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Genesis (Band) (Music)

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For the video game console, see Sega Genesis. For the Web Game, see Ge.ne.sis (2009)Genesis is a British band active from 1967 to 2000, with sporadic reunions since then. They went on to become one of the most successful rock bands in history, spanning five decades and selling over one hundred million albums.Genesis has several distinct eras, though the transitions between them are somewhat more gradual than the popular telling would have you believe. Their first period only truly includes their first album, From Genesis to Revelation, which has a more relaxed and poppy sound and includes slight Christian themes. This album is not included in their official discographies and the band members have commented that it's only still in print because its rights are owned by its producer; however, the dissatisfaction largely comes from its Executive Meddling-induced saccharine production, and several demos from it were included in the Genesis Archive 1967–75 box set.The interim period and their second album, Trespass (a transitional album that does not clearly belong to either era, though in sound it hews much closer to their second), have a more pastoral sound occasionally edging into Hard Rock, both provided by guitarist Anthony Phillips.note When asked about it, Tony Banks and Michael Rutherford once said that Phillips' departure had a bigger impact on the band's sound than Peter Gabriel's. The start of the band's second era is actually a source of some debate; the clearest demarcation points are either Trespass or the introduction of guitarist Steve Hackett and drummer Phil Collins to the band.note Arguably, the era begins with Trespass if we are basing our telling on musical style, but with Nursery Cryme if personnel shifts are our primary criterion; many of the major musical traits associated with the band's second era were already clearly established on Trespass.The first album this new line up produced, Nursery Cryme, saw Genesis, much like other British bands at the time, diving headfirst into Progressive Rock. The albums made during this time are arguably the strongest, the band being at their peak of musical talent and creativity. Opinions differ on whether the definitive album of this era is Foxtrot, Selling England by the Pound or the enormously long, Darker and Edgier double album The Lamb Lies Down on Broadway. The production of The Lamb, however, caused tensions in the band due to Creative Differences. These, in combination with his bandmates' unsympathetic responses to difficulties in his personal lifenote namely him having to take a break from recording and touring with Genesis in order to tend to his wife and newly-born daughter, who had both fallen ill due to childbirth complications, motivated Gabriel to leave the band in 1975.Gabriel's departure led to about a year of searching for a new lead singer, but after multiple auditions, the band eventually came to the conclusion they already had one: Collins, who not only sounded almost exactly like Gabriel, but also had a wider vocal range. Despite his initial hesitance, Collins was convinced to Step Up to the Microphone, which led to two commercially successful (and fan favorite) records, Trick Of The Tail and Wind And Wuthering. In 1977 after the Wuthering tour, Steve Hackett also left, taking the quartet down to a trio, with Phil Collins firmly, albeit reluctantly, in the role of the band's frontman.After fumbling to find a new direction, Genesis released ...And Then There Were Three... in 1978, followed by Duke in 1980, which marked the start of the band's third era, as they broke into the mainstream with a slicker Arena Rock sound, this time to Banks' initial hesitation. The band gradually recreated itself as one of the most successful pop/rock bands of the era, performing to massive audiences, topping the charts several times, and selling albums by the truckload. Most people were introduced to Genesis during this time, and they are most likely remembered for a string of sleek poppy radio hits released between 1983 and 1986, like "That's All", "Invisible Touch", "In Too Deep" and "Land of Confusion", the latter of which even got an iconic music video by the Spitting Image staff.note It is, however, important to note that, despite the band's chart success as a pop/rock band, they continued releasing Progressive Rock songs as album tracks during this period, though these were somewhat less complicated than the band's earlier material. Arguably, even some of the band's hit singles qualify as prog in their unedited album versions, such as "Tonight, Tonight, Tonight", "Home by the Sea", "Abacab", and possibly "No Son of Mine" and "Mama". Phil Collins also had a successful solo career during the time that Genesis was having hits, and his continued solo success eventually led to him leaving Genesis in good terms in 1996, as he wanted more free time to work on his own projects. Unfortunately, the next album following Collins' departure, 1997's Calling All Stations, was poorly received by fans and critics alike, and disappointing sales and poor sales for the associated tour (which prompted the band to cancel a planned US leg) resulted in Genesis unceremoniously dissolving in 2000.In 2006, Collins, Banks and Rutherford held a massive reunion tour called Turn It On Again, where they were joined by longtime auxiliary members Chester Thompson and Daryl Stuermer. The tour had originally envisioned as a reunion of the classic lineup, but Gabriel couldn't commit to a timeframe to be available, leading Steve Hackett to back out as well (as Gabriel's presence was the sole reason he decided to participate).In 2009, Phil Collins revealed that spinal problems accumulated during the Genesis reunion tour, caused by sitting irregularly at the drum kit, led to him needing back surgery. He is unable to play the drums or piano properly as a result, and he had to tape his drumsticks to his hands to play them on his Going Back album. He retired temporarily from music in 2011, and in the following years his medical condition improved considerably, to the point where he began embarking on a comeback of sorts in 2015 with a series of reissues of his solo albums (much like Genesis did with their catalogue starting with a series of boxsets in 2007), and returned to performing two years later. A reunion tour began with shows in the UK and Ireland in late 2021 and ended in March 2022 with a London show that the band billed as its final concert. While Collins sang during the tour, his health has again declined to the point that he can't play drums at all, and he remained seated for some concerts. Notably, the tour featured the return of Daryl Stuermer, but Chester Thompson didn't return; instead, on drums was Phil's son Nic, who had also replaced Chester for Phil's comeback tour.During the final performance of "The Last Domino?" tour, the band announced that it would be the last time they'd play together as Genesis, formally ending the run of one of the most-influential prog-rock groups of all time.It's impossible to describe Genesis in general terms since the band has always been constantly evolving, but they have a gentle, emotional sense to their music present regardless of era. Genesis has also pioneered several musical techniques during its existence and is often cited as inspiration by other musicians. There are also many Genesis tribute bands, such as The Slippermen, Dusk, and The Musical Box, the latter of which faithfully reproduces early Genesis performances, and is the only Genesis tribute act endorsed by Genesis members.They were also one of the early adopters of moving light fixtures, taking some of the very first units on the Abacab tour. They actually invested heavily in the company after being shown the first prototype and their manager Tony Smith even suggested the name "Vari-Lite".
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The Artifact
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The Artifact: Until they had enough hits to throw away a lot of their earlier epics, progressive pieces such as "Supper's Ready", "Dancing With The Moonlit Knight", "Squonk", "Dance On A Volcano" and "The Cinema Show", which were still played even as late as 1986, often clashed considerably with the new sound, style and line-up changes of the band in The '80s, to the point where they could be seen as artifacts in the set list.
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Heroic BSoD
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Heroic BSoD: Phil Collins admitted to having one of these during the breakup of his first marriage, which is reflected in his contributions to Duke and much his first solo record, Face Value.
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Darker and Edgier
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Darker and Edgier: Wind & Wuthering and especially The Lamb Lies Down on Broadway. "Back in NYC" is probably the edgiest song Genesis ever wrote, though "Down and Out" and "Mama" can certainly rival it. Duke is filled with songs of melancholy, heartbreak and anguish to various degrees, particularly the "story of Albert" tracks scattered throughout, which seem to tell a story of the breakup of a relationship. Though all three members contributed lyrics note including the Happily Married Mike Rutherford and Tony Banks, the Reality Subtext of Phil Collins going through his first divorce during the making of that album lends poignancy to the lyrics and Phil's performance.
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The Anti-Nihilist
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The Anti-Nihilist: "Land Of Confusion" expresses this philosophy. It describes a Crapsack World, however, the chorus says:
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All There in the Manual
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Nursery Cryme, specifically on "The Musical Box" - really, it's right there in the title of the album. Gabriel quotes "Old King Cole" at one point, but it's done so in a sinister fashion, given that it's a ghost story about a dead child whose music box summons his ghost... who then rapidly begins ageing and experiencing "a lifetime's desires", as the liner notes put it.
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Unreliable Narrator
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Unreliable Narrator: "Rael" is practically made of this trope.
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Poor Communication Kills
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Poor Communication Kills: Part and parcel of the initial members' boarding/public school upbringing. It took until the recording of Foxtrot for Peter, Tony, and Mike to point out that things were working very well with Phil and Steve — this was after they had toured together for a year and recorded an album together. Similarly, Tony and Mike never really sat down and talked to each other about whether or not to do a post-Phil Collins Genesis album; neither one really wanted to do it, but assumed the other one did. The half-hearted effort is probably the main reason Ray Wilson doesn't have many nice things to say about either one of them these days.
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The Stoic
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The Stoic: Tony Banks and Steve Hackett both rarely emoted or moved on stage, mainly focusing on their instruments and leaving much of the showmanship to Peter, Mike, or Phil.
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Those Two Guys
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Those Two Guys: Peter Gabriel and Tony Banks have this kind of relationship, even after Gabriel left the band.
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Looks Like Jesus
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Looks Like Jesus: Mike Rutherford, particularly so in the music video for Follow You, Follow Me. His puppet in the Land of Confusion music video was actually reused as Jesus in Spitting Image.
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Cruel and Unusual Death
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An unusual one for Nursery Cryme. The cover drop doesn't happen in the lyrics of the album themselves but in the booklet's liner notes to The Musical Box, describing a beheading by a croquet mallet.
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Long-Runners
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Long-Runners: Formed in 1967, touring in 2006 and 2007. Reunion of Gabriel-era line-up for BBC documentary in 2014.
