_bacb06e1 | type |
Color Wash | |
Color Wash / int_bacb06e1 | comment |
The Raid is very blue. | |
Color Wash / int_bacb06e1 | featureApplicability |
1.0 | |
Color Wash / int_bacb06e1 | featureConfidence |
1.0 | |
The Raid | hasFeature |
Color Wash / int_bacb06e1 | |
Color Wash / int_bc76bbf7 | type |
Color Wash | |
Color Wash / int_bc76bbf7 | comment |
Each timeline in Ordinary Joe has distinct shading as differentiators, with the Musician Joe timeline being red, the Nurse Joe timeline being green, and the Cop Joe timeline being blue. | |
Color Wash / int_bc76bbf7 | featureApplicability |
1.0 | |
Color Wash / int_bc76bbf7 | featureConfidence |
1.0 | |
Ordinary Joe | hasFeature |
Color Wash / int_bc76bbf7 | |
Color Wash / int_bf24c7bb | type |
Color Wash | |
Color Wash / int_bf24c7bb | comment |
In Chernobyl, not every indoor scene is underlit with a green tint, and not every outdoor daylight scene is overcast, but it's the way to bet. | |
Color Wash / int_bf24c7bb | featureApplicability |
1.0 | |
Color Wash / int_bf24c7bb | featureConfidence |
1.0 | |
Chernobyl | hasFeature |
Color Wash / int_bf24c7bb | |
Color Wash / int_c058b00a | type |
Color Wash | |
Color Wash / int_c058b00a | comment |
The first film of The Twilight Saga: Because Forks is a dreary, rainy town, the director decided to desaturate the colors to get this across. | |
Color Wash / int_c058b00a | featureApplicability |
1.0 | |
Color Wash / int_c058b00a | featureConfidence |
1.0 | |
Twilight | hasFeature |
Color Wash / int_c058b00a | |
Color Wash / int_c104a0eb | type |
Color Wash | |
Color Wash / int_c104a0eb | comment |
In The Book of Eli, the entire world is brownish as if it's being seen through the sunglasses everyone's wearing. | |
Color Wash / int_c104a0eb | featureApplicability |
1.0 | |
Color Wash / int_c104a0eb | featureConfidence |
1.0 | |
The Book of Eli | hasFeature |
Color Wash / int_c104a0eb | |
Color Wash / int_c40b4b03 | type |
Color Wash | |
Color Wash / int_c40b4b03 | comment |
Charlie Jade has a different color wash, depending on which dimension you're currently watching: Alpha was green, Beta was Blue and Gamma was red. | |
Color Wash / int_c40b4b03 | featureApplicability |
1.0 | |
Color Wash / int_c40b4b03 | featureConfidence |
1.0 | |
Charlie Jade | hasFeature |
Color Wash / int_c40b4b03 | |
Color Wash / int_c4b82575 | type |
Color Wash | |
Color Wash / int_c4b82575 | comment |
The Underworld (2003) franchise is almost entirely colored in shades of black, white and blue. | |
Color Wash / int_c4b82575 | featureApplicability |
1.0 | |
Color Wash / int_c4b82575 | featureConfidence |
1.0 | |
Underworld (2003) | hasFeature |
Color Wash / int_c4b82575 | |
Color Wash / int_c6e9c6cc | type |
Color Wash | |
Color Wash / int_c6e9c6cc | comment |
Super Mario Galaxy uses color tints on the cosmic comet missions: red for the speed run missions, yellow for the Fast Foe missions, blue for the cosmic clone missions, white for the daredevil missions, and purple for the purple coin missions. The effect is subtle, but it's there. | |
Color Wash / int_c6e9c6cc | featureApplicability |
1.0 | |
Color Wash / int_c6e9c6cc | featureConfidence |
1.0 | |
Super Mario Galaxy (Video Game) | hasFeature |
Color Wash / int_c6e9c6cc | |
Color Wash / int_c72021c5 | type |
Color Wash | |
Color Wash / int_c72021c5 | comment |
Deus Ex has a color scheme where the primary color on the palette to denote high technology is blue. Deus Ex: Human Revolution also has this, but yellow. Parodied in Bro Team Pill's sponsored Gunnar Optiks video. When he's wearing them, the game on his screen is Deus Ex, but tinted yellow. When he takes them off, it's vanilla Deus Ex Human Revolution. |
|
Color Wash / int_c72021c5 | featureApplicability |
1.0 | |
Color Wash / int_c72021c5 | featureConfidence |
1.0 | |
Deus Ex (Video Game) | hasFeature |
Color Wash / int_c72021c5 | |
Color Wash / int_c7539344 | type |
Color Wash | |
Color Wash / int_c7539344 | comment |
