...it's like TV Tropes, but LINKED DATA!
Medium Blending
- 1043 statements
- 202 feature instances
- 569 referencing feature instances
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Similar to Art Shift and Art-Style Clash, but instead of styles blending, it's the blending of animation/filming techniques used to tell a story. This can come in a lot of flavors like live-action in cartoons, animated segment, or animation warping. Live-action in cartoons is pretty straightforward: it just means there's a filmed part in a cartoon with live actors. An animated segment is the exact opposite, where a live-action show or movie gets a part that's given some traditional 2D, 3D, or stop-motion part. Animation warping technically keeps an animated show animated, but with a different style than the norm, like traditional 2D animation into 3D. It's probably easier to just list them all as Medium Blending for the moment, as some examples can get tricky with multiple different varieties. This is the exact opposite of how traditional special effects are used. Instead of supplementing a medium with material of a different source that is meant to blend in, this is meant to stand out. Proper examples of Medium Blending make it blatantly obvious it is different, and it sticks out on purpose. This can happen with a dose of Medium Awareness sometimes, as well. Has nothing to do with making coffee, either. A Super-Trope to Roger Rabbit Effect. See also Animated Credits Opening, Medium-Shift Gag and Sudden Video-Game Moment. Compare 2D Visuals, 3D Effects, Painted CGI, Indecisive Medium and Sprite/Polygon Mix. Has the risk of running into GIS Syndrome if done poorly. |
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InFAMOUS adopts a comic-book style for its cutscenes. The game also does this in its world building. Finding a TV will show a news anchor for USTV who recounts every one of your story mode missions, only omitting a mention of Cole / Delsin and instead claiming that the problem was solved by the government. | |
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inFAMOUS (Video Game) | hasFeature |
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Olympia Kyklos is from the same author of Thermae Romae and has the same premise: guy from ancient Greece goes back and forth from his village to 1964 Tokyo, home of the Olympic Games. The anime adaptation is made in a blend of stop-motion and CG animation, on top of that all the Ancient Greek character are claymation puppets made to look like statues, and all the Japanese characters are flat paper cutouts made to resemble kamishibai (paper theater) characters. There's also a bit of live-action here and there, mostly for Zeus' appearances. | |
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Thermae Romae (Manga) | hasFeature |
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An unusual example in the French movie The Brain (Le Cerveau, 1969). The eponymous Brain (played by David Niven) is exposing to his henchmen his plan for a future train heist... with the projection of a short animated film, starring himself. The real heist goes much less smoothly that the one shown in the animation, of course. | |
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The Brain (1969) | hasFeature |
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Brain Dump has the backgrounds and the host Max G animated in CG, with 2D Flash animated side characters Goofball and Burnbot. | |
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Brain Dump (Web Animation) | hasFeature |
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Song of the South has the animated segments for "Brer Rabbit Runs Away", "The Tar Baby", "Brer Rabbit's Laughing place", and the end of the film. | |
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Song of the South | hasFeature |
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Invention for Destruction combines live actors with all sorts of animation techniques to evoke the original illustrations in Jules Verne's books. He returned to Verne with The Stolen Airship and On the Comet, with a generous dash of Art Nouveau for good measure. | |
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Invention for Destruction | hasFeature |
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Lollipop Chainsaw's artstyle tries to look like a '70s or '80s comic book as much as possible, and succeeds in doing so. All character models have outlines around them, and the game uses a very unique and stylish shading technique in order to achieve this look. Several times, the game even shifts to a comic book illustration, like on the menus, loading screens, game over screen, character profile cards, etc. | |
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Lollipop Chainsaw (Video Game) | hasFeature |
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At the end of Princess the deceased protagonist can be seen on a beach with his sister and niece in live-action. | |
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Princess | hasFeature |
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An issue of Marvel's Count Duckula book featured a cover where Duckula interacts with a live Geraldo Rivera. | |
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Count Duckula | hasFeature |
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In K, the show's preview clips had quite an impact for their art, most notably the different mediums. There's the traditional stop-motion anime style for characters and objects in the foreground, but there are also live-action segments for some backgrounds and certain motion sequences. The styles blend in a strangely appropriate way and are conducive to the somewhat ephemeral and uncanny premise of the show. | |
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K | hasFeature |
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Joe Diffie: The official music video for "Leroy the Redneck Reindeer" initially flips between real and animated, but towards the end the mediums start mixing, with a group of live-action kids dancing with an animated Leroy and then an animated Santa subsequently joining in, and ending with Diffie and the kids (still live-action) riding along with Leroy in his truck (both animated). | |
Medium Blending / int_1ce379a6 | featureApplicability |
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Medium Blending / int_1ce379a6 | featureConfidence |
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Joe Diffie (Music) | hasFeature |
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An episode of Kamen Rider Wizard has a sequence where Nitoh tried to catch a lost bird with birdseed, only to be completely mobbed by pigeons while a bemused Haruto looks on. The entire sequence was played out as colored manga panels with voice-overs, presumably because depicting that scene in live-action would be a bit expensive. | |
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Kamen Rider Wizard | hasFeature |
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The Yatterman live-action film turns animated for a little while, oddly referencing another anime series and not itself: Tonzura's dream is a parody of Tiger Mask and one of his most famous fights, the one against Mr. NO (renamed Mr. YES for the occasion). | |
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Yatterman | hasFeature |
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In the film of the musical for Reefer Madness, there was an animated sequence where Jimmy sings about how special his brownie is. | |
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Reefer Madness | hasFeature |
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The Phantom Tollbooth begins as real-life footage, then switches entirely to an animated movie, only returning to real life all the way at the end. | |
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The Phantom Tollbooth | hasFeature |
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Big Bag, being by the creators of Sesame Street, primarily consists of puppetry but also has animated segments. | |
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Big Bag | hasFeature |
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Angel also has a Puppet Angel episode. | |
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Angel | hasFeature |
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Osmosis Jones: The movie features live-action humans with animated inner space cells and viruses, "Fantastic Voyage" Plot style. Drix is animated in cel-shaded CGI to intentionally give him more artificial-looking movements (as he is, after all, a manmade cold pill). |
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Osmosis Jones | hasFeature |