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New Sound Album
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New Sound Album: While the band is often perceived as having gone from pure progressive rock to pure pop after Hackett's departure, their transition from prog to pop was actually fairly gradual, and they arguably never abandoned prog entirely. The clearest turning point is probably Duke, which consists of about half prog songs and about half pop songs, and was also when Tony Banks abandoned the Hammond organ and Mellotron for an entirely synthesizer-based sound and when Rutherford switched from mostly 12-string guitar work to a more conventional David Gilmourish tone. The concept suite spread throughout the album (see "Concept Album" above) still has pretty strong prog elements (especially the final two, mostly instrumental tracks). The prog sound was more fully abandoned on the next album, Abacab, although the title track and "Dodo/Lurker" still had trace elements of the band's prog roots, and the Self-Titled Album finalized the shift, with AllMusic declaring it the point where Genesis were definitively a "pop" band rather than a "prog" band. That said, a few tracks on the remaining "pop" albums also have elements of progressive rock and could be considered examples of what Prog Archives classifies as "Crossover Prog"note Genesis: "Home by the Sea"/"Second Home by the Sea", and to a lesser extent the album version of "Mama"; Invisible Touch: "Domino", "The Brazilian", and to a lesser extent the album version of "Tonight, Tonight, Tonight"; We Can't Dance: "Driving the Last Spike", "Dreaming While You Sleep", "Living Forever", "Fading Lights", and to a lesser extent the album version of "No Son of Mine". Meanwhile, the band also had several earlier works that were clearly early attempts at crafting pop singles but were simply too quirky to receive mass airplay ("Happy the Man" from the Nursery Cryme sessions, "I Know What I Like (In Your Wardrobe)" from Selling England by the Pound, "Counting Out Time" from The Lamb Lies Down on Broadway, "A Trick of the Tail" from its eponymous album, etc.); the band's first pop songs to catch on were "Your Own Special Way" (Wind & Wuthering) and "Follow You Follow Me" (...And Then There Were Three...). Trespass is probably the most straightforward example, since it was much closer to the progressive sound they were eventually famous for than the folksy light psychedelic pop of From Genesis to Revelation. The band's last album and only album with Ray Wilson, Calling All Stations is another example, due to its more Alternative Rock sound.
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Black Comedy
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Black Comedy: "Harold the Barrel" Also present in "Get 'Em Out by Friday" and "The Battle of Epping Forest".
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As the Good Book Says...
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As the Good Book Says...: Befitting their name, they have some Biblical quotes in their lyrics, mostly in the Peter Gabriel era. Some are quite subtle - the line "seen darkly through the glass" from "The Battle of Epping Forest" is a reference to the phrase "through a glass, darkly", which appears in 1 Corinthians (and also provided the title of an Ingmar Bergman film, amongst other things), while "stranger in an alien place" from "Heathaze" is probably a reference to the phrase "Stranger in a strange land" from Exodus 2:22 (which gave the Heinlein novel its title) - and others are very much in Mind Screw territory.
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Companion Cube
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Companion Cube: "Turn It On Again" and "Anything She Does" are about people who fall in love with a pretty face on a TV set and with a photo, respectively, then channel their love onto the object. A little bit of this in "The Musical Box" off of Nursery Cryme as well.
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In Medias Res
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In Medias Res: Musically, "Land of Confusion" starts with mid-song riffs, as if the song had been played before the listener tunes in.
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Shoot the Shaggy Dog
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Shoot the Shaggy Dog: "The Battle of Epping Forest". At the end of the song, all the participants in the gang battle are dead, so their accountants settle the dispute with a coin flip.
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Literary Allusion Title
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Literary Allusion Title: Wind & Wuthering is named in honour of Wuthering Heights. The two penultimate songs on the album derive their titles from the novel's final words. (On some pressings these two songs are combined into one track, with their titles placed back together.) ...And Then There Were Three... takes its title from the same rhyme that gives And Then There Were None its current title.
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Everyone Went to School Together
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Everyone Went to School Together: All five of the founding members are alumni of British boarding school Charterhouse. Banks, Gabriel, and Chris Stewart had arrived in 1963, Rutherford in 1964, and Anthony Phillips in 1965.
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Non-Indicative Name
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Non-Indicative Name: The Definitive Edition remasters from 1994 were anything but definitive both then and now, excluding the post-Abacab albums (if only due to their newer nature) and ultimately being supplanted in print by the 2007 remasters. This tends to be a recurring problem for re-releases that call themselves "definitive editions/versions," though with Genesis it tends to get picked at a lot more due to the heavy Loudness War techniques on the 2007 remasters.
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Artifact Title
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Artifact Title: Abacab is titled after an early arrangement of the title track, and although it changed, they liked the sound of it and used it as the final title. Three Sides Live was so named because it had three album sides of live material, and a fourth made up by studio tracks. However, in the UK, this format was dropped, and the fourth side consisted of live performances of Gabriel-era material. In all cases, the (somewhat temporary) decline of vinyl resulted in this title's meaning becoming somewhat obscure for some twenty years.
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Longest Song Goes Last
 Genesis (Band) (Music) / int_2bf54826
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Longest Song Goes Last: Foxtrot closes with "Supper's Ready" (22:57). Also, We Can't Dance closes with "Fading Lights" (10:16), which just barely edges out "Driving the Last Spike" (10:09) as the longest song on the album. At least two other albums also qualify if you consider their Siamese Twin Songs to be a single track: "The Cinema Show"/"Aisle of Plenty" (12:39) from Selling England by the Pound, and "Duke's Travels"/"Duke's End" (10:47) from Duke. (In either case, "Duke's Travels" is by some measure the longest song on the album.) A third case, "Unquiet Slumbers for the Sleepers..."/"...In That Quiet Earth"/"Afterglow" (11:24) from Wind & Wuthering, is arguable. Selling England and Duke are clearly cases where the band just decided, for whatever reason, to separate a long song's coda into its own track, but there's a clear demarcation in the Wind & Wuthering case. The first two of these tracks are instrumental, and "Afterglow" is a fairly straightforward pop song that contains no musical or rhythmic elements in common with the two instrumentals.
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Gender Bender
 Genesis (Band) (Music) / int_2d88e42c
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Gender Bender: Father Tiresias from "The Cinema Show" and Hermaphroditus from "The Fountain of Salmacis" both qualify. Like many other elements of the band's lyrics, they're also both taken directly from Greek mythology.
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 Genesis (Band) (Music) / int_2e70a1db
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Miniscule Rocking
 Genesis (Band) (Music) / int_2e70a1db
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Miniscule Rocking: Nursery Cryme has the 1:47 "For Absent Friends" in between the ten and a half minute long "The Musical Box" and the eight minute "The Return of the Giant Hogweed". Foxtrot has the 1:41 acoustic guitar instrumental "Horizons", leading into the 23 minute epic Supper's Ready.
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 Genesis (Band) (Music) / int_2f329e3c
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Tomato in the Mirror
 Genesis (Band) (Music) / int_2f329e3c
comment
Tomato in the Mirror: We discover at the very end of The Lamb Lies Down on Broadway that Rael and his brother John, whom he's spent the entire album chasing, are actually the same person. Also "One for the Vine", when the time-travelling protagonist realises that his own actions caused his past self to become disgusted and walk off before vanishing into the past. See The Chosen One, God Guise, and Heel Realization above.
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 Genesis (Band) (Music) / int_2f36d97
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Older Than They Look
 Genesis (Band) (Music) / int_2f36d97
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Older Than They Look: Steve Hackett doesn't seem to have aged a day since he left.
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Dual-Meaning Chorus
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Dual-Meaning Chorus: "Misunderstanding". The verses describe the singer's attempt to find his partner, whom he had apparently agreed to meet for a date, leading to the chorus "there must be some misunderstanding; there must be some kind of mistake". It references their communications in setting the occasion up ... until the singer finds her in the last verse and realizes she's been having an affair. The chorus repeats; now it's clear that it's a deeper critique of their relationship.
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Calling the Young Man Out
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Calling the Young Man Out: "No Son of Mine" tells the story of a boy who runs away from home, and after some consideration attempts to return, only to be berated by his abusive father. note Phil Collins has said in interviews that the lyrics are deliberately vague as to whether the narrator or his mother is the victim of the abuse.
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 Genesis (Band) (Music) / int_334e48a1
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After the End
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After the End: "Stagnation", "Watcher of the Skies", and "Afterglow".
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Concept Album
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Another suite of songs on Duke, often called "The Story of Albert", would have gone even further than "Supper's Ready" in this (it's a little over twenty-eight minutes long), but the band again split it up (although they performed its original configuration in its entirety live during virtually every show they played in 1980). The songs here are "Behind the Lines", "Duchess", "Guide Vocal", "Turn It On Again", "Duke's Travels", and "Duke's End". There are recurring motifs throughout this suite that give Duke the feel of a Concept Album.
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 Genesis (Band) (Music) / int_363f1f98
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Former Child Star
 Genesis (Band) (Music) / int_363f1f98
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Former Child Star: Phil Collins, averted. Though he was a child model/actor who played The Artful Dodger in a West End production of Oliver! and had teeny tiny blink-and-you'll-miss-him roles in A Hard Day's Night and Chitty Chitty Bang Bang, his success as an adult far eclipsed his success as a child actor/model.
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 Genesis (Band) (Music) / int_37690091
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Stable Time Loop
 Genesis (Band) (Music) / int_37690091
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In a way, also present in "One for the Vine", though thanks to a Stable Time Loop, the same person actually serves as both the new boss and the old boss.
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Modulation
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Modulation: Most of their songs in their symphonic prog era do this frequently; Tony Banks is a master of this. Here is an in-depth, sophisticated analysis from a classical composer who analyses, among other things, several uses of modulation in "Firth of Fifth".
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 Genesis (Band) (Music) / int_38da8916
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Uncommon Time
 Genesis (Band) (Music) / int_38da8916
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Uncommon Time: "Turn It On Again" is in 13/8 time. Beyond that, bizarre meters were used liberally during their prog rock days. Again, the solo in "Cinema Show" which is in 7/8, as is (almost) all of "Dance on a Volcano." "Apocalypse in 9/8" is in, well guess, as are "Riding the Scree" and the first half of the instrumental "...In That Quiet Earth". The instrumental midsection of "Robbery, Assault and Battery" is in 13/8 (subdivided into a bar of 7/8 followed by a bar of 6/8). The Tony Banks piano intro to "Firth of Fifth" switches between 2/4, 13/16 and 15/16.
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 Genesis (Band) (Music) / int_39b8d3d6
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Boring, but Practical
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Boring, but Practical: Most of Mike Rutherford's guitar work qualifies. He's no Steve Hackett, but compliments Banks' keyboard leads quite well.
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Vaudeville Hook
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Vaudeville Hook: Almost. At the end of both the "I Can't Dance" and the "Jesus He Knows Me" music videos, Mike and Tony come in from offscreen to drag Phil away.
