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Sabaton (Music)
- 1480 statements
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Genres:Traditional Heavy Metal, Horrible History Metal, Power Metal, Symphonic MetalInfluences:Black Sabbath, Iron Maiden, Judas Priest, Manowar, Metallica, Twisted SisterRelated Acts:After Forever, ReVamp, Nightwish (guest appearances by Floor Jansen)Apocalyptica (crossover)Civil War (Sundén, Montelius, Mullback, Mÿhr, Englund)Evergrey (Van Dahl)Majestica (Johansson)Radio Tapok (crossover)Sabaton is a Swedish Power Metal band founded in 1999. Most of their songs touch on themes of war, often being about famous historical battles, especially from World War II.Initially formed as a Traditional Heavy Metal group with frontman Joakim Brodén also playing keyboards, their first productions were a pair of EPs later released as Fist for Fight and their intended debut album Metalizer. However, these albums were sent into Development Hell by their label, Underground Symphony. In 2005, they jumped ship to Black Lodge Records and released the World War II-based Concept Album Primo Victoria, which had Brodén give up keyboard duties to Daniel Mÿhr. Such war songs, composed by Brodén, bassist Pär Sundström, or both, have comprised the lion's share of their output ever since. They are currently signed to Nuclear Blast.The band underwent a major lineup change after the release of Carolus Rex in 2012, with Mÿhr, guitarists Rikard Sundén and Oskar Montelius, and drummer Daniel Mullback leaving due to the group's grueling touring schedule; they subsequently joined up with Astral Doors vocalist Nils Patrik Johannson to form Civil War. In their place, Joakim and Pär hired guitarists Chris Rörland and Thobbe Englund and drummer Robban Bäck; however the latter only stayed a year before being replaced by former Evergrey drummer Hannes Van Dahl. Englund left the band after recording The Last Stand in 2017 and was replaced by Tommy "ReinXeed" Johansson, only to return in 2024 when Tommy left to focus full-time on his own band Majestica.In 2019, Sabaton collaborated with Indy "Time Ghost" Neidell to create the Sabaton History channel on YouTube, going into detail on the history behind the songs and the process of writing them.In 2020 they began a collaboration with American web animation studio Yarnhub to create story videos for some of their songs. This culminated in 2023 with their co-production of The War to End All Wars – The Movie, an Animated Musical using their 2021 album The War to End All Wars as the soundtrack. | |
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Sabaton (Music) / int_11d206ef | type |
Subliminal Seduction | |
Sabaton (Music) / int_11d206ef | comment |
Subliminal Seduction: Parodied in "7734" with numerology and backwards lyrics so obvious a child could get them. For one, 7734 itself - type it on a calculator and hold the calculator upside down, you get "hELL". Then there's this: "the last two united and two became one" (3+4=7, so 777) "one hundred eleven / they perished in flame" (777-111=666), and also the line "Do Glatem Live", which backwards is "Evil Metal God." | |
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Dirty Coward | |
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Dirty Coward: Although the band usually abstains from judging who was right or wrong in any given conflict, "In the Name of God" plainly describes terrorists as evil cowards. | |
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Creator Cameo | |
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Creator Cameo: Phil Campbell and Mikkey Dee, the two surviving final members of Motörhead, appear in the video for "1916" carrying a portrait of the late Lemmy Kilmeister. | |
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Darker and Edgier | |
Sabaton (Music) / int_14beeefd | comment |
Darker and Edgier: Attero Dominatus, compared to albums before and after. The title track is about the Soviet sack of Berlin, and it also has songs about terrorism, the nuclear attacks on Hiroshima and Nagasaki, the rise of Nazi Germany, and trench warfare in World War I. This is capped off with track five, "We Burn", a song about the Srebrenica massacre sung by the perpetrators. "Inmate 4859" is noticeably darker than the rest of the album Heroes. Even "Far From the Fame", which is also a very sad song, still has the normal "Sabaton sound", while "Inmate 4859" feels much more downbeat and is actually quite chilling. | |
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All Are Equal in Death | |
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All Are Equal in Death: "A Lifetime of War" "Cliffs of Gallipoli" has a similar theme. | |
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Man Bites Man | |
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Man Bites Man: "Resist and Bite", which is about the Chasseurs Ardennais during World War II. | |
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Genre Shift | |
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Genre Shift: Besides the lyrical shift from Heavy Mithril to Horrible History Metal with Primo Victoria, the earlier albums are musically more Traditional Heavy Metal but shift to Power Metal roughly at The Art of War. | |
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You Are Already Dead | |
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You Are Already Dead: "Attack of the Dead Men," about a charge on Osoweic. The soldiers charging were hit with a poison gas attack, giving them a short time to live. Even so, they charged, in a case of trying to take someone with them. | |
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Sabaton (Music) / int_18d15922 | type |
Title Drop | |
Sabaton (Music) / int_18d15922 | comment |
Title Drop: Aside from Metalizer, every song that shares a title with their albums has one. Multiple other songs too. | |
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A Father to His Men | |
Sabaton (Music) / int_19d06ef7 | comment |
A Father to His Men: King Charles XII is painted this way in some of the later songs in Carolus Rex. Also mentioned in the Sun Tzu quote in "Union (Slopes of St. Benedict)". | |
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Say My Name | |
Sabaton (Music) / int_1a3a91dd | comment |
Say My Name: Inverted by "Inmate 4859", which deliberately avoids saying Witold Pilecki's name. "Far from the Fame": "Far, far away from the fame / But we still remember your name / (shouted) Karel Janoušek!" Played with in "The Red Baron": "Soldier of 3 Armies": | |
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The Cameo | |
Sabaton (Music) / int_1b65dfad | comment |
The Cameo: Actor Peter Stormare and Polish general Waldemar Skrzypczak took part in making the video for "Uprising" respectively playing a commander of the German occupying forces and one of the Warsaw Uprising's leaders. Floor Jansen was a choir member on The Last Stand. She also provided backing vocals on The Great War as well as singing on the soundtrack version of several songs, most notably "The Future of Warfare". Former guitarist Thobbe Englund co-wrote "Fields of Verdun" and played guitar on it, including leading the solo. He played a couple of songs at the start of the Wacken Open Air 2019 concert, including "Fields of Verdun", then returned in the second hour of the show with now-Civil War members Rikard Sundén, Daniel Mullback, and Daniel Mÿhr. Cellist Tina Guo, who also appeared with the band at Wacken 2019, has a guest musician spot in "Steel Commanders" and appears in the music video. | |
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End of an Age | |
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End of an Age: The general theme of "Long Live the King" and "Ruina Imperii" about the fall of the Swedish Empire. "Shiroyama" combines this with Last Stand to cover the fall of the samurai and the end of Japanese feudalism. The trio of songs about the end of Nazi Germany allude to this: "Attero Dominatus", "Hearts of Iron", and "The Last Battle". "Panzerkampf" has this as a Badass Boast on the part of the Soviets. | |
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Death from Above | |
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Death from Above: "Nuclear Attack", "Night Witches", and "Firestorm", the last of which even drops the trope name: "Into the Fire" has this: Also invoked in "82nd All The Way": Then they drop this ad verbatim via counterpoint on the last chorus of "Winged Hussars" | |
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Villain Song | |
Sabaton (Music) / int_1ccad9a3 | comment |
Villain Song: More like "Antagonist Song", as the album doesn't paint them as villains: Carolus Rex is mostly told from the perspective of the Swedish Empire and its kings, with a notable exception in "Poltava", whose bridges are sung from the perspective of the Russian troops and their Tsar gloating about how they trounced the Swedish Troops at Poltava. "Carolus Rex," the title song from the same album, comes this close to being a Villain Protagonist Song, with lines like "Make them bow to my will!" and "Question me and die!" "Shadows" is also one for the Ringwraiths. "Birds of War" is definitely not about good guys. "We Burn" is sung from the viewpoint of the perpetrators of the Yugoslavian genocide, and in first person to boot. Overlaps with "The Villain Sucks" Song, as the singer's Card-Carrying Villain attitude drives home how vile their actions were. "Panzer Battalion" is sung from the perspective of American soldiers invading Iraq, although considering the song focuses more on them curb-stomping Saddam Hussein's forces instead of them being the aggressors, it's closer to Evil Versus Evil. | |
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The Quisling | |
Sabaton (Music) / int_1e679bd0 | comment |
The Quisling: A great deal of scorn is reserved towards Ephialtes of Trachia (the man who betrayed the Spartans to the Persians) in "Sparta". | |
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Noble Bird of Prey | |
Sabaton (Music) / int_1e8681db | comment |
Noble Bird of Prey: The eagle is frequently used to symbolize Nazi Germany (for example, “The wings of the eagle's been broken� from “Attero Dominatus� and “The boar against the eagle� from “Resist and Bite�). The backing lyrics in the final chorus of “Inmate 4859� contain the phrase “White eagle�, referring to the white eagle of Poland. | |
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Royals Who Actually Do Something | |
Sabaton (Music) / int_1edfa2c7 | comment |
Royals Who Actually Do Something: Carolus Rex: "The Lion From The North", which is entirely about King Gustavus II Adolphus, the man who kicked basically all of Europe's ass for a few years. The title track is about King Charles XII of Sweden and his role in The Great Northern War. "Poltava" is about Tsar Peter the Great of Russia breaking the Carolean army at Poltava and turning the tide of the Great Northern War. "Sparta" is about King Leonidas leading the Spartans at Thermopylae. "Race to the Sea" mentions the fact that King Albert I of Belgium took personal command of the Belgian army against the wishes of his commanders, and led the army in holding a sliver of Belgian territory against the Germans for the entire war. | |
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The Juggernaut | |
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The Juggernaut: "Ghost Division" | |
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Avengers Assemble | |
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Avengers Assemble: "Blood of Bannockburn" is a nation-wide version, talking about all the clans of Scotland assembling to fight the English in Bannockburn. | |
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Squad Nickname | |
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Inverted by "Night Witches", which portrays a Soviet bomber regiment nicknamed the "Night Witches" as actually having supernatural powers ("From the depths of Hell in silence/Cast their spells, explosive violence") | |
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Punch-Clock Villain | |
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Punch-Clock Villain: "Wehrmacht" explores whether or not they were "crazy madmen on a leash or young men who lost their way." The speaker seems to come to the conclusion that it was a little of both. | |
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Milking the Giant Cow | |
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Milking the Giant Cow: Joakim Brodén is an utter master of this in live performances and music videos, "Uprising", for example. | |
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Power Ballad | |
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Power Ballad: "The Ballad of Bull", which is remarkably slow and barely features guitars in it. | |
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Church Militant | |
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Church Militant: The Swiss Guard for the Pope, as depicted in the song The Last Stand on the eponymous album. "The Carolean's Prayer" also has shades of this: | |
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Black Comedy | |
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Black Comedy: The video for "The Unkillable Soldier" in a nutshell, which depicts Sir Adrian Carton de Wiart being repeatedly shot (and once blown up with a grenade) and always coming back for more. It almost comes off like a Monty Python sketch. | |
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Patriotic Fervor | |
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Patriotic Fervor: The band is very proud, frequently to the point of comedy, of their Swedish heritage. One of the bonus tracks on the Updated Re-release of The Art of War is the band and audience singing the Swedish national anthem at the Sweden Rock Festival. | |
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As the Good Book Says... | |
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As the Good Book Says...: The refrain of "Counterstrike" compares the Israeli performance in the Six Day War to the creation myth in the Book of Genesis: "Six days of fire / One day of rest" The bridge of "The Carolean's Prayer" quotes the first half of the Lord's Prayer in Swedish (it's left untranslated in the English version). | |
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Semper Fi | |
Sabaton (Music) / int_24f4c82a | comment |
Semper Fi: Their cover of "Camouflage" is about a pair of Marines, title drops this trope in the lyrics, and the eponymous Camouflage takes it seriously enough that he plays Mysterious Protector to the song's protagonist despite having died the night before. "Devil Dogs" is about the Marines during the Battle of Belleau Wood in World War I. It's the battle in which the Marines earned their nickname, as the German army compared them to "hounds of Hell." | |
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Anachronism Stew | |
Sabaton (Music) / int_259d5879 | comment |
Anachronism Stew: The video for "The Unkillable Soldier", which consciously leans on Rule of Funny as a deliberately slapsticky interpretation of Sir Adrian Carton de Wiart's military service. Among other things, Sir Adrian didn't enlist out of patriotic fervor when World War One starting (he was a professional soldier whose career started more than a decade before the war), he actually lost his eye putting down a native uprising in Somaliland (he used the injury as an excuse to return to Britain so he could be reassigned to the Western Front, World War I having broken out shortly after he was sent to Africa), the Hospital Hottie's uniform is completely inaccurate to what British Army nurses wore at the time, and the Tommygun wouldn't be introduced until after the war ended. According to Joakim in the associated Sabaton History video, the director wanted the band members, who were playing German soldiers, to all wear Stahlhelms for historical accuracy, and the band pointed out that very little else that was going on was historically accurate and went helmetless. | |
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Sabaton (Music) / int_2719ab04 | type |
Special Guest | |
Sabaton (Music) / int_2719ab04 | comment |
Joakim is a Special Guest on "Pasadena 1994" by Nanowar of Steel, a Sabaton parody song about the '94 FIFA World Cup. | |
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Sabaton (Music) / int_294ed981 | type |
Bilingual Bonus | |
Sabaton (Music) / int_294ed981 | comment |
Bilingual Bonus: The English and Swedish versions of Carolus Rex take very different lyrical tones. The English version is a pretty standard badass-praising Sabaton album, but the Swedish version has much more of a War Is Hell atmosphere and often calls out the Swedes themselves for various atrocities, such as executing Russian prisoners at Fraustadt in "Killing Ground"/"Ett Slag Färgat Rött". | |
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Bilingual Rhyme | |
Sabaton (Music) / int_2a2d4b3d | comment |
Bilingual Rhyme: The chorus of "Hearts of Iron" contains the couplet "Nicht ein Schlacht, ein Rettungsaktionnote "It's not a battle, it's a rescue operation" / Holding their ground 'til the final platoon". The second verse of "The Red Baron" rhymes "red squadron leader" with "Rote Kampfflieger"—literally "the red fighter pilot", the German-language title of Manfred von Richthofen's memoir. | |
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Sabaton (Music) / int_2ae29c0d | type |
The Dreaded | |
Sabaton (Music) / int_2ae29c0d | comment |
The Dreaded: With the way the band refers to the main characters in their songs, one can be forgiven for fearing them after listening to their songs: The Night Witches seem to be incredibly feared, if the chorus part from their eponymous song is to be considered: "Bismarck" definitely paints the titular Battleship (and by extension, the entire Kriegsmarine) in this light: "White Death" will definitely leave you terrified of facing the deadliest sniper who lived. A unstoppable hunter who makes the Predator look like an amature. | |
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Say Your Prayers | |
Sabaton (Music) / int_2bbba5f3 | comment |
Say Your Prayers: Subverted in "The Caroleans' Prayer". The bridge is The Lord's Prayer in Swedish, but it's triumphant instead of resigned. | |
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-0.3 | |
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Was It Really Worth It? | |
Sabaton (Music) / int_2c27353f | comment |
Was It Really Worth It?: The point of "The Price of a Mile", about the inconclusive Passchendaele campaign where half a million men died to for no meaningful gains. (For his part, British General Douglas Haig argued that the point was purely to inflict casualties on the German army and wear them down.) | |
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My Country Tis of Thee That I Sting | |
Sabaton (Music) / int_2c5bfae3 | comment |
My Country Tis of Thee That I Sting: Carolus Rex, their first #1 hit in their home country, is a warts-and-all retelling of the rise and fall of Sweden's 17th century empire, from Gustavus Adolphus to Carolus Rex. In particular, the title track paints Charles XII as practically a madman, utterly convinced of his own God-given rightness, and the following song "Ett slag färgat rött" (translation here) harshly criticizes his army for murdering hundreds of Russian prisoners of war after the Battle of Fraustadt. | |
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Vocal Evolution | |
Sabaton (Music) / int_2ef005ab | comment |
Vocal Evolution: If you hear the early albums, Joakim has a much harsher and unpolished (in his own words, a bit amateurish) voice, different from his current more deep, thundering voice. Compare "7734" from Metalizer and Heroes. It's still noticeable even with Joakim's more polished voice from the more recent albums. | |
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Sabaton (Music) / int_2f75473 | type |
Number of the Beast | |
Sabaton (Music) / int_2f75473 | comment |
Number of the Beast: Played for Laughs by "A Secret" which contains a part that says that it has detected an illegal download and is executing spyware protocol 666. Note that 666 is spelled out at "Six hundred sixty-six." | |
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Sabaton (Music) / int_2fcf9bbc | type |
Gratuitous Foreign Language | |
Sabaton (Music) / int_2fcf9bbc | comment |