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House season 6 episode 3, "Epic Fail", has a 3D-video-games designer as Patient of the Week, and thus features several sequences animated in full CGI. Notably a Deep-Immersion Gaming moment between Thirteen and Taub, with their in-game avatars seen discussing the diagnostic while blasting monsters. Later, the patient also hallucinates the decors and characters of his game supplanting the hospital and staff, respectively. | |
Medium Blending / int_2275c659 | featureApplicability |
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Medium Blending / int_2275c659 | featureConfidence |
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House | hasFeature |
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In the That '70s Show episode "Afterglow", the scene in the circle is animated in the style of 70's Scooby-Doo after Fez says that he wishes that he was like Scooby-Doo. | |
Medium Blending / int_22d87fc9 | featureApplicability |
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That '70s Show | hasFeature |
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Lamput: The horror film Fat Doc watches in "Sleepwalking" is live-action footage of animated puppets interacting with each other, in contrast to the rest of the show being 2D animation. | |
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Lamput (Animation) | hasFeature |
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The Pixar Short Day & Night uses hand-drawn animation for the two title characters and CGI for the landscapes visible inside them. | |
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Pixar Shorts | hasFeature |
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Taco-Man Plays a Video Game: Taco-Man seems to have a live-action house. Taco-Man's Resident Evil videos place him inside the games, still rendered in 2D. |
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Taco-Man (Web Animation) | hasFeature |
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Used in the Season 2 finale of The Misfortune Of Being Ned, after Ned stumbles into Orange's kitchen. | |
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The Misfortune Of Being Ned (Web Video) | hasFeature |
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In the Fringe episode "Lysergic Acid Diethylamide", Walter, Peter and William Bell enter Olivia's mind. The world switches from live-action to a rotoscoped, cel-shaded cartoon as soon as Walter and Peter reunite with William Bell. | |
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Fringe | hasFeature |
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Moonlighting had a claymation sequence in one episode. | |
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Moonlighting | hasFeature |
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Cuphead is usually animated like an old cartoon from the '30s and '40s with flat-colored characters on top of watercolor backgrounds. Certain bosses like Djimmi and Grim Matchstick instead are set against rotating model backdrops, an homage to Fleischer Studios' "stereoptic process" used most famously in Popeye the Sailor Meets Sindbad the Sailor. | |
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Cuphead (Video Game) | hasFeature |
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Desert Punk has a bizarre live-action opening wherein some guy cosplaying as the title character cavorts about a sandy landscape with apparent glee. | |
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Desert Punk (Manga) | hasFeature |
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Grand Theft Auto 2: The live-action introduction movie. | |
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Grand Theft Auto 2 (Video Game) | hasFeature |
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3000 Whys of Blue Cat uses a mixture of 3D animation and 2D animation. The characters are all animated in 2D, while some of the objects and environments are rendered in 3D. | |
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3000 Whys of Blue Cat (Animation) | hasFeature |
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8-Bit Theater started out being entirely 8-bit, but as the years went on and it found its voice, it gradually became this trope, with 8-bit characters (mostly) and real world photographs and paintings for backgrounds. | |
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In Waltz with Bashir, the majority of the film is in two-tone, dreamlike animation until the protagonist remembers encountering a procession of women lamenting their slain husbands and children. At that point, the film switches to real footage of the aftermath of the Sabra and Shatila massacre, making it all too real for both the protagonist and the audience. | |
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Issue 346 of Motu Patlu includes a maze with Patlu. Patlu has a CGI head and a 2D body. | |
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Community has multiple episodes showing the characters as 80's animation, handpuppets or 8bit video game characters. | |
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Community | hasFeature |
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Max & the Midknights, as well as the other two books, all switch between being presented in written format and comic format quite frequently. | |
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Max & the Midknights | hasFeature |
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A School Rumble episode had Harima turn 3D when he parodied The Matrix. And Akira when she went on vacation. |
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School Rumble (Manga) | hasFeature |
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Shinya Ohira's anime sequence in Kill Bill Vol. 1, that details the violent Back Story of O-Ren Ishii. | |
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Kill Bill | hasFeature |
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The cartoon portion of Yellow Submarine concludes with a slow dissolve to the live-action Beatles. Also, the end of "All Together Now" shows photographs of a person's head flying through the air, the scene where the Beatles escape Pepperland features a montage of photographs, and George's entrance features him standing in front of tinted live-action clouds. (In case you can't tell, it's a rather odd movie!) | |
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Yellow Submarine | hasFeature |
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While most of the Dream SMP takes place on a Minecraft server (excluding content creators' facecam), there have been a couple of media-related shifts throughout the series. There have been a few scenes that take place entirely in live-action, including The Stinger of Quackity's 1st and 4th "Las Nevadas" streams (the former showing his plan to torture Dream until he gets the revive-book, and the latter being a merchandise advertisement) and the first Stinger of Wilbur's lore finale (of him returning to Utah). The second Stinger of Wilbur's lore finale is an animation by Twitter user scivious_, depicting friend the sheep being dropped off to Ghostbur via the Afterlife Express. The Wilbur Van is presented on Archive of Our Own as a short story, though this is enforced due to the content creators involved having issues in (presumably) scheduling for lore streams. |
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Dream SMP (Web Video) | hasFeature |
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Satellite City uses the Roger Rabbit Effect, filming in video on location around (presumably) the creator/star's house, with all the colorfully ghoulish bestia; interdimensional refugees being portrayed in post-production CGI. | |
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Satellite City (Web Video) | hasFeature |
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Medium Blending | |
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Moby-Dick: Owing to the obvious Shakespearean influence on the novel, some of the chapters are written as a play script. | |
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Moby-Dick | hasFeature |
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Spider-Man: Across the Spider-Verse has the Spot intruding on two alternate dimensions as his powers begin to expand. One is Earth-13122 — the LEGO Spider-Man dimension (done in stop-motion ala The LEGO Movie). The second is Earth-688 — the live-action Venom (2018) cinematic universe. Conversely, Earth-96283 and -120703 (Tobey Maguire and Andrew Garfield Spider-Man universes respectively) both appear in live-action as hologram footage in the Spider-Society, and multiple characters appear in the flesh in distinctly different styles from the world around them — such as 60s Cartoon Spidey, Insomniac's PS4 Spidey, and even Donald Glover's live-action Uncle Aaron (who may be either the MCU's iteration directly or an alternate-universe version). | |