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 Genesis (Band) (Music) / int_3bbf3fef
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Recurring Riff
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Recurring Riff: Selling England by the Pound opens and closes with the same melody. This is because the two songs (along with the interlinking "The Cinema Show") were originally composed as a single suite, but the band split them up after deciding it was too similar to "Supper's Ready". The Lamb Lies Down on Broadway, being a Rock Opera, gets in on the action. Most prominently, the Title Track gets a Dark Reprise as "The Light Dies Down on Broadway" (which also uses elements of "The Lamia"), but there are plenty of other examples. A Trick of the Tail ends with "Los Endos", which reprises elements from "Dance on a Volcano" and "Squonk" (and "It's Yourself," which was cut from the album, though it was used as a B-Side and appears on the band's Archive '76-'91), as well as two lines from the band's earlier song, "Supper's Ready". On Wind & Wuthering, one of the riffs from "Eleventh Earl of Mar" is reprised in the second half of "...In That Quiet Earth". From the Duke suite, "Duke's Travels" reprises "Guide Vocal" at the end, and "Duke's End" does the same for the opening riff of "Behind the Lines" and a riff from "Turn It On Again". (Actually, "Duke's Travels") briefly reprises the main melody of "Behind the Lines" after the "Guide Vocal" reprise as well.) Part of Tony Banks' keyboard solo in the instrumental section of "Fading Lights" (around five or six minutes into the song) is melodically reminiscent of elements from the bridge near the end of "No Son of Mine". It's not exactly identical, but it's close enough that it stands out and provides a sense of Bookends to the entire album (since they're the last and first songs, respectively).
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Pun-Based Title
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Pun-Based Title: Selling England by the Pound. And Nursery Cryme.
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Blatant Lies
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Blatant Lies: At the end of the live recording of The Lamb Lies Down on Broadway included on the Genesis Archive 1967–75 boxset (recorded in Los Angeles in 1975), the final song, "it.", fades into a new studio re-recording of the song. In the liner notes, this is stated as being due to the tape running out. However, a full version of the show, used for the King Biscuit Flower Hour radio program, that includes the entire Lamb performance as well as both encores ("Watcher of the Skies" & "The Musical Box"), is available for streaming from the concertvault.com website.
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Humans Through Alien Eyes
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Humans Through Alien Eyes: "Watcher of the Skies" describes the remains of the extinct human race through the eyes of an alien that has landed on Earth after their destruction.
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Shirtless Scene
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Shirtless Scene: Peter Gabriel during the The Lamb Lies Down on Broadway tour. After taking on lead vocal duties after Gabriel's departure, Phil Collins did this a few times too.
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 Genesis (Band) (Music) / int_479f9ad0
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Characterization Marches On
 Genesis (Band) (Music) / int_479f9ad0
comment
Characterization Marches On: Peter Gabriel started out as a typical front man. It wasn't until "Foxtrot" when his personality became much more eccentric and the costumes became a part of the act. Steve Hackett had a beard, glasses and sat while he played early on. He also was mainly just the guitarist, with his song writing contributions limited. Bill Bruford helped him develop more confidence during the "Trick of the Tail" tour and by the last album he did with the band ("Wind & Wuthering"), he no longer had facial hair or wore glasses, he stood while performing, and he became the second most important songwriter in the group, behind only Tony Banks. Phil Collins went from a drummer providing backing vocals and occasionally lead vocals, to a lead singer who became the face of the band. The band itself. They went from prog rock heavyweights with a largely 18-34 year old male audience to ubiquitous soft rock titans popular with housewives and soccer moms everywhere (though, in fairness, the prog rock elements never went away and remained a part of every album and every tour).
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Synth-Pop
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Synth-Pop: A small number of tracks from the band's "pop" period are classifiable as this, being primarily synthesizer-driven with an emphasis on the alien qualities of the instrument's sound; "Man on the Corner" off of Abacab is probably the most prominent example.
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Ace Custom
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Ace Custom: Since he spent most of the classic years playing both rhythm guitar and bass, Mike Rutherford used a number of specially constructed double-neck guitars, with a 12-string and a 4-string bass section. His most famous would be his Shergold Modulator, which allowed him to attach either a six-string or two different 12-string sections (for different tunings) onto a lower bass section.
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 Genesis (Band) (Music) / int_4ac8b81f
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Humans Are the Real Monsters
 Genesis (Band) (Music) / int_4ac8b81f
comment
Humans Are the Real Monsters: In "A Trick of the Tail", the protagonist ends up being locked in a cage by the humans, dubbed 'creatures', due to the fact that he has horns and a tail.
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Break the Cutie
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Break the Cutie: The disintegration of Phil Collins' first marriage was the inspiration for all of the sad love songs that made him so famous back in The '80s. And as the above trope notes, one should "be careful about tormenting sweet little things", especially when they have an international platform for dishing out retribution.
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I Can't Dance
 Genesis (Band) (Music) / int_4db088ab
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I Can't Dance: Guess!
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 Genesis (Band) (Music) / int_4ef62a4d
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Full-Circle Revolution
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Full-Circle Revolution: "The Knife" is about how violent revolutions just lead to the entrenchment of a new dictator. "One for the Vine" combines this with a Stable Time Loop: the central character eventually becomes the "chosen one" whose army he ran away from at the start of the song.
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 Genesis (Band) (Music) / int_4f4372e9
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Early-Installment Weirdness
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Early-Installment Weirdness Any album recorded before 1980, for those who only knew the band through their radio hits. Even for fans of the "classic" prog era, the first two albums would qualify, being heavily piano and 12-string guitar driven. The piano songs would be mostly excised from later albums, as electric pianos of the time couldn't do them justice live, and the 12-string would be relegated to rhythm parts, with lead guitarist Steve Hackett mostly relying on his Les Paul. Phil Collins' drum sound for those early albums would qualify as well; cymbal-driven and heavily syncopated, with nary gated reverb drum effectnote The "Intruder"/"In the Air Tonight" drum sound (invented by Collins and Hugh Padgham on the first one, which was actually a song on Peter Gabriel's third album, and popularized on the latter) is referred to as "gated reverb", and refers to feeding a recording of the drums through these two filters in sight.
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 Genesis (Band) (Music) / int_500ecfb7
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The Big Guy
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The Big Guy: Mike Rutherford was practically a giant compared to the other members of the band.
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 Genesis (Band) (Music) / int_504a1991
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Body Horror
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Body Horror: The Slippermen from The Lamb Lies Down on Broadway.
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 Genesis (Band) (Music) / int_51df5ca1
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Animal Metaphor
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Animal Metaphor: "Pigeons" very cleverly uses the titular birds to represent immigrants to London, and its excrement as a metaphor for the things right-wingers blame them for. The song is sung from the perspective of a character who doesn't understand them and wants rid of them, and refers to a politician who hires a skinhead group (who drive a white van) to shoot them. The calypso-inspired horns make it clear this is referring to the large amount of Caribbean immigrants to the UK in the '70s, who were unfairly criticised in a similar way to the way Polish and Arabic people are today. This song remains surprisingly relevant with the increase in right-wing sentiment towards immigrants post-9/11 (and especially post 7/7 in the UK).
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 Genesis (Band) (Music) / int_51f90774
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Step Up to the Microphone
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Step Up to the Microphone: One of the most famous examples, with drummer Phil Collins taking over as lead vocalist after Peter Gabriel's departure. (Ironically given how long Genesis searched for a replacement for Gabriel, some listeners have had trouble even distinguishing Collins' voice from Gabriel's.) Even during the Gabriel era, Collins sang lead on "For Absent Friends" (from Nursery Cryme) and "More Fool Me" (from Selling England by the Pound). His voice also dominates the mix of "Harlequin" (also from Nursery Cryme; may actually be a case of Self-Backing Vocalist), and he sings a few lines in "The Colony of Slippermen" (from The Lamb Lies Down on Broadway) to represent Rael's brother John. He also provides backing vocals on several other songs from the Gabriel albums and can be clearly heard once listeners have learned to distinguish his voice, particularly on headphones. Tony Banks and Ant Phillips provide a few lines of lead vocals on "Shepherd" and "Let Us Now Make Love", respectively, on the first Genesis Archive box set. Bizarre example from Hackett's solo career: his first two albums largely relied on guest stars, but for the Spectral Mornings and Defector albums, Hackett had a stable band including Pete Hicks on lead vocals. However, Hackett himself sings lead on "Ballad of the Decomposing Man". Starting with his next album, Cured, Hackett would start singing most of his songs himself. Another Hackett example: Nad Sylvan was the nominal lead vocalist on the "Genesis Revisited" tour, along with some special guests, but drummer Gary O'Toole sang "Fly on a Windshield"/"Broadway Melody of 1974" and "Blood on the Rooftops".
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 Genesis (Band) (Music) / int_5313c266
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Bookends
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A suite of songs on Selling England by the Pound was initially intended to rival "Supper's Ready" in this, but the band split it up to bookend the album after deciding it was too similar. The songs are "Dancing with the Moonlit Knight", "The Cinema Show", and "Aisle of Plenty". Together they reach about twenty and a half minutes.
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 Genesis (Band) (Music) / int_53a7089a
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Pint-Sized Powerhouse
 Genesis (Band) (Music) / int_53a7089a
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Pint-Sized Powerhouse: Most of them. Notice how Mike Rutherford seems to tower over the other members like he's Wilt Chamberlain? He's 6'3".
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Smoking Is Cool
 Genesis (Band) (Music) / int_596f675a
comment
Smoking Is Cool: Oh, Phil, What Were You Thinking?? Rutherford throws a cigarette up in the air, catching it with his mouth in the video for "Illegal Alien".
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 Genesis (Band) (Music) / int_5df06b20
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Religion Rant Song
 Genesis (Band) (Music) / int_5df06b20
comment
Religion Rant Song: "Jesus He Knows Me" falls under a "Hate the Leaders" type of song. The song is a critique of televangelists, especially the super-preachy types which were common on TV in the 1980s. It paints such people as Moral Guardians who are also raging Hypocrites which constantly ask for money, either as an attempt to buy salvation or to scam gullible people out of their cash.
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 Genesis (Band) (Music) / int_6112fb53
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Obsession Song
 Genesis (Band) (Music) / int_6112fb53
comment
Obsession Song: "Misunderstanding" from Duke is arguably about a Stalker with a Crush. It's also an attempt by Collins to make a The Beach Boys-type song. "Mama," which is about a young man obsessed with an older prostitute.
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 Genesis (Band) (Music) / int_65d658f
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Putting the Band Back Together
 Genesis (Band) (Music) / int_65d658f
comment
Putting the Band Back Together: Turn It On Again: The Tour, the 2006-07 reunion of the '80s-'90s touring lineup. The tour had originally been planned as a reunion of the classic '70s lineup (the idea was to perform The Lamb in its entirety at at least some of the shows), which Peter Gabriel shot down as he was in the midst of recording his solo record Up.