Gratuitous Foreign Language: "Attero Dominatus" uses four words in Latin. "Attero Dominatus" is supposed to mean "Destroy Tyranny", while "denique interimo" means "finally crushed" (but the grammar is a bit off). "Uprising" has one sentence in Polish - "Warszawo, walcz!" which means "Warsaw, fight!" (commanding the city to fight - which it did.) They constantly use German throughout most WW2 themed songs, although mostly basic terms everyone knows like "Panzer" (using the entire word "Panzerkampfwagen" in "Screaming Eagles"), and proper nouns like "Wehrmacht" (there is a whole track entitled "Wehrmacht" on the Coat of Arms album. No prizes for guessing what it's about). In "The Rise of Evil", which themes Hitler's uprising to power and the development of Nazi Germany, they use words like 'Anschluss' (the annexation of Austria), and 'Lebensraum' (the initial, official motivation for the war). There is also a cover song of Warlock's "Für Immer", which apart from a part of the chorus that's in English and Spanish, is entirely in German. "Gott Mit Uns": It's German for "God With Us", and was used a lot in the Thirty Years War, including as something of a battle cry by the Swedes under Gustavus Adolphus. Even in the English version, this line stays in its original language. Carolus Rex in general has a lot of this, with song titles like "Gott Mit Uns" and Ruina Imperii and whole lines in some songs being in Old Swedish. Plus, there is a Swedish version of the whole album. "Ruina Imperii" is the only song on the album that doesn't have an English version, not counting bonus tracks. The "chanting" in "The Carolean's Prayer" is the Lord's Prayer in Swedish (and is left untranslated in the English version). Bonus point for "Ruina Imperii" is titled in Latin/Russian. On the "Sabaton Cruise" album, Joakim first welcomes the crowd to the cruise in Swedish, then welcomes them in English. However, he then adds "and if you want to understand me the rest of the show, I suggest you learn some fucking Swedish." For the rest of the show, while the songs use English lyrics, all of Joakim's banter between songs is in Swedish. "Resist and Bite" features "Gloria fortis miles" which means "Glory to the brave soldier" and "Adversor et admorsus" which means "Resist and Bite". In "Smoking Snakes", there's one line sung in Portuguese: "Cobras fumantes eterna é sua vitória!" ("Smoking Snakes, eternal is your victory!"). In fact, throughout the song, they're always refered as "Cobras Fumantes" (Portuguese for Smoking Snakes). "Hearts of Iron" has a line that goes Nicht ein Schlacht, ein Rettungsaktion, meaning "It's not a battle, it's a rescue operation''. And they covered Rammstein's "Feuer Frei" in German. "Talvisota": Finnish for Winter War. While "Livgardet" is sung entirely in Swedish, its English version "The Royal Guard" only has the bridge carried over from the original. Inverted with "Hill 3234", which refers to the Afghan mujahideen by one possible English translation of the term: "those who fight". | |
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Sabaton (Music) / int_3036294e | type |
Scary Black Man | |
Sabaton (Music) / int_3036294e | comment |
Scary Black Man: "Hellfighters", about the US Army 369th Infantry Regiment—also known as the Harlem Hellfighters, a regiment of mostly black and Latino volunteers from New York City. It's easily the darkest and most brutal track on The War to End All Wars. | |
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Sabaton (Music) / int_3036294e | |
Sabaton (Music) / int_315a122 | type |
Hospital Hottie | |
Sabaton (Music) / int_315a122 | comment |
Hospital Hottie: The unnamed British Army nurse in the video for "The Unkillable Soldier" who treats Sir Adrian every time he's injured with her shirt unbuttoned enough to show her décolletage. | |
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Sabaton (Music) / int_34dd5f3 | type |
La Résistance | |
Sabaton (Music) / int_34dd5f3 | comment |
La Résistance: Coat of Arms: "Uprising" is a song about the Warsaw Uprising, praising Polish resistance. "Coat Of Arms" paints the whole Greek nation as this. Considering how tough the Greeks resisted the Axis in real life - such as utterly humiliating the Italians and later furiously resisting the German occupation - this isn't far off. "Saboteurs" is about the Norwegian resistance fighters sent to destroy the Telemark heavy-water plant. "Inmate 4859" is about Witold Pilecki, soldier of Polish Armia Krajowa resistance, prisoner (No. 4859) in Auschwitz-Birkenau Camp, leader and hero of resistance in Auschwitz-Birkenau Camp. And then shot for treason by the pro-Soviet postwar government of Poland. | |
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Sabaton (Music) / int_34dd5f3 | |
Sabaton (Music) / int_34f6774c | type |
Concept Album | |
Sabaton (Music) / int_34f6774c | comment |
Due to its nature as a Concept Album based on the rise and fall of the Swedish Empire, this was bound to happen. Starting from Poltava onwards, it gets abundantly clear that the story of the Swedish Empire will end in ruin rather than glory, with Long Live The King and Ruina Imperii fully hammering in the end of Sweden's time as a military great power. | |
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Sabaton (Music) / int_3517000d | type |
Mad Scientist | |
Sabaton (Music) / int_3517000d | comment |
The man-or monster-responsible for the weaponization of chlorine gas, Fritz Haber, gets his own song, "Father." While the music video depicts him as a cackling Mad Scientist exulting in his achievement of isolating chlorine, the song itself points out he jointly invented the Haber-Bosch Process with Carl Bosch, which allowed the production of ammonia for use in fertilizer, and thus is also responisible for a huge population boom. It also subtly alludes to the production and use of Zyklon-B in the Holocaust in its final verse, which wouldn't have been possible without Haber's work-Haber being the man who invented it, for use as a farming pesticide. | |
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Sabaton (Music) / int_36ed3e1e | type |
Ascended Meme | |
Sabaton (Music) / int_36ed3e1e | comment |
Ascended Meme: The Sabaton History episode about "The Last Stand" opens with an extended joke about the "Last Stand is about the Crusades" meme. | |
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Sabaton (Music) / int_37cb353b | type |
Ate His Gun | |
Sabaton (Music) / int_37cb353b | comment |
Ate His Gun: The video for "To Hell and Back" shows the Shell-Shocked Veteran (strongly implied to be Audie Murphy himself) sticking the barrel of a pistol in his mouth at one point. | |
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Sabaton (Music) / int_37cb353b | |
Sabaton (Music) / int_39441318 | type |
Horny Vikings | |
Sabaton (Music) / int_39441318 | comment |
Horny Vikings: "Swedish Pagans". Their cover of "Twilight of the Thunder God" might count too. | |
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Sabaton (Music) / int_3ac2a3e3 | type |
Deadly Gas | |
Sabaton (Music) / int_3ac2a3e3 | comment |
Deadly Gas: Several Songs from The Great War reference the use of poison gas during the war. In particular "The Attack of the Dead Men" tells the story of Russian soldiers who were thought to have been killed by the poison, charging through a wave of gas at the Germans. "Father" is all about the inventor (father) of chemical warfare, Fritz Haber. | |
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Sabaton (Music) / int_3b0479f2 | type |
You Shall Not Pass! | |
Sabaton (Music) / int_3b0479f2 | comment |
You Shall Not Pass!: Bold defensive actions make for one of the band's favorite topics. "40:1", the story of the Battle of Wizima in 1939, where 400-700 entrenched Polish troops held off a German army roughly forty times their numbers for three days (by which point they had run out of ammunition and German sappers had started to make progress in breaching their bunkers). The song compares them to King Leonidas's Last Stand at Thermopylae. "Coat of Arms" from the album of same name again makes a Thermopylae comparison, this time to the Greco-Italian War where the Greeks repeatedly trashed Mussolini's army until the Wehrmacht intervened. Heroes: "Resist and Bite", about the Chasseurs Ardennais who defended the Belgium border from the German blitzkrieg. Quoth the song: "Hearts of Iron" combines this with Last Stand. It's about the German 12th and 9th Armies, who against the Soviets, created a corridor across the Elbe to protect fleeing refugees and soldiers to escape and surrender to the West rather than face certain death. The Last Stand "Sparta" is about the Battle of Thermopylae (the real one this time). "The Last Stand" is about the Swiss Guards' defense of St. Peters and Pope Clement VII during the sack of Rome in 1527. Most of them died but they succeeded in holding off the attackers long enough for Clement to escape to safety. The Great War: "The Attack of the Dead Men" is about the suicidal Russian defense at Osowiec Fortress in 1915, when approximately a hundred Russian soldiers dying of poison gas countercharged onrushing Germans and scared them into turning tail. "Fields of Verdun" is about the titanic French defensive effort at Verdun, repeating General Philippe Pétain's famous slightly misquoted order, "They shall not pass!" in the bridge (not coincidentally, the first snippet of the song to be revealed, in a Sabaton History video). The French managed to hold out for 303 days, making it the longest sustained single battle in history. The War to End All Wars: "Race to the Sea" is about the 1914 Last Stand of the Belgian Army at Yser, including King Albert I himself, which saw a mostly-Belgian force hang on tooth and nail to a sliver of coastal Belgium against the German Army with very little support from their French and British allies. They continued to be a thorn in the Germans' side for the rest of the war. "The Valley of Death" is about the Third Battle of Doiran, the third in a series of major Bulgarian defensive victories against the Entente armiesnote the British fought in all three battles, with the first also involving France and Italy and the third involving Greece near Lake Dojran on the Macedonian front. | |
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Sabaton (Music) / int_3c502b7c | type |
Desert Warfare | |
Sabaton (Music) / int_3c502b7c | comment |
Desert Warfare: "Reign of Terror" and "Panzer Battalion" on Primo Victoria are about the 1991 Persian Gulf War and the 2003 American-British invasion of Iraq, respectively. "Seven Pillars of Wisdom" is about Lawrence of Arabia fighting with the Arab Revolt in the deserts of the middle east, raiding Ottoman trains and advancing towards Damascus. | |
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Sabaton (Music) / int_3c502b7c | |
Sabaton (Music) / int_3d699462 | type |
Curb-Stomp Battle | |
Sabaton (Music) / int_3d699462 | comment |
Curb-Stomp Battle: Some of their songs, notably "Reign of Terror" and "Wolfpack", describe one side of a battle completely wiping the floor with the other. "Killing Ground" is this for the Swedes towards the Russians. The next song on the album, "Poltava", reverses their positions. "Shiroyama" is about the bravery of the last samurai in the face of this. The Satsuma samurai were outnumbered 60:1 and armed with swords against Imperial gunsnote not necessarily by choice - the samurai had guns and had previously employed both artillery and muzzle-loading rifles during the rebellion, but by Shiroyama, they had little to no ammo to actually use their guns—the fact that they even survived until dawn is impressive. | |
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Sabaton (Music) / int_3e95582f | type |
The Greatest Story Never Told | |
Sabaton (Music) / int_3e95582f | comment |
The Greatest Story Never Told: "A Light in the Black". The lyrics of "Long Live The King" acknowledge the mystery surrounding the death of King Charles XII, and that he had enemies among his own forces as well as the opposing armies. "Far From The Fame" is about celebrating its subject, Czechoslovakian pilot Karel Janoušek despite his deeds not being well known outside his homeland. | |
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Sabaton (Music) / int_3ea462d7 | type |
Take That, Audience! | |
Sabaton (Music) / int_3ea462d7 | comment |
On the live version of the "Sabaton Cruise," since it's near Sweden, Joakim speaks almost entirely in Swedish for the duration of the show. One of the few things he says in English is, "For those of you who don't speak Swedish, welcome to the Sabaton Cruise, and if you want to know what I'm saying in the future, you'd better fucking learn Swedish." | |
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Sabaton (Music) / int_3f6d2c98 | type |
Cold Sniper | |
Sabaton (Music) / int_3f6d2c98 | comment |
Cold Sniper: "White Death", which is about the famous Finnish sniper Simo Häyhä. "A Ghost in the Trenches," about the Canadian World War I sniper Francis Pegahmagabow, a man so unflappable he would sneak into German trenches and cut pieces off sleeping soldiers' uniforms. | |
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Sabaton (Music) / int_3fe2b13f | type |
Ungrateful Bastard | |
Sabaton (Music) / int_3fe2b13f | comment |
Ungrateful Bastard: "Inmate 4859"'s last verse calls out the Warsaw Pact government of Poland for its execution of Witold Pilecki (the eponymous inmate) in 1948 (due to his loyalty to the London-based Government in Exile). "Far from the Fame" does the same for Air Marshal Karel Janoušek and Czechoslovakia (imprisoned for several years but not executed). | |
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Sabaton (Music) / int_3fe2b13f | |
Sabaton (Music) / int_42502bbe | type |
Updated Re-release | |
Sabaton (Music) / int_42502bbe | comment |
Updated Re Release: Primo Victoria: Re-Armed, Attero Dominatus: Re-Armed, Metalizer: Re-Armed, The Art of War: Re-Armed. Yes, their first FOUR albums were re-released with cleaner vocals and music. In another case, "7734" from their 2007 album Metalizer is a bonus track on Heroes. It is viewed by many fans as thousands of times better than the original version. | |
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Sabaton (Music) / int_43175028 | type |
Compressed Hair | |
Sabaton (Music) / int_43175028 | comment |
Compressed Hair: Yarnhub's story video for "Lady of the Dark" (later reused in The War to End All Wars – The Movie) depicts an Austro-Hungarian soldier pulling Milunka Savić's hat off while fighting with her and being astonished when her long, feminine hair falls free (having not realized she was a woman), which freezes him long enough for her to land a Megaton Punch on his jaw. | |
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Sabaton (Music) / int_43175028 | |
Sabaton (Music) / int_43c4002a | type |
Call-and-Response Song | |
Sabaton (Music) / int_43c4002a | comment |
Call-and-Response Song: The refrain of "Midway": The verses of "Night Witches": The chorus of "Far from the Fame": The denouements of "Last Dying Breath"... ... and "Winged Hussars": | |
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Sabaton (Music) / int_440d1d0b | type |
Screw the Rules, I'm Doing What's Right! | |
Sabaton (Music) / int_440d1d0b | comment |
Screw the Rules, I'm Doing What's Right!: A running theme in Sabaton songs. "Hearts of Iron", for example, has Germans deciding to ignore their orders to save civilians. | |
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Sabaton (Music) / int_440d1d0b | |
Sabaton (Music) / int_44cdd259 | type |
War Is Glorious | |
Sabaton (Music) / int_44cdd259 | comment |
War Is Glorious: A majority of their songs about World War II are about lionizing the heroes of various nations. The Last Stand glorifies various forces that faced Last Stands. "Fields of Verdun" has a touch of this, reflecting how French national pride, not just strategic concerns, became tied to holding Verdun. | |
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Sabaton (Music) / int_45a559cf | type |
Wardrobe Malfunction | |
Sabaton (Music) / int_45a559cf | comment |
Wardrobe Malfunction: Joakim's pants will shred at the crotch area at some point in the show, the question isn't if, it's when. At this point it's practically a Running Gag. Jocke isn't the only one. One time when Thobbe Englund was shredding at a festival, his pants decided to join in. And that's how we learned that unlike Jocke, Thobbe tended to go commando. | |
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1.0 | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_45a559cf | |
Sabaton (Music) / int_4604fd4d | type |
Worthy Opponent | |
Sabaton (Music) / int_4604fd4d | comment |
Worthy Opponent: "Smoking Snakes" retells the story of three Brazilian heroes, Arlindo Lúcio da Silva, Geraldo Baeta da Cruz and Geraldo Rodrigues de Souza, who fought to their last against the German troops. The Wehrmacht was so impressed it buried them with full honors and wrote in their graves Drei brasilianische Helden (Three Brazilian Heroes). | |
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1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_4604fd4d | |
Sabaton (Music) / int_4755314a | type |
Magical Native American | |
Sabaton (Music) / int_4755314a | comment |
Magical Native American: "A Ghost in the Trenches", about Francis Pegahmagabow who was a soldier from the indigenous First Nations of Canada and the most effective sniper of the first World War, invokes this trope, saying that Pegahmagabow called upon the power of spirits to aid him on the battlefield. | |
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1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_4755314a | |
Sabaton (Music) / int_47ae290f | type |
Let's Fight Like Gentlemen | |
Sabaton (Music) / int_47ae290f | comment |
Let's Fight Like Gentlemen: "No Bullets Fly", which is about the Charlie Brown and Franz Stigler incident, in which a heavily damaged B-17 stumbled upon an enemy. However, the enemy in question (Franz Stigler) saw that the plane was too damaged to fight, and promptly not only didn't fire but led the bomber to safety. Quote the chorus: | |
Sabaton (Music) / int_47ae290f | featureApplicability |
1.0 | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_47ae290f | |
Sabaton (Music) / int_4832a3bb | type |
Always Chaotic Evil | |
Sabaton (Music) / int_4832a3bb | comment |
Always Chaotic Evil: Sabaton really hates the Nazis, being the only group the band consistently paints as unambiguously villainous. They go out of their way not to present the Wehrmacht (at least the Heer (Army), the Kriegsmarine (Navy) and the Luftwaffe (Air Force) ) this way, however, showing them and the German people in more of a tragic light. | |
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1.0 | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_4832a3bb | |
Sabaton (Music) / int_48ab4d58 | type |
The Short War | |
Sabaton (Music) / int_48ab4d58 | comment |
The refrain of "Counterstrike" compares the Israeli performance in the Six Day War to the creation myth in the Book of Genesis: "Six days of fire / One day of rest" | |
Sabaton (Music) / int_48ab4d58 | featureApplicability |
1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_48ab4d58 | |
Sabaton (Music) / int_49f8c18f | type |
Ace Custom | |
Sabaton (Music) / int_49f8c18f | comment |
The video of "Steel Commanders" likens the tank to the knights of the medieval battlefield and features a dizzying array of tanks up to the 1950s, from a British Mark I complete with a wheeled trailer for steering assistance up to Sabaton's Ace Custom Centurion from World of Tanks dueling a Red Army IS-2 and KV-1 over the bridge and last chorus. (Studio Wargaming did the CGI for the video, as they had for "Primo Victoria" and "Bismarck".) | |
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1.0 | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_49f8c18f | |
Sabaton (Music) / int_4ab9720d | type |
I'm Cold... So Cold... | |
Sabaton (Music) / int_4ab9720d | comment |
I'm Cold... So Cold...: "The Hammer Has Fallen" | |
Sabaton (Music) / int_4ab9720d | featureApplicability |
1.0 | |
Sabaton (Music) / int_4ab9720d | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_4ab9720d | |
Sabaton (Music) / int_4ad4b2b | type |
Guardian Angel | |
Sabaton (Music) / int_4ad4b2b | comment |
Guardian Angel: At the end of "Camouflage", the eponymous character is revealed to be this, in a manner. He was Dead All Along, and wanted "to save a young Marine caught in a barrage" as his final wish. | |
Sabaton (Music) / int_4ad4b2b | featureApplicability |
1.0 | |
Sabaton (Music) / int_4ad4b2b | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_4ad4b2b | |
Sabaton (Music) / int_4af55b78 | type |
Credits Gag | |
Sabaton (Music) / int_4af55b78 | comment |
Credits Gag: The video for "Livgardet" credit the band members as follows (bolded for emphasis): | |
Sabaton (Music) / int_4af55b78 | featureApplicability |
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Sabaton (Music) / int_4af55b78 | featureConfidence |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_4af55b78 | |
Sabaton (Music) / int_4d63c998 | type |
Changing Chorus | |
Sabaton (Music) / int_4d63c998 | comment |
Changing Chorus: Each of the choruses in "Aces in Exile" discusses a different foreign fighter squadron that fought with the Royal Air Force during the Battle of Britain, changing the second and third lines of four. The last chorus of "Inmate 4859" changes the lines "Who knows his name?" to "We know his name", and "Who hides behind 4859" to "He hides behind 4859", as a way of symbolizing the post-Soviet rehabilitation of protagonist Witold Pilecki as a hero of Nazi-occupied Poland. "To Hell and Back": "Versailles" has three choruses, the first optimistic about the end of the war, the second reprising the chorus of "Sarajevo", suggesting that nothing's really changed despite four years of war, and the last pessimistic that there will will be another war: | |