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Spider-Man: Across the Spider-Verse | hasFeature |
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Control-wise, Kentucky Route Zero is an Adventure Game, but all its text, dialogue, and descriptions are written in stage play format and the areas have a distinct theater set design to them, and portions of the game are played as Interactive Fiction. | |
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Supernatural episode "Scoobynatural" transitions from live to cartoon when Sam, Dean and Castiel are sucked into the Scooby-Doo episode "A Night of Fright is No Delight." | |
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Supernatural | hasFeature |
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The End of Evangelion shifts to a short live-action sequence around the middle of the second half, showing shots and pans of cityscapes, crowded streets, and a theatre, set to the serene tones of "Jesu, Joy of Man's Desiring" by Johann Sebastian Bach. What is notable is that it even slyly plays a bit further with the trope by inserting quite a few fictional elements into the otherwise "real-world" shots; one of the cityscapes contains several buildings that are taken straight out of the fictional Tokyo-3's skyline, and one of the crowded street shots has Misato, Rei, and Asuka's voice actresses in cosplay as their characters with their backs to the camera. Originally a longer and more story-driven live-action sequence was planned, wherein Shinji is shown an extremely mundane (and somewhat melodramatic) alternate world where neither the Evangelions, the Angels, or NERV exists, but with the further twist that he himself doesn't exist either in this world. In this world, Asuka is in her mid-twenties and romantically involved with Toji, Rei is a normal Office Girl who's possibly sleeping with her boss, and so on. In the Gainax Ending to the series, some of the photos shown as Shinji's self-hate is discussed are also live-action. The ending of Evangelion: 3.0+1.0 Thrice Upon a Time shows Shinji and Mari leaving a train station to Ube, complete with a real life shot of the city. |
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Neon Genesis Evangelion | hasFeature |
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Pirates SMP: A vast majority of the series takes place in Minecraft, primarily livestreamed but also occasionally involving pre-recorded segments. That being said, there are some exceptions to the rule: In Owen's 1st episode, a brief flashback of his and Tubbo's first and rather violent encounter a few weeks before Day 1 is presented in live-action. The same flashback additionally serves as Tubbo's series trailer, interspersed with clips of a Minecraft adaptation of their duel (which looks significantly less dramatic by side-by-side comparison due to gameplay limitations). Several important scenes and flashbacks are animated and/or drawn, including Kuervo's introductory sequence and flashbacks to the past, as well as several major character Plotline Death scenes. Will's backstory is partially told through short stories on his content creator counterpart's Tumblr blog. |
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Pirates SMP (Web Video) | hasFeature |
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Sesame Street is mainly a puppet show, but regularly intersected with animated sequences. This alphabet segment utilizes different art styles and writing techniques. | |
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Sesame Street | hasFeature |
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The opening sequence of Puni Puni☆Poemi features Poemi's seiyuu Yumiko Kobayashi singing along to the opening song, dancing, and running along the beach, intercut with animated scenes. | |
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Puni Puni☆Poemi | hasFeature |
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Medium Blending | |
Medium Blending / int_49c05a1a | comment |
The Wubbulous World of Dr. Seuss used a mix between live-action puppets and props and CGI settings, despite only coming out less than a year after the first Toy Story movie. | |
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The Wubbulous World of Dr. Seuss | hasFeature |
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Daffy Duck appears in the cold open of one episode of The Drew Carey Show. | |
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Daffy Duck | hasFeature |
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Medium Blending / int_4be97541 | comment |
Clown Kill: When Jenny manages to escape from Charlie Boy's party with the corpses of her coworkers, we see a little stop-motion animated bit about Charlie Boy's doll, Charlie Boy Jr. | |
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Clown Kill | hasFeature |
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Medium Blending / int_4c65895d | comment |
Dinosaur, Disney's first non-Pixar CGI-animated film, actually used CGI mostly for characters and props, and live-action for the backgrounds (though with some CGI objects added). | |
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Dinosaur | hasFeature |
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Funtime with Buffy has footage from old Betty Boop cartoons playing on the TV. | |
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Funtime with Buffy (Video Game) | hasFeature |
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Monty Python and the Holy Grail, just like Flying Circus, has a few segments animated by Terry Gilliam. Sometimes the animated elements interact with the live-action, as with God or the Legendary Black Beast of Aaaaarrrrrrggghhh. | |
Medium Blending / int_4e433e78 | featureApplicability |
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Monty Python and the Holy Grail | hasFeature |
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Medium Blending | |
Medium Blending / int_4e610845 | comment |
Honey and Clover's first intro is composed entirely of real food. | |
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Honey and Clover (Manga) | hasFeature |
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Medium Blending / int_50bcf7a6 | type |
Medium Blending | |
Medium Blending / int_50bcf7a6 | comment |
Homestuck is usually a normal comic (at least in terms of art), but often shifts into animated GIFs, Flash animations, and the occasional RPG-like interactive sequence. The latter two have "[S]" before the page name; seeing [S] in an update usually indicates an inbound Wham Episode. Later, the webcomic takes this further with the introduction of Claymation. The Loose Canon Paradox Space story "A Fun Day For Jaspers" starts with two still panels, but ends an animated gif showing Rose talking as her speech becomes incomprehensible to Jaspers. |
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Homestuck (Webcomic) | hasFeature |
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Zoboomafoo is typically a live-action wildlife show, however, the segments where Zoboo describes his adventures in Zobooland are stop-motion animated with clay models, and the "Who Could It Be" segments are in hand-drawn animation. | |
Medium Blending / int_512e18cc | featureApplicability |
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Zoboomafoo | hasFeature |
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Medium Blending / int_5286ec36 | type |
Medium Blending | |
Medium Blending / int_5286ec36 | comment |
Who Framed Roger Rabbit: The entire plot focuses around living cartoons being filmed in the real world instead of being animated. The Roger Rabbit Effect trope is named after this movie. | |
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Who Framed Roger Rabbit | hasFeature |
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Medium Blending | |
Medium Blending / int_562e8a6e | comment |
Max Payne uses graphic novel panels for between-level cutscenes. | |
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Medium Blending / int_562e8a6e | featureConfidence |
1.0 | |
Max Payne (Video Game) | hasFeature |
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Medium Blending | |
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Bedknobs and Broomsticks involves the lead witch characterthe youngest of the little kids transporting the main characters into a cartoon fantasy world where they were still live-action. The effects in this film won the Oscar that year for Special Visual Effects. | |
Medium Blending / int_56afadff | featureApplicability |
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Bedknobs and Broomsticks | hasFeature |
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Medium Blending / int_57264709 | type |
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Medium Blending / int_57264709 | comment |