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 Genesis (Band) (Music) / int_67784113
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Non-Appearing Title
 Genesis (Band) (Music) / int_67784113
comment
Non-Appearing Title: "Squonk", "A Trick of the Tail", "Undertow", "Snowbound".
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Lead Bassist
 Genesis (Band) (Music) / int_6788e74a
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Lead Bassist: After Steve Hackett left, Mike Rutherford became a variation of a Type B, being the lead guitarist in this case.
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 Genesis (Band) (Music) / int_6f2fe973
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Epic Instrumental Opener
 Genesis (Band) (Music) / int_6f2fe973
comment
Epic Instrumental Opener: They have a lot of them. The best examples are probably "Duke's Travels", which contains about six minutes before the vocals enter, and "Los Endos", where the vocals don't even start until the song is already beginning to fade out (both of these are also extreme examples of Limited Lyrics Songs).
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 Genesis (Band) (Music) / int_710bd545
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Mind Screwdriver
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comment
Mind Screwdriver: The story that Gabriel wrote for the liner notes of The Lamb Lies Down on Broadway.
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Two-Person Pool Party
 Genesis (Band) (Music) / int_71384f0e
comment
Two-Person Pool Party: Or in this case, Rael and three Lamia.
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 Genesis (Band) (Music) / int_735b4101
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Colour-Coded for Your Convenience
 Genesis (Band) (Music) / int_735b4101
comment
Colour-Coded for Your Convenience: On the 1994 Definitive Edition remasters (which span from Trespass to Abacab, with the former being omitted in the US due to rights issues), the Gabriel-era albums feature clear disc labels, while the Collins-era ones use white labels.
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 Genesis (Band) (Music) / int_74149c93
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Epic Rocking
 Genesis (Band) (Music) / int_74149c93
comment
Epic Rocking: Experts in it. The biggest example is "Supper's Ready", which is nearly 23 minutes long and takes nearly a side of Foxtrot. Also of note is the solo section in "The Cinema Show," which would find its way into medleys on the band's late '70s and early '80s live shows. A suite of songs on Selling England by the Pound was initially intended to rival "Supper's Ready" in this, but the band split it up to bookend the album after deciding it was too similar. The songs are "Dancing with the Moonlit Knight", "The Cinema Show", and "Aisle of Plenty". Together they reach about twenty and a half minutes. Another suite of songs on Duke, often called "The Story of Albert", would have gone even further than "Supper's Ready" in this (it's a little over twenty-eight minutes long), but the band again split it up (although they performed its original configuration in its entirety live during virtually every show they played in 1980). The songs here are "Behind the Lines", "Duchess", "Guide Vocal", "Turn It On Again", "Duke's Travels", and "Duke's End". There are recurring motifs throughout this suite that give Duke the feel of a Concept Album. Notably, they continued providing examples of this trope even after allegedly becoming a pop rock band. The self-titled album has a two-song suite that reaches eleven minutes, while one song on Invisible Touch and two on We Can't Dance break the ten-minute mark. The Invisible Touch hit "Tonight, Tonight, Tonight" is nearly nine minutes long on the album, but was cut down to a more radio friendly four and a half minutes for its single release. Invisible Touch also includes the two-part epic, nearly eleven minute long "Domino".
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 Genesis (Band) (Music) / int_74b7629c
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Instrumentals
 Genesis (Band) (Music) / int_74b7629c
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Instrumentals. Lots. Examples include "Horizons", "After the Ordeal", "Hairless Heart", "The Waiting Room", "Silent Sorrow in Empty Boats", "The Ravine", "Wot Gorilla?", "Unquiet Slumbers for the Sleepers...", "...In That Quiet Earth", "Duke's End", and "The Brazilian".
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 Genesis (Band) (Music) / int_766de4dc
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To Absent Friends
 Genesis (Band) (Music) / int_766de4dc
comment
To Absent Friends: The song "For Absent Friends".
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 Genesis (Band) (Music) / int_76cbbc0b
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George Lucas Altered Version
 Genesis (Band) (Music) / int_76cbbc0b
comment
George Lucas Altered Version: The band's catalogue was almost entirely remixed in 2007 by Nick Davis, with the intention that the original mixes would "disappear" from future releases (despite this intention, many of the original mixes are still available on streaming services, at least in the United States, and a few original mixes were used on the 2016 compilation R-Kive as well). Much of these remixes add, remove, or alter the levels of various vocal and instrumental tracks, most prominently adding gated reverb to many of the drum parts, even on the pre-Abacab material.
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 Genesis (Band) (Music) / int_786bf97f
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Real Life Writes the Plot
 Genesis (Band) (Music) / int_786bf97f
comment
Real Life Writes the Plot: "The Battle of Epping Forest" from the album Selling England by the Pound. Sadly, "No Son of Mine" evidently fits this trope as well. "Since I Lost You" is less about Collins' life and that of Eric Clapton; the song was written in response to Collins hearing about the death of Clapton's four-year-old son. Songs on Duke and Abacab written by Phil reflect on his first marriage crumbling. They were written around the same time period as Face Value. As does "Throwing It All Away" on Invisible Touchnote The lyrics for this one were actually written by Happily Married Mike Rutherford. The move towards more personal songs is something people have criticised the Phil Collins era for.
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 Genesis (Band) (Music) / int_7cfe042d
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Alternative Rock
 Genesis (Band) (Music) / int_7cfe042d
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The band's last album and only album with Ray Wilson, Calling All Stations is another example, due to its more Alternative Rock sound.
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 Genesis (Band) (Music) / int_7d276626
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Siamese Twin Songs
 Genesis (Band) (Music) / int_7d276626
comment
Siamese Twin Songs: Several examples: "The Cinema Show" -> "Aisle of Plenty", a bunch of songs on The Lamb Lies Down on Broadway, "Unquiet Slumbers for the Sleepers..." -> "...In That Quiet Earth" -> "Afterglow", "Duchess" -> "Guide Vocal" (although "Guide Vocal" is frequently cut out when "Duchess" is played on the radio, due to the latter's release as a single), "Duke's Travels" -> "Duke's End", "Home by the Sea" -> "Second Home by the Sea" (though, similarly to the "Duchess" example, "Home by the Sea" was released as a single), etc. "Dodo/Lurker" could be considered another example, although it's indexed as one track.
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 Genesis (Band) (Music) / int_7e83bf21
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Unreplaced Departed
 Genesis (Band) (Music) / int_7e83bf21
comment
Unreplaced Departed: When Steve Hackett departed in 1977, the other members decided to proceed as a trio, instead. Mike Rutherford took over lead guitar duties on post-Hackett albums and Daryl Struemer was hired to play Hackett's parts on tour. Phil Collins tried to invoke this after Peter Gabriel left Genesis, suggesting that they retool themselves into an instrumental group. The others voted him down and eventually convinced him to Step Up to the Microphone.
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 Genesis (Band) (Music) / int_823c6e3e
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Large Ham
 Genesis (Band) (Music) / int_823c6e3e
comment
Large Ham: The band's first two frontmen were hammy af and were proud of it. Though the two had different ways approaching it. Peter Gabriel used an eccentric theater kid approach, complete with elaborate costumes. Often engaging the audience with whimsical stories. Phil Collins used a more comedic, energetic, but actually down-to-earth approach, still telling stories in between songs, but said stories were far less fantastical and more goofy.
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 Genesis (Band) (Music) / int_83ea0763
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Rouge Angles of Satin
 Genesis (Band) (Music) / int_83ea0763
comment
Rouge Angles of Satin: The song "Dancing With the Moonlit Knight" and from that song, the line "And all their hands are playing apart", which is usually misheard as "playing a part".
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 Genesis (Band) (Music) / int_8409a385
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Exactly What It Says on the Tin
 Genesis (Band) (Music) / int_8409a385
comment
Exactly What It Says on the Tin: Three Sides Live, but only in the US edition; the UK edition is entirely livenote  The studio tracks that made up the fourth US side had already been released as an EP and two single B-sides in Europe. In any case, the US CD is actually "1½ Sides Live" or "Three Half-Sides Live". Also, from "Supper's Ready", "Apocalypse in 9/8"; it's apocalyptic in sound, and (even to a non-musician) it's very noticeably in 9/8. The first album after Steve Hackett's departure left Genesis a trio was ...And Then There Were Three...
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 Genesis (Band) (Music) / int_863fa679
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What Happened to the Mouse?
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What Happened to the Mouse?: The Lamb of The Lamb Lies Down on Broadway is mentioned only once, and then...
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 Genesis (Band) (Music) / int_8741b74
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Playing with a Trope
 Genesis (Band) (Music) / int_8741b74
comment
Played with in "Robbery, Assault and Battery". The robber is never caught over the course of the story its lyrics tell, but it ends with him pondering if he will fail to get away with it next time.
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 Genesis (Band) (Music) / int_8774fb47
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Eldritch Abomination
 Genesis (Band) (Music) / int_8774fb47
comment
Eldritch Abomination: The Giant Hogweed in "Return of the Giant Hogweed" on the album Nursery Cryme. Note that almost everything said about this plant is true in Real Life, except the malevolent setinence (We hope). Also the alien, parasitic entity that covers the world in darkness in "The Day the Light Went Out." Peter Gabriel's Slipperman costume was covered in growths and incorporated two balloons on the groin that Gabriel would inflate while onstage. He regrets the costume because the mask was so big and unwieldy, he couldn't get the microphone anywhere near his mouth so the audience couldn't hear what he was saying/singing.
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 Genesis (Band) (Music) / int_89631688
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The Chosen One
 Genesis (Band) (Music) / int_89631688
comment
Also "One for the Vine", when the time-travelling protagonist realises that his own actions caused his past self to become disgusted and walk off before vanishing into the past. See The Chosen One, God Guise, and Heel Realization above.
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 Genesis (Band) (Music) / int_8a07e085
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Denser and Wackier
 Genesis (Band) (Music) / int_8a07e085
comment
Denser and Wackier: The band's songwriting and Gabriel's costumes got more surreal toward the end of Gabriel's tenure, culminating in The Lamb Lies Down on Broadway. Even Gabriel seemed to think the theatrics had gotten excessive, as he toned them down in his solo career.
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 Genesis (Band) (Music) / int_8a931051
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Decoy Damsel
 Genesis (Band) (Music) / int_8a931051
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Decoy Damsel: 'The Lady Lies' tells of one such trope, in which a lady lures a knight into her cottage.