Singularity is overly fond of lighting everything with orange. Anything that isn't orange tends to be blue. | |
Color Wash / int_c7539344 | featureApplicability |
1.0 | |
Color Wash / int_c7539344 | featureConfidence |
1.0 | |
Singularity (Video Game) | hasFeature |
Color Wash / int_c7539344 | |
Color Wash / int_cde0f3be | type |
Color Wash | |
Color Wash / int_cde0f3be | comment |
Parodied in Bro Team Pill's sponsored Gunnar Optiks video. When he's wearing them, the game on his screen is Deus Ex, but tinted yellow. When he takes them off, it's vanilla Deus Ex Human Revolution. | |
Color Wash / int_cde0f3be | featureApplicability |
1.0 | |
Color Wash / int_cde0f3be | featureConfidence |
1.0 | |
Bro Team Pill (Web Video) | hasFeature |
Color Wash / int_cde0f3be | |
Color Wash / int_d14c3aa1 | type |
Color Wash | |
Color Wash / int_d14c3aa1 | comment |
Ghostbusters (1984) used a purple wash to give the film an eerie, paranormal feel. | |
Color Wash / int_d14c3aa1 | featureApplicability |
1.0 | |
Color Wash / int_d14c3aa1 | featureConfidence |
1.0 | |
Ghostbusters (1984) | hasFeature |
Color Wash / int_d14c3aa1 | |
Color Wash / int_d3452c26 | type |
Color Wash | |
Color Wash / int_d3452c26 | comment |
The film adaptation of Dolores Claiborne jumps back and forth between blue filters for the present day and orange filters for 20 years earlier. | |
Color Wash / int_d3452c26 | featureApplicability |
1.0 | |
Color Wash / int_d3452c26 | featureConfidence |
1.0 | |
Dolores Claiborne | hasFeature |
Color Wash / int_d3452c26 | |
Color Wash / int_d461f757 | type |
Color Wash | |
Color Wash / int_d461f757 | comment |
In Battlestar Galactica, scenes on lifeless planets tend to be very washed out, but the scenes on Kobol have implausibly vivid green foliage. | |
Color Wash / int_d461f757 | featureApplicability |
1.0 | |
Color Wash / int_d461f757 | featureConfidence |
1.0 | |
Battlestar Galactica (2003) | hasFeature |
Color Wash / int_d461f757 | |
Color Wash / int_da093071 | type |
Color Wash | |
Color Wash / int_da093071 | comment |
Played with in an arc of No Need for Bushido. Scenes seen through the eyes of Yori (who, at that point, is under the effect of a powerful hallucinogenic drug), have duller colors and a sap tint, as opposed to the usually vivid visuals of the rest of the battle. | |
Color Wash / int_da093071 | featureApplicability |
1.0 | |
Color Wash / int_da093071 | featureConfidence |
1.0 | |
No Need for Bushido (Webcomic) | hasFeature |
Color Wash / int_da093071 | |
Color Wash / int_dc6148d5 | type |
Color Wash | |
Color Wash / int_dc6148d5 | comment |
The theatrical release of Payback has a stark blue filter applied throughout the whole movie, but the director's cut doesn't have this (it also changes the whole last third of the plot). | |
Color Wash / int_dc6148d5 | featureApplicability |
1.0 | |
Color Wash / int_dc6148d5 | featureConfidence |
1.0 | |
Payback | hasFeature |
Color Wash / int_dc6148d5 | |
Color Wash / int_dcb78c8c | type |
Color Wash | |
Color Wash / int_dcb78c8c | comment |
The third Resistance does this (with a different color every stage) as a compromise between the Real Is Brown of the first game, and the brighter, more natural colors of the second. | |
Color Wash / int_dcb78c8c | featureApplicability |
1.0 | |
Color Wash / int_dcb78c8c | featureConfidence |
1.0 | |
Resistance (Video Game) | hasFeature |
Color Wash / int_dcb78c8c | |
Color Wash / int_de0a2ea5 | type |
Color Wash | |
Color Wash / int_de0a2ea5 | comment |
In Ori and the Blind Forest, the forest of Nibel starts out vibrant during the prologue, but appropriately turns to drab shades of brown, gray, blue, and purple once the decay sets in after the defilement of the Spirit Tree. Outlying areas have color washes in varying hues: Thornfelt Swamp and the Ginso Tree are brownish-green, Moon Grotto is midnight blue, the Misty Woods are teal, the Forlorn Ruins are ice blue with glowing orange machinery, Sorrow Pass is mustard yellow, and Mount Horu, being a Lethal Lava Land, is red-orange. Ori and the Will of the Wisps has a more varied palette overall, except in the areas hardest hit by The Corruption, such as the Silent Woods, which are blue-gray; Windswept Wastes, which are burnt orange; and Willow's End, which is neon magenta. |