Hedwig and the Angry Inch has an animated segment for the song "The Origins of Love", and some of the flashback scenes of Hansel growing up. | |
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Hedwig and the Angry Inch | hasFeature |
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Medium Blending / int_585e7a79 | type |
Medium Blending | |
Medium Blending / int_585e7a79 | comment |
UHF features a dream sequence where "Weird Al" Yankovic imagines a CG version of himself playing a Psychedelic Rock Cover Version of the theme from The Beverly Hillbillies. | |
Medium Blending / int_585e7a79 | featureApplicability |
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UHF | hasFeature |
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Medium Blending / int_5a3533fe | type |
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Medium Blending / int_5a3533fe | comment |
This also happened in an episode of My Name Is Earl, where Randy accidentally took a hallucinogenic substance and started seeing everybody in claymation style. | |
Medium Blending / int_5a3533fe | featureApplicability |
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Medium Blending / int_5a3533fe | featureConfidence |
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My Name Is Earl | hasFeature |
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Medium Blending / int_5ada27d7 | type |
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Medium Blending / int_5ada27d7 | comment |
Lilpri has the second opening and ending themes. Both feature the live-action idol group the show is based on. | |
Medium Blending / int_5ada27d7 | featureApplicability |
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Medium Blending / int_5ada27d7 | featureConfidence |
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Spellbound! Magical Princess Lil'Pri | hasFeature |
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Medium Blending / int_5ada53ed | type |
Medium Blending | |
Medium Blending / int_5ada53ed | comment |
James Bond's gun barrel sequence from 1962 to 1989 featured live-action, but the filmmakers applied a blood-dripping special effect using hand-drawn animation after the shot was fired; after GoldenEye, they used computer-generated imagery for the blood. | |
Medium Blending / int_5ada53ed | featureApplicability |
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James Bond | hasFeature |
Medium Blending / int_5ada53ed | |
Medium Blending / int_5afbc0cb | type |
Medium Blending | |
Medium Blending / int_5afbc0cb | comment |
Undertale is done in a 16-bit style, like something out of a SNES game. But then you encounter the final boss of the Neutral run, a fully colored, non-pixelated Botanical Abomination that looks like someone took various parts of plants and industrial machinery and stitched them all together in Photoshop, earning it the name "Photoshop Flowey". | |
Medium Blending / int_5afbc0cb | featureApplicability |
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Undertale (Video Game) | hasFeature |
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Medium Blending / int_5b3356f8 | type |
Medium Blending | |
Medium Blending / int_5b3356f8 | comment |
Turning Red is mostly CG with some 2D anime effects on top. | |
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1.0 | |
Medium Blending / int_5b3356f8 | featureConfidence |
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Turning Red | hasFeature |
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Medium Blending / int_5c4f3607 | type |
Medium Blending | |
Medium Blending / int_5c4f3607 | comment |
A Is A shows this as characters travel between universes. In the home universe for Stargate Command, individuals appear as if they were in the live-action show. In Fairy Tail's universe, they appear as anime characters, while in Overwatch they look as if they were three-dimensional renders. | |
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A Is A (Fanfic) | hasFeature |
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Medium Blending / int_5cad8158 | type |
Medium Blending | |
Medium Blending / int_5cad8158 | comment |
Much of the premise of Lizzie McGuire centered around Lizzie's cartoon self (voiced by Hilary Duff) commenting offscreen on the live-action happenings of Lizzie's life. | |
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Lizzie McGuire | hasFeature |
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Medium Blending / int_5d354f8 | type |
Medium Blending | |
Medium Blending / int_5d354f8 | comment |
In an episode of Red Dwarf, the characters were temporarily done in Claymation-style. | |
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Red Dwarf | hasFeature |
Medium Blending / int_5d354f8 | |
Medium Blending / int_5dcdb826 | type |
Medium Blending | |
Medium Blending / int_5dcdb826 | comment |
Texhnolyze: after ending song, we can see Mind Screw shots like this. | |
Medium Blending / int_5dcdb826 | featureApplicability |
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Medium Blending / int_5dcdb826 | featureConfidence |
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Texhnolyze | hasFeature |
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Medium Blending / int_5e0991d6 | type |
Medium Blending | |
Medium Blending / int_5e0991d6 | comment |
"Too Far" features some faceless eyes watching a TV, which appears to be showing a live-action soccer game. There are also stylized musicians which appear to be playing in front of monochrome clouds. | |
Medium Blending / int_5e0991d6 | featureApplicability |
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Faceless Eye | hasFeature |
Medium Blending / int_5e0991d6 | |
Medium Blending / int_5ebd9db6 | type |
Medium Blending | |
Medium Blending / int_5ebd9db6 | comment |
In Donkey Hodie, Gregory the Elephant's eyes appear to be digitally animated rather than normal puppet eyes. | |
Medium Blending / int_5ebd9db6 | featureApplicability |
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Medium Blending / int_5ebd9db6 | featureConfidence |
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Donkey Hodie | hasFeature |
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Medium Blending / int_62ceda02 | type |
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Sonichu occasionally has this happen. Most notably the first part of Issue #6 with "One Lucky Dog" (Chris-Chan's strange tribute◊ to his beloved real-life dog,◊ Patti, who had recently passed away.◊ He turned her into an anthro,◊ SailorMoon-esque◊ cartoon superheroine in his comic). It's actually oddly and surprisingly sweet if you overlook the vague creepiness, vague inadvertent Bestiality Is Depraved vibes (the anthro-pup looks too 'sexy') and the fact that it's....well....Chris-Chan and Sonichu. | |
Medium Blending / int_62ceda02 | featureApplicability |
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Sonichu (Webcomic) | hasFeature |
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Medium Blending / int_6b7a34a1 | type |
Medium Blending | |
Medium Blending / int_6b7a34a1 | comment |
Harry Potter and the Deathly Hallows: Part 1 has an animated segment for "The Tale of the Three Brothers", the legendary story of the Deathly Hallows. It is CGI that looks like The Muppets meets The Mysterious Geographic Explorations of Jasper Morello meets The Nightmare Before Christmas. | |
Medium Blending / int_6b7a34a1 | featureApplicability |
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HarryPotterAndTheDeathlyHallowsPart1 | hasFeature |
Medium Blending / int_6b7a34a1 | |
Medium Blending / int_6bc0f10a | type |
Medium Blending | |
Medium Blending / int_6bc0f10a | comment |
In The Hitchhiker's Guide to the Galaxy (2005), this happens during the Improbability Drive shift, ending in Stopmotion. | |
Medium Blending / int_6bc0f10a | featureApplicability |
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Medium Blending / int_6bc0f10a | featureConfidence |
1.0 | |
The Hitchhiker's Guide to the Galaxy (2005) | hasFeature |
Medium Blending / int_6bc0f10a | |
Medium Blending / int_6c11bb94 | type |
Medium Blending | |
Medium Blending / int_6c11bb94 | comment |
Horton Hears a Who! (2008) shifts from CGI to Dr. Seuss-style cel animation when Horton imagines the people living on the speck, and then to Animesque (or, more accurately, Teen Titans-esque) when Horton imagines that he's a heroic ninja. | |
Medium Blending / int_6c11bb94 | featureApplicability |
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Horton Hears a Who! (2008) | hasFeature |
Medium Blending / int_6c11bb94 | |
Medium Blending / int_6d5d0e13 | type |
Medium Blending | |
Medium Blending / int_6d5d0e13 | comment |