Sabaton (Music) / int_4d63c998 | featureApplicability |
1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_4d63c998 | |
Sabaton (Music) / int_4da6ac | type |
Rated M for Manly | |
Sabaton (Music) / int_4da6ac | comment |
Rated M for Manly: 90% of their songs are about war and conflict, after all. The album cover for Heroes shows an American soldier punching a Nazi soldier in the face so hard that the latter is sent flying. | |
Sabaton (Music) / int_4da6ac | featureApplicability |
1.0 | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_4da6ac | |
Sabaton (Music) / int_4e3d253b | type |
Downer Ending | |
Sabaton (Music) / int_4e3d253b | comment |
Downer Ending: "Bismarck": The Bismarck is sunk and out of the two characters the music video focuses on, one dies in the sinking and the other is captured by the British. "Uprising": The Warsaw Uprising is crushed and Warsaw is burned by the Nazis. "Prisoner 4859": Pilecki's report exposing the Holocaust is ignored and he is hanged after the war. Due to its nature as a Concept Album based on the rise and fall of the Swedish Empire, this was bound to happen. Starting from Poltava onwards, it gets abundantly clear that the story of the Swedish Empire will end in ruin rather than glory, with Long Live The King and Ruina Imperii fully hammering in the end of Sweden's time as a military great power. | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_4e3d253b | |
Sabaton (Music) / int_4e6c80ca | type |
Holy Pipe Organ | |
Sabaton (Music) / int_4e6c80ca | comment |
Holy Pipe Organ: The intro to "The Carolean's Prayer" features this before it breaks into guitar. The intro to "Livgardet" has an organ-and-choir intro. | |
Sabaton (Music) / int_4e6c80ca | featureApplicability |
1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_4e6c80ca | |
Sabaton (Music) / int_4e7c4536 | type |
Wham Line | |
Sabaton (Music) / int_4e7c4536 | comment |
Wham Line: Their cover of "Camouflage" by Stan Ridgway includes one. A young Private First Class in the Marine Corps is fighting in the Vietnam War in 1965, but runs into a big Marine only known as "Camouflage". The two fight back to the PFC's headquarters, and when the PFC tells his fellow Marines what happened, a soldier gulps. He's led into a green tent, where he's told "You may be telling the truth, boy, but this here is Camouflage. And he's been right there since he passed away last night". Camouflage was Dead All Along, and "said his only wish was to save a young Marine caught in a barrage" before he died, which his spirit did in guiding the young Marine to safety. | |
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1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_4e7c4536 | |
Sabaton (Music) / int_4f4372e9 | type |
Early-Installment Weirdness | |
Sabaton (Music) / int_4f4372e9 | comment |
Early-Installment Weirdness: Combined with Later-Installment Weirdness by way of Executive Meddling is the reason Metalizer sounds so off compared to the rest. Originally recorded as their debut album, Underground Symphony decided to shelf it until the rights were released to Black Lodge 3 years later. After some minor remastering, it was released in 2007, 5 years after it was recorded. "Birds of War" seems to be an entirely typical Power Metal fantasy song about evil forces descending from the sky, with none of the historical lyrics that made Sabaton famous. Furthermore, Joakin Brodén sounds much deeper and more gravelly in this song. Much of their earlier work is typical Rock Me, Asmodeus! heavy metal, but it's quickly dropped for Horrible History Metal. Several of Primo Victoria and Attero Dominatus songs are about Cold War and post Cold War-era conflicts, up to the 2003 invasion of Iraq and the War on Terror (respectively "Panzer Battalion" and "In the Name of God"). In later albums, the most recent topics are World War II battles. | |
Sabaton (Music) / int_4f4372e9 | featureApplicability |
1.0 | |
Sabaton (Music) / int_4f4372e9 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_4f4372e9 | |
Sabaton (Music) / int_4fba8b43 | type |
Limited Special Collector's Ultimate Edition | |
Sabaton (Music) / int_4fba8b43 | comment |
The band crosses over with Indy Neidell of TimeGhost in the Patreon-exclusive Sabaton History version of The Great War album. Each track features an introduction by Indy explaining the history behind the music. Indy also plays Lawrence Of Arabia in the video for "Seven Pillars of Wisdom" and Sir Adrian Carton de Wiart in "The Unkillable Soldier". | |
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1.0 | |
Sabaton (Music) / int_4fba8b43 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_4fba8b43 | |
Sabaton (Music) / int_5033694a | type |
Revolving Door Band | |
Sabaton (Music) / int_5033694a | comment |
Revolving Door Band: They've been one since 2/3 of the band left after Carolus Rex, having changed drummers in 2013note Robban Bäck stayed for less than a year and is only recorded on Swedish Empire Live. and swapping guitarist Thobbe Englund for Tommy Johansson in 2017. | |
Sabaton (Music) / int_5033694a | featureApplicability |
1.0 | |
Sabaton (Music) / int_5033694a | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_5033694a | |
Sabaton (Music) / int_50b05d30 | type |
Disproportionate Retribution | |
Sabaton (Music) / int_50b05d30 | comment |
Disproportionate Retribution: In the music video for "Uprising," there's a Nazi poster saying "100 Poles for 1 German." In other words, the Nazis will respond with extreme and indiscriminate violence to the deaths of any of their own. | |
Sabaton (Music) / int_50b05d30 | featureApplicability |
1.0 | |
Sabaton (Music) / int_50b05d30 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_50b05d30 | |
Sabaton (Music) / int_52aa0c4a | type |
The Caligula | |
Sabaton (Music) / int_52aa0c4a | comment |
The Caligula: Saddam Hussein in "Reign of Terror": | |
Sabaton (Music) / int_52aa0c4a | featureApplicability |
1.0 | |
Sabaton (Music) / int_52aa0c4a | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_52aa0c4a | |
Sabaton (Music) / int_52ad5a5c | type |
Death by Music Video | |
Sabaton (Music) / int_52ad5a5c | comment |
Death by Music Video: The video for "Primo Victoria" features one version of the band performing the song on a stage, while another version battles an assortment of German panzers in an Ace Custom Swedish Army Centurion tank. The performing version is run over by a Panzer IV that bursts through the wall behind them at the end of the second chorus, and is then blown up by the infuriated tank-driving version. | |
Sabaton (Music) / int_52ad5a5c | featureApplicability |
1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_52ad5a5c | |
Sabaton (Music) / int_53224e46 | type |
Bookends | |
Sabaton (Music) / int_53224e46 | comment |
Bookends: The War to End All Wars begins with "Sarajevo", about the outbreak of World War I, and ends with "Versailles", which is about its end, and is a Triumphant Reprise of "Sarajevo", celebrating the war's endnote Though since hindsight is 20/20, the narrator says that war will return "sooner than we think" and the final chorus teases World War II. | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_53224e46 | |
Sabaton (Music) / int_54533ce6 | type |
Impromptu Fortress | |
Sabaton (Music) / int_54533ce6 | comment |
Impromptu Fortress: Rorke's Drift describes how the support column to a British army wiped out by the Zulus at the Battle of Isandlhwana swiftly worked to build barricades of boxes around their position at a Christian mission against the oncoming African army. | |
Sabaton (Music) / int_54533ce6 | featureApplicability |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_54533ce6 | |
Sabaton (Music) / int_54689fb6 | type |
Eagle Squadron | |
Sabaton (Music) / int_54689fb6 | comment |
Eagle Squadron: "Aces in Exile" deals with the Battle of Britain, but doesn't mention the Trope Namer, instead focusing on the Polish 303 Squadron, the Czech 310 Squadron, and the Canadian 401 Squadron). Lauri Törni left Finland to go to Germany and then the US to continue fighting the Russians, as recorded in "Soldier of 3 Armies". | |
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1.0 | |
Sabaton (Music) / int_54689fb6 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_54689fb6 | |
Sabaton (Music) / int_55180ce | type |
Snow Means Death | |
Sabaton (Music) / int_55180ce | comment |
Snow Means Death: Multiple examples. "Talvisota", literally the Winter War; fought during one of the century's coldest winters, use of snow camouflage by Finnish ski troops, resulted in defeat of superior numbers of Soviet troops unprepared for winter conditions. "Ruina Imperii", covering the Carolean Death March and the fall of the Swedish empire. "White Death": the Finnish sniper Simo Häyhä in the Winter War. Inverted in "Christmas Truce", where snowfall signifies the beginning of Christmas and the (temporary) end of the fighting. "Soldier of Heaven" is about the Alpine front in WWI (that is, Italy v. Austria-Hungary), and more specifically about "White Friday", an incident on 13 December 1916 when thousands of soldiers on both sides were killed in avalanches—many of which were deliberately set off by artillery fire. | |
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1.0 | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_55180ce | |
Sabaton (Music) / int_556a4e20 | type |
The Empire | |
Sabaton (Music) / int_556a4e20 | comment |
The Empire: The Holy Roman Empire and Russia all throughout Carolus Rex. | |
Sabaton (Music) / int_556a4e20 | featureApplicability |
1.0 | |
Sabaton (Music) / int_556a4e20 | featureConfidence |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_556a4e20 | |
Sabaton (Music) / int_55d38296 | type |
Weird Historical War | |
Sabaton (Music) / int_55d38296 | comment |
Weird Historical War: Evoked by "The Attack of the Dead Men", about an incident during the first World War where a group of Russians counter-attacked through poison gas without gas masks. The song plays it up a bit more as if they were really undead soldiers. | |
Sabaton (Music) / int_55d38296 | featureApplicability |
1.0 | |
Sabaton (Music) / int_55d38296 | featureConfidence |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_55d38296 | |
Sabaton (Music) / int_56515a39 | type |
Artistic License – History | |
Sabaton (Music) / int_56515a39 | comment |
Artistic License – History: The lyric video for "The Lost Battalion" inexplicably depicts scenes from a World War II battlefield for a song describing events from the previous war. "82nd All the Way" mistakenly says Alvin York was part of the 338th Infantry Regiment. He was part of the 328th. The band is aware of the mistake but it was too late to fix it on any version of the album; however, they sing the correct unit number during live performances. Then Amaranthe went and repeated the error in their cover of the song. A borderline case: The guitar solo of "Defence of Moscow" incorporates a passage of the State Anthem of the Soviet Union, which was written around 1943 (albeit based on a tune originally composed in 1938 as the anthem of the Communist Party) and officially adopted in 1944. The song is about the campaign to defend Moscow in fall and winter 1941. Partial example for the video of "Soldiers of Heaven", which shows a dogfight between a biplane and a red triplane flying over the band, then a pair of World War II Luftwaffe fighter planes doing the same. The latter is probably meant to represent the fact that many of the soldiers who died on White Friday still lie where they were buried by the avalanches and "saw" WWII fought over much of the same ground (though little fighting took place on the Italian-Austrian border in that war), but the former is just an anachronistic Call-Back to The Great War: the Red Baron spent his piloting career in France and Belgium and never served in the Italian Alps. | |
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Sabaton (Music) / int_56515a39 | |
Sabaton (Music) / int_5697c648 | type |
Dumb and Drummer | |
Sabaton (Music) / int_5697c648 | comment |
Dumb and Drummer: The credits for "Livgardet" credit the band members each as "Leading Actor"—except for Hannes, who is credited as "Extra". | |
Sabaton (Music) / int_5697c648 | featureApplicability |
1.0 | |
Sabaton (Music) / int_5697c648 | featureConfidence |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_5697c648 | |
Sabaton (Music) / int_5989e3b6 | type |
Enemy Mine | |
Sabaton (Music) / int_5989e3b6 | comment |
"The Last Battle" is about the Battle of Castle Itter, where a combination of troops from the United States, Germany, an SS Defector, and several prisoners of war stood against the Waffen SS until a larger American force relieved them. | |
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1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_5989e3b6 | |
Sabaton (Music) / int_59f4d283 | type |
Ominous Music Box Tune | |
Sabaton (Music) / int_59f4d283 | comment |
Ominous Music Box Tune: "Inmate 4859" starts off with one. | |
Sabaton (Music) / int_59f4d283 | featureApplicability |
1.0 | |
Sabaton (Music) / int_59f4d283 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_59f4d283 | |
Sabaton (Music) / int_5a0e88d8 | type |
Bring It | |
Sabaton (Music) / int_5a0e88d8 | comment |
Bring It: The last verse of "Screaming Eagles" recounts General MacAuliffe's famous Screw Your Ultimatum! response to a German surrender demand as the 101st Airborne held Bastogne against all comers: "NUTS!" (He had reason to be confident: the Americans actually locally outnumbered the Germans, who were also so low on fuel by winter 1944 that part of the operational plan for Wacht am Rhein hinged on capturing Allied supplies.) The pre-choruses of "Poltava" all consist of Tsar Peter the Great of Russia taunting Carolus Rex during the Battle of Poltava. | |
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1.0 | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_5a0e88d8 | |
Sabaton (Music) / int_5ce7dbb9 | type |
Central Theme | |
Sabaton (Music) / int_5ce7dbb9 | comment |
The other Central Theme of The Last Stand, with most of the legendary last stands also being a case of this. "Winged Hussars", "Rorke's Drift", "Hill 3234", and "The Last Battle" are particular examples where the defenders won. | |
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1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_5ce7dbb9 | |
Sabaton (Music) / int_5da37ab5 | type |
Triumphant Reprise | |
Sabaton (Music) / int_5da37ab5 | comment |
Triumphant Reprise: Subverted by "Versailles", which reprises "Sarajevo". "Versailles" begins hopeful that the treaty will bring lasting peace before about 2/3 of the way through, the chorus is replaced with that of "Sarajevo" before finally asking if a war can end all war and if this war will only bring another. Spoiler alert: It did. The keyboard sting at the end is also a Call-Back to "Rise of Evil", the next song chronologically. | |
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-0.3 | |
Sabaton (Music) / int_5da37ab5 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_5da37ab5 | |
Sabaton (Music) / int_5deb34da | type |
Ace Pilot | |
Sabaton (Music) / int_5deb34da | comment |
Ace Pilot: "Aces in Exile" (about the RAF's Polish 303 Squadron, the Czech 310 Squadron and the Canadian 401 Squadron) and "Night Witches" (about the Night Witches, a squadron of Soviet bomber pilots). The Great War has a track about the Red Baron, Manfred von Richthofen. | |
Sabaton (Music) / int_5deb34da | featureApplicability |
1.0 | |
Sabaton (Music) / int_5deb34da | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_5deb34da | |
Sabaton (Music) / int_5df06b20 | type |
Religion Rant Song | |
Sabaton (Music) / int_5df06b20 | comment |
Religion Rant Song: Subverted with "Burn Your Crosses". If you hear it without context, you would think it's just a rant on the evils of Christianity. But Joakim Brodén has emphatically stated the song is, like all other Sabaton songs, a narrative: It's about a man about to be executed by the Spanish Inquisition who decides to go out in a blaze of glory, and the song is his speech. Downplayed with "In the Name of God", which is a "Villain Sucks" Song about religiously motivated terrorism. | |
Sabaton (Music) / int_5df06b20 | featureApplicability |
-0.3 | |
Sabaton (Music) / int_5df06b20 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_5df06b20 | |
Sabaton (Music) / int_5fe1360d | type |
Audience Participation Song | |
Sabaton (Music) / int_5fe1360d | comment |
Audience Participation Song: Joakim always thrusts his mic out to the audience several times during the chorus of "Ghost Division". The live versions of "Uprising" and "Carolus Rex" often insert an extra beat between the bridge and closing chorus to let the audience shout out respectively "War-saw!" and "I was chosen by heaven!" (the latter is also done in Follow The Cipher's Cover Version). The audience also usually sings the closing "Warszawo, walcz!" on "Uprising". On the Heroes live album from the Sabaton Cruise, Joakim invites the Swedish-speaking members of the audience to sing the first half of the first verse of "En livstid i krig" all by themselves, to rebut claims he's heard that the Swedish crowds are lame. This has become a tradition for the band when they play gigs in Sweden. He also attempted this during the Denver, Colorado show in 2021,note They had been touring as the opener for Judas Priest, but Priest guitarist Richie Faulkner suffered a ruptured aorta onstage in Kentucky, forcing the rest of the tour to be cancelled. Pär then found the band a venue for a solo show in the next city, Denver. but not enough of the audience knew the words for the Swedish version. | |
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Sabaton (Music) / int_60414102 | type |
Zombie Apocalypse | |
Sabaton (Music) / int_60414102 | comment |
Zombie Apocalypse: "The Attack of the Dead Men", which is about the gas attack on the Osowiec Fortress by German forces on August 6 1915, is portrayed as one where the dead Russians rise to attack the Germans. This is not far from the truth. note The surviving Russian soldiers at the fortress, which numbered between 60 and 110, were coughing up blood and lung tissue and bleeding from their eyes and noses as they charged the Germans. The 7000 Germans fled as what appeared to literally be dead men started attacking them. | |
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Sabaton (Music) / int_60414102 | |
Sabaton (Music) / int_607df6c | type |
Recruiters Always Lie | |
Sabaton (Music) / int_607df6c | comment |
Recruiters Always Lie: In "In The Army Now" (Cover Version of a song by Status Quo), the recruiter says that Army doesn't do much except stay in bed, and that the recruit will be a hero to the neighborhood. Nothing like it happens: he's thrust into a war and nobody really cares about him. | |
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Sabaton (Music) / int_607df6c | |
Sabaton (Music) / int_634d6df8 | type |
Badass Native | |
Sabaton (Music) / int_634d6df8 | comment |
Badass Native: "A Ghost in the Trenches" is about the most effective sniper of World War I, Francis Pegahmagabow, who was a member of the indigenous First Nations and fought in the Canadian military. | |
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Sabaton (Music) / int_634d6df8 | |
Sabaton (Music) / int_6509bb9f | type |
Non-Indicative Name | |
Sabaton (Music) / int_6509bb9f | comment |
Nonindicative Name: Despite its title, "Panzer Battalion" isn't another song about World War Two German tanks, but about Gulf War-era US tanks. | |
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Sabaton (Music) / int_6509bb9f | |
Sabaton (Music) / int_659468c1 | type |
Christmas Songs | |
Sabaton (Music) / int_659468c1 | comment |
Christmas Songs: Christmas Truce is, as the name implies, about the Christmas Truce of 1914 during the first world war. Notably for a band so well know for their songs related to historical battles and soldiers, it's not about An Ass-Kicking Christmas and instead focuses on the single moment during the war where the horror of the trenches was set aside and replaced by genuine friendship and bonding between the two sides during the joy of christmas... while still being as Hot-Blooded and badass as any other Sabaton song. | |
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Sabaton (Music) / int_659468c1 | |
Sabaton (Music) / int_659ef759 | type |
Implacable Man | |
Sabaton (Music) / int_659ef759 | comment |
Implacable Man: "The Unkillable Soldier" features a living example in Sir Adrian Carton de Wiart, who served in the Boer War, First World War, the Polish-Soviet War, and the Second World War. Over the course of his career he was shot in the face, stomach, ankle, leg and hip, and was also shot in the head multiple times, blinding him in the left eye. He also survived two plane crashes, cut off two of his own fingers when a doctor refused to amputate them, and when he was captured in World War II, escaped from the Castello di Vincigliata POW camp by tunneling under the walls. No matter the injury or setback, he always immediately returned to the front lines. No foe could bring him down, and he died peacefully in his sleep in 1963 at the ripe old age of 83. | |