|
Color Wash / int_de0a2ea5 | featureApplicability |
1.0 | |
Color Wash / int_de0a2ea5 | featureConfidence |
1.0 | |
Ori and the Blind Forest (Video Game) | hasFeature |
Color Wash / int_de0a2ea5 | |
Color Wash / int_de73bec9 | type |
Color Wash | |
Color Wash / int_de73bec9 | comment |
Home: Adventures with Tip & Oh uses a yellow/gold gradient for almost all of its settings, even the sky. It changes to light blue/cyan in winter. | |
Color Wash / int_de73bec9 | featureApplicability |
1.0 | |
Color Wash / int_de73bec9 | featureConfidence |
1.0 | |
Home: Adventures with Tip & Oh | hasFeature |
Color Wash / int_de73bec9 | |
Color Wash / int_e0391109 | type |
Color Wash | |
Color Wash / int_e0391109 | comment |
All the outdoor scenes in Magic Mike are extremely orange, emphasizing the Florida setting and more sharply contrasting the nightclub and strip club scenes, which are all dark and neon-soaked. | |
Color Wash / int_e0391109 | featureApplicability |
1.0 | |
Color Wash / int_e0391109 | featureConfidence |
1.0 | |
Magic Mike | hasFeature |
Color Wash / int_e0391109 | |
Color Wash / int_e1ec0e62 | type |
Color Wash | |
Color Wash / int_e1ec0e62 | comment |
Done to the second and third games of the Grand Theft Auto IV trilogy, Grand Theft Auto IV: The Lost and Damned and Grand Theft Auto IV: The Ballad of Gay Tony, respectively. Lost and Damned, being Darker and Edgier, subtly shifts to desaturated, grimy tones, while Ballad of Gay Tony is Lighter and Softer, preferring brighter neon hues. | |
Color Wash / int_e1ec0e62 | featureApplicability |
1.0 | |
Color Wash / int_e1ec0e62 | featureConfidence |
1.0 | |
Grand Theft Auto IV (Video Game) | hasFeature |
Color Wash / int_e1ec0e62 | |
Color Wash / int_e21a006 | type |
Color Wash | |
Color Wash / int_e21a006 | comment |
The music video for BTS' "Blood, Sweat and Tears" has the image suddenly gain very high contrast and a fuchsia tint during the second chorus. The (vastly different) music video for the Japanese version of "Blood, Sweat and Tears" has this as a defining feature, with each scene having very saturated color palettes that tend towards a single color (one scene looks extremely green, another looks extremely fuchsia, etc.). |
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Color Wash / int_e21a006 | featureApplicability |
1.0 | |
Color Wash / int_e21a006 | featureConfidence |
1.0 | |
BTS (Music) | hasFeature |
Color Wash / int_e21a006 | |
Color Wash / int_e9211d19 | type |
Color Wash | |
Color Wash / int_e9211d19 | comment |
I Know Who Killed Me: In a nod to the works of Dario Argento and Brian De Palma, every scene with Aubrey has a form of blue lighting, and a similar case occurs with Dakota and red lighting. | |
Color Wash / int_e9211d19 | featureApplicability |
1.0 | |
Color Wash / int_e9211d19 | featureConfidence |
1.0 | |
I Know Who Killed Me | hasFeature |
Color Wash / int_e9211d19 | |
Color Wash / int_f0c816fb | type |
Color Wash | |
Color Wash / int_f0c816fb | comment |
Similarily to Traffic, from season 2 onwards, Breaking Bad would frequently visit orange-yellow-tinted Mexico. | |
Color Wash / int_f0c816fb | featureApplicability |
1.0 | |
Color Wash / int_f0c816fb | featureConfidence |
1.0 | |
Breaking Bad | hasFeature |
Color Wash / int_f0c816fb | |
Color Wash / int_f43685a2 | type |
Color Wash | |
Color Wash / int_f43685a2 | comment |
Among the many, many reasons the Battlefield Earth movie was considered awful was the blue filter on many of the shots. It also enjoys combining green and purple, using the same logic as movies that use orange and teal - the colors contrast, so putting them together causes them to "pop". | |