The Disney animated film Treasure Planet, in the same vein as other animated works at the start of the new millenium such as Titan A.E. and Atlantis: The Lost Empire, utilized both traditional and computer generated animation in almost equal measure to truly impressive effect. While nearly all of these movies bombed at the box office, few would argue it was due to their animation not looking nice enough. What made Treasure Planet particularly remarkable was that the character of Cyborg John Silver had all his cybernetic parts like his leg, arm, and eye, rendered in CG while the rest of him was traditionally animated. The end result is nothing short of breathtaking. Sadly, due to the collapse of the theatrical hand-drawn animation market that took place soon thereafter, the concept of blending pure CG with hand-drawn animation never really had a proper chance to prove itself. | |
Medium Blending / int_6d5d0e13 | featureApplicability |
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Treasure Planet | hasFeature |
Medium Blending / int_6d5d0e13 | |
Medium Blending / int_6e1b85a0 | type |
Medium Blending | |
Medium Blending / int_6e1b85a0 | comment |
Revolver (2005), from Guy Ritchie of Lock, Stock & Two Smoking Barrels and Snatch. fame, has one scene in which the events and aftermath of a heist are shown in cartoon form, on a TV, during the heist! | |
Medium Blending / int_6e1b85a0 | featureApplicability |
1.0 | |
Medium Blending / int_6e1b85a0 | featureConfidence |
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Revolver (2005) | hasFeature |
Medium Blending / int_6e1b85a0 | |
Medium Blending / int_6e1d5f36 | type |
Medium Blending | |
Medium Blending / int_6e1d5f36 | comment |
The Farscape episode "Revenging Angel" not only has several Warner Bros.-esque full animation sequences, it also mixes animated characters with live-action (e.g. the Genie-like morphing Aeryn). Thanks to Crichton having a semi-lucid dream while in a coma, and Scorpius is not amused at being turned into a Looney Toon with anvils dropped on his head. | |
Medium Blending / int_6e1d5f36 | featureApplicability |
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Farscape | hasFeature |
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Medium Blending / int_6f3ca8cf | type |
Medium Blending | |
Medium Blending / int_6f3ca8cf | comment |
Shugo Chara Party! had live-action segments in between the anime segments. | |
Medium Blending / int_6f3ca8cf | featureApplicability |
1.0 | |
Medium Blending / int_6f3ca8cf | featureConfidence |
1.0 | |
Shugo Chara! (Manga) | hasFeature |
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Medium Blending / int_6f940f8f | type |
Medium Blending | |
Medium Blending / int_6f940f8f | comment |
Cool World is kind of the poor man's perverted Roger Rabbit, which featured a cartoon character who wanted to become real and succeeded by having sex with a real person to do it. | |
Medium Blending / int_6f940f8f | featureApplicability |
1.0 | |
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1.0 | |
Cool World | hasFeature |
Medium Blending / int_6f940f8f | |
Medium Blending / int_70814599 | type |
Medium Blending | |
Medium Blending / int_70814599 | comment |
Stargate SG-1: Season 8 episode "Avatar" has the characters inside a virtual reality showing up as video-game CGI on the screens. Season 10 episode "200" has a whole segment re-imagining the show with marionettes. |
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Stargate SG-1 | hasFeature |
Medium Blending / int_70814599 | |
Medium Blending / int_709a6827 | type |
Medium Blending | |
Medium Blending / int_709a6827 | comment |
Don't Eat the Neighbours: CGI is used to supplement things that would be hard to pull off with the puppets, such as distant shots showing the characters' entire bodies. Depending on the set, sometimes the CGI models are simply overlaid onto the sets and even on screen with puppet actors, or sometimes the entire shot, characters and scenery, are composed with CGI. | |
Medium Blending / int_709a6827 | featureApplicability |
1.0 | |
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1.0 | |
Don't Eat the Neighbours | hasFeature |
Medium Blending / int_709a6827 | |
Medium Blending / int_70ef7722 | type |
Medium Blending | |
Medium Blending / int_70ef7722 | comment |
Run Lola Run regularly switches to showing the title character's actions in an animated form. | |
Medium Blending / int_70ef7722 | featureApplicability |
1.0 | |
Medium Blending / int_70ef7722 | featureConfidence |
1.0 | |
Run Lola Run | hasFeature |
Medium Blending / int_70ef7722 | |
Medium Blending / int_742af508 | type |
Medium Blending | |
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Grim Fandango is a regular Sprite/Polygon Mix with 3D character sprites... except for the few scenes in the Land of the Living, which look like a weird photo collage.◊ That's right, the Land of the Living is an Acid-Trip Dimension (though it does have a somewhat appropriate in-game acronym "LOL"). | |
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Grim Fandango (Video Game) | hasFeature |
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Medium Blending | |
Medium Blending / int_747d9a6f | comment |
In [PROTOTYPE], the Web of Intrigue videos are mainly stylised live-action with a bit of game footage here and there. | |
Medium Blending / int_747d9a6f | featureApplicability |
1.0 | |
Medium Blending / int_747d9a6f | featureConfidence |
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[PROTOTYPE] / Videogame | hasFeature |
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Medium Blending / int_74d492c0 | type |
Medium Blending | |
Medium Blending / int_74d492c0 | comment |
Though most of Our Friend Power 5 is live-action, action sequences such as space-battles are done in 2D Animation. At some points, the live-action mixes with the animation, or the characters are added into the scene via rotoscoping. | |
Medium Blending / int_74d492c0 | featureApplicability |
1.0 | |
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1.0 | |
Our Friend Power 5 | hasFeature |
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Medium Blending | |
Medium Blending / int_767bf050 | comment |
Poker Night at the Inventory: Strong Bad, Pom-Pom and Tycho are cel-shaded to match the artstyle of the websites they're from, but everyone else is in their standard 3D style. Same goes for Claptrap and Brock Sampson, who appear in the sequel. | |
Medium Blending / int_767bf050 | featureApplicability |
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1.0 | |
Poker Night at the Inventory (Video Game) | hasFeature |
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Medium Blending / int_7680545c | type |
Medium Blending | |
Medium Blending / int_7680545c | comment |
The Nanny has a whole animated Christmas Episode in the same style as its usual Animated Credits Opening. | |
Medium Blending / int_7680545c | featureApplicability |
1.0 | |
Medium Blending / int_7680545c | featureConfidence |
1.0 | |
The Nanny | hasFeature |
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Medium Blending / int_7ea5e84 | type |
Medium Blending | |
Medium Blending / int_7ea5e84 | comment |
We Know the Devil uses hand-drawn character sprites over photo backgrounds for a lo-fi 80's horror aesthetic. | |
Medium Blending / int_7ea5e84 | featureApplicability |
1.0 | |
Medium Blending / int_7ea5e84 | featureConfidence |
1.0 | |
We Know the Devil (Visual Novel) | hasFeature |
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Medium Blending / int_819b8c9e | type |
Medium Blending | |
Medium Blending / int_819b8c9e | comment |
One episode of Warehouse 13 has rotoscoped segments when the characters enter a video game. | |
Medium Blending / int_819b8c9e | featureApplicability |
1.0 | |
Medium Blending / int_819b8c9e | featureConfidence |
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Warehouse 13 | hasFeature |
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Medium Blending / int_81be0396 | type |
Medium Blending | |
Medium Blending / int_81be0396 | comment |
Tsuburaya Dinosaur Trilogy: Dinosaur Squadron Bone Free is done via vehicle puppetry, Stop Motion dinosaurs and anime models (animated by Sunrise). The sequel Dinosaur War Izenborg keeps the puppetry and anime characters, but changes the dinosaurs to People in Rubber Suits. | |
Medium Blending / int_81be0396 | featureApplicability |
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1.0 | |
Tsuburaya Dinosaur Trilogy | hasFeature |
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Medium Blending / int_81dc9819 | type |
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Medium Blending / int_81dc9819 | comment |
Foamstars uses this for comedic effect in the single player campaign for Penny Gwyn, a human warrior raised by penguins. When she talks to the animals that she knows, they are depicted as photographs of the real animal, adding more visual comedic effect to the absurdity. | |
Medium Blending / int_81dc9819 | featureApplicability |
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Medium Blending / int_81dc9819 | featureConfidence |