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Sabaton (Music) / int_67784113 | type |
Non-Appearing Title | |
Sabaton (Music) / int_67784113 | comment |
Non-Appearing Title: "Long Live the King", "The Carolean's Prayer", "In The Name Of God", "Metal Ripper", "Hill 3234", "Carolus Rex", "Panzerkampf", "The Last Battle", “The Lost Battalion�, “Union (Slopes of St. Benedict)�, "The Last Stand", "Hearts of Iron", "The Attack of the Dead Men", "A Ghost in the Trenches". Partial credit to "Smoking Snakes", whose title appears in the prechorus in Portuguese as "Cobras fumantes", but not in English. | |
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Sabaton (Music) / int_67784113 | |
Sabaton (Music) / int_6788e74a | type |
Lead Bassist | |
Sabaton (Music) / int_6788e74a | comment |
Lead Bassist: Pär Sundström, one of the two remaining founding members of the band, is the other recognizable member alongside Joakim: while he doesn't often talk to the audience during concerts, they trade off appearing in promotional videos, including Sabaton History episodes. He's also the band's manager, and Joakim has expressed incredulity at how hard he works at it; for his part, Pär says he enjoys the work. | |
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Sabaton (Music) / int_6788e74a | |
Sabaton (Music) / int_67a70f33 | type |
Creepy Circus Music | |
Sabaton (Music) / int_67a70f33 | comment |
The intro to "The Red Baron", especially prominent in the soundtrack version, features Bach's Fugue in G minor ("The Little Fugue", BWV 578) that's almost Germanic Creepy Circus Music for the titular German Ace Pilot meant to evoke the nickname of his unit Jagdgeschwader 1, "Richthofen's Flying Circus" because of the colorful planes and even more colorful, accomplished pilots that comprised it. | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_67a70f33 | |
Sabaton (Music) / int_690f4c53 | type |
Everything's Better with Samurai | |
Sabaton (Music) / int_690f4c53 | comment |
Everything's Better with Samurai: "Shiroyama" in The Last Stand tells of the last battle of the samurai in the Satsuma Rebellion, and it is all the more awesome for it. | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_690f4c53 | |
Sabaton (Music) / int_6bda9a30 | type |
Meaningful Name | |
Sabaton (Music) / int_6bda9a30 | comment |
Meaningful Name: A sabaton is an armoured shoe, as a part of knightly armor, which is appropriate for a band that sings about military history. | |
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Sabaton (Music) / int_6bda9a30 | |
Sabaton (Music) / int_6edc54d5 | type |
Here We Go Again! | |
Sabaton (Music) / int_6edc54d5 | comment |
Here We Go Again!: "The War to end All Wars" begins with "Sarajevo", which describes the outbreak of World War I. The final track, "Versailles" begins as a Triumphant Reprise of "Sarajevo" describing the end of the war, before switching to the original chorus from "Sarajevo", suggesting that another war will follow. To add an extra chill factor to those words, the album was released just as the 2022 Russian invasion of Ukraine was beginning. | |
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Sabaton (Music) / int_6edc54d5 | |
Sabaton (Music) / int_6f33059b | type |
Iconic Outfit | |
Sabaton (Music) / int_6f33059b | comment |
Iconic Outfit: Joakim's mirrored glasses, armored jacket and camouflage pants. The glasses, in specific, are often given away in shows. | |
Sabaton (Music) / int_6f33059b | featureApplicability |
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Sabaton (Music) / int_6f33059b | |
Sabaton (Music) / int_7160b097 | type |
Dawn of an Era | |
Sabaton (Music) / int_7160b097 | comment |
Dawn of an Era: "Lion From The North" is about the beginnings of the Swedish Empire under Gustavus II Adolphus. It's very hopeful and energetic. "The Future of Warfare" is about the rise of Tank warfare. "Shiroyama" heavily implies both this and EndOfAnEra with it's opening line | |
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Sabaton (Music) / int_7160b097 | |
Sabaton (Music) / int_72b0dfd2 | type |
Being Good Sucks | |
Sabaton (Music) / int_72b0dfd2 | comment |
Being Good Sucks: Most of the heroes from the same-titled album suffered pretty terrible fates in spite of their heroism. Karel Janoušek ("Far From the Fame") was imprisoned, and Witold Pilecki ("Inmate 4859") executed, by their countries' respective Warsaw Pact regimes. A theme of the album is also that despite their heroism, their tales are mostly forgotten. The song "Hearts of Iron" from the same album covers the protection of civilians from the Red Army by the German 9th and 12th Armies. This did not end well for the 9th and 12th. However, it went much better for the 250,000 people they saved. Audie Murphy (“To Hell And Back�) suffered from severe Post-Traumatic Stress Disorder after being a war hero in World War II. | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_72b0dfd2 | |
Sabaton (Music) / int_74d4ad25 | type |
Baritone of Strength | |
Sabaton (Music) / int_74d4ad25 | comment |
Baritone of Strength: Joakim is a rare example of a power metal vocalist fitting this trope. Even compared to other baritones in the genre, such as Hansi Kürsch and Matt Barlow, Joakim's voice is uncommonly deep, just skimming the edge of bass at times. He also customarily performs in a vest with steel plates in the shape of his pecs and six-pack, showing off his muscles. | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_74d4ad25 | |
Sabaton (Music) / int_74ee1c2d | type |
Out-of-Genre Experience | |
Sabaton (Music) / int_74ee1c2d | comment |
Out-of-Genre Experience: "The Ballad of Bull" is a straight-up Power Ballad. "Inmate 4859" has a much grimmer and downbeat sound than most Sabaton songs. "In Flanders Fields" is a musical rendition of a famous poem written by John McCrae, a Canadian veteran of World War I and physician who died just before the end of the war. It's not a metal song, rather more like something you would play at a memorial service. | |
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Sabaton (Music) / int_74ee1c2d | |
Sabaton (Music) / int_7506ec90 | type |
Fashionable Asymmetry | |
Sabaton (Music) / int_7506ec90 | comment |
Fashionable Asymmetry: Only one of Joakim's arms is tattooed, and he often wears a small band on one of his wrists. | |
Sabaton (Music) / int_7506ec90 | featureApplicability |
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Sabaton (Music) / int_7506ec90 | |
Sabaton (Music) / int_754004a9 | type |
Hell on Earth | |
Sabaton (Music) / int_754004a9 | comment |
"Endless Nights" is about Satan waking up and unleashing Hell on Earth. | |
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Sabaton (Music) / int_754004a9 | |
Sabaton (Music) / int_75538142 | type |
Friend to All Children | |
Sabaton (Music) / int_75538142 | comment |
Friend to All Children: Joakim Brodén will often call a young fan up on stage during concerts and give them his iconic sunglasses. | |
Sabaton (Music) / int_75538142 | featureApplicability |
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Sabaton (Music) / int_75538142 | |
Sabaton (Music) / int_7621a56b | type |
Poison Is Evil | |
Sabaton (Music) / int_7621a56b | comment |
Poison Is Evil: Chemical warfare is rightly depicted as being completely and universally evil in Sabaton's albums. In particular the narration for "Attack of the Dead Men" on The Great War: History Edition refers to chlorine gas as "the ultimate weapon of cruelty, a highly effective delivery method for a slow and painful death." The man-or monster-responsible for the weaponization of chlorine gas, Fritz Haber, gets his own song, "Father." While the music video depicts him as a cackling Mad Scientist exulting in his achievement of isolating chlorine, the song itself points out he jointly invented the Haber-Bosch Process with Carl Bosch, which allowed the production of ammonia for use in fertilizer, and thus is also responisible for a huge population boom. It also subtly alludes to the production and use of Zyklon-B in the Holocaust in its final verse, which wouldn't have been possible without Haber's work-Haber being the man who invented it, for use as a farming pesticide. | |
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Sabaton (Music) / int_7621a56b | |
Sabaton (Music) / int_76e48a97 | type |
Icarus Allusion | |
Sabaton (Music) / int_76e48a97 | comment |
Icarus Allusion: With "The Red Baron" the chorus says he's flying too fast and too high and the song keeps building, urging ever higher and also mentions Richthofen embracing his fame as The Red Baron. | |
Sabaton (Music) / int_76e48a97 | featureApplicability |
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Sabaton (Music) / int_76e48a97 | |
Sabaton (Music) / int_76ecc890 | type |
Brave Scot | |
Sabaton (Music) / int_76ecc890 | comment |
Brave Scot: "Blood of Bannockburn" focuses on how the Scots defeated the English at Bannockburn. | |
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1.0 | |
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Sabaton (Music) / int_76ecc890 | |
Sabaton (Music) / int_77f956ab | type |
Merry in Minor Key | |
Sabaton (Music) / int_77f956ab | comment |
Merry in Minor Key: All but two songs in their discography were composed in a minor key, but despite their military history theme, many are quite upbeat. One example is "The Last Battle", which describes how US Army troops, German defectors, Austrian resistance fighters, and prisoners of war joined forces at the end of World War II to hold off a Waffen-SS death squad for several hours until Army reinforcements relieved them. | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_77f956ab | |
Sabaton (Music) / int_78629e9c | type |
Badass Pacifist | |
Sabaton (Music) / int_78629e9c | comment |
Badass Pacifist: The Lady of the Dark. Milunka Savić, aka "The Lady of the Dark", was a Serbian woman who disguised herself as a man in order to take her brother's place in the army in 1912. She singlehandedly captured 23 Bulgarian soldiers, amongst them the Bulgarian officer Minkov, without firing a single shot. | |
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Sabaton (Music) / int_78629e9c | |
Sabaton (Music) / int_78e8eba5 | type |
"I Am" Song | |
Sabaton (Music) / int_78e8eba5 | comment |
"I Am" Song: The song "Carolus Rex" is this for the titular king. | |
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Sabaton (Music) / int_78e8eba5 | |
Sabaton (Music) / int_796efe19 | type |
Cavalry of the Dead | |
Sabaton (Music) / int_796efe19 | comment |
Cavalry of the Dead: "The Attack of the Dead Men" plays up the historical attack by Russians through Deadly Gas as if they really were fighting on in undeath to counter-attack the Germans. | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_796efe19 | |
Sabaton (Music) / int_79974fb8 | type |
Rock Beats Laser | |
Sabaton (Music) / int_79974fb8 | comment |
Rock Beats Laser: Both played straight and subverted. In the beginning of "Rorke's Drift" the song summarizes how the Zulus destroyed the British forces at the legendary Battle of Isandlwana, but the song in general is about "laser" (The British Empire) holding "rock" (The Zulu) against all odds at the Battle of Rorke's Drift, where about 141 British soldiers held off around five-thousand Zulus. And won. Defied in "Shiroyama". | |
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-0.3 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_79974fb8 | |
Sabaton (Music) / int_79a0e313 | type |
Bolivian Army Ending | |
Sabaton (Music) / int_79a0e313 | comment |
Bolivian Army Ending: The viewpoint character of "Great War" ends the song about to make a suicidal charge towards the enemy trench, fully expecting to die in the attempt. The music video for "The Royal Guard" has Sabaton, portraying the Swedish royal guard at the skirmish at Bender, defeat the Ottomans in a bloody battle only to see an even bigger Ottoman force marching towards them. Unconcerned, Joakim resolves to fight on and the video ends with the five of them baring steel and charging towards the Ottomans. Historically the skirmish ended with the Swedes being defeated, although not before inflicting heavy casualties on the Ottomans. | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_79a0e313 | |
Sabaton (Music) / int_7a143509 | type |
Shell-Shocked Veteran | |
Sabaton (Music) / int_7a143509 | comment |
Shell-Shocked Veteran: Referenced in the bridge of "To Hell and Back" and shown in full extent in the song's music video, which focuses on a PTSD-ridden war vet (implied to be Audie Murphy himself) clashing with the memories of the horror of war. Truth in Television, as Audie Murphy had severe PTSD and helped to raise awareness for the disease. | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_7a143509 | |
Sabaton (Music) / int_7a35bf79 | type |
Historical Biography Song | |
Sabaton (Music) / int_7a35bf79 | comment |
Historical Biography Song: Very numerous in their catalogue: Carolus Rex is about the lives of Swedish rulers Gustavus Adolphus and Charles XII (the eponymous Carolus Rex). It primarily focuses on Charles' absolutism, participation in The Great Northern War, and his death on campaign. Heroes is full of biographical songs, including Audie Murphy ("To Hell and Back"), Witold Pilecki ("Inmate 4859"), Bull Allen ("The Ballad of Bull"), Lauri Törni ("Soldier of Three Armies"), and Karel Janou?ek ("Far from the Fame"). The Great War has numerous songs dedicated to prominent soldiers of World War One and the roles they played during the war, including T. E. Lawrence ("Seven Pillars of Wisdom"), Alvin York ("82nd All the Way"), Red Baron Manfred von Richtofen ("The Red Baron"), and Francis Pegahmagabow ("A Ghost in the Trenches"). The War to End All Wars has more songs about World War One figures, including Franz Ferdinand of Austria ("Sarajevo"), Adrian Carton de Wiart ("The Unkillable Soldier"), Albert I of Belgium ("Race to the Sea"), and Milunka Savi? ("Lady of the Dark"). "White Death" (on Coat of Arms) is about Simo Häyhä, the deadliest sniper in recorded military history, who killed over 500 Soviet soldiers during the Winter War. "The White Death" was the nickname given to him by the Soviet forces. | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_7a35bf79 | |
Sabaton (Music) / int_7acca961 | type |
Song of Song Titles | |
Sabaton (Music) / int_7acca961 | comment |
Song of Song Titles: "Metal Machine" is so full of Shout-Outs to other bands' lyrics that it'd probably be quicker to watch this video showing what and where they are in the song than to read a full list of them. "Metal Crue" does the same thing with the names of metal bands, while "Metal Ripper" uses song titles. Heroes features "Man Of War", fittingly for a giant tribute to Manowar, has lyrics entirely composed by names of Manowar songs. | |
Sabaton (Music) / int_7acca961 | featureApplicability |
1.0 | |
Sabaton (Music) / int_7acca961 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_7acca961 | |
Sabaton (Music) / int_7b21ef92 | type |
Later-Installment Weirdness | |
Sabaton (Music) / int_7b21ef92 | comment |
Combined with Later-Installment Weirdness by way of Executive Meddling is the reason Metalizer sounds so off compared to the rest. Originally recorded as their debut album, Underground Symphony decided to shelf it until the rights were released to Black Lodge 3 years later. After some minor remastering, it was released in 2007, 5 years after it was recorded. | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_7b21ef92 | |
Sabaton (Music) / int_7b6e47a5 | type |
Armor-Piercing Question | |
Sabaton (Music) / int_7b6e47a5 | comment |
Armor-Piercing Question: In the final chorus of Versailes from The War to End All Wars, after first claiming that the Great War and the peace that would follow would end all war, the lyrics explicitly wonder "Can A War Really End All War?". This is also the point where the song begins to reprise tones from the earlier song Rise of Evil, making the answer clear: It can't and it won't. | |
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1.0 | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_7b6e47a5 | |
Sabaton (Music) / int_7d89315b | type |
"The Reason You Suck" Speech | |
Sabaton (Music) / int_7d89315b | comment |
"In The Name of God" is one big "The Reason You Suck" Speech to terrorists. Or religious fanatics in general. | |
Sabaton (Music) / int_7d89315b | featureApplicability |
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Sabaton (Music) / int_7e07f634 | type |
Paranoia Fuel | |
Sabaton (Music) / int_7e07f634 | comment |
invoked Paranoia Fuel: How the Night Witches are portrayed in their eponymous song. The only signs of their presence are a whisper on the wind and the destruction caused by their bombs. | |
Sabaton (Music) / int_7e07f634 | featureApplicability |
1.0 | |
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1.0 | |
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Sabaton (Music) / int_7e07f634 | |
Sabaton (Music) / int_7fbb13bf | type |
Unfriendly Fire | |
Sabaton (Music) / int_7fbb13bf | comment |
Unfriendly Fire: "Long Live the King" mentions the mystery of the death of King Charles XII at the Siege of Fredriksten: conspiracy theories about his death suggest he was either assassinated under cover of the war, or fragged by his own men (though the most likely explanation is that he was hit by a random musket ball or bit of grapeshot from the Norwegian fortress he was attacking). | |
Sabaton (Music) / int_7fbb13bf | featureApplicability |
1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_7fbb13bf | |
Sabaton (Music) / int_823c6e3e | type |
Large Ham | |
Sabaton (Music) / int_823c6e3e | comment |
Large Ham: Joakim Brodén is a Metal vocalist, after all. | |
Sabaton (Music) / int_823c6e3e | featureApplicability |
1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_823c6e3e | |
Sabaton (Music) / int_83ea0763 | type |
Rouge Angles of Satin | |
Sabaton (Music) / int_83ea0763 | comment |
Rouge Angles of Satin: The band's first language is, of course, Swedish. They have a habit of getting singular and plural forms mixed up in their lyrics, and consistently write "led" (past tense of "to lead") in place of "lead" (the metal that bullets are made from). C.f. the lyric video for "The Attack of the Dead Men". | |
Sabaton (Music) / int_83ea0763 | featureApplicability |
1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_83ea0763 | |
Sabaton (Music) / int_853b7948 | type |
Ambiguously Evil | |
Sabaton (Music) / int_853b7948 | comment |
Ambiguously Evil: The subject of "Father," Fritz Haber, is the inventor of both chemical fertilizer and chemical weaponry. While the song abhors him for his "Dark Creation," it also points out his genius was used for good and Mankind can't judge him by any normal means. | |
Sabaton (Music) / int_853b7948 | featureApplicability |
1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_853b7948 | |
Sabaton (Music) / int_85ce84a7 | type |
Power Metal | |
Sabaton (Music) / int_85ce84a7 | comment |
"Birds of War" seems to be an entirely typical Power Metal fantasy song about evil forces descending from the sky, with none of the historical lyrics that made Sabaton famous. Furthermore, Joakin Brodén sounds much deeper and more gravelly in this song. | |
Sabaton (Music) / int_85ce84a7 | featureApplicability |
1.0 | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_85ce84a7 | |
Sabaton (Music) / int_86b21114 | type |
Badass Boast | |
Sabaton (Music) / int_86b21114 | comment |
"Panzerkampf" has this as a Badass Boast on the part of the Soviets. | |
Sabaton (Music) / int_86b21114 | featureApplicability |
1.0 | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_86b21114 | |
Sabaton (Music) / int_86c192f4 | type |
Badass Creed | |
Sabaton (Music) / int_86c192f4 | comment |
Badass Creed: One of the final and most epic parts of "Long Live the King". | |
Sabaton (Music) / int_86c192f4 | featureApplicability |
1.0 | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_86c192f4 | |
Sabaton (Music) / int_87ae7730 | type |
Dramatic Choir Number | |
Sabaton (Music) / int_87ae7730 | comment |
Dramatic Choir Number: The band commonly uses choirs in its songs, especially for emphasis on the chorus. Early on, before they had the resources to hire a professional choir, the band members often recorded a three-part harmony for particular songs, starting with "Primo Victoria". For the European portion of the Great Tour, Sabaton had a 21-member male choir onstage with them, dressed as World War I soldiers of all armies in the conflict. The page picture is from their headlining show at Wacken Open Air 2019, during the chorus of "The Price of a Mile": by the end of that concert, with the addition of several former band members on the right-hand stage, a total of 28 people were singing the choruses. Several parts of "Livgardet" use a multi-part male-fronted choir for extra dramatics. | |
Sabaton (Music) / int_87ae7730 | featureApplicability |
1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_87ae7730 | |
Sabaton (Music) / int_8878f3be | type |
Badass Army | |
Sabaton (Music) / int_8878f3be | comment |