Color Wash / int_f43685a2 | featureApplicability |
1.0 | |
Color Wash / int_f43685a2 | featureConfidence |
1.0 | |
Battlefield Earth | hasFeature |
Color Wash / int_f43685a2 | |
Color Wash / int_f597528d | type |
Color Wash | |
Color Wash / int_f597528d | comment |
Like in the movie, Limitless shows the perspective of NZT users in orange and yellow, while reality is more dull and blue. | |
Color Wash / int_f597528d | featureApplicability |
1.0 | |
Color Wash / int_f597528d | featureConfidence |
1.0 | |
Limitless | hasFeature |
Color Wash / int_f597528d | |
Color Wash / int_f6a1016f | type |
Color Wash | |
Color Wash / int_f6a1016f | comment |
In The Matrix, scenes in the real world are tinted a cold blue, whereas scenes in the Matrix itself are tinted green, akin to an old monochrome computer screen. In fact, the green tint becomes more and more prominent as Smith takes over the Matrix. The final scene, after Smith is defeated and the Matrix is freed, is completely devoid of this tint. | |
Color Wash / int_f6a1016f | featureApplicability |
1.0 | |
Color Wash / int_f6a1016f | featureConfidence |
1.0 | |
The Matrix (Franchise) | hasFeature |
Color Wash / int_f6a1016f | |
Color Wash / int_f97683ef | type |
Color Wash | |
Color Wash / int_f97683ef | comment |
In Hollow Knight, deserted civilization zones, such as the Forgotten Crossroads and City of Tears, have dark blue-heavy palettes; Greenpath and the Queen's Gardens are green; the Fungal Wastes are slate blue with hints of yellow; the Royal Waterways are turquoise; Crystal Peak is pink; The Hive is appropriately golden brown; the lowest depths of Hallownest, such as Ancient Basin and Deepnest, are gray; and the White Palace, well, is white. | |
Color Wash / int_f97683ef | featureApplicability |
1.0 | |
Color Wash / int_f97683ef | featureConfidence |
1.0 | |
Hollow Knight (Video Game) | hasFeature |
Color Wash / int_f97683ef | |
Color Wash / int_faf0ebf1 | type |
Color Wash | |
Color Wash / int_faf0ebf1 | comment |
Not every scene in Blade Runner 2049 is orange, but it's the way to bet. | |
Color Wash / int_faf0ebf1 | featureApplicability |
1.0 | |
Color Wash / int_faf0ebf1 | featureConfidence |
1.0 | |
Blade Runner 2049 | hasFeature |
Color Wash / int_faf0ebf1 | |
Color Wash / int_fd8ef85e | type |
Color Wash | |
Color Wash / int_fd8ef85e | comment |
Left 4 Dead and Left 4 Dead 2 have a color wash depending on the campaign being played. To name a few examples, No Mercy has a bluish-green tint to reflect the gloomy weather in a city at night, Dead Air has an orange hue due to the fires and smoke in the city, and Hard Rain has its later half washed in a green-blue tint due to a hurricane. Meanwhile, safe rooms in all campaigns have a warm yellow tone to convey a cozy and safe feel. Developer commentary states that the color wash was intentional since the developers wanted to invoke the feel of a B-horror movie with fog "smoking the set". Using mods that alter the color correction or removing fog entirely gives the visuals a more clean look, but also exposes the flaws that would have been hidden by the color correction and distant fog. | |
Color Wash / int_fd8ef85e | featureApplicability |
1.0 | |
Color Wash / int_fd8ef85e | featureConfidence |
1.0 | |
Left 4 Dead (Video Game) | hasFeature |
Color Wash / int_fd8ef85e | |
Color Wash / int_ff2165b | type |
Color Wash | |
Color Wash / int_ff2165b | comment |
Cold Case uses this a lot. Scenes that take place in the present have either only a slight blue tinge or no color wash at all, Those in the past, however, have a color wash that 'fits' the time. For instance, scenes in the 1970s have vivid, warm colors to contrast with the present. | |
Color Wash / int_ff2165b | featureApplicability |
1.0 | |
Color Wash / int_ff2165b | featureConfidence |
1.0 | |
Cold Case | hasFeature |
Color Wash / int_ff2165b |
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