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 Genesis (Band) (Music) / int_8b4f2a4f
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'80s Hair
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'80s Hair: Phil Collins' overly permed mullet should have been taken out and shot.
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 Genesis (Band) (Music) / int_8b68d9a7
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Stalker with a Crush
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"Mama," which is about a young man obsessed with an older prostitute.
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 Genesis (Band) (Music) / int_91e894b4
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Apocalypse How
 Genesis (Band) (Music) / int_91e894b4
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Apocalypse How: "Domino" from Invisible Touch; in part 2, a Class 1 or 2 is going on. How it happened is unclear, but it's somehow the fault of the narrator of part 1. Word of God (Tony Banks) explained in the 2007 reissue interviews that the song was written at the time of the Lebanon War and while it didn't have a specific target, it was directed generally speaking at politicians and other leaders taking decision without thinking of the consequences.
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 Genesis (Band) (Music) / int_927b2f11
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The Bus Came Back
 Genesis (Band) (Music) / int_927b2f11
comment
The Bus Came Back: Peter Gabriel and Steve Hackett reunited with Genesis for a one-off concert, called Six of the Best, in October 1982. The event raised money for Gabriel's WOMAD world music festival, which was experiencing financial issues. Accordingly, the concert mostly focused on Gabriel-era material, plus Gabriel's solo song "Solsbury Hill" (which incidentally was about his decision to leave Genesis) and the Collins-era hit "Turn It On Again" (featuring Gabriel on drums). Another reunion nearly happened in 2004, when the five classic members reconvened to discuss a tour. Gabriel was ultimately unable to commit, and the project eventually turned into the 2007 Genesis reunion tour featuring only Collins, Banks and Rutherford.
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Greatest Hits Album
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Greatest Hits Album: Turn It On Again: The Hits and its even more comprehensive 2007 Tour Edition, the 2004/2005 Platinum Collection box set, and 2014's R-Kive, which also features songs from each of the individual members' solo projects and side bands. The live albums might also qualify. Averted with the other box sets, which are more like a bootlegger's paradise, with rare live shows, demos, and BBC sessions.
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 Genesis (Band) (Music) / int_960a9ef8
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Caps Lock, Num Lock, Missiles Lock
 Genesis (Band) (Music) / int_960a9ef8
comment
Caps Lock, Num Lock, Missiles Lock: In the video for "Land of Confusion", President Reagan has a panel at his bedside with two buttons: "Nurse" and "Nuke". He accidentally starts World War III trying to get a glass of water.
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Long-Haired Pretty Boy
 Genesis (Band) (Music) / int_98ff7254
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Long-Haired Pretty Boy: Peter Gabriel during most of his time in the band. Phil Collins was also this on and off throughout The '70s.
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 Genesis (Band) (Music) / int_99c36bb5
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Ironic Nursery Tune
 Genesis (Band) (Music) / int_99c36bb5
comment
Ironic Nursery Tune: Nursery Cryme, specifically on "The Musical Box" - really, it's right there in the title of the album. Gabriel quotes "Old King Cole" at one point, but it's done so in a sinister fashion, given that it's a ghost story about a dead child whose music box summons his ghost... who then rapidly begins ageing and experiencing "a lifetime's desires", as the liner notes put it. The ending of "The Guaranteed Eternal Sanctuary Man" movement of "Supper's Ready" also contains a children's chorus singing "We will rock you, rock you, little snake / We will keep you safe and warm." It's not really much less sinister-sounding.
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Dada Ad
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comment
Many of the We Can't Dance songs are attacks of one form or another: "I Can't Dance" ridicules stylistic, male model-heavy Dada Ads selling blue jeans (Phil felt the backing track sounded like an artsy/trendy Levi's ad, and the illustration shows a man wearing blue jeans, taken from his backside); "Living Forever" mocks self-help trends, new age philosophies and fad diets; "Tell Me Why" criticizes wealthy governments for doing too little to help poverty and hunger; "Jesus He Knows Me" skewers the hypocrisy of wealthy, money-grubbing televangelists (especially Ernest Angley - who, Phil was disturbed to learn, was flattered by the song); etc.
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 Genesis (Band) (Music) / int_9b6acdb3
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Lyrical Cold Open
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Lyrical Cold Open: Gabriel's A Cappella vocals open Selling England by the Pound.
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 Genesis (Band) (Music) / int_9c5ed17
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Singing Voice Dissonance
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comment
Singing Voice Dissonance: Mike Rutherford speaks with a gentle posh accent, but as heard on his solo album "Acting Very Strange", his singing voice is a surprisingly gravelly, chesty, almost Nails on a Blackboard type voice.
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 Genesis (Band) (Music) / int_9dab0a6e
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Continuity Nod
 Genesis (Band) (Music) / int_9dab0a6e
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Continuity Nod: At the very end of the otherwise instrumental song "Los Endos", one can very faintly hear Phil Collins sing, "There's an angel standing in the sun/Free to get back home". These are lyrics from "Supper's Ready", one of the epic songs of the Peter Gabriel era. "Los Endos" is the last song on the album A Trick of the Tail, which is the first album to feature Collins on lead vocals instead of Gabriel. The band may have also intended it to be a reference to Gabriel himself, as in the Archangel Gabriel.
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 Genesis (Band) (Music) / int_9e0c3153
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Punctuated! For! Emphasis!
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GIANT HOGWEED LIVES!!!!!!!!!!!!!
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 Genesis (Band) (Music) / int_9f85b457
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What Are Records?
 Genesis (Band) (Music) / int_9f85b457
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Three Sides Live was so named because it had three album sides of live material, and a fourth made up by studio tracks. However, in the UK, this format was dropped, and the fourth side consisted of live performances of Gabriel-era material. In all cases, the (somewhat temporary) decline of vinyl resulted in this title's meaning becoming somewhat obscure for some twenty years.
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 Genesis (Band) (Music) / int_a1b141f4
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My God, What Have I Done?
 Genesis (Band) (Music) / int_a1b141f4
comment
My God, What Have I Done?: The protagonist of "Dreaming While You Sleep," who hit a girl/woman with his car and drove away. Also at the end of "One for the Vine".
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 Genesis (Band) (Music) / int_a32334b4
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Canon Discontinuity
 Genesis (Band) (Music) / int_a32334b4
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Canon Discontinuity: From Genesis to Revelation, the first album, contains nearly none of the elaborate prog-rock trappings that would define every album after, having a more psychodelic, poppy sound. It is the only album where the rights aren't held by the band, but by the band's manager/producer at the time, Jonathan King. The band's name was left off initial pressings since there was an American band also named Genesis at the time. When the band re-mastered its catalog in 1994 and 2007, that album was not included in the reissues. The album does get re-released periodically, largely because of the aforementioned issue of the band not owning the rights to it. Some re-pressings re titled the record In the Beginning, in yet another biblical pun. Most of the tracks, despite the record's Old Shame, appear on the Genesis Archives 1971-1975 box set (albeit in different arrangements without the widely disliked string section placed on the album as a result of Executive Meddling). It's set to be released again (on 180g vinyl, no less) by German label Repertoire Records in 2016. The only acknowledgement in recent memory that ...Calling All Stations... even exists is its being remastered and re-released with the rest of Genesis' discography in 2008. Ever since the Turn It On Again reunion tour, even the band themselves pretend the album, and Ray Wilson being their lead singer, just never happened. The 2014 documentary Genesis: Together and Apart doesn't even mention Wilson or the album. While Rutherford & Banks may not acknowlege him, Steve Hackett had him sing "The Carpet Crawlers" for a new track included on an abridged re-release of his Genesis Revisited II record in 2014. He also performed the song live with him at the Royal Albert Hall, later released on CD and DVD.
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 Genesis (Band) (Music) / int_a44cd048
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Meet the New Boss
 Genesis (Band) (Music) / int_a44cd048
comment
Meet the New Boss: Implied in "The Knife." In a way, also present in "One for the Vine", though thanks to a Stable Time Loop, the same person actually serves as both the new boss and the old boss.
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 Genesis (Band) (Music) / int_a4905771
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Double-Meaning Title
 Genesis (Band) (Music) / int_a4905771
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Double-Meaning Title: "Snowbound" from ...And Then There Were Three.... "Snowbound" refers to being snowed in on a winter day, and to...what that song is really about. See: Lyrical Dissonance below.
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 Genesis (Band) (Music) / int_a6254a7a
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Loudness War
 Genesis (Band) (Music) / int_a6254a7a
comment
Loudness War: The 2008/2009 remasters. The 1976-1982 and 1983-1998 sets are absolutely terrible about this and the 1970-1975 set isn't much better. This review of the 1970-1975 box set clearly identifies many of the flaws. Generally, it's recommended to track down an original vinyl pressing or one of the original Virgin/Charisma CDs.
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 Genesis (Band) (Music) / int_a70223
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Karma Houdini
 Genesis (Band) (Music) / int_a70223
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Karma Houdini: John Pebble, the malicious businessman in "Get 'Em out by Friday". Played with in "Robbery, Assault and Battery". The robber is never caught over the course of the story its lyrics tell, but it ends with him pondering if he will fail to get away with it next time.
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 Genesis (Band) (Music) / int_a8559a9f
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RealLife
 Genesis (Band) (Music) / int_a8559a9f
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The Giant Hogweed in "Return of the Giant Hogweed" on the album Nursery Cryme. Note that almost everything said about this plant is true in Real Life, except the malevolent setinence (We hope).
 Genesis (Band) (Music) / int_a8559a9f
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 Genesis (Band) (Music) / int_aa245ded
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Mob War
 Genesis (Band) (Music) / int_aa245ded
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"The Battle of Epping Forest" from the album Selling England by the Pound.
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 Genesis (Band) (Music) / int_aba0cd10
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Cloudcuckoolander's Minder
 Genesis (Band) (Music) / int_aba0cd10
comment
Cloudcuckoolander's Minder: Phil Collins often accompanied Peter Gabriel to meetings with their record company, because Peter could always be counted upon either to say something totally bizarre and off-putting, or just sit there in silence.
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 Genesis (Band) (Music) / int_ae3d6438
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Deadpan Snarker
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comment
Deadpan Snarker: Everyone, but Phil Collins (no, seriously!) especially.
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 Genesis (Band) (Music) / int_af49bb75
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Sex Changes Everything
 Genesis (Band) (Music) / int_af49bb75
comment
Sex Changes Everything: The Slippermen are an extremely literal example of this trope.