Badass Army: "The Carolean's Prayer" paints the soldiers under Charles XII as this, which is Truth in Television and the whole album has the Swedes being total badasses and winning except when they're outnumbered, which is still factual. | |
Sabaton (Music) / int_8878f3be | featureApplicability |
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Sabaton (Music) / int_8878f3be | |
Sabaton (Music) / int_898ff050 | type |
Villain Protagonist | |
Sabaton (Music) / int_898ff050 | comment |
"Carolus Rex," the title song from the same album, comes this close to being a Villain Protagonist Song, with lines like "Make them bow to my will!" and "Question me and die!" | |
Sabaton (Music) / int_898ff050 | featureApplicability |
1.0 | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_898ff050 | |
Sabaton (Music) / int_8a9eb844 | type |
Perspective Flip | |
Sabaton (Music) / int_8a9eb844 | comment |
More like "Antagonist Song", as the album doesn't paint them as villains: Carolus Rex is mostly told from the perspective of the Swedish Empire and its kings, with a notable exception in "Poltava", whose bridges are sung from the perspective of the Russian troops and their Tsar gloating about how they trounced the Swedish Troops at Poltava. | |
Sabaton (Music) / int_8a9eb844 | featureApplicability |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_8a9eb844 | |
Sabaton (Music) / int_8ba9512b | type |
Our Zombies Are Different | |
Sabaton (Music) / int_8ba9512b | comment |
Our Zombies Are Different: "Attack of the Dead Men" covers an incredible battle in WWI where Russian forces, after suffering extreme gas attacks from the Germans with no way to protect themselves, charged back at the Germans. By the time they charged, the gas had taken the toll on them to the point their skin was melting off due the effects of the gas and they were spitting blood as well as parts of their lungs. The surprise and the terror of this sight of what appeared to be the undead charging headfirst against them made the Germans flee in a disorganized panic (some falling in their own traps). After the battle, most of the remaining soldiers did indeed perish from their ghastly wounds. | |
Sabaton (Music) / int_8ba9512b | featureApplicability |
1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_8ba9512b | |
Sabaton (Music) / int_8c431fe4 | type |
Band of Brothers | |
Sabaton (Music) / int_8c431fe4 | comment |
Band of Brothers: "Union (Slopes of St. Benedict)" is more about this than the Battle of Monte Cassino. "The Carolean's Prayer" paints the entire army of Charles XII as this. | |
Sabaton (Music) / int_8c431fe4 | featureApplicability |
1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_8c431fe4 | |
Sabaton (Music) / int_8dff7e48 | type |
Stealth Expert | |
Sabaton (Music) / int_8dff7e48 | comment |
Stealth Expert: "A Ghost in the Trenches" is about Francis Pegahmagabow, the most accomplished sniper of World War I. It describes him as a ghost roaming the battlefield making his way freely from trench to trench without being detected—which is an understatement: the real Pegahmagabow would sometimes even sneak into German trenches and cut off pieces of sleeping soldiers' uniforms as souvenirs. | |
Sabaton (Music) / int_8dff7e48 | featureApplicability |
1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_8dff7e48 | |
Sabaton (Music) / int_8eb94d2a | type |
Oppressed Minority Veteran | |
Sabaton (Music) / int_8eb94d2a | comment |
Oppressed Minority Veteran: Heroes: "Inmate 4859" and "Far from the Fame" are both about World War II war heroes from Eastern Europe who became victims of their countries' new Soviet-imposed governments after the war's end, respectively Witold Pilecki (Polish, was shot as a traitor due to his loyalty to the Western-backed Government in Exile) and Karel Janoušek (Czechoslovakian, imprisoned for several years following the pro-Soviet coup). "A Ghost in the Trenches" from The Great War is about Francis Pegahmagabow, a man from the Canadian First Nations who enlisted to serve in World War I despite not even being legally a Canadian citizen. As the Sabaton History video for the song describes, Pegahmagabow became the most successful sniper of the war, earning the Military Medal twice, and became an activist for indigenous peoples' rights after the war. | |
Sabaton (Music) / int_8eb94d2a | featureApplicability |
1.0 | |
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Sabaton (Music) / int_8eb94d2a | |
Sabaton (Music) / int_9002083e | type |
Character Exaggeration | |
Sabaton (Music) / int_9002083e | comment |
Character Exaggeration: Charles XII believed in the Divine Right of Kings, which held that a monarch's power came directly from God. The song "Carolus Rex" portrays him as a megalomaniac who stops just short in believing he is a god. | |
Sabaton (Music) / int_9002083e | featureApplicability |
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Sabaton (Music) / int_9002083e | |
Sabaton (Music) / int_90c018ac | type |
Justified Trope | |
Sabaton (Music) / int_90c018ac | comment |
"Fields of Verdun" has a touch of this, reflecting how French national pride, not just strategic concerns, became tied to holding Verdun. | |
Sabaton (Music) / int_90c018ac | featureApplicability |
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Sabaton (Music) / int_90c018ac | |
Sabaton (Music) / int_91a2039b | type |
I Am the Noun | |
Sabaton (Music) / int_91a2039b | comment |
I Am the Noun: "We Burn": | |
Sabaton (Music) / int_91a2039b | featureApplicability |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_91a2039b | |
Sabaton (Music) / int_91d3ab1e | type |
Ominous Pipe Organ | |
Sabaton (Music) / int_91d3ab1e | comment |
Ominous Pipe Organ: Played straight by "Wehrmacht", "Birds of War", and "Rise of Evil". The intro to "The Red Baron", especially prominent in the soundtrack version, features Bach's Fugue in G minor ("The Little Fugue", BWV 578) that's almost Germanic Creepy Circus Music for the titular German Ace Pilot meant to evoke the nickname of his unit Jagdgeschwader 1, "Richthofen's Flying Circus" because of the colorful planes and even more colorful, accomplished pilots that comprised it. | |
Sabaton (Music) / int_91d3ab1e | featureApplicability |
1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_91d3ab1e | |
Sabaton (Music) / int_920ca805 | type |
Night of the Living Mooks | |
Sabaton (Music) / int_920ca805 | comment |
Night of the Living Mooks: Invoked in "Attack of the Dead Men", which is about a battle in WW1 where the Germans used poison gas against a Russian position, and said enemy decided to fix bayonets and take them along. The Germans fled, thinking their enemy were vengeful revenants instead of Not Quite Dead. | |
Sabaton (Music) / int_920ca805 | featureApplicability |
1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_920ca805 | |
Sabaton (Music) / int_92d6af50 | type |
Truck Driver's Gear Change | |
Sabaton (Music) / int_92d6af50 | comment |
Truck Driver's Gear Change: Appears on the final choruses of “Attero Dominatus�, “The Last Stand�, “To Hell And Back�, "A Ghost In The Trenches", "The Unkillable Soldier", and "Soldier of Heaven". | |
Sabaton (Music) / int_92d6af50 | featureApplicability |
1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_92d6af50 | |
Sabaton (Music) / int_98aad75f | type |
Inspirational Martyr | |
Sabaton (Music) / int_98aad75f | comment |
The opening track, "Sparta", is about the Battle of Thermopylae, where 300 Spartans led other Greek soldiers in a successful holding action against a vastly larger Persian army. They all died, but they achieved their objective.note Militarily, the battle was a defeat for Greece, but the lopsided number of casualties and the bravery of the Spartans inspired the Greek alliance to resist with all its might, leading to Athens and other parties defeating the Persians in subsequent battles. | |
Sabaton (Music) / int_98aad75f | featureApplicability |
1.0 | |
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1.0 | |
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Sabaton (Music) / int_98aad75f | |
Sabaton (Music) / int_99298c71 | type |
Better to Die than Be Killed | |
Sabaton (Music) / int_99298c71 | comment |
The Art of War: "40:1" is about the Battle of Wizna during the Nazi invasion of Poland, during which 700 entrenched Polish soldiers and six artillery guns held off a German army numbering 40,000 for three days before being overrun (they ran out of ammo, and German engineers were finally starting to crack their bunkers). The Polish captain jumped on a grenade rather than surrender. | |
Sabaton (Music) / int_99298c71 | featureApplicability |
1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_99298c71 | |
Sabaton (Music) / int_99db72ee | type |
Immune to Bullets | |
Sabaton (Music) / int_99db72ee | comment |
Immune to Bullets: In "Camouflage", the eponymous character has bullets pass right through him. It's because he's a Ghost Marine. | |
Sabaton (Music) / int_99db72ee | featureApplicability |
1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_99db72ee | |
Sabaton (Music) / int_9c5ed17 | type |
Singing Voice Dissonance | |
Sabaton (Music) / int_9c5ed17 | comment |
Singing Voice Dissonance: Joakim has a speaking voice which is pretty much the posterchild for "Swedish", with a slight Dalecarlian accent. Interview in English Interview in Swedish. His singing voice, on the other hand... | |
Sabaton (Music) / int_9c5ed17 | featureApplicability |
1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_9c5ed17 | |
Sabaton (Music) / int_9d12bbc1 | type |
Foreshadowing | |
Sabaton (Music) / int_9d12bbc1 | comment |
Foreshadowing: The Reveal of "Camouflage" is hinted at when the narrator notes earlier in the song that bullets seem to miss Camouflage as if he wasn't there. That's because he isn't; Camouflage was Dead All Along. | |
Sabaton (Music) / int_9d12bbc1 | featureApplicability |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_9d12bbc1 | |
Sabaton (Music) / int_9d731243 | type |
Fanvid | |
Sabaton (Music) / int_9d731243 | comment |
Fanvid: Sabaton has a veritable cottage industry of YouTubers making music videos of their songs from various film, TV, and video game clips. It started as early as 2008 when a Polish fan made a video for the song "40:1" that went viral. It singlehandedly netted the band a borderline fanatical Polish fandom, and after it was taken down for copyright infringement, Sabaton re-uploaded it to their own channel. It even led to Polish filmmaker Jacek Raginis, a descendant of the Polish Army captain from the song, contacting the band with an offer to film an official video (he also later filmed the video for "Uprising").invoked | |
Sabaton (Music) / int_9d731243 | featureApplicability |
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Sabaton (Music) / int_9d731243 | |
Sabaton (Music) / int_9e86e227 | type |
The End... Or Is It? | |
Sabaton (Music) / int_9e86e227 | comment |
The End... Or Is It?: "Versailles" starts out hopeful that this treaty will be the end of the war to end all wars before switching to the chorus of "Sarajevo" and then finally ending with | |
Sabaton (Music) / int_9e86e227 | featureApplicability |
1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_9e86e227 | |
Sabaton (Music) / int_9e943076 | type |
One-Man Army | |
Sabaton (Music) / int_9e943076 | comment |
One-Man Army: "White Death" about Simo Häyhä. Also ''The first soldier" about French soldier Albert Roche. | |
Sabaton (Music) / int_9e943076 | featureApplicability |
1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_9e943076 | |
Sabaton (Music) / int_9fde2eb1 | type |
Pre-Asskicking One-Liner | |
Sabaton (Music) / int_9fde2eb1 | comment |
Pre Ass Kicking One Liner: In live shows, before performing "Smoking Snakes", they will shout "A Cobra Vai Fumar!" ("The Snake will Smoke!", battle cry of the actual Smoking Snakes). | |
Sabaton (Music) / int_9fde2eb1 | featureApplicability |
1.0 | |
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1.0 | |
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Sabaton (Music) / int_9fde2eb1 | |
Sabaton (Music) / int_a0cf200f | type |
Digital Piracy Is Evil | |
Sabaton (Music) / int_a0cf200f | comment |
Digital Piracy Is Evil: Spoofed in "A Secret" from The Art of War, which always plays no matter how the album was acquired, its format, or where it is being played. | |
Sabaton (Music) / int_a0cf200f | featureApplicability |
1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_a0cf200f | |
Sabaton (Music) / int_a188ac4b | type |
Overly Long Gag | |
Sabaton (Music) / int_a188ac4b | comment |
Primo Victoria: Re-Armed, Attero Dominatus: Re-Armed, Metalizer: Re-Armed, The Art of War: Re-Armed. Yes, their first FOUR albums were re-released with cleaner vocals and music. | |
Sabaton (Music) / int_a188ac4b | featureApplicability |
1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_a188ac4b | |
Sabaton (Music) / int_a2b38d3b | type |
Eye Scream | |
Sabaton (Music) / int_a2b38d3b | comment |
"Great War" is from the perspective of a "mushroom" (kept in the dark and fed bullshit) who lost his brother to a bullet accross the eyes, and can't find the glory he's been promised in sitting in a filthy trench, and just wants to give up and go home. | |
Sabaton (Music) / int_a2b38d3b | featureApplicability |
1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_a2b38d3b | |
Sabaton (Music) / int_a448674 | type |
Gratuitous Latin | |
Sabaton (Music) / int_a448674 | comment |
Gratuitous Latin: The chorus of "The Lion from the North" is in Latin, in keeping with its subject King Gustaf II Adolf being more commonly known by his Latinized name Gustavus Adolphus. | |
Sabaton (Music) / int_a448674 | featureApplicability |
1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_a448674 | |
Sabaton (Music) / int_a4c37cbe | type |
Mood Whiplash | |
Sabaton (Music) / int_a4c37cbe | comment |
Mood Whiplash: The album Carolus Rex goes through this at two points. The first, when after the triumphant and blood-pumping "Gott Mit Uns" we go into the Tear Jerker ballad "A Lifetime of War". The second when after the hopeful tone of "The Carolean's Prayer", the triumphal Motive Rant "Carolus Rex", and the fast blood-pumper "Killing Ground", we get the fast-paced yet noticeably down-turn "Poltava", followed by "Long Live the King" and "Ruina Imperii" - mournful cries about the death of Swedish glory. Heroes has another example with the rather abrupt switch from the blood-pumping "Smoking Snakes" to the operatic, grim tale of Witold Pilecki in "Inmate 4859". This happens again when "Inmate 4859" is then followed by the badass, energetic "To Hell And Back". The Last Stand has the relatively low key but fast paced song Last Dying Breath be immediately followed by Blood of Bannockburn, which is by far the most high key songs Sabaton has ever done, which is then followed by the much more slow-paced and low key song The Lost Batallion. Within one song, "Versailles" begins by combining a sad-but-hopeful tune over the spoken history with a celebratory and triumphant melody linked with the sung lyrics, as the War to End All Wars comes to an end. Midway through, it shifts to a very creepy Dark Reprise of the latter tune, as the singer wonders whether they've really ended the war at all. | |
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1.0 | |
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Sabaton (Music) / int_a4c37cbe | |
Sabaton (Music) / int_a58e5ad7 | type |
Naked People Are Funny | |
Sabaton (Music) / int_a58e5ad7 | comment |
Jocke isn't the only one. One time when Thobbe Englund was shredding at a festival, his pants decided to join in. And that's how we learned that unlike Jocke, Thobbe tended to go commando. | |
Sabaton (Music) / int_a58e5ad7 | featureApplicability |
1.0 | |
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1.0 | |
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Sabaton (Music) / int_a58e5ad7 | |
Sabaton (Music) / int_a6cda066 | type |
Rule of Three | |
Sabaton (Music) / int_a6cda066 | comment |
"Sparta" is about the Battle of Thermopylae (the real one this time). | |
Sabaton (Music) / int_a6cda066 | featureApplicability |
1.0 | |
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Sabaton (Music) / int_a6cda066 | |
Sabaton (Music) / int_a7c904c3 | type |
America Won World War II | |
Sabaton (Music) / int_a7c904c3 | comment |
America Won World War II: Averted in the songs. In addition to recognizing the importance of the Eastern Front, the band sings about many lesser-known events that didn't involve any of the major Allied powers. On the other hand, in concerts in the United States, Joakim will usually make at least one comment to the audience along the lines of "if it weren't for you Americans, we'd all be speaking German" (usually before playing "Primo Victoria"). | |
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-1.0 | |
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Sabaton (Music) / int_a7c904c3 | |
Sabaton (Music) / int_a839608e | type |
Trapped Behind Enemy Lines | |
Sabaton (Music) / int_a839608e | comment |
Trapped Behind Enemy Lines "Screaming Eagles" from the Coat of Arms album is about the 101st Airborne and 10th Armored Divisions' defence of besieged Bastogne during the Battle of the Bulge. "The Lost Battalion" from The Last Stand is about the "Lost Battalion", nine companies of the United States 77th Division, roughly 554 men, isolated by German forces during World War I after an American attack in the Argonne Forest in October 1918. | |
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Sabaton (Music) / int_a839608e | |
Sabaton (Music) / int_a86b13a9 | type |
Drums of War | |
Sabaton (Music) / int_a86b13a9 | comment |
Drums of War: Inverted by the song "Fields of Verdun" which compares the opening artillery barrage of the battle to a drum roll. | |
Sabaton (Music) / int_a86b13a9 | featureApplicability |
1.0 | |
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Sabaton (Music) / int_a86b13a9 | |
Sabaton (Music) / int_a8f3f520 | type |
Death Is Dramatic | |
Sabaton (Music) / int_a8f3f520 | comment |
Death Is Dramatic: One of their few non-history based songs, "The Hammer Has Fallen", is told from the perspective of a man Dying Alone. | |
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1.0 | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_a8f3f520 | |
Sabaton (Music) / int_ab2f3f27 | type |
Heavy Meta | |
Sabaton (Music) / int_ab2f3f27 | comment |
Heavy Meta: "Metal Crue" has lyrics composed almost entirely of metal band names. "Metal Machine" has lyrics almost entirely composed of the titles of other metal songs "Metal Ripper" borrows many lyrics from other metal songs. "Men of War" is a tribute to Manowar, with lyrics composed mainly of that band's song titles. "7734" is an abridged retelling of the rise and decline of the metal genre, and also pokes fun at the stereotype of hidden Satanic messages in metal songs. | |
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Sabaton (Music) / int_ab2f3f27 | |
Sabaton (Music) / int_abad2931 | type |
Horrible History Metal | |
Sabaton (Music) / int_abad2931 | comment |
Horrible History Metal: They live by this trope. Most of their songs are about historical events. Most of the content in their songs tends to be very accurate, even about the obscure stories. | |
Sabaton (Music) / int_abad2931 | featureApplicability |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_abad2931 | |
Sabaton (Music) / int_ac320c0e | type |
Nuke 'em | |
Sabaton (Music) / int_ac320c0e | comment |
Nuke 'em: "Nuclear Attack", about the attacks on Hiroshima and Nagasaki. | |
Sabaton (Music) / int_ac320c0e | featureApplicability |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_ac320c0e | |
Sabaton (Music) / int_ac928039 | type |
Four-Star Badass | |
Sabaton (Music) / int_ac928039 | comment |
Four-Star Badass: "Far from the Fame" is about Karel Janoušek, who was made Air Marshall. | |
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1.0 | |
Sabaton (Music) / int_ac928039 | featureConfidence |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_ac928039 | |
Sabaton (Music) / int_adf1dcc2 | type |
Promoted Fanboy | |
Sabaton (Music) / int_adf1dcc2 | comment |
The single Defense of Moscow is a particularly notable example, since the original was written and produced by Russian Promoted Fanboyinvoked Radio Tapok, who made several covers of Sabaton songs in Russian, and wrote the song specifically to match Sabaton's style. | |
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Sabaton (Music) / int_adf1dcc2 | |
Sabaton (Music) / int_ae50ca8f | type |
Stage Names | |
Sabaton (Music) / int_ae50ca8f | comment |
Stage Names: Drummer Hannes's legal last name is really just "Dahl". The "Van", which is capitalized, is meant to make it sound like "vandal". | |
Sabaton (Music) / int_ae50ca8f | featureApplicability |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_ae50ca8f | |
Sabaton (Music) / int_b368e2f4 | type |
Holiday Ceasefire | |
Sabaton (Music) / int_b368e2f4 | comment |
Holiday Ceasefire: Their song "Christmas Truce" is dedicated to the real-life Christmas Truce of World War I. | |
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1.0 | |
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Sabaton (Music) / int_b368e2f4 | |