1.0 | |
Foamstars (Video Game) | hasFeature |
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Medium Blending / int_8293d6fc | type |
Medium Blending | |
Medium Blending / int_8293d6fc | comment |
The majority of Mini Moni The Movie: Okashi na Daibōken! is all-CGI animation, with live-action footage at the beginning and end of the movie. | |
Medium Blending / int_8293d6fc | featureApplicability |
1.0 | |
Medium Blending / int_8293d6fc | featureConfidence |
1.0 | |
Mini Moni The Movie Okashi Na Daiboken | hasFeature |
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Medium Blending / int_82d5c9d9 | type |
Medium Blending | |
Medium Blending / int_82d5c9d9 | comment |
We Happy Few uses live-action black-and-white videos for Uncle Jack's shows, as is appropriate for the time period. | |
Medium Blending / int_82d5c9d9 | featureApplicability |
1.0 | |
Medium Blending / int_82d5c9d9 | featureConfidence |
1.0 | |
We Happy Few (Video Game) | hasFeature |
Medium Blending / int_82d5c9d9 | |
Medium Blending / int_833ad429 | type |
Medium Blending | |
Medium Blending / int_833ad429 | comment |
Done masterfully with several of the minigames in Daughter for Dessert, in which elements of well known video games and mobile games are inserted into the gameplay. This is especially true in the video game arcade scene when the protagonist takes either Heidi or Veronica there, and plays a faithfully reproduced 80s video game (the player has a choice between Pong, Asteroids, and Centipede). | |
Medium Blending / int_833ad429 | featureApplicability |
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Medium Blending / int_833ad429 | featureConfidence |
1.0 | |
Daughter for Dessert (Visual Novel) | hasFeature |
Medium Blending / int_833ad429 | |
Medium Blending / int_8452a366 | type |
Medium Blending | |
Medium Blending / int_8452a366 | comment |
The Cartoon Man is mostly live-action, but features a number of animated effects. There are various cartoon props, portals to a cartoon dimension, one character's cartoon eyes, and more. | |
Medium Blending / int_8452a366 | featureApplicability |
1.0 | |
Medium Blending / int_8452a366 | featureConfidence |
1.0 | |
The Cartoon Man (Web Video) | hasFeature |
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Medium Blending / int_85a9b36f | type |
Medium Blending | |
Medium Blending / int_85a9b36f | comment |
The Emoji Movie features some live-action internet memes in a predominantly animated world, including Pen Pineapple Apple Pen. | |
Medium Blending / int_85a9b36f | featureApplicability |
1.0 | |
Medium Blending / int_85a9b36f | featureConfidence |
1.0 | |
The Emoji Movie | hasFeature |
Medium Blending / int_85a9b36f | |
Medium Blending / int_87527199 | type |
Medium Blending | |
Medium Blending / int_87527199 | comment |
Team America: World Police is mostly filmed using cheap marionettes, but the sharks in Kim Jong-il's Shark Pool that devour Hans Blix are living nurse sharks (which are about one, maybe two, feet long), and the "panthers" that come close to eating Sarah and Joe are played by two black house cats. Kim Jong-il's true "alien form" is also played by a live cockroach and Kim's giant statue of himself is actually portrayed by a "living statue" mime. | |
Medium Blending / int_87527199 | featureApplicability |
1.0 | |
Medium Blending / int_87527199 | featureConfidence |
1.0 | |
Team America: World Police | hasFeature |
Medium Blending / int_87527199 | |
Medium Blending / int_889d1357 | type |
Medium Blending | |
Medium Blending / int_889d1357 | comment |
In The Stanley Dynamic, Luke is a cartoon while everything else (including his twin brother Larry) is live-action. This is justified In-Universe, since his father Lane is a cartoonist. | |
Medium Blending / int_889d1357 | featureApplicability |
1.0 | |
Medium Blending / int_889d1357 | featureConfidence |
1.0 | |
The Stanley Dynamic | hasFeature |
Medium Blending / int_889d1357 | |
Medium Blending / int_89bf8ce | type |
Medium Blending | |
Medium Blending / int_89bf8ce | comment |
Played with a few times in 30 Rock. Every once in awhile, we'll see the world through the eyes of various characters, with Kenneth seeing everyone as a happy puppet. He also appeared as a puppet with a HD camera, playing with his happy-to-an-inhuman-level attitude. | |
Medium Blending / int_89bf8ce | featureApplicability |
1.0 | |
Medium Blending / int_89bf8ce | featureConfidence |
1.0 | |
30 Rock | hasFeature |
Medium Blending / int_89bf8ce | |
Medium Blending / int_8ac42c52 | type |
Medium Blending | |
Medium Blending / int_8ac42c52 | comment |
Animator vs. Animation takes place in a realistic computer, and the original trilogy is about drawn stick figures coming to life and fighting the Animator, exploiting (and wrecking) the computer interface in the process. This trope even applies to other stick figures, as in the fourth video, the stick figures from an internet website look very different from the stick figures drawn by The Animator. And then there are video game crossovers, particularly in Animation VS Minecraft and the following AVM Shorts series. |
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Medium Blending / int_8ac42c52 | featureApplicability |
1.0 | |
Medium Blending / int_8ac42c52 | featureConfidence |
1.0 | |
Animator vs. Animation (Web Animation) | hasFeature |
Medium Blending / int_8ac42c52 | |
Medium Blending / int_8ad918d7 | type |
Medium Blending | |
Medium Blending / int_8ad918d7 | comment |
Bear in the Big Blue House was mostly a puppet show, but used animated elements to show things from character's imaginations or to show the word of the day from each episode on the screen. Up until the fourth season, there was also a regular segment in which real kids talked about stuff related to the theme of the episode. Additionally, Shadow was a shadow puppet instead of the normal puppetry and presented Shadow stories in this style. | |
Medium Blending / int_8ad918d7 | featureApplicability |
1.0 | |
Medium Blending / int_8ad918d7 | featureConfidence |
1.0 | |
Bear in the Big Blue House | hasFeature |
Medium Blending / int_8ad918d7 | |
Medium Blending / int_8ae87a20 | type |
Medium Blending | |
Medium Blending / int_8ae87a20 | comment |
The cartoon Whammies on Press Your Luck appear in front of the contestants' score and perform little skits to wipe their scores to zero. | |
Medium Blending / int_8ae87a20 | featureApplicability |
1.0 | |
Medium Blending / int_8ae87a20 | featureConfidence |
1.0 | |
Press Your Luck | hasFeature |
Medium Blending / int_8ae87a20 | |
Medium Blending / int_8c8771a | type |
Medium Blending | |
Medium Blending / int_8c8771a | comment |
The Doctor at Large episode "Change Your Partners" switches to panels from a soap operatic comic book for a confrontation between Mike Upton and Dick Stuart-Clark over the latter's romantic interest in the former's employer's daughter. | |
Medium Blending / int_8c8771a | featureApplicability |
1.0 | |
Medium Blending / int_8c8771a | featureConfidence |
1.0 | |
Doctor in the House | hasFeature |
Medium Blending / int_8c8771a | |
Medium Blending / int_8e1fd12a | type |
Medium Blending | |
Medium Blending / int_8e1fd12a | comment |
ENA interchanges pixel art and blocky Retraux 3D models for both characters and environments. The title character herself has a 2D face and right limbs but a 3D body and left limbs. | |
Medium Blending / int_8e1fd12a | featureApplicability |
1.0 | |
Medium Blending / int_8e1fd12a | featureConfidence |
1.0 | |
ENA (Web Animation) | hasFeature |
Medium Blending / int_8e1fd12a | |
Medium Blending / int_8e898734 | type |
Medium Blending | |
Medium Blending / int_8e898734 | comment |
Painkiller makes use of a graphic novel-style intro. | |
Medium Blending / int_8e898734 | featureApplicability |
1.0 | |
Medium Blending / int_8e898734 | featureConfidence |
1.0 | |
Painkiller (Video Game) | hasFeature |
Medium Blending / int_8e898734 | |
Medium Blending / int_8f59a20b | type |
Medium Blending | |
Medium Blending / int_8f59a20b | comment |
The biopic about American Splendor integrates comic book aesthetics in its presentation, like showing drawn scene transitions, comic book-style caption boxes or using an animated Harvey Pekar in a live-action backdrop, or when Harvey is annoyed by a Jewish lady keeping him stuck in the line at a convenience store with an animated version of himself expressing his thoughts and trying to convince him to take action. | |
Medium Blending / int_8f59a20b | featureApplicability |
1.0 | |
Medium Blending / int_8f59a20b | featureConfidence |
1.0 | |
American Splendor (Comic Book) | hasFeature |
Medium Blending / int_8f59a20b | |
Medium Blending / int_91b0824b | type |
Medium Blending | |
Medium Blending / int_91b0824b | comment |
Most of "The Last Days Of Dr. Wily" is filmed in live-action, except the establishing shot which depicts Wily Castle from Mega Man 2, and the montage of Mega Man: Wily Does it Himself at the end which edits together content from Mega Man, Mega Man 2, and Mega Man 3. | |