 Genesis (Band) (Music) / int_af49bb75
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 Genesis (Band) (Music) / int_afd181c7
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Xtreme Kool Letterz
 Genesis (Band) (Music) / int_afd181c7
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Xtreme Kool Letterz: Nursery Cryme, R-Kive, "A Visit to the Doktor".
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 Genesis (Band) (Music) / int_b53077b3
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Take That!
 Genesis (Band) (Music) / int_b53077b3
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Take That!: The Peter Gabriel solo song "Solsbury Hill" is about his departure from Genesis. Word of God confirms this. Many fans also feel that way about Ray Wilson following Phil Collins as lead singer. "Land of Confusion" isn't particularly subtle given that the video contains unflattering caricatures of Ronald Reagan by the creators of Spitting Image (the video actually contains numerous caricatures of contemporary politicians and celebrities, but focuses mainly on Reagan). The lyrics themselves are more subtle but still, if you read between the lines, make it pretty clear that the band aren't too pleased with Reagan or Margaret Thatcher. Many of the We Can't Dance songs are attacks of one form or another: "I Can't Dance" ridicules stylistic, male model-heavy Dada Ads selling blue jeans (Phil felt the backing track sounded like an artsy/trendy Levi's ad, and the illustration shows a man wearing blue jeans, taken from his backside); "Living Forever" mocks self-help trends, new age philosophies and fad diets; "Tell Me Why" criticizes wealthy governments for doing too little to help poverty and hunger; "Jesus He Knows Me" skewers the hypocrisy of wealthy, money-grubbing televangelists (especially Ernest Angley - who, Phil was disturbed to learn, was flattered by the song); etc. Half of the video interviews on the 2007 box set consist of band members (particularly Peter and Tony) "good-naturedly" taking potshots at each other's playing and songwriting style. Gabriel in particular still seems raw about the rifts that opened up between him and the band when recording The Lamb Lies Down on Broadway.
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 Genesis (Band) (Music) / int_bb225804
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Indecipherable Lyrics
 Genesis (Band) (Music) / int_bb225804
comment
Indecipherable Lyrics: More often in the Gabriel era than the Collins era.
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 Genesis (Band) (Music) / int_be6f7ae7
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Brief Accent Imitation
 Genesis (Band) (Music) / int_be6f7ae7
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Brief Accent Imitation: And Brief Voice Imitation, and so on. "The Battle of Epping Forest" has Gabriel doing about fifteen different voices throughout the course of the song, including a hilarious Bob Dylan impersonation. A few other songs such as "Harold the Barrel" contain this kind of vocal chameleon work as well, but probably none to this extent.
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 Genesis (Band) (Music) / int_beb932ca
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Big Applesauce
 Genesis (Band) (Music) / int_beb932ca
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Big Applesauce: The Lamb Lies Down on Broadway takes place in NYC. Well, parts of the story do, anyway.
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 Genesis (Band) (Music) / int_bec0417c
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Happily Married
 Genesis (Band) (Music) / int_bec0417c
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As does "Throwing It All Away" on Invisible Touchnote The lyrics for this one were actually written by Happily Married Mike Rutherford. The move towards more personal songs is something people have criticised the Phil Collins era for.
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 Genesis (Band) (Music) / int_bef696dd
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Mind Screw
 Genesis (Band) (Music) / int_bef696dd
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Mind Screw: Much of the Gabriel-era material, particularly "Supper's Ready" and The Lamb Lies Down on Broadway.
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 Genesis (Band) (Music) / int_c10da874
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The '80s
 Genesis (Band) (Music) / int_c10da874
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The '80s: And how! In 1986, Genesis, Peter Gabriel, Phil Collins, Mike + the Mechanics, and supergroup GTR (featuring former Genesis guitarist Steve Hackett) all charted in the Top 40 in the United States. And "Sledgehammer" by Peter Gabriel dethroned Genesis' "Invisible Touch" in the #1 singles position. Just to point out how over they were in the decade, "Domino" from Invisible Touch (an eleven-minute-long album piece with a lengthy instrumental section) made the Billboard rock charts despite never having been released as a single or radio promo.
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 Genesis (Band) (Music) / int_c132c0c5
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I Have No Son!
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I Have No Son!: "No Son of Mine" from the album We Can't Dance.
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 Genesis (Band) (Music) / int_c1883f29
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Crossdresser
 Genesis (Band) (Music) / int_c1883f29
comment
Cross Dresser: Peter Gabriel at one point wore a long red dress and a fox's head on stage, like so◊, as part of the band's performance of the album Foxtrot.
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 Genesis (Band) (Music) / int_c2c4e614
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B-Side
 Genesis (Band) (Music) / int_c2c4e614
comment
A Trick of the Tail ends with "Los Endos", which reprises elements from "Dance on a Volcano" and "Squonk" (and "It's Yourself," which was cut from the album, though it was used as a B-Side and appears on the band's Archive '76-'91), as well as two lines from the band's earlier song, "Supper's Ready".
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 Genesis (Band) (Music) / int_c313d43a
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True Companions
 Genesis (Band) (Music) / int_c313d43a
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True Companions: Banks, Collins, and Rutherford are this as a trio, having been friends for over five decades.
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 Genesis (Band) (Music) / int_c335b9ec
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Irony
 Genesis (Band) (Music) / int_c335b9ec
comment
Irony: Phil Collins virtually never played the drums and sang at the same timenote Though he technically could (check live performances during the Gabriel era where he sings backing vocals while drumming for proof) When inquired about it, he would always cite the dangers of doing so (the microphone has to be placed above and away from the singer in order to not pick up the drums, and straining to reach it can be a very unnatural position) and in particular pointing out the damage that Don Henley had done to his back over the years of doing both. As of 2015, Henley is still touring with the Eagles, drumming about half the band's three-hour-and-change set note To be fair, Henley mostly switches to guitar for songs where he sings lead, and generally lets a sideman handle the heavier songs, while Collins' back injuries didn't put him in retirement; he just took a 5 year vacation.
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Ballad of X
 Genesis (Band) (Music) / int_c59bf35a
comment
Ballad of X: "Ballad of Big" from ...And Then There Were Three....
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 Genesis (Band) (Music) / int_c75df49a
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Shout-Out
 Genesis (Band) (Music) / int_c75df49a
comment
The video for "Tonight, Tonight, Tonight" is one long Shout-Out to Blade Runner.
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 Genesis (Band) (Music) / int_c89f0472
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Troperiffic
 Genesis (Band) (Music) / int_c89f0472
comment
Troperiffic: Despite the relatively short length of the lyrics for "One for the Vine" (fairly long by rock standards, but it wouldn't even quality as a short story if it were prose), it manages to pack in a fairly substantial number of tropes. See the number of times it's mentioned on this page as proof.
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Self-Titled Album
 Genesis (Band) (Music) / int_ca834552
comment
The prog sound was more fully abandoned on the next album, Abacab, although the title track and "Dodo/Lurker" still had trace elements of the band's prog roots, and the Self-Titled Album finalized the shift, with AllMusic declaring it the point where Genesis were definitively a "pop" band rather than a "prog" band. That said, a few tracks on the remaining "pop" albums also have elements of progressive rock and could be considered examples of what Prog Archives classifies as "Crossover Prog"note Genesis: "Home by the Sea"/"Second Home by the Sea", and to a lesser extent the album version of "Mama"; Invisible Touch: "Domino", "The Brazilian", and to a lesser extent the album version of "Tonight, Tonight, Tonight"; We Can't Dance: "Driving the Last Spike", "Dreaming While You Sleep", "Living Forever", "Fading Lights", and to a lesser extent the album version of "No Son of Mine".
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 Genesis (Band) (Music) / int_caa28b82
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Cloudcuckoolander
 Genesis (Band) (Music) / int_caa28b82
comment
Cloudcuckoolander: Peter Gabriel frequently came across as one.
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 Genesis (Band) (Music) / int_cb44433f
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The Band Minus the Face
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comment
The Band Minus the Face: Genesis survived (and lasted longer) without Peter Gabriel just fine. Not so much without Phil Collins.
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 Genesis (Band) (Music) / int_cc4b45f6
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Word of God
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Word of God (Tony Banks) explained in the 2007 reissue interviews that the song was written at the time of the Lebanon War and while it didn't have a specific target, it was directed generally speaking at politicians and other leaders taking decision without thinking of the consequences.
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Lighter and Softer
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Meanwhile, the band also had several earlier works that were clearly early attempts at crafting pop singles but were simply too quirky to receive mass airplay ("Happy the Man" from the Nursery Cryme sessions, "I Know What I Like (In Your Wardrobe)" from Selling England by the Pound, "Counting Out Time" from The Lamb Lies Down on Broadway, "A Trick of the Tail" from its eponymous album, etc.); the band's first pop songs to catch on were "Your Own Special Way" (Wind & Wuthering) and "Follow You Follow Me" (...And Then There Were Three...).
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Nightmare Face
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Nightmare Face: Phil in the video for "Mama" when he does the Evil Laugh. Also repeated in live performances of the song as well.
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 Genesis (Band) (Music) / int_d01cffbc
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Badass Longcoat
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Badass Longcoat: Phil Collins appears to be channeling this trope in the very, very Blade Runner-esque music video for the song "Tonight, Tonight, Tonight", which were both filmed at the same location. Later, Mike Rutherford and Tony Banks tried it on for the "Congo" music video. Phil Collins previously wore one during live performances of "Say It's Alright Joe" during performances in 1978 and 1980. He wore another one in the "Keep It Dark" video.
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 Genesis (Band) (Music) / int_d8e40b47
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El Spanish "-o"
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El Spanish "-o": "Los Endos". The phrase doesn't mean a damn thing in Spanish or Portuguese, and allegedly the closest phrase that does mean something translates to "the entrails".
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 Genesis (Band) (Music) / int_d96e8b29
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Rock Opera
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Rock Opera: "Supper's Ready," The Lamb Lies Down on Broadway, and the suite from Duke (see "Concept Album" above) are the band's most extended forays into this trope, but they never really stopped doing it - see "Driving the Last Spike" and "Dreaming While You Sleep" on We Can't Dance for latter-day examples of mini-rock operas. "Get 'Em Out By Friday", being structured like a play, also can be thought of as one.