Sabaton (Music) / int_b5171e10 | type |
Tragic Villain | |
Sabaton (Music) / int_b5171e10 | comment |
Tragic Villain: This pretty much sums up the depiction of the Nazis in Sabaton's songs. Starting from "Rise Of Evil" to "The Final Solution" to "Hearts of Iron", the soldiers of the Third Reich are ultimately shown as men attempting to bring back their country to glory despite committing atrocities all for a delusional vision that brought Germany to flames in the end. The above is pretty much put in song form in "Wehrmacht". | |
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Sabaton (Music) / int_b5171e10 | |
Sabaton (Music) / int_b5b4b077 | type |
The Ace | |
Sabaton (Music) / int_b5b4b077 | comment |
The Ace: "White Death". The song is about the aptly-named sniper who took down hundreds of Russian soldiers all by himself, armed with nothing but iron sights. It got to the point that entire platoons were being sent out just to kill one soldier. | |
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Sabaton (Music) / int_b5b4b077 | |
Sabaton (Music) / int_b5f7b739 | type |
Evil Overlooker | |
Sabaton (Music) / int_b5f7b739 | comment |
Evil Overlooker: Father's Lyrics Video has Fritz Haber brewing up either a batch of chemical fertilizer or chlorine while a battle rages on below, while clouds of Deadly Gas roil. | |
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Sabaton (Music) / int_b5f7b739 | |
Sabaton (Music) / int_b67be25d | type |
Firearms Are Revolutionary | |
Sabaton (Music) / int_b67be25d | comment |
Firearms Are Revolutionary: Shiroyama depicts the Last Stand of the samurai and the end of Japanese feudalism, as the old warrior class finds itself outmatched by modern armies equipped with guns. In the song itself, 500 Satsuma samurai are outnumbered sixty to one and armed with swords against Imperial guns — the fact that they even survive until dawn is impressive. This romanticizes the real battle somewhat: firearms had in fact been present in Japan since the mid-1500s (at one point during the Warring States period there were more gunsmiths in Japan than in the whole of Europe) and all of the Satsumans had them, but the Gatling guns and greater numbers of the Imperial Japanese Army simply outgunned Saigo's samurai. | |
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Sabaton (Music) / int_b67be25d | |
Sabaton (Music) / int_b7248073 | type |
My Country, Right or Wrong | |
Sabaton (Music) / int_b7248073 | comment |
My Country, Right or Wrong: The conclusion of "Father" regarding Fritz Haber, who both earned a Nobel Prize for feeding billions through the invention of chemical fertilizer, and reviled for his role in Germany's World War I chemical weapons program. | |
Sabaton (Music) / int_b7248073 | featureApplicability |
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Sabaton (Music) / int_b7248073 | |
Sabaton (Music) / int_b7920c43 | type |
Lost in Translation | |
Sabaton (Music) / int_b7920c43 | comment |
Lost in Translation: There is a distinct difference in tone between the Swedish and English versions of "Carolus Rex". The English version is a pretty positive badass-praising album in regular Sabaton-style. The Swedish version is a far more solemn affair, focusing more on the effects of the war on soldiers, civilians and countries, and doesn't shy away from depicting atrocities on either side. For comparison: The bridge from Killing Ground | |
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Sabaton (Music) / int_b7920c43 | |
Sabaton (Music) / int_b7b1aa73 | type |
And Then What? | |
Sabaton (Music) / int_b7b1aa73 | comment |
And Then What?: "Light in the Black", which details the newly formed United Nations and their peacekeeping forces in the wake of WWII. The chorus details the valient efforts of said peacekeepers to maintain stability and safeguard innocent people during future conflicts, whilst also touching upon the massive impact the war has had on the world and the anxiety about what will follow such a massive conflict, noting that the Peacekeepers have many veterins of the war in their ranks and none know what conflicts the future will hold. | |
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Sabaton (Music) / int_b7b1aa73 | |
Sabaton (Music) / int_b7c53a22 | type |
Blood Knight | |
Sabaton (Music) / int_b7c53a22 | comment |
Blood Knight: "Soldier of 3 Armies" states Lauri Törni is "addicted to the war game!" Sir Adrian Carton de Wiart, true to history, writes in his memoirs of World War 1, "Frankly I enjoyed the war," at the end of "The Unkillable Soldier." | |
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Sabaton (Music) / int_b7c53a22 | |
Sabaton (Music) / int_b806516f | type |
Chest of Medals | |
Sabaton (Music) / int_b806516f | comment |
Chest of Medals: In Yarnhub's story video for "Lady of the Dark", a mysterious old woman sits down in the front row of a gathering of Yugoslav war veterans. When one of the other attendees asks her what she's doing there, she unbuttons her jacket to reveal a row of medals across her chest, because, of course, she's Milunka Savić, the subject of the song. | |
Sabaton (Music) / int_b806516f | featureApplicability |
1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_b806516f | |
Sabaton (Music) / int_b89ed08a | type |
Obvious Rule Patch | |
Sabaton (Music) / int_b89ed08a | comment |
Obvious Rule Patch: Joakim caused one of these. His mother is Czech and he has dual citizenship in the Czech Republic, and in 2015 he entered their national singing competition ÄŒeský SlavÃk and finished in 5th place. The next year they added a rule that entrants had to primarily perform in the Czech Republic and booted him. | |
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1.0 | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_b89ed08a | |
Sabaton (Music) / int_ba0d9b95 | type |
Doves Mean Peace | |
Sabaton (Music) / int_ba0d9b95 | comment |
Doves Mean Peace: Subverted in the lyric video for "Versailles", where the primary image is a dove carrying an olive branch, or more specifically a blood-soaked olive branch. As the chorus changes to that of "Sarajevo", the background catches fire and the image changes to one of a dove with red eyes, and as it enters the third, it comes back to the first dove with the bloody olive branch. Whatever "peace" these doves bring is clearly temporary and bloody. | |
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-0.3 | |
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Sabaton (Music) / int_ba0d9b95 | |
Sabaton (Music) / int_ba6cf869 | type |
Rape, Pillage, and Burn | |
Sabaton (Music) / int_ba6cf869 | comment |
The Swedes are this in the Swedish version of "1648". | |
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1.0 | |
Sabaton (Music) / int_ba6cf869 | featureConfidence |
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Sabaton (Music) / int_ba6cf869 | |
Sabaton (Music) / int_bb01ad0e | type |
Cool Boat | |
Sabaton (Music) / int_bb01ad0e | comment |
Cool Boat: "Bismarck" is a standalone single about the only open-ocean voyage of the Kriegsmarine battleship Bismarck, which was viewed as such a threat to Allied shipping during the Battle of the Atlantic that half the Royal Navy was sent to hunt himnote As noted in the song and the associated Sabaton History video, the Bismarck was always referred to with masculine pronouns, rather than feminine as is more common in English (and German, for that matter). This was due to one of the first official orders issued by her captain, Ernst Lindemann, who is also a character in the music video down. | |
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1.0 | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_bb01ad0e | |
Sabaton (Music) / int_bb53d08 | type |
Tear Jerker | |
Sabaton (Music) / int_bb53d08 | comment |
The album Carolus Rex goes through this at two points. The first, when after the triumphant and blood-pumping "Gott Mit Uns" we go into the Tear Jerker ballad "A Lifetime of War". The second when after the hopeful tone of "The Carolean's Prayer", the triumphal Motive Rant "Carolus Rex", and the fast blood-pumper "Killing Ground", we get the fast-paced yet noticeably down-turn "Poltava", followed by "Long Live the King" and "Ruina Imperii" - mournful cries about the death of Swedish glory. | |
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Sabaton (Music) / int_bb53d08 | |
Sabaton (Music) / int_bc00493f | type |
Precision F-Strike | |
Sabaton (Music) / int_bc00493f | comment |
Precision F-Strike: In "Devil Dogs", right before the guitar solo, Joakim shouts "Come on, you sons of bitches! Do you want to live forever?!" This phrase is attributed to American Marine Sergeant Daniel Daly, supposedly used to spur his men on during the Battle of Belleau Wood. The phrase is quoted word-for-word in the song. | |
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1.0 | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_bc00493f | |
Sabaton (Music) / int_bc1a0bb1 | type |
The Last Dance | |
Sabaton (Music) / int_bc1a0bb1 | comment |
The Last Dance: "The Attack of the Dead Men" depicts one for the soldiers in question. After the Germans deployed Deadly Gas against them, the remaining defenders of Osowiec Fortres elected to mount a countercharge against the seven thousand strong German forces as they succumbed to their wounds, managing to repel the charge before the majority perished from their injuries. | |
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Sabaton (Music) / int_bc1a0bb1 | |
Sabaton (Music) / int_bc4a290 | type |
Patriot in Exile | |
Sabaton (Music) / int_bc4a290 | comment |
Patriot in Exile: The songs "Aces in Exile" and "Far from the Fame" both describe fighter pilots from Eastern Europe escaping to the UK after their countries were overrun by Nazi Germany, and fighting with the Royal Air Force against the Luftwaffe in the Battle of Britain. "Aces in Exile"'s first two choruses name-drop the Polish-crewed 303 Squadron and Czechoslovak-crewed 310 Squadron, while "Far from the Fame" is specifically about Czechoslovak Air Force Marshal Karel Janousek, who led the RAF-supplied Free Czechoslovak Air Force during the war. Janousek was later imprisoned by the postwar Soviet-aligned government. | |
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1.0 | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_bc4a290 | |
Sabaton (Music) / int_bdb5c651 | type |
Real Men Love Jesus | |
Sabaton (Music) / int_bdb5c651 | comment |
Real Men Love Jesus: The subjects of many of their songs including Charles XII and Alvin York. | |
Sabaton (Music) / int_bdb5c651 | featureApplicability |
1.0 | |
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Sabaton (Music) / int_bdb5c651 | |
Sabaton (Music) / int_be102b6a | type |
Götterdämmerung | |
Sabaton (Music) / int_be102b6a | comment |
Götterdämmerung: In the band's cover of Amon Amarth's "Twilight of the Thunder God". | |
Sabaton (Music) / int_be102b6a | featureApplicability |
1.0 | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_be102b6a | |
Sabaton (Music) / int_bf3db3 | type |
Instrumental Weapon | |
Sabaton (Music) / int_bf3db3 | comment |
Instrumental Weapon: In "The Lost Battalion", what sounds like drums is actually artillery fire set to the beat. Pistol gunfire and the sound of a bayonet piercing flesh are also used to add to the music's rhythm. In the official music video for "Bismarck", the sound of the eponymous battleship's guns firing (taken from World of Warships, which the video was produced in collaboration with) punctuate the first two choruses, but the third, coming after "his guns have gone silent at last", has no cannonfire. The official music video for "Field of Verdun" uses rifle, cannon, and machine gun fire to musical effect. | |
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1.0 | |
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Sabaton (Music) / int_bf3db3 | |
Sabaton (Music) / int_bf64a255 | type |
Rock Me, Asmodeus! | |
Sabaton (Music) / int_bf64a255 | comment |
Much of their earlier work is typical Rock Me, Asmodeus! heavy metal, but it's quickly dropped for Horrible History Metal. | |
Sabaton (Music) / int_bf64a255 | featureApplicability |
1.0 | |
Sabaton (Music) / int_bf64a255 | featureConfidence |
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Sabaton (Music) / int_bf64a255 | |
Sabaton (Music) / int_c091ce5f | type |
Samurai | |
Sabaton (Music) / int_c091ce5f | comment |
The first three singles released were "The Lost Battalion", "Blood of Bannockburn" and "Shiroyama". "The Lost Battalion" is about the eponymous battalion fighting for a week with no reinforcements in World War I; "Blood of Bannockburn" is about the Battle of Bannockburn, where the Scots managed to hold off (and win) against the numerically superior English forces; "Shiroyama" is about the Battle of Shiroyama, where 350-500 samurai were outnumbered 60 to 1 against the Imperial Japanese army. | |
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Sabaton (Music) / int_c091ce5f | |
Sabaton (Music) / int_c1105f41 | type |
Hold the Line | |
Sabaton (Music) / int_c1105f41 | comment |
"Fields of Verdun" is about the pure hell that was the French defensive effort at the eponymous fortress, a battle lasting 303 days. | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_c1105f41 | |
Sabaton (Music) / int_c1d57cf7 | type |
"The Villain Sucks" Song | |
Sabaton (Music) / int_c1d57cf7 | comment |
"The Villain Sucks" Song: "In The Name of God" is one big "The Reason You Suck" Speech to terrorists. Or religious fanatics in general. "We Burn", regarding the Yugoslavian genocide, although it's written in first person from the villain`s side. "Reign of Terror" is about Saddam Hussein and his regime. The English version of "A Lifetime of War" is about how both sides of the Thirty Years War only used the lives of their soldiers for their own gain. "Rise of Evil" and "The Final Solution" is about Adolf Hitler's rise to power and his following genocide campaign against Jews or anyone who opposed the Nazi regime. | |
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Sabaton (Music) / int_c1d57cf7 | |
Sabaton (Music) / int_c2cedc1c | type |
Big "NO!" | |
Sabaton (Music) / int_c2cedc1c | comment |
Big "NO!": At the end of 40:1, representing the loss of the Polish army after three days of fighting. | |
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1.0 | |
Sabaton (Music) / int_c2cedc1c | featureConfidence |
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Sabaton (Music) / int_c2cedc1c | |
Sabaton (Music) / int_c3585f4a | type |
Boom, Headshot! | |
Sabaton (Music) / int_c3585f4a | comment |
Boom, Headshot!: One of the French soldiers in the trench in the "Fields of Verdun" video is shot between the eyes while firing over the lip of the trench. | |
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Sabaton (Music) / int_c3585f4a | |
Sabaton (Music) / int_c4942576 | type |
Cunning Linguist | |
Sabaton (Music) / int_c4942576 | comment |
Cunning Linguist: Like most Swedes, Joakim speaks English quite well (barring the odd singular/plural mismatch in the lyrics), and can also sing in German. The concert on the deluxe version of Heroes has an amusing segment between songs where he starts teaching bits of Polish to the Swedish members of the audience and vice versanote Specifically, how to say "Another beer, please". In Polish it's "Jeszcze jedno piwo proszę", in colloquial Swedish it's "En öl till tack".), and another bit where he actually forgets to switch back from English to Swedish when giving a lottery prize to a Swede. On the live version of the "Sabaton Cruise," since it's near Sweden, Joakim speaks almost entirely in Swedish for the duration of the show. One of the few things he says in English is, "For those of you who don't speak Swedish, welcome to the Sabaton Cruise, and if you want to know what I'm saying in the future, you'd better fucking learn Swedish." | |
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Sabaton (Music) | hasFeature |
Sabaton (Music) / int_c4942576 | |
Sabaton (Music) / int_c4b8e2ae | type |
One-Woman Wail | |
Sabaton (Music) / int_c4b8e2ae | comment |
One-Woman Wail: The soundtrack version of "The End of the War to End All Wars" breaks into this at one part. | |
Sabaton (Music) / int_c4b8e2ae | featureApplicability |
1.0 | |
Sabaton (Music) / int_c4b8e2ae | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_c4b8e2ae | |
Sabaton (Music) / int_c59bf35a | type |
Ballad of X | |
Sabaton (Music) / int_c59bf35a | comment |
Ballad of X: "The Ballad of Bull" is about Leslie "Bull" Allen, an Australian soldier who saved a dozen of his fellow Australians by carrying them to safety after they were wounded. | |
Sabaton (Music) / int_c59bf35a | featureApplicability |
1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_c59bf35a | |
Sabaton (Music) / int_c6655b23 | type |
Fallen Hero | |
Sabaton (Music) / int_c6655b23 | comment |
Fallen Hero: Five of them in "Birds of War." | |
Sabaton (Music) / int_c6655b23 | featureApplicability |
1.0 | |
Sabaton (Music) / int_c6655b23 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_c6655b23 | |
Sabaton (Music) / int_c75df49a | type |
Shout-Out | |
Sabaton (Music) / int_c75df49a | comment |
Shout-Out: "Sparta" has quite a few to 300, including the Spartan's "OOH AAH!" chant. "The Last Battle" has "From the home of the brave, from the land of the free", a reference to the final line of the American national anthem. It's paired with "From the foot of the Alps to the shores of the sea", a very rough paraphrase of a line from the (no longer used) first stanza of the German anthemnote "From the Meuse to the Memel, From the Adige to the Belt". "Firestorm" has a small reference to another metal band: "Screaming Eagles" has one to a famous movie about Operation Market Garden: Bismarck sees the titular ship described as "made to rule the waves", alluding to "Rule Britannia." The background melody of "Christmas Truce" is based on "The Carol of the Bells". The chanting in the bridge section of Stormtroopers is very similar to the chanting in Balls to the Wall by Accept. | |
Sabaton (Music) / int_c75df49a | featureApplicability |
1.0 | |
Sabaton (Music) / int_c75df49a | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_c75df49a | |
Sabaton (Music) / int_cc4b45f6 | type |
Word of God | |
Sabaton (Music) / int_cc4b45f6 | comment |
Subverted with "Burn Your Crosses". If you hear it without context, you would think it's just a rant on the evils of Christianity. But Joakim Brodén has emphatically stated the song is, like all other Sabaton songs, a narrative: It's about a man about to be executed by the Spanish Inquisition who decides to go out in a blaze of glory, and the song is his speech. | |
Sabaton (Music) / int_cc4b45f6 | featureApplicability |
-0.3 | |
Sabaton (Music) / int_cc4b45f6 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_cc4b45f6 | |
Sabaton (Music) / int_ccb97ff2 | type |
Subverted Rhyme Every Occasion | |
Sabaton (Music) / int_ccb97ff2 | comment |
Subverted Rhyme Every Occasion: Played for Drama in "Christmas Truce" with the line "and the snow fell, voices sang to me from... no man's land." Given the image and reputation of the Western Front of World War I, it's pretty clear that they were evoking War Is Hell with that line. | |
Sabaton (Music) / int_ccb97ff2 | featureApplicability |
-0.3 | |
Sabaton (Music) / int_ccb97ff2 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_ccb97ff2 | |
Sabaton (Music) / int_cd809603 | type |
Tank Goodness | |
Sabaton (Music) / int_cd809603 | comment |
Tank Goodness: The band has a mad, passionate love affair with German panzers in particular, including "Ghost Division" and "Panzerkampf" from The Art of War, the latter of which covers the Battle of Kursk, one of the biggest armor confrontations in history. "Panzer Battalion" sounds like another one but is actually about the 2003 invasion of Iraq, focusing on American M1 Abrams tanks. The song "The Future of Warfare" from the "Great War" album is about the first appearance of tanks on the battlefield. The video of "Steel Commanders" likens the tank to the knights of the medieval battlefield and features a dizzying array of tanks up to the 1950s, from a British Mark I complete with a wheeled trailer for steering assistance up to Sabaton's Ace Custom Centurion from World of Tanks dueling a Red Army IS-2 and KV-1 over the bridge and last chorus. (Studio Wargaming did the CGI for the video, as they had for "Primo Victoria" and "Bismarck".) | |
Sabaton (Music) / int_cd809603 | featureApplicability |
1.0 | |
Sabaton (Music) / int_cd809603 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_cd809603 | |
Sabaton (Music) / int_ceec4df5 | type |
Roaring Rampage of Revenge | |
Sabaton (Music) / int_ceec4df5 | comment |
Roaring Rampage of Revenge: "Aces in Exile" depicts this by the Polish and Czech pilots. | |
Sabaton (Music) / int_ceec4df5 | featureApplicability |
1.0 | |
Sabaton (Music) / int_ceec4df5 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_ceec4df5 | |
Sabaton (Music) / int_cfa546f4 | type |
Mother Russia Makes You Strong | |
Sabaton (Music) / int_cfa546f4 | comment |
Mother Russia Makes You Strong: "Panzerkampf", "Night Witches," "Hill 3234" and "The Attack of the Dead Men." | |