Medium Blending / int_91b0824b | featureApplicability |
1.0 | |
Medium Blending / int_91b0824b | featureConfidence |
1.0 | |
The Last Days Of Dr. Wily (Web Video) | hasFeature |
Medium Blending / int_91b0824b | |
Medium Blending / int_92a7dc65 | type |
Medium Blending | |
Medium Blending / int_92a7dc65 | comment |
Megaman Sprite Comic is a Stylistic Suck Sprite Comic, except for one strip, where Dr. Dad "changes the world", making everyone poorly-crafted 3D models. | |
Medium Blending / int_92a7dc65 | featureApplicability |
1.0 | |
Medium Blending / int_92a7dc65 | featureConfidence |
1.0 | |
Megamanspritecomic (Webcomic) | hasFeature |
Medium Blending / int_92a7dc65 | |
Medium Blending / int_939cf436 | type |
Medium Blending | |
Medium Blending / int_939cf436 | comment |
The Fairly OddParents: Fairly Odder: The show is primarily in live action. However, Cosmo, Wanda, and their associated "poof!" effects are still animated in 2D, like the original series. | |
Medium Blending / int_939cf436 | featureApplicability |
1.0 | |
Medium Blending / int_939cf436 | featureConfidence |
1.0 | |
The Fairly OddParents: Fairly Odder | hasFeature |
Medium Blending / int_939cf436 | |
Medium Blending / int_93ef8faf | type |
Medium Blending | |
Medium Blending / int_93ef8faf | comment |
The Water Babies (1978) was mostly animated but made use of live-action Book Ends. | |
Medium Blending / int_93ef8faf | featureApplicability |
1.0 | |
Medium Blending / int_93ef8faf | featureConfidence |
1.0 | |
The Water Babies (1978) | hasFeature |
Medium Blending / int_93ef8faf | |
Medium Blending / int_945f2d42 | type |
Medium Blending | |
Medium Blending / int_945f2d42 | comment |
Wapsi Square uses this trope rather effectively when showing the Calendar Machine. You can tell that this thing does not belong in this world, because 3-D models (or possibly photographs) do not belong in a 2-D cartoon. | |
Medium Blending / int_945f2d42 | featureApplicability |
1.0 | |
Medium Blending / int_945f2d42 | featureConfidence |
1.0 | |
Wapsi Square (Webcomic) | hasFeature |
Medium Blending / int_945f2d42 | |
Medium Blending / int_948f960e | type |
Medium Blending | |
Medium Blending / int_948f960e | comment |
Vision On featured several segments, each made with different techniques. The Humphrey the Tortoise segments, for example, were basically just a slideshow of pictures, while the segments featuring a miner named The Digger were fully animated, and there were several Stop Motion segments as well. | |
Medium Blending / int_948f960e | featureApplicability |
1.0 | |
Medium Blending / int_948f960e | featureConfidence |
1.0 | |
Vision On | hasFeature |
Medium Blending / int_948f960e | |
Medium Blending / int_9588284f | type |
Medium Blending | |
Medium Blending / int_9588284f | comment |
In The Congress the first third of the film is in live-action, then the rest mostly stays in a trippy 2D/rotoscope animated realm created through the use of chemical drugs, that give people some kind of collective hallucination. | |
Medium Blending / int_9588284f | featureApplicability |
1.0 | |
Medium Blending / int_9588284f | featureConfidence |
1.0 | |
The Congress | hasFeature |
Medium Blending / int_9588284f | |
Medium Blending / int_96fc8aa6 | type |
Medium Blending | |
Medium Blending / int_96fc8aa6 | comment |
Bludgeoning Angel Dokuro-chan's anime adaptation has the photograph-headed monkey and dog characters. | |
Medium Blending / int_96fc8aa6 | featureApplicability |
1.0 | |
Medium Blending / int_96fc8aa6 | featureConfidence |
1.0 | |
Bludgeoning Angel Dokuro-chan | hasFeature |
Medium Blending / int_96fc8aa6 | |
Medium Blending / int_983f2965 | type |
Medium Blending | |
Medium Blending / int_983f2965 | comment |
The Happiness of the Katakuris is a live-action film that switches to claymation during at least one action sequence. | |
Medium Blending / int_983f2965 | featureApplicability |
1.0 | |
Medium Blending / int_983f2965 | featureConfidence |
1.0 | |
The Happiness of the Katakuris | hasFeature |
Medium Blending / int_983f2965 | |
Medium Blending / int_9994a14f | type |
Medium Blending | |
Medium Blending / int_9994a14f | comment |
WALL•E is another variation. The videos we see of humanity's past are in straight live-action. The future humans of the Axiom, obese and with barely any bone mass due to a completely sedentary lifestyle, are CGI. | |
Medium Blending / int_9994a14f | featureApplicability |
1.0 | |
Medium Blending / int_9994a14f | featureConfidence |
1.0 | |
WALL•E | hasFeature |
Medium Blending / int_9994a14f | |
Medium Blending / int_9a14c430 | type |
Medium Blending | |
Medium Blending / int_9a14c430 | comment |
His and Her Circumstances is notable for this. One episode showed everyone as puppets. | |
Medium Blending / int_9a14c430 | featureApplicability |
1.0 | |
Medium Blending / int_9a14c430 | featureConfidence |
1.0 | |
His and Her Circumstances (Manga) | hasFeature |
Medium Blending / int_9a14c430 | |
Medium Blending / int_9a8bf274 | type |
Medium Blending | |
Medium Blending / int_9a8bf274 | comment |
Command & Conquer is famous for sticking with using live-action cutscenes when other companies gave up on it years ago. | |
Medium Blending / int_9a8bf274 | featureApplicability |
1.0 | |
Medium Blending / int_9a8bf274 | featureConfidence |
1.0 | |
Command & Conquer (Video Game) | hasFeature |
Medium Blending / int_9a8bf274 | |
Medium Blending / int_9b4db560 | type |
Medium Blending | |
Medium Blending / int_9b4db560 | comment |
The illustrations in One Cool Friend are in ink, ink wash, and colored pencil. A few pages mix in photos, scientific diagrams, and text. | |
Medium Blending / int_9b4db560 | featureApplicability |
1.0 | |
Medium Blending / int_9b4db560 | featureConfidence |
1.0 | |
One Cool Friend | hasFeature |
Medium Blending / int_9b4db560 | |
Medium Blending / int_9b831bdc | type |
Medium Blending | |
Medium Blending / int_9b831bdc | comment |
Episode 6 of Koongya Koongya has a moment where animated Onion Koongya is seen with a live-action Entertainment Weekly reporter. | |
Medium Blending / int_9b831bdc | featureApplicability |
1.0 | |
Medium Blending / int_9b831bdc | featureConfidence |
1.0 | |
Koongya Koongya (Animation) | hasFeature |
Medium Blending / int_9b831bdc | |
Medium Blending / int_9cefc9f8 | type |
Medium Blending | |
Medium Blending / int_9cefc9f8 | comment |
The first ending of Macross Delta consists of heavily filtered and slowed down footage of a Japanese high school, on top of which Freyja is animated. | |
Medium Blending / int_9cefc9f8 | featureApplicability |
1.0 | |
Medium Blending / int_9cefc9f8 | featureConfidence |
1.0 | |
Macross Delta | hasFeature |
Medium Blending / int_9cefc9f8 | |
Medium Blending / int_9df13d9e | type |
Medium Blending | |
Medium Blending / int_9df13d9e | comment |
The short-lived but memorable NBC series The New Adventures of Huckleberry Finn had Huck, Becky and Tom fleeing a vengeful Injun Joe across time, space, legend and fiction. The three were live-action - almost literally everything else they interacted with was animated. | |
Medium Blending / int_9df13d9e | featureApplicability |
1.0 | |
Medium Blending / int_9df13d9e | featureConfidence |
1.0 | |
HuckleberryFinn | hasFeature |
Medium Blending / int_9df13d9e | |
Medium Blending / int_9e1e1954 | type |
Medium Blending | |
Medium Blending / int_9e1e1954 | comment |
morphE is designed with this in mind. It's a webcomic made to click through (and occasionally play like) a visual novel. The reason why is that the creators envisioned the project as a visual novel but wanted to make the project a gradually updating medium. The compromise was to make a visual novel that updated 3 times a week and add interactivity elements where possible. Recently they added their first "cut scene" cinema sequence. | |
Medium Blending / int_9e1e1954 | featureApplicability |
1.0 | |
Medium Blending / int_9e1e1954 | featureConfidence |
1.0 | |
morphE (Webcomic) | hasFeature |
Medium Blending / int_9e1e1954 | |
Medium Blending / int_9e328b4a | type |
Medium Blending | |
Medium Blending / int_9e328b4a | comment |
Mr. Boop: Has live-action video segments featuring interviews with Alec. | |
Medium Blending / int_9e328b4a | featureApplicability |
1.0 | |
Medium Blending / int_9e328b4a | featureConfidence |
1.0 | |
Mr. Boop (Webcomic) | hasFeature |
Medium Blending / int_9e328b4a | |
Medium Blending / int_9e4c23a0 | type |
Medium Blending | |
Medium Blending / int_9e4c23a0 | comment |
This Is Not Fiction uses digitally painted panels for its pages, but the chapter covers are all photographs of hand-drawn paper cut-outs of the characters. | |
Medium Blending / int_9e4c23a0 | featureApplicability |
1.0 | |
Medium Blending / int_9e4c23a0 | featureConfidence |
1.0 | |
This Is Not Fiction (Webcomic) | hasFeature |
Medium Blending / int_9e4c23a0 | |