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 Genesis (Band) (Music) / int_d9cf40fa
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Screw This, I'm Outta Here
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Screw This, I'm Outta Here: You could say most departures from this group, outside of perhaps Phil Collins, who left under more amicable terms, was some version of this. Anthony Phillips, who partially left due to crippling stage fright that damaged his health, but also left because he felt there were too many songwriters in the group and that his contributions weren't being acknowledged. Peter Gabriel, who felt the group was unsympathetic to his wife's challenging pregnancy. Steve Hackett, who wanted more songwriting credits and time to do solo work. Daryl Stuermer and Chester Thompson both briefly left the band when they asked Tony Banks and Mike Rutherford to become full time members after the departure of Phil Collins in 1996, but Banks and Rutherford refused. Stuermer returned for the reunions in 2006 and 2020 and Thompson for the 2006 reunion, but he left the band for good in 2010 after having a falling out with Phil Collins.
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 Genesis (Band) (Music) / int_dabc7a46
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Sixth Ranger
 Genesis (Band) (Music) / int_dabc7a46
comment
Sixth Ranger: When Phil Collins stepped up to be the band's lead singer for 1976's A Trick of the Tail, Genesis hired Bill Bruford as the band's second drummer on the album's promotional tour to allow Phil to step away from his kit. Bruford opted not to continue working with Genesis, disliking the routine nature of his role, and was replaced by former Frank Zappa/Weather Report drummer Chester Thompson in 1977. Thompson stayed as the band's live co-drummer till 1996, then returned for the trio lineup's reunion tour of 2007, even taking part in "Drum Duet", a live-only piece that he and Collins would play as a lead-in to "Los Endos". Guitarist/bassist Daryl Stuermer joined in 1978 for their live shows when Steve Hackett quit. Steve Hackett's brother John Hackett worked as an uncredited songwriter and arranger for the group on Foxtrot, Selling England by the Pound and The Lamb Lies Down on Broadway. Brian Eno's contributions on The Lamb Lies Down on Broadway. There is a disagreement about how involved he was, with Peter Gabriel, Phil Collins and Steve Hackett saying he was very involved, while Tony Banks believes his contributions were minimal. The Ray Wilson era saw Anthony Drennan replace Steurmer and Nir Zidyahu replace Thompson for the short Calling All Stations tour. The 2020 reunion tour will feature Phil Collins' son Nic (who also played on Phil's Not Dead Yet your) behind the drums in addition to longtime touring guitarist Daryl Steurmer.
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 Genesis (Band) (Music) / int_db26451e
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Limited Lyrics Song
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comment
Limited Lyrics Song: "Los Endos" only has two lines, sung towards the end, and is otherwise entirely instrumental. (Both lines are reprised from "Supper's Ready" three albums prior). Other songs can also qualify as this; for example, "Fading Lights" has only three verse/chorus cycles in over ten minutes of running time, with roughly seven minutes of the song being instrumental. The "Lurker" half of "Dodo/Lurker" is also an example, as the riddle that makes up the lyrics of the movement is repeated twice and the section has no other lyrics. The nearly-nine-minute "Duke's Travels" features a Triumphant Reprise of the one-and-a-half minute "Guide Vocal" towards the end and is otherwise instrumental.
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 Genesis (Band) (Music) / int_dbc664dd
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Album Title Drop
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Album Title Drop: The song "Dancing with the Moonlit Knight" contains the lyric, "Old man dies/The note he left was signed 'Old Father Thames'/It seems he's drowned/Selling England by the Pound." "White Mountain" off of Trespass. And the laaaaaaaamb lies dowwwwwwwnnn ... ON BROADWAY!!!
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 Genesis (Band) (Music) / int_dbfd6b8
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Lyrical Dissonance
 Genesis (Band) (Music) / int_dbfd6b8
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Lyrical Dissonance: "Snowbound" from ...And Then There Were Three.... A gorgeously orchestrated song about hiding a dismembered body in a snowman. "Tonight, Tonight Tonight" The sprightly tempo of "Harold the Barrel" hides some very macabre humour underneath. "Turn It On Again", an upbeat pop rock tune about a man who only watches TV all day and thinks the people on TV are his friends. While Collins chose to do most of the upbeat, peppy songs he wrote with lyrics clearly about his divorce from his first wife on his first two solo albums, some did make it to band albums during that period, including hit singles like "Misunderstanding" and "No Reply At All". "In Too Deep" is a slower, lusher song that fits this category as well. Not that the band couldn't come up with these on its own in the '80s: "Just a Job to Do" ... a bouncy radio-friendly song from the perspective of a determined hit man; "Illegal Alien", almost goofy music with lyrics about the travails of being an illegal alien, and "Invisible Touch", upbeat pop that's either a warning about a woman to avoid or about how it's entirely too easy to get addicted to cocaine and you'd best not even try it once.
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 Genesis (Band) (Music) / int_dbfe8427
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Intercourse with You
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comment
Intercourse with You: Genesis themselves have "The Musical Box", "Anything She Does" and "Counting Out Time". And that seems to be the subtext, under all the Squick, in "The Lamia".
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 Genesis (Band) (Music) / int_e139c90b
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Progressive Rock
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Progressive Rock: One of the big ones. They even maintained a sense of experimentalism during their years of mainstream popularity.
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 Genesis (Band) (Music) / int_e18675e6
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Word Salad Lyrics
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Word Salad Lyrics: "Willow Farm", which is part of "Supper's Ready".
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 Genesis (Band) (Music) / int_e1ec301
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Cover Drop
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comment
Cover Drop: An unusual one for Nursery Cryme. The cover drop doesn't happen in the lyrics of the album themselves but in the booklet's liner notes to The Musical Box, describing a beheading by a croquet mallet. In Supper's Ready, there's a punny one for Foxtrot, the "focks on the rocks". A drop of one album's cover in the background of the artwork of another one? Well, that's ununsual ...Let's see if you can find it.◊ The verse "When the sun beats down and I lie on the bench, I can always hear them talk" from I Know What I Like (In Your Wardrobe) refers to the cover of ''Selling England by the Pound''◊.
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 Genesis (Band) (Music) / int_e40f6792
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Design Student's Orgasm
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Design Student's Orgasm: Some of the early album art definitely qualifies.
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 Genesis (Band) (Music) / int_e680af6f
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Grief Song
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Grief Song: Word of God says that "Since I Lost You" from ''We Can't Dance" is about the death of a child. Apparently it was written for Eric Clapton, whose four-year-old son Conor had died.
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 Genesis (Band) (Music) / int_e6c88e42
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Old Shame
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The album does get re-released periodically, largely because of the aforementioned issue of the band not owning the rights to it. Some re-pressings re titled the record In the Beginning, in yet another biblical pun. Most of the tracks, despite the record's Old Shame, appear on the Genesis Archives 1971-1975 box set (albeit in different arrangements without the widely disliked string section placed on the album as a result of Executive Meddling). It's set to be released again (on 180g vinyl, no less) by German label Repertoire Records in 2016.
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Self-Backing Vocalist
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comment
Even during the Gabriel era, Collins sang lead on "For Absent Friends" (from Nursery Cryme) and "More Fool Me" (from Selling England by the Pound). His voice also dominates the mix of "Harlequin" (also from Nursery Cryme; may actually be a case of Self-Backing Vocalist), and he sings a few lines in "The Colony of Slippermen" (from The Lamb Lies Down on Broadway) to represent Rael's brother John. He also provides backing vocals on several other songs from the Gabriel albums and can be clearly heard once listeners have learned to distinguish his voice, particularly on headphones.
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 Genesis (Band) (Music) / int_e91cc721
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In the Style of
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In the Style of: In the 2007 interview on the DVD version of A Trick of the Tail, Phil Collins says that "Squonk" is basically Genesis doing "Kashmir". "Vindaloo" by Fat Les is in the same kind of style as Genesis doing "Match of the Day". "Driving the Last Spike" from We Can't Dance has some people wondering "what is this Gabriel-era song doing on their last-but-one album?". "Misunderstanding" is a The Beach Boys type song with a riff almost directly taken from Sly and the Family Stone's "Hot Fun in the Summertime" (and the lyrics are essentially a rewrite of The Beatles' "No Reply"), and "Hold On My Heart" is an attempt at imitating Burt Bacharachnote or, as in an interview on the DVD of The Way We Walk, Tony Banks' attempt at imitating Phil Collins. "I Can't Dance" was an attempt by Collins to match the singing style of Fine Young Cannibals lead singer Roland Gift. The historical drama of "Driving the Last Spike" doesn't really echo any Gabriel-era sounds or themes, except for maybe its longer length compared to other songs on We Can't Dance and a couple of time changes, but the song certainly wouldn't look out of place if it had appeared on 1978's ...And Then There Were Three.... On the other hand, the lengthy instrumental midsection of "Fading Lights" could be considered Genesis' re-imagining of their '70s symphonic prog sound for the '90s, though it still sounds somewhat less complex than much of the band's '70s material, owing mostly to its slower tempo. It even incorporates their '70s-era habit of reprising melodic material from an album's first song in its ultimate or penultimate track. For the song "Afterglow," composed by Tony Banks more or less in the time it took to play it, he recalls playing the song back for the first time and realising in horror that he had just re-written "Have Yourself a Merry Little Christmas." (The melodies aren't exact, which he realised later, but they're still similar).
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 Genesis (Band) (Music) / int_e9f517e1
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Artistic License – Geography
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comment
Artistic License – Geography: On The Lamb Lies Down on Broadway, the protagonist Rael had previously been incarcerated at "Twenty-Second Street". There is no mental hospital at that location, nor was there ever one there. There used to be (probably still is) available online, an essay about "The Battle of Epping Forest" that has so many inaccuracies and false assumptions as to be unintentionally hilarious. In particular, the author failed to realise that if a song by an English group, about an event just outside London in England, has the lyric "not since the Civil War", it's almost certainly referencing the English Civil War, not the American one.
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 Genesis (Band) (Music) / int_eb8856
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The X of Y
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comment
The X of Y: "Land of Confusion", "Ballad of Big", "The Fountain of Salmacis", "The Colony of Slippermen", "Eleventh Earl of Mar".
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 Genesis (Band) (Music) / int_ee7a60e9
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One-Steve Limit
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comment
One-Steve Limit: Averted somewhat with Tony Banks, and the band's manager Tony Smith, or the band's other manager, Tony Stratton-Smith. Averted with Anthony Phillips, who goes by "Ant."
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 Genesis (Band) (Music) / int_ef4d8558
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A World Half Full
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A World Half Full: "Land of Confusion".