Sabaton (Music) / int_cfa546f4 | featureApplicability |
1.0 | |
Sabaton (Music) / int_cfa546f4 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_cfa546f4 | |
Sabaton (Music) / int_cff53786 | type |
Cover Version | |
Sabaton (Music) / int_cff53786 | comment |
Cover Version: They included a cover on Metalizer and as bonus tracks on the Updated Rereleases of Primo Victoria and Attero Dominatus and on every album since Carolus Rex. Primo Victoria: "The Beast" by Twisted Sister Attero Dominatus: "Für immer" by Warlock and "Långa bollar på Bengt" by Svenne Rubins Metalizer: "Jawbreaker" by Judas Priest Carolus Rex: "Twilight of the Thunder God" by Amon Amarth, "In the Army Now" by Bolland And Bolland and Status Quo, and "Feuer Frei!" by Rammstein Heroes: "For Whom the Bell Tolls" by Metallica, "En hjältes väg" by Raubtier, and "Out of Control" by Battle Beast The Last Stand: "Camouflage" by Stan Ridgway, "All Guns Blazing" by Judas Priest, "Afraid to Shoot Strangers" by Iron Maiden, and "Burn in Hell" by Twisted Sister The single Defense of Moscow is a particularly notable example, since the original was written and produced by Russian Promoted Fanboyinvoked Radio Tapok, who made several covers of Sabaton songs in Russian, and wrote the song specifically to match Sabaton's style. In 2023, the band released "1916", a cover of a song by Motörhead about two World War I soldiers who die in the trenches. The song's music video also features members of Motörhead carrying a portrait of deceased frontman Lemmy Kilmister. | |
Sabaton (Music) / int_cff53786 | featureApplicability |
1.0 | |
Sabaton (Music) / int_cff53786 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_cff53786 | |
Sabaton (Music) / int_d0db85d0 | type |
Lyrics/Video Mismatch | |
Sabaton (Music) / int_d0db85d0 | comment |
Lyrics/Video Mismatch: "The Lost Battalion" is about an event during the Meuse-Argonne Offensive in World War I. The lyric video mistakenly depicts a World War II battlefield (the Panzer IV that's occasionally visible is a bit of a giveaway). The song "Primo Victoria" is about Operation Overlord. The video (made years later in a cross-promotion with World of Tanks) has the band driving around in a postwar British-designed Ace Custom Centurion tank and blowing up an assortment of hapless Panzers. | |
Sabaton (Music) / int_d0db85d0 | featureApplicability |
1.0 | |
Sabaton (Music) / int_d0db85d0 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_d0db85d0 | |
Sabaton (Music) / int_d389d581 | type |
Calculator Spelling | |
Sabaton (Music) / int_d389d581 | comment |
Calculator Spelling: The title of their Heavy Meta song "7734" spells "hell" in calculator spelling. This, along with various other instances of numerology in the lyrics, is meant as a parody of those who equate metal to Satanism. | |
Sabaton (Music) / int_d389d581 | featureApplicability |
1.0 | |
Sabaton (Music) / int_d389d581 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_d389d581 | |
Sabaton (Music) / int_d39e327f | type |
What the Hell, Hero? | |
Sabaton (Music) / int_d39e327f | comment |
What the Hell, Hero?: "Uprising" calls out the Allies for twice abandoning the Poles to the Nazis. First, Britain and France failed to counterattack when Hitler invaded Poland in 1939. Then in 1944, the Warsaw Uprising was timed for the Red Army to be within striking distance and the Resistance hoped to link up, but Stalin ordered his forces to turn aside, apparently hoping the Poles and Germans would wear each other out and make his own postwar occupation of Poland easier. "Ett Slag Färgat Rött" (the Swedish version of "Killing Ground") calls out the Caroleans for slaughtering Russian prisoners-of-war at Fraustadt. (The English version alludes to it in the chorus, but the Swedish lyrics devote the entire bridge stanza to it.) | |
Sabaton (Music) / int_d39e327f | featureApplicability |
1.0 | |
Sabaton (Music) / int_d39e327f | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_d39e327f | |
Sabaton (Music) / int_d3f33049 | type |
Blasphemous Boast | |
Sabaton (Music) / int_d3f33049 | comment |
Blasphemous Boast: Charles XII in "Carolus Rex". Lines such as "Crowned by God, not by the church, as my power is divine!" and "My will be done!" come to mind. | |
Sabaton (Music) / int_d3f33049 | featureApplicability |
1.0 | |
Sabaton (Music) / int_d3f33049 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_d3f33049 | |
Sabaton (Music) / int_d5661a8c | type |
The Dreaded Dreadnought | |
Sabaton (Music) / int_d5661a8c | comment |
The Dreaded Dreadnought: "Dreadnought" is about the class of battleships which, upon the completion of namesake HMS Dreadnought, immediately rendered obsolete all other warships afloat and sparked a naval arms race between Germany and the UK that contributed to the outbreak of WW1. The song portrays them as unstoppable steel titans intimidating their foes. | |
Sabaton (Music) / int_d5661a8c | featureApplicability |
1.0 | |
Sabaton (Music) / int_d5661a8c | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_d5661a8c | |
Sabaton (Music) / int_d6fce880 | type |
To the Tune of... | |
Sabaton (Music) / int_d6fce880 | comment |
To the Tune of...: The melody of "Livgardet" is based on an old Scandinavian hymn, "Härlig är Jorden", and much of the song is sung by a men's choir. | |
Sabaton (Music) / int_d6fce880 | featureApplicability |
1.0 | |
Sabaton (Music) / int_d6fce880 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_d6fce880 | |
Sabaton (Music) / int_d9d2c40b | type |
Amazon Brigade | |
Sabaton (Music) / int_d9d2c40b | comment |
Amazon Brigade: "Night Witches" is about the all-female Russian 588th Night Bomber Regiment, which kicked a lot of ass and raised a lot of hell for the Germans. | |
Sabaton (Music) / int_d9d2c40b | featureApplicability |
1.0 | |
Sabaton (Music) / int_d9d2c40b | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_d9d2c40b | |
Sabaton (Music) / int_d9e9ad7e | type |
The Cavalry | |
Sabaton (Music) / int_d9e9ad7e | comment |
The Cavalry: A literal example is provided by the Winged Hussar cavalry in "Winged Hussars". | |
Sabaton (Music) / int_d9e9ad7e | featureApplicability |
1.0 | |
Sabaton (Music) / int_d9e9ad7e | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_d9e9ad7e | |
Sabaton (Music) / int_dae0cfd5 | type |
Something Else Also Rises | |
Sabaton (Music) / int_dae0cfd5 | comment |
Something Else Also Rises: The refrain of "Metal Machine" (otherwise a Song of Song Titles celebrating metal) has Joakim variously remarking "Come hold/touch/suck my metal machine". Inverted with "The Rise of Evil". The song is ostensibly about the rise of Nazi Germany, but Brodén has been known to introduce it at concerts by saying it's about his penis. (This can be heard in Swedish on a bonus track of the Primo Victoria reissue.) | |
Sabaton (Music) / int_dae0cfd5 | featureApplicability |
1.0 | |
Sabaton (Music) / int_dae0cfd5 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_dae0cfd5 | |
Sabaton (Music) / int_dae5c997 | type |
Action Girl | |
Sabaton (Music) / int_dae5c997 | comment |
Action Girl: "Lady of the Dark" is about Milunka Savić, a Serbian woman who dressed as a man to take the place of her brother when he was conscripted for the First Balkan War. After ten deployments, she was discovered when she was wounded, but she had been such a good soldier that they didn't want to punish her, instead allowing her to serve openly in the infantry when she refused to be transferred to nursing. She went on to serve in World War I in the Serbian and later Yugoslav armies, becoming the most decorated female soldier in the recorded history of warfare, including becoming the sole female recipient of the Croix de Guerre with gold palm. And then was practically forgotten as soon as the war was over. The animated music video for the song shows her pulling off action movie-like feats, such as single-handedly capturing an enemy machine gun nest by running across the battlefield and beating up the soldiers inside in hand-to-hand combat then pointing their own machine gun at them until they surrender. | |
Sabaton (Music) / int_dae5c997 | featureApplicability |
1.0 | |
Sabaton (Music) / int_dae5c997 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_dae5c997 | |
Sabaton (Music) / int_db6230b7 | type |
Lightning Bruiser | |
Sabaton (Music) / int_db6230b7 | comment |
Lightning Bruiser: "Stormtroopers" is about the German Stoßtruppen shock troops who fiercely and furiously battled the Entente in the final German offensive of 1918 using newly developed infiltration "Hutier" tactics. Stormtroopers prioritized speed, eschewing rifles for bundles of grenades and submachineguns, to bypass enemy strongpoints and disrupt their rear areas while concentrating overwhelming force to singular points of attack. These new techniques, alongside innovative artillery deployments and a temporary advantage in manpower brought by the Russians bowing out of the war, allowed a breakthrough in the long stagnant, infamous stalemate of the Western Front making tremendous territorial gains. | |
Sabaton (Music) / int_db6230b7 | featureApplicability |
1.0 | |
Sabaton (Music) / int_db6230b7 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_db6230b7 | |
Sabaton (Music) / int_db7efdaf | type |
Adolf Hitlarious | |
Sabaton (Music) / int_db7efdaf | comment |
Adolf Hitlarious: Sabaton usually takes Hitler and the Nazis dead seriously. The exception is in Yarnhub's story video for "Christmas Truce", which features a certain German soldier with a toothbrush mustache first trying to tattle on the truce to the generals before getting hit in the head with a stray football/soccer ball, then grumpily observing the proceedings from the sidelines. | |
Sabaton (Music) / int_db7efdaf | featureApplicability |
1.0 | |
Sabaton (Music) / int_db7efdaf | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_db7efdaf | |
Sabaton (Music) / int_dba1f5b5 | type |
Ultimate Showdown of Ultimate Destiny | |
Sabaton (Music) / int_dba1f5b5 | comment |
Ultimate Showdown of Ultimate Destiny: "Dreadnought", describing the battle of Jutland: | |
Sabaton (Music) / int_dba1f5b5 | featureApplicability |
1.0 | |
Sabaton (Music) / int_dba1f5b5 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_dba1f5b5 | |
Sabaton (Music) / int_dbfd6b8 | type |
Lyrical Dissonance | |
Sabaton (Music) / int_dbfd6b8 | comment |
Lyrical Dissonance: "The Final Solution". An awesome metal song... about the horrors of the Holocaust, specifically Auschwitz. The band stopped playing that song live until their 2017 tour because they found it unsettling to see the audience cheer and headbang along. "The Price of a Mile", also a catchy, badass, upbeat song about the soldiers dying pointless deaths at Passchendaele. "Nuclear Attack" just like the two above, a catchy and more upbeat song about the dropping of the two atomic bombs on Hiroshima and Nagasaki. "We Burn" — catchy, badass song about the Srebrenica massacre. According to the Sabaton History episode, Oskar Montelius wrote the solo without actually knowing what the song was about. "Long Live The King" is a glorious, epic ballad about the death of the Swedish Empire and the titular King Charles XII, as his soldiers do everything to bring his body back to Sweden. "In The Army Now" is a badass ballad about a poor sod who gets suckered into joining the military, and it is nothing like what he expected. Zig-zagged by "To Hell And Back": On the one hand, it's a badass, uplifting song that describes the horrors in WW2 faced by Audie Murphy and even describes his struggles with PTSD in the bridge ("And all along the shore/Where cannons still roar/They're haunting my dreams/They're still there when I sleep"). On the other hand, the badass, uplifting tone fits perfectly with how the lyrics describe Murphy's triumphs and eventual recovery ("He charged and attacked/He went to Hell and back!"). So whether or not the lyrics fit the music depends on what part of the song you're looking at. "Killing Ground" is a blood-pumping song about the Caroleans slaughtering surrendering enemy soldiers at the battle of Fraustadt. Taken even further by the Swedish version "Ett Slag Färgat Rött" (literally "A Battle Painted Red"), which is much more explicit about the Swedish war crimes while being exactly as energetic as the English version. "Attero Dominatus" is a song about the Soviet sack of Berlin. Despite this, it's a catchy song with a big sing-along chorus. "Fields of Verdun" is an awesome, badass, high-energy song about the Battle of Verdun, which lasted 303 days and claimed upwards of 300,000 lives and at least 400,000 other casualties. "The Great War" as well. It might just be Sabaton's most triumphant and energetic song to date, complete with an angelic choir boasting the greatness of the War to End All War. The lyrics tell the story of a man lying in a trench next to his own brother's rotting corpse, questioning just what exactly he's even fighting for. In the end he decides it's just not his place to question and joins the charge forward, in which it's implied that he dies. | |
Sabaton (Music) / int_dbfd6b8 | featureApplicability |
1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_dbfd6b8 | |
Sabaton (Music) / int_dbfe8427 | type |
Intercourse with You | |
Sabaton (Music) / int_dbfe8427 | comment |
Intercourse with You: In the form of a Heavy Meta Shout-Out. It's easy to miss, but the first verse of "Metal Crüe" includes the line "Watch the rock bitch go down, vixen spread". Rockbitch was a relatively obscure British all-female Hard Rock band in the '90s known for playing nude and performing unsimulated sex rituals on each other during concerts. | |
Sabaton (Music) / int_dbfe8427 | featureApplicability |
1.0 | |
Sabaton (Music) / int_dbfe8427 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_dbfe8427 | |
Sabaton (Music) / int_dc1761bd | type |
A God Am I | |
Sabaton (Music) / int_dc1761bd | comment |
A God Am I: "Carolus Rex" (the song) stops just short in talking about King Charles XII's belief in the divine right of kings, portraying him as a borderline megalomaniac convinced his power comes directly from God. | |
Sabaton (Music) / int_dc1761bd | featureApplicability |
1.0 | |
Sabaton (Music) / int_dc1761bd | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_dc1761bd | |
Sabaton (Music) / int_dc4a43ea | type |
Screw Your Ultimatum! | |
Sabaton (Music) / int_dc4a43ea | comment |
Screw Your Ultimatum!: The third verse (and opening splash of the music video) of "Screaming Eagles" recounts how the commander of the 101st Airborne, defending Bastogne at the Battle of the Bulge, responded to a German surrender demand as follows: "NUTS!" | |
Sabaton (Music) / int_dc4a43ea | featureApplicability |
1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_dc4a43ea | |
Sabaton (Music) / int_dc89ddb7 | type |
Epic Ship-on-Ship Action | |
Sabaton (Music) / int_dc89ddb7 | comment |
Epic Ship-on-Ship Action: The music video for "Bismarck" depicts both of Bismarck's battles - the Battle of Denmark Straits and the Last Battle of the Bismarck.note Despite being one of the most famous naval battles in modern history, there is no commonly agreed-upon name for Bismarck's final battle. "Dreadnought" from The War to End All Wars is about the navies of World War I, and the lyrics on the bridge allude in particular to the Battle of Jutland, the largest clash of dreadnought-type battleships ever. | |
Sabaton (Music) / int_dc89ddb7 | featureApplicability |
1.0 | |
Sabaton (Music) / int_dc89ddb7 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_dc89ddb7 | |
Sabaton (Music) / int_dca6a9d | type |
Start My Own | |
Sabaton (Music) / int_dca6a9d | comment |
Start My Own: Most of the original six-piece band left to form the Horrible History Metal band Civil War in 2012 due to burnout from Sabaton's intense touring schedule (to give you an idea, for the Heroes tour they did 150 shows on several continents in six months, and even Joakim admitted it was "fucking hard"). They're still friends, though Joakim admits things were tense for a little while. | |
Sabaton (Music) / int_dca6a9d | featureApplicability |
1.0 | |
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1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_dca6a9d | |
Sabaton (Music) / int_dd082289 | type |
A Million Is a Statistic | |
Sabaton (Music) / int_dd082289 | comment |
A Million Is a Statistic: "Father" questions this in the second verse, bringing up the fact that Fritz Haber's invention of the process to manufacture ammonia for chemical fertilizer has fed billions, but he also indirectly killed tens of thousands in his role in the German chemical weapons program. | |
Sabaton (Music) / int_dd082289 | featureApplicability |
1.0 | |
Sabaton (Music) / int_dd082289 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_dd082289 | |
Sabaton (Music) / int_dd51740f | type |
P.O.V. Sequel | |
Sabaton (Music) / int_dd51740f | comment |
P.O.V. Sequel: An interesting variation happens in Heroes. Their second album's title track, "Attero Dominatus", is about the fall of Berlin, told from the perspective of the advancing Red Army. Heroes contains the song "Hearts of Iron" which is about the same event, but from the perspective of the German troops trying to protect civilians. | |
Sabaton (Music) / int_dd51740f | featureApplicability |
1.0 | |
Sabaton (Music) / int_dd51740f | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_dd51740f | |
Sabaton (Music) / int_dd92bf66 | type |
Warrior Prince | |
Sabaton (Music) / int_dd92bf66 | comment |
Warrior Prince: King Charles XII of Sweden, as per real life. | |
Sabaton (Music) / int_dd92bf66 | featureApplicability |
1.0 | |
Sabaton (Music) / int_dd92bf66 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_dd92bf66 | |
Sabaton (Music) / int_ddc4f035 | type |
Heroic Second Wind | |
Sabaton (Music) / int_ddc4f035 | comment |
Heroic Second Wind: In the "Steel Commanders" video, Sabaton's Stridsvagn K Heavy tank takes a glancing hit to the turret from an M103 and the band are knocked unconscious. They then wake up and promptly blow away the M103 at point-blank range and follow up by winning a gun duel with the FV4005 behind it. | |
Sabaton (Music) / int_ddc4f035 | featureApplicability |
1.0 | |
Sabaton (Music) / int_ddc4f035 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_ddc4f035 | |
Sabaton (Music) / int_e061cb06 | type |
Rightful King Returns | |
Sabaton (Music) / int_e061cb06 | comment |
Rightful King Returns: "Hail to the King". | |
Sabaton (Music) / int_e061cb06 | featureApplicability |
1.0 | |
Sabaton (Music) / int_e061cb06 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_e061cb06 | |
Sabaton (Music) / int_e08f95fd | type |
Everything's Louder with Bagpipes | |
Sabaton (Music) / int_e08f95fd | comment |
Everything's Louder with Bagpipes: Bagpipes not only feature in the instrumentals of "Blood of Bannockburn", a part of the main chorus is about how bagpipes are awesome. | |
Sabaton (Music) / int_e08f95fd | featureApplicability |
1.0 | |
Sabaton (Music) / int_e08f95fd | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_e08f95fd | |
Sabaton (Music) / int_e115dd80 | type |
Long-Runner Line-up | |
Sabaton (Music) / int_e115dd80 | comment |
Long-Runner Line-up: The 2000s line-up would be a solid type 4, having lasted from 2001 (when they changed drummers to Daniel Mullback) to 2012, except they added a dedicated keyboardist (Daniel Myhr) in 2005. | |
Sabaton (Music) / int_e115dd80 | featureApplicability |
1.0 | |
Sabaton (Music) / int_e115dd80 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_e115dd80 | |
Sabaton (Music) / int_e144beb6 | type |
Everything Is an Instrument | |
Sabaton (Music) / int_e144beb6 | comment |
Everything Is an Instrument: "The Lost Battalion" uses the sound of a machine gun, a 9mm pistol, and a bayonet as proxies for a kick drum, a snare drum, and a hi-hat respectively. | |
Sabaton (Music) / int_e144beb6 | featureApplicability |
1.0 | |
Sabaton (Music) / int_e144beb6 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_e144beb6 | |
Sabaton (Music) / int_e15138cf | type |
Mysterious Protector | |
Sabaton (Music) / int_e15138cf | comment |
Their cover of "Camouflage" is about a pair of Marines, title drops this trope in the lyrics, and the eponymous Camouflage takes it seriously enough that he plays Mysterious Protector to the song's protagonist despite having died the night before. | |
Sabaton (Music) / int_e15138cf | featureApplicability |
1.0 | |
Sabaton (Music) / int_e15138cf | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_e15138cf | |
Sabaton (Music) / int_e18675e6 | type |
Word Salad Lyrics | |
Sabaton (Music) / int_e18675e6 | comment |
Word Salad Lyrics: The demo version of "The Art of War" included on the reissued version of the album is pretty much a three-minute string of nonsense phrases that fit the beat. The first stanza is approximately: | |
Sabaton (Music) / int_e18675e6 | featureApplicability |
1.0 | |
Sabaton (Music) / int_e18675e6 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_e18675e6 | |
Sabaton (Music) / int_e2ccee25 | type |
Animal Motifs | |
Sabaton (Music) / int_e2ccee25 | comment |