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 Genesis (Band) (Music) / int_f0089082
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Early-Bird Cameo
 Genesis (Band) (Music) / int_f0089082
comment
Early-Bird Cameo: Nursery Cryme features the first Genesis track sung entirely by Phil Collins, "For Absent Friends". And it was the second track on the album. (Collins also sings "More Fool Me" from Selling England by the Pound and the part of John on The Lamb Lies Down on Broadway [although this amounts to only a few lines in "The Colony of Slipperman"], and he's credited with "co-lead vocals" on "Harlequin" from Nursery Cryme, though his voice is far more prominent in the mix than Gabriel's, Banks', or Rutherford's).
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 Genesis (Band) (Music) / int_f0f03464
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TheSeventies
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Phil Collins was also this on and off throughout The '70s.
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 Genesis (Band) (Music) / int_f0f4b47
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Vocal Tag Team
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comment
Vocal Tag Team: When both Peter and Phil were in the band.
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 Genesis (Band) (Music) / int_f3cf057b
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Fading into the Next Song
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comment
Fading into the Next Song: The first three songs on Duke do this, as do the first two songs on The Lamb Lies Down on Broadway.
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 Genesis (Band) (Music) / int_f5a06ede
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Solo Side Project
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Mike Rutherford recorded two solo albums before forming his own Solo Side Project, Mike + the Mechanics. Mike + the Mechanics turned out to be a respectably successful act in its own right.
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 Genesis (Band) (Music) / int_f5a3e496
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Suspiciously Similar Substitute
 Genesis (Band) (Music) / int_f5a3e496
comment
Suspiciously Similar Substitute: Part of the reason the transition of Peter to Phil as the frontman was so smooth was because Phil had a very similar voice to Peter in the early. Of course, the two singers' voices eventually became unique from one another as time went on.
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 Genesis (Band) (Music) / int_f5fe65a3
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Heavy Mithril
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Heavy Mithril: Several songs from the Prog and Transition periods.
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Insult Backfire
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Insult Backfire: In the video for "Jesus He Knows Me", Phil Collins wears a suit and wig and affects a voice similar to those of American televangelist Ernest Angley, making him a specific target for the song's skewering of televangelism in general. Collins revealed in his appearance on Room 101 that Angley was apparently flattered by his "portrayal".
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 Genesis (Band) (Music) / int_fccd06b6
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Beware the Nice Ones
 Genesis (Band) (Music) / int_fccd06b6
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And as the above trope notes, one should "be careful about tormenting sweet little things", especially when they have an international platform for dishing out retribution.
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 Genesis (Band) (Music) / int_fd189d07
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Briefer Than They Think
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Briefer Than They Think: The band's era that featured both Gabriel and Collins spans only four albums due to Collins joining after Trespass and Gabriel leaving after The Lamb Lies Down on Broadway.
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 Genesis (Band) (Music) / int_ffad4e9f
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Shown Their Work
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Shown Their Work: Most of the facts about the Giant Hogweed are accurate. Well, apart from its invulnerability, sentience and desire for revenge... GIANT HOGWEED LIVES!!!!!!!!!!!!!
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Genesis (Band) (Music) / int_ffad4e9f
 Genesis (Band) (Music) / int_name
type
ItemName
 Genesis (Band) (Music) / int_name
comment
 Genesis (Band) (Music) / int_name
featureApplicability
1.0
 Genesis (Band) (Music) / int_name
featureConfidence
1.0
 Genesis (Band) (Music)
hasFeature
Genesis (Band) (Music) / int_name
 Genesis (Band) (Music) / int_name
itemName
Genesis (Band) (Music)

The following is a list of statements referring to the current page from other pages.

 Genesis (Band) (Music)
hasFeature
A Glass in the Hand / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Abilene Paradox / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Afterlife Express / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Age-Progression Song / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Alien Abduction / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Alien Kudzu / int_d99024a2
 Genesis (Band) (Music)
hasFeature
all lowercase letters / int_d99eb082
 Genesis (Band) (Music)
hasFeature
Alternate Album Cover / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Animated Music Video / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Annual Title / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Attack of the Killer Whatever / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Bad Is Good and Good Is Bad / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Band of Relatives / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Bar Slide / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Bears Are Bad News / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Beneath the Earth / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Better Export for You / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Big Applesauce / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Big Red Button / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Bitter Almonds / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Black Cap of Death / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Boléro Effect / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Briefer Than They Think / int_d99024a2
 Genesis (Band) (Music)
hasFeature
British Music / int_d99024a2
 Genesis (Band) (Music)
hasFeature
But I Read a Book About It / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Calling the Old Man Out / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Caps Lock, Num Lock, Missiles Lock / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Cats Are Mean / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Censor Steam / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Channel Hop / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Charity Motivation Song / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Classic Rock / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Concept Video / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Conveyor Belt Video / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Corrupt Church / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Cover Drop / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Creator Provincialism / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Creator's Culture Carryover / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Dare to Be Badass / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Dark Reprise / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Depraved Bisexual / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Digital Destruction / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Distinct Double Album / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Dodgy Toupee / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Double-Meaning Title / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Dual-Meaning Chorus / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Dying Race / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Egocentrically Religious / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Epic Instrumental Opener / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Ethereal White Dress / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Evil Laugh / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Evolving Music / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Extra! Extra! Read All About It! / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Farts on Fire / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Fauns and Satyrs / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Fearsome Critters of American Folklore / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Fell Asleep Driving / int_d99024a2
 Genesis (Band) (Music)
hasFeature
555 / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Franchise Codifier / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Full-Circle Revolution / int_d99024a2
 Genesis (Band) (Music)
hasFeature
George Lucas Altered Version / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Good Fortune from God / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Gratuitous Panning / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Greedy Televangelist / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Grief Song / int_d99024a2
 Genesis (Band) (Music)
hasFeature
"Groundhog Day" Loop / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Hard-to-Adapt Work / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Hates Small Talk / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Haunted House / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Heavy Mithril / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Hell Hotel / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Hermaphrodite / int_d99024a2
 Genesis (Band) (Music)
hasFeature
He's Just Hiding / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Horrible History Metal / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Hypocritical Singing / int_d99024a2
 Genesis (Band) (Music)
hasFeature
I Can't Dance / int_d99024a2
 Genesis (Band) (Music)
hasFeature
I Coulda Been a Contender! / int_d99024a2
 Genesis (Band) (Music)
hasFeature
I Have No Son! / int_d99024a2
 Genesis (Band) (Music)
hasFeature
I Know You Know I Know / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Idealized Sex / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Improv / int_d99024a2
 Genesis (Band) (Music)
hasFeature
In Medias Res / int_d99024a2
 Genesis (Band) (Music)
hasFeature
In Touch with His Feminine Side / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Instant Roast / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Ironic Nursery Tune / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Isn't It Ironic? / int_d99024a2
 Genesis (Band) (Music)
hasFeature
It's Popular, Now It Sucks! / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Just Like Robin Hood / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Last Chorus Slow-Down / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Latino Is Brown / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Limited Lyrics Song / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Live Album / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Longest Song Goes First / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Longest Song Goes Last / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Lyrical Cold Open / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Magnificent Moustaches of Mexico / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Man-Eating Plant / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Medley / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Mis-blamed / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Mob War / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Monkey Morality Pose / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Multi-Disc Work / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Music Video Overshadowing / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Naked Apron / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Never Trust a Title / int_d99024a2
 Genesis (Band) (Music)
hasFeature
New Sound Album / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Newbie Boom / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Nightmare Face / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Nobody Loves the Bassist / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Nominal Coauthor / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Number of the Beast / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Ocular Gushers / int_d99024a2
 Genesis (Band) (Music)
hasFeature
One-Steve Limit / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Ooh, Me Accent's Slipping / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Orphaned Reference / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Other Common Music Video Concepts / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Peace & Love Incorporated / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Phone Word / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Pool Scene / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Pop-Star Composer / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Post-Release Retitle / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Progressive Rock / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Rarely Performed Song / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Recurring Riff / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Recursive Reality / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Red Filter of Doom / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Remade and Improved / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Revenge of the Sequel / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Rewind Gag / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Rock Trio / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Rodents of Unusual Size / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Rouge Angles of Satin / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Sequel First / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Serendipity Writes the Plot / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Severed Head Sports / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Sex Is Evil, and I Am Horny / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Shrug of God / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Siamese Twin Songs / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Silly Reason for War / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Single Stanza Song / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Sinister Minister / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Slept Through the Apocalypse / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Snow Means Death / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Split Personality / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Stable Time Loop / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Starbucks Skin Scale / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Straw Hypocrite / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Studio Chatter / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Tagline / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Tarot Motifs / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Taxidermy Terror / int_d99024a2
 Genesis (Band) (Music)
hasFeature
That's All, Folks! / int_d99024a2
 Genesis (Band) (Music)
hasFeature
The Artifact / int_d99024a2
 Genesis (Band) (Music)
hasFeature
The Band Minus the Face / int_d99024a2
 Genesis (Band) (Music)
hasFeature
The Chosen One / int_d99024a2
 Genesis (Band) (Music)
hasFeature
The End of the World as We Know It / int_d99024a2
 Genesis (Band) (Music)
hasFeature
The Illegal / int_d99024a2
 Genesis (Band) (Music)
hasFeature
The Klan / int_d99024a2
 Genesis (Band) (Music)
hasFeature
The Not-Remix / int_d99024a2
 Genesis (Band) (Music)
hasFeature
The Noun and the Noun / int_d99024a2
 Genesis (Band) (Music)
hasFeature
The Savage Indian / int_d99024a2
 Genesis (Band) (Music)
hasFeature
The Stars Are Going Out / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Tick Tock Tune / int_d99024a2
 Genesis (Band) (Music)
hasFeature
To Absent Friends / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Tomato in the Mirror / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Truck Driver's Gear Change / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Uncommon Time / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Unreplaced Departed / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Vocal Tag Team / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Watch It Stoned / int_d99024a2
 Genesis (Band) (Music)
hasFeature
What Do You Mean, It's Not Political? / int_d99024a2
 Genesis (Band) (Music)
hasFeature
What Does This Button Do? / int_d99024a2
 Genesis (Band) (Music)
hasFeature
What Happened to the Mouse? / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Wipe That Smile Off Your Face / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Word Purée Title / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Word Salad Lyrics / int_d99024a2
 Genesis (Band) (Music)
hasFeature
Worth Living For / int_d99024a2
 Genesis (Band) (Music)
hasFeature
You Are Number 6 / int_d99024a2
 Genesisband
sameAs
Genesis (Band) (Music)