Animal Motifs: Frequently, as many nations and/or armed forces have animals as their symbols. Most reoccurring, their songs often refer to Nazi Germany and its armed forces as "The Eagle," which was one of their symbols. Other examples include the Swedish Empire's Eagle and Lion, the Chasseurs Ardennais boar, and the Brazilian Expeditionary Forces' smoking snake, the "Screaming Eagles" (the unit nickname of the 101st Airborne Division), and the "Devil Dogs" (a nickname for the US Marines earned in World War I). | |
Sabaton (Music) / int_e2ccee25 | featureApplicability |
1.0 | |
Sabaton (Music) / int_e2ccee25 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_e2ccee25 | |
Sabaton (Music) / int_e3c36782 | type |
Call-Forward | |
Sabaton (Music) / int_e3c36782 | comment |
Call-Forward: The line "Death from above, what they now say" in "82nd All the Way". The 82nd Division was redesignated the 82nd Airborne Division in 1942, and switched its motto from "All the Way" to "Death from Above". The outro of "Versailles" foreshadows the coming of World War II: | |
Sabaton (Music) / int_e3c36782 | featureApplicability |
1.0 | |
Sabaton (Music) / int_e3c36782 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_e3c36782 | |
Sabaton (Music) / int_e5f8ceac | type |
Army of The Ages | |
Sabaton (Music) / int_e5f8ceac | comment |
Army of The Ages: The cover of The Last Stand◊ shows a battle containing ancient Spartans, The Polish Winged Hussar cavalry, Samurai, and soldiers from both world wars fighting side-by-side in Castle Itter, a WWII battleground. | |
Sabaton (Music) / int_e5f8ceac | featureApplicability |
1.0 | |
Sabaton (Music) / int_e5f8ceac | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_e5f8ceac | |
Sabaton (Music) / int_e6dea5bf | type |
Self-Backing Vocalist | |
Sabaton (Music) / int_e6dea5bf | comment |
Self-Backing Vocalist: Part of Sabaton's signature sound is a three-part harmony, which the band initially made by recording themselves singing the melody, a high tenor harmony, and a baritone harmony (nowadays they have the resources to hire a professional choir). "Primo Victoria" was their first song to use this technique. | |
Sabaton (Music) / int_e6dea5bf | featureApplicability |
1.0 | |
Sabaton (Music) / int_e6dea5bf | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_e6dea5bf | |
Sabaton (Music) / int_e6eafde0 | type |
Battle Aura | |
Sabaton (Music) / int_e6eafde0 | comment |
Battle Aura: The "spirit" of the knight in the "Steel Commanders" video managed to give the band this while inside their tank. Broden even sported a pair of Glowing Eyes of Doom behind his shades in the process. | |
Sabaton (Music) / int_e6eafde0 | featureApplicability |
1.0 | |
Sabaton (Music) / int_e6eafde0 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_e6eafde0 | |
Sabaton (Music) / int_e7db27c7 | type |
Sympathetic P.O.V. | |
Sabaton (Music) / int_e7db27c7 | comment |
Sympathetic P.O.V.: "Hearts of Iron" shows a more sympathetic side of Nazi Germany: The civilians and Punch-Clock Villain soldiers present, trying to flee from the horrors of war, while other Wehrmacht soldiers hold open the escape corridor and coordinate the evacuation of Berlin. | |
Sabaton (Music) / int_e7db27c7 | featureApplicability |
1.0 | |
Sabaton (Music) / int_e7db27c7 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_e7db27c7 | |
Sabaton (Music) / int_e8b3ee16 | type |
Ghostapo | |
Sabaton (Music) / int_e8b3ee16 | comment |
Ghostapo: While "Ghost Division" is named after the actual nickname of the 7th Panzer Division, the lyrics of the song give the division a supernatural edge by portraying them as a division of both live and Cavalry of the Dead, fed by the fear the Nazis generate. Inverted by "Night Witches", which portrays a Soviet bomber regiment nicknamed the "Night Witches" as actually having supernatural powers ("From the depths of Hell in silence/Cast their spells, explosive violence") Inverted again by "The Attack of the Dead Men", which gives a similar portrayal to a counterattack by the surviving members of a Russian unit that was hit by a German gas attack during the battle for Osowiec Fortress: | |
Sabaton (Music) / int_e8b3ee16 | featureApplicability |
1.0 | |
Sabaton (Music) / int_e8b3ee16 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_e8b3ee16 | |
Sabaton (Music) / int_e993a60f | type |
Defensive Feint Trap | |
Sabaton (Music) / int_e993a60f | comment |
Defensive Feint Trap: The song "The Art of War" describes this tactic. | |
Sabaton (Music) / int_e993a60f | featureApplicability |
1.0 | |
Sabaton (Music) / int_e993a60f | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_e993a60f | |
Sabaton (Music) / int_ea6f361f | type |
You Are Number 6 | |
Sabaton (Music) / int_ea6f361f | comment |
You Are Number 6: "Inmate 4859", a Polish soldierreal nameWitold Pilecki who infiltrated Auschwitz to command an uprising from within and tell the world of the horrors going on there. | |
Sabaton (Music) / int_ea6f361f | featureApplicability |
1.0 | |
Sabaton (Music) / int_ea6f361f | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_ea6f361f | |
Sabaton (Music) / int_eb2ede7b | type |
Everyone Is Satan in Hell | |
Sabaton (Music) / int_eb2ede7b | comment |
Everyone Is Satan in Hell: invoked Parodied with "7734", which has "hidden Satanic messages" so obvious a child could spot them. The title of the song is "HELL" in calculator spelling, and the second verse contains a bunch of numerology jokes: "the last two united and two became one" (3+4=7, so 777) "one hundred eleven / they perished in flame" (777-111=666). And also the line "Do Glatem Live", which backwards is "Evil Metal God." | |
Sabaton (Music) / int_eb2ede7b | featureApplicability |
1.0 | |
Sabaton (Music) / int_eb2ede7b | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_eb2ede7b | |
Sabaton (Music) / int_eb7c34cf | type |
Crossover | |
Sabaton (Music) / int_eb7c34cf | comment |
Crossover: Joakim guest-sang in van Canto's cover of Sabaton's "Primo Victoria". The band crosses over with Indy Neidell of TimeGhost in the Patreon-exclusive Sabaton History version of The Great War album. Each track features an introduction by Indy explaining the history behind the music. Indy also plays Lawrence Of Arabia in the video for "Seven Pillars of Wisdom" and Sir Adrian Carton de Wiart in "The Unkillable Soldier". The band also guest-starred in the video for Radio Tapok's cover of "Attack of the Dead Men", and Joakim actually sang a few lines towards the end of the song. Radio Tapok later joined Sabaton on stage during the March 2020 concert in Moscow for their live performance of "Attack of the Dead Men". The video for "Bismarck" was produced in collaboration with Wargaming in a promotion for World of Warships. Joakim Broden also joined forces with the power-metal band Grailknights on their song "Pumping Iron Power". Apocalyptica collaborated with the band for a re-recording of "Angels Calling" to promote the 2020 European tour, and Joakim returned the favor by doing vocals on their song "Live or Die". Amaranthe, also opening on that tour, covered "82nd All the Way" and got to perform it live with Sabaton in Oslo, Norway. Joakim is a Special Guest on "Pasadena 1994" by Nanowar of Steel, a Sabaton parody song about the '94 FIFA World Cup. | |
Sabaton (Music) / int_eb7c34cf | featureApplicability |
1.0 | |
Sabaton (Music) / int_eb7c34cf | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_eb7c34cf | |
Sabaton (Music) / int_eb81c601 | type |
Big Damn Heroes | |
Sabaton (Music) / int_eb81c601 | comment |
"Winged Hussars" is a subversion of this. The Siege of Vienna looked to be like this for the Austrian defenders against the Ottomans... THEN THE WINGED HUSSARS ARRIVED! Ditto "Hill 3234" and "Rorke's Drift", both of which were cases where the underdogs won.note Although "underdog" is a bit questionable with "Hill 3234": the Soviet paratroopers had artillery and air support helping them. | |
Sabaton (Music) / int_eb81c601 | featureApplicability |
1.0 | |
Sabaton (Music) / int_eb81c601 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_eb81c601 | |
Sabaton (Music) / int_eb904ee0 | type |
ArtisticLicenseAnatomy | |
Sabaton (Music) / int_eb904ee0 | comment |
Artistic License – Anatomy: On the cover art of Heroes, the American soldier basically has to dislocate his arm to Shoryuken the Nazi soldier in that manner. | |
Sabaton (Music) / int_eb904ee0 | featureApplicability |
1.0 | |
Sabaton (Music) / int_eb904ee0 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_eb904ee0 | |
Sabaton (Music) / int_ed2bbf8a | type |
You Are in Command Now | |
Sabaton (Music) / int_ed2bbf8a | comment |
You Are in Command Now: "Into the Fire" makes reference to this in a narrative about the general unpleasantness of jungle warfare in Vietnam. | |
Sabaton (Music) / int_ed2bbf8a | featureApplicability |
1.0 | |
Sabaton (Music) / int_ed2bbf8a | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_ed2bbf8a | |
Sabaton (Music) / int_ef32c393 | type |
Epic Tank-on-Tank Action | |
Sabaton (Music) / int_ef32c393 | comment |
Epic Tank-on-Tank Action: The subject of "Panzerkampf" is the Battle of Prokhorovka, part of the larger Battle of Kursk and one of the largest tank battles in history. The video for "Primo Victoria" (made for a cross-promotion with World of Tanks) has the band driving a postwar British-made Centurion tank and blasting an assortment of hilariously outclassed German tanks. The video for "Defence of Moscow" features tank battles between Panzer IIIs and T-34s interspersed in between infantry clashes and shots of the band. "Steel Commanders" is about tank warfare through history, from World War I to the present day, and features the band aboard a Stridsvagn K Heavy tank, joining a free-for-all and getting into a gunnery duel with a variety of other tanksNoteNotably, an M103 Heavy Tank, a Panhard EBR 105 Wheeled Light Tank, and an FV 4005 Tank Destroyer over the bridge and last chorus. | |
Sabaton (Music) / int_ef32c393 | featureApplicability |
1.0 | |
Sabaton (Music) / int_ef32c393 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_ef32c393 | |
Sabaton (Music) / int_ef3b4c2f | type |
Glorious Mother Russia | |
Sabaton (Music) / int_ef3b4c2f | comment |
Glorious Mother Russia: "Panzerkampf", "Night Witches", and "Hill 3234" are all about the strength of the Red Army of Russia. "Defence of Moscow", in spades. Hell, they even used their cover of the Soviet National Anthem for the bridge solo. | |
Sabaton (Music) / int_ef3b4c2f | featureApplicability |
1.0 | |
Sabaton (Music) / int_ef3b4c2f | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_ef3b4c2f | |
Sabaton (Music) / int_f06cb15 | type |
Technicolor Toxin | |
Sabaton (Music) / int_f06cb15 | comment |
Technicolor Toxin: "Father"'s music video has green poison gas (implied to be chlorine, which really *is* a shade of green) in both Fritz Haber's laborotory and on the battlefield scenes. However, real chlorine is charteruse, while the stuff Haber produced is flourescent green and faintly glowing, like cartoon toxic waste. | |
Sabaton (Music) / int_f06cb15 | featureApplicability |
1.0 | |
Sabaton (Music) / int_f06cb15 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_f06cb15 | |
Sabaton (Music) / int_f16f631d | type |
Crowd Song | |
Sabaton (Music) / int_f16f631d | comment |
Crowd Song: The video for the "1916" Cover Version depicts a huge crowd of metalheads, including the band and the surviving members of original artist Motörhead, walking the streets of Birmingham, England singing the song. | |
Sabaton (Music) / int_f16f631d | featureApplicability |
1.0 | |
Sabaton (Music) / int_f16f631d | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_f16f631d | |
Sabaton (Music) / int_f1d6144a | type |
War Is Hell | |
Sabaton (Music) / int_f1d6144a | comment |
"To Hell and Back" combines War Is Hell with War Is Glorious. | |
Sabaton (Music) / int_f1d6144a | featureApplicability |
1.0 | |
Sabaton (Music) / int_f1d6144a | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_f1d6144a | |
Sabaton (Music) / int_f243e0a7 | type |
Dangerous Deserter | |
Sabaton (Music) / int_f243e0a7 | comment |
Dangerous Deserter: "The Last Stand" is about the Sack of Rome in 1527, when the Holy Roman Imperial Army, angry due to not having been paid by the Empire for their service, mutinied and led a siege on Rome itself, joined by various gangs of bandits and other deserters. The song doesn't focus much on them, however, instead focusing on the 189 members of the Swiss Guard who fought to save the Pope by escorting him along a secret passage to the Castel Sant'Angelo, and especially the 147 who formed the rear guard and gave their lives in service to the Pope. | |
Sabaton (Music) / int_f243e0a7 | featureApplicability |
1.0 | |
Sabaton (Music) / int_f243e0a7 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_f243e0a7 | |
Sabaton (Music) / int_f390cc4d | type |
Ennio Morricone Pastiche | |
Sabaton (Music) / int_f390cc4d | comment |
Ennio Morricone Pastiche: The whistles from “To Hell And Back�. This is especially clear in the intro and the bridge. | |
Sabaton (Music) / int_f390cc4d | featureApplicability |
1.0 | |
Sabaton (Music) / int_f390cc4d | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_f390cc4d | |
Sabaton (Music) / int_f3fd818b | type |
Dark Reprise | |
Sabaton (Music) / int_f3fd818b | comment |
Within one song, "Versailles" begins by combining a sad-but-hopeful tune over the spoken history with a celebratory and triumphant melody linked with the sung lyrics, as the War to End All Wars comes to an end. Midway through, it shifts to a very creepy Dark Reprise of the latter tune, as the singer wonders whether they've really ended the war at all. | |
Sabaton (Music) / int_f3fd818b | featureApplicability |
1.0 | |
Sabaton (Music) / int_f3fd818b | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_f3fd818b | |
Sabaton (Music) / int_f54f6719 | type |
Cadre of Foreign Bodyguards | |
Sabaton (Music) / int_f54f6719 | comment |
Cadre of Foreign Bodyguards: "The Last Stand" is essentially the origin story of the Swiss Guard. At the time, they were just mercenaries hired by the Pope. Ever since, they've been the Pope's bodyguards. | |
Sabaton (Music) / int_f54f6719 | featureApplicability |
1.0 | |
Sabaton (Music) / int_f54f6719 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_f54f6719 | |
Sabaton (Music) / int_f5fe65a3 | type |
Heavy Mithril | |
Sabaton (Music) / int_f5fe65a3 | comment |
Heavy Mithril: "Shadows" is about Nazgul. "Birds of War" is about five paladins fallen to darkness and scourging a world they once protected. "Endless Nights" is about Satan waking up and unleashing Hell on Earth. | |
Sabaton (Music) / int_f5fe65a3 | featureApplicability |
1.0 | |
Sabaton (Music) / int_f5fe65a3 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_f5fe65a3 | |
Sabaton (Music) / int_f64a9cf7 | type |
Earn Your Happy Ending | |
Sabaton (Music) / int_f64a9cf7 | comment |
Earn Your Happy Ending: The final chorus of “To Hell And Back� has Audie Murphy finally triumphing over his PTSD. | |
Sabaton (Music) / int_f64a9cf7 | featureApplicability |
1.0 | |
Sabaton (Music) / int_f64a9cf7 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_f64a9cf7 | |
Sabaton (Music) / int_f765e2d3 | type |
Dying Alone | |
Sabaton (Music) / int_f765e2d3 | comment |
Dying Alone: "The Hammer has Fallen" | |
Sabaton (Music) / int_f765e2d3 | featureApplicability |
1.0 | |
Sabaton (Music) / int_f765e2d3 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_f765e2d3 | |
Sabaton (Music) / int_f770e79d | type |
Punished for Sympathy | |
Sabaton (Music) / int_f770e79d | comment |
Punished for Sympathy: "No Bullets Fly" comments that Luftwaffe pilot Franz Stigler "risked his life two times that day / To save an unknown enemy". Stigler faced a possible death sentence for helping the B-17 to safetynote Inadvertently, mind: the song leaves out that his intention was to convince the crew to either surrender or land in neutral Sweden, the latter of which would keep them safe but out of the war. Problem was, the Americans didn't understand his attempts to signal to them., and so left it out of his official report. | |
Sabaton (Music) / int_f770e79d | featureApplicability |
1.0 | |
Sabaton (Music) / int_f770e79d | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_f770e79d | |
Sabaton (Music) / int_f7cee9b | type |
Last Stand | |
Sabaton (Music) / int_f7cee9b | comment |
"Race to the Sea" is about the 1914 Last Stand of the Belgian Army at Yser, including King Albert I himself, which saw a mostly-Belgian force hang on tooth and nail to a sliver of coastal Belgium against the German Army with very little support from their French and British allies. They continued to be a thorn in the Germans' side for the rest of the war. | |
Sabaton (Music) / int_f7cee9b | featureApplicability |
1.0 | |
Sabaton (Music) / int_f7cee9b | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_f7cee9b | |
Sabaton (Music) / int_f8b511e7 | type |
Harsh Vocals | |
Sabaton (Music) / int_f8b511e7 | comment |
Harsh Vocals: Joakim Brodén's singing voice is notably deeper-pitched and gruffer than many Power Metal vocalists, but he can't actually growl. When they covered Amon Amarth's "Twilight of the Thunder God", he sang the verses in his usual voice, while producer Peter Tägtgren growled the bridge. | |
Sabaton (Music) / int_f8b511e7 | featureApplicability |
1.0 | |
Sabaton (Music) / int_f8b511e7 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_f8b511e7 | |
Sabaton (Music) / int_f8ffd45 | type |
Pictorial Letter Substitution | |
Sabaton (Music) / int_f8ffd45 | comment |
Pictorial Letter Substitution: Sabaton's logo includes a piece of plate armor as part of the S, a reference to the name of the band referring to the boot on a suit of plate. | |
Sabaton (Music) / int_f8ffd45 | featureApplicability |
1.0 | |
Sabaton (Music) / int_f8ffd45 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_f8ffd45 | |
Sabaton (Music) / int_f9c17447 | type |
The Remnant | |
Sabaton (Music) / int_f9c17447 | comment |
The Remnant: In "Race to the Sea", Belgium has been mostly occupied by Germany, but the Belgian victory at the Yser allows them to hold a sliver of land and continue participating in the Great War. | |
Sabaton (Music) / int_f9c17447 | featureApplicability |
1.0 | |
Sabaton (Music) / int_f9c17447 | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_f9c17447 | |
Sabaton (Music) / int_f9e257ff | type |
American Eagle | |
Sabaton (Music) / int_f9e257ff | comment |
American Eagle: "Screaming Eagles" is about the US Army 101st Airborne Division holding the line at Bastogne against the German Army during the Battle of the Bulge. | |
Sabaton (Music) / int_f9e257ff | featureApplicability |
1.0 | |
Sabaton (Music) / int_f9e257ff | featureConfidence |
1.0 | |
Sabaton (Music) | hasFeature |
Sabaton (Music) / int_f9e257ff | |
Sabaton (Music) / int_f9f2c33 | type |
Running Gag | |
Sabaton (Music) / int_f9f2c33 | comment |
Joakim's pants will shred at the crotch area at some point in the show, the question isn't if, it's when. At this point it's practically a Running Gag. | |
Sabaton (Music) / int_f9f2c33 | featureApplicability |
1.0 | |
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Sabaton (Music) / int_fb3576b2 | type |
The Dog Bites Back | |
Sabaton (Music) / int_fb3576b2 | comment |
The Dog Bites Back: "Panzerkampf" is about the Soviets managing to turn the tide in the Eastern front to their favor against the Nazis and "Attero Dominatus" is about them finally taking the enemy in Berlin that caused them so much harm. | |
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Sabaton (Music) / int_fbb54ba6 | type |
Forever War | |
Sabaton (Music) / int_fbb54ba6 | comment |
Forever War: "A Lifetime of War" is about the Thirty Years' War, which for some people lasted their entire lives. The Sabaton History videos for the song (covering both English and Swedish versions) go a step further, pointing out that Sweden was continuously at war with various countries for the full century covered by the Carolus Rex album. | |
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Sabaton (Music) / int_fd4a9c9d | type |
Trrrilling Rrrs | |
Sabaton (Music) / int_fd4a9c9d | comment |
Trrrilling Rrrs: Joakim's preferred accent since 2006. | |
Sabaton (Music) / int_fd4a9c9d | featureApplicability |
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Sabaton (Music) / int_fe5e40e2 | type |
Gondor Calls for Aid | |
Sabaton (Music) / int_fe5e40e2 | comment |
Gondor Calls for Aid: "Aces in Exile" is about the air forces of various nations who fought in the Battle of Britain. | |
Sabaton (Music) / int_fe5e40e2 | featureApplicability |
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Sabaton (Music) / int_ff070bbd | type |
Attack! Attack! Attack! | |
Sabaton (Music) / int_ff070bbd | comment |
Attack! Attack! Attack!: The US Marines in "Devil Dogs". | |
Sabaton (Music) / int_ff070bbd | featureApplicability |
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Sabaton (Music) / int_ffad4e9f | type |
Shown Their Work | |
Sabaton (Music) / int_ffad4e9f | comment |
Shown Their Work: Besides the accuracy (and sheer obscurity) of their songs (such as "Far from the Fame"'s Karel Janoušek, who didn't have an English Wikipedia page before the single came out), there's a particular example in "To Hell and Back": The song's chorus and a whole verse are lifted almost entirely from one of Murphy's poems. | |
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