Medium Blending / int_9f3561fe | type |
Medium Blending | |
Medium Blending / int_9f3561fe | comment |
The Gravitation television series begins its first episode with a live-action sequence following the main character as he runs somewhere. It lasts for only about ten seconds before switching to the anime version of the scene, and is never used again. | |
Medium Blending / int_9f3561fe | featureApplicability |
1.0 | |
Medium Blending / int_9f3561fe | featureConfidence |
1.0 | |
Gravitation (Manga) | hasFeature |
Medium Blending / int_9f3561fe | |
Medium Blending / int_a18e538f | type |
Medium Blending | |
Medium Blending / int_a18e538f | comment |
Magician's Academy has claymation Censor Boxes. | |
Medium Blending / int_a18e538f | featureApplicability |
1.0 | |
Medium Blending / int_a18e538f | featureConfidence |
1.0 | |
Magician's Academy | hasFeature |
Medium Blending / int_a18e538f | |
Medium Blending / int_a5741aea | type |
Medium Blending | |
Medium Blending / int_a5741aea | comment |
Miles Taylor and the Golden Cape: Whenever Miles became Gilded, the book would change from a novel into a comic. | |
Medium Blending / int_a5741aea | featureApplicability |
1.0 | |
Medium Blending / int_a5741aea | featureConfidence |
1.0 | |
Miles Taylor and the Golden Cape | hasFeature |
Medium Blending / int_a5741aea | |
Medium Blending / int_a796bde8 | type |
Medium Blending | |
Medium Blending / int_a796bde8 | comment |
Metal Gear Solid will often make use of live-action clips due to its storyline's engagement with political history. As for the two PSP titles, the cutscenes are depicted in comic book-style so they wouldn't take up as much space on the UMD as 3D ones would. | |
Medium Blending / int_a796bde8 | featureApplicability |
1.0 | |
Medium Blending / int_a796bde8 | featureConfidence |
1.0 | |
Metal Gear Solid (Video Game) | hasFeature |
Medium Blending / int_a796bde8 | |
Medium Blending / int_a91bc619 | type |
Medium Blending | |
Medium Blending / int_a91bc619 | comment |
In 9 to 5, Lily Tomlin, Jane Fonda and Dolly Parton get stoned and fantasize about killing their boss. All three fit the Art Shift trope, as the fantasies are filmed in distinctly different styles from the rest of the movie, but Lily Tomlin's features adorable animated wildlife surrounding her in the office kitchen as she poisons his coffee. | |
Medium Blending / int_a91bc619 | featureApplicability |
1.0 | |
Medium Blending / int_a91bc619 | featureConfidence |
1.0 | |
9 to 5 | hasFeature |
Medium Blending / int_a91bc619 | |
Medium Blending / int_a96a7ada | type |
Medium Blending | |
Medium Blending / int_a96a7ada | comment |
Yu-Gi-Oh!: Starting with 5d's, the characters' ace monsters are typically animated in 3D, while the rest of the show is animated in 2D. | |
Medium Blending / int_a96a7ada | featureApplicability |
1.0 | |
Medium Blending / int_a96a7ada | featureConfidence |
1.0 | |
Yu-Gi-Oh! (Franchise) | hasFeature |
Medium Blending / int_a96a7ada | |
Medium Blending / int_a9c54c8d | type |
Medium Blending | |
Medium Blending / int_a9c54c8d | comment |
The classic Motu Patlu series mixes CGI-animated characters with live-action footage. Backgrounds are either rendered in CGI or live-action recordings. | |
Medium Blending / int_a9c54c8d | featureApplicability |
1.0 | |
Medium Blending / int_a9c54c8d | featureConfidence |
1.0 | |
Motu Patlu (Animation) | hasFeature |
Medium Blending / int_a9c54c8d | |
Medium Blending / int_aa78ef5c | type |
Medium Blending | |
Medium Blending / int_aa78ef5c | comment |
The Venus Wars animated movie has a few outdoor landscape scenes where the landscape is actual live-action landscape with the animated characters driving through it. | |
Medium Blending / int_aa78ef5c | featureApplicability |
1.0 | |
Medium Blending / int_aa78ef5c | featureConfidence |
1.0 | |
Venus Wars (Manga) | hasFeature |
Medium Blending / int_aa78ef5c | |
Medium Blending / int_aaa65d7e | type |
Medium Blending | |
Medium Blending / int_aaa65d7e | comment |
The ending of Evangelion: 3.0+1.0 Thrice Upon a Time shows Shinji and Mari leaving a train station to Ube, complete with a real life shot of the city. | |
Medium Blending / int_aaa65d7e | featureApplicability |
1.0 | |
Medium Blending / int_aaa65d7e | featureConfidence |
1.0 | |
Rebuild of Evangelion | hasFeature |
Medium Blending / int_aaa65d7e | |
Medium Blending / int_ac377abd | type |
Medium Blending | |
Medium Blending / int_ac377abd | comment |
Ninja the Mission Force: In "Treasures of Bruce", original animation by the guy who did Press Start Adventures is weaved in. | |
Medium Blending / int_ac377abd | featureApplicability |
1.0 | |
Medium Blending / int_ac377abd | featureConfidence |
1.0 | |
Ninja the Mission Force (Web Video) | hasFeature |
Medium Blending / int_ac377abd | |
Medium Blending / int_ac64d945 | type |
Medium Blending | |
Medium Blending / int_ac64d945 | comment |
The fireworks scene from Lt. Robin Crusoe, U.S.N. contains animated firework effects. | |
Medium Blending / int_ac64d945 | featureApplicability |
1.0 | |
Medium Blending / int_ac64d945 | featureConfidence |
1.0 | |
Lt. Robin Crusoe, U.S.N. | hasFeature |
Medium Blending / int_ac64d945 | |
Medium Blending / int_acfbff0a | type |
Medium Blending | |
Medium Blending / int_acfbff0a | comment |
Once Upon a Studio: Version 2.0 is a hypothetical extended cut of Disney's centenary short, which blends live action footage seamlessly with hand-drawn and CGI characters. This version, however, shows a longer and more epic climax, coupled with more interaction and banter between the characters. | |
Medium Blending / int_acfbff0a | featureApplicability |
1.0 | |
Medium Blending / int_acfbff0a | featureConfidence |
1.0 | |
Once Upon a Studio: Version 2.0 (Fanfic) | hasFeature |
Medium Blending / int_acfbff0a | |
Medium Blending / int_aeaf3d1b | type |
Medium Blending | |
Medium Blending / int_aeaf3d1b | comment |
Life on Mars has a claymation sequence where Sam and Gene appear in the '70s children's show Camberwick Green. | |
Medium Blending / int_aeaf3d1b | featureApplicability |
1.0 | |
Medium Blending / int_aeaf3d1b | featureConfidence |
1.0 | |
Life on Mars (2006) | hasFeature |
Medium Blending / int_aeaf3d1b | |
Medium Blending / int_af0e8780 | type |
Medium Blending | |
Medium Blending / int_af0e8780 | comment |
The anime based on High Score Girl, a story that is all about 90s arcades and video games, renders in CG the author's designs and features a lot of actual video game footage. So we have some decidedly surreal moments, such as when the protagonists are playing Mortal Kombat: two super-deformed cel-shaded CG Japanese people controlling 2D sprites of digitized real-life American people, which look "more real" than them despite the graininess. | |
Medium Blending / int_af0e8780 | featureApplicability |
1.0 | |
Medium Blending / int_af0e8780 | featureConfidence |
1.0 | |
HighScoreGirl | hasFeature |
Medium Blending / int_af0e8780 | |
Medium Blending / int_b0db8501 | type |
Medium Blending | |
Medium Blending / int_b0db8501 | comment |
Freshy Kanal: "Frodo Baggins vs. Ancient Egyptians" has animated background and the Egyptians are animated by Frodo and other The Lord of the Rings characters are portrayed by live-action actors. | |
Medium Blending / int_b0db8501 | featureApplicability |
1.0 | |
Medium Blending / int_b0db8501 | featureConfidence |
1.0 | |
Freshy Kanal (Web Video) | hasFeature |
Medium Blending / int_b0db8501 | |
Medium Blending / int_b32fa37f | type |
Medium Blending | |
Medium Blending / int_b32fa37f | comment |
The season 6 finale of Sonic for Hire suddenly shifts to a live-action background with the characters drawn in a crudely animated style as reality breaks apart. The sequence after that has the characters back to normal but the background consists of live-action Stock Footage. | |
Medium Blending / int_b32fa37f | featureApplicability |
1.0 | |
Medium Blending / int_b32fa37f | featureConfidence |
1.0 | |
Sonic for Hire (Web Animation) | hasFeature |
Medium Blending / int_b32fa37f | |
Medium Blending / int_b36b839d | type |
Medium Blending | |
Medium Blending / int_b36b839d | comment |
During Peter's backstory from Hook, he meets Wendy while trying to catch his traditionally-animated shadow. | |
Medium Blending / int_b36b839d | featureApplicability |
1.0 | |
Medium Blending / int_b36b839d | featureConfidence |
1.0 | |
Hook | hasFeature |
Medium Blending / int_b36b839d | |
Medium Blending / int_b3710357 | type |
Medium Blending | |
Medium Blending / int_b3710357 | comment |
The very first case of a movie blending live-action with CGI is, of course, Disney's TRON. Note that, given the limitation of computers at the time, a good part of said animation was still hand-drawn or hand-colored. | |
Medium Blending / int_b3710357 | featureApplicability |
1.0 | |
Medium Blending / int_b3710357 | featureConfidence |
1.0 | |
TRON | hasFeature |
Medium Blending / int_b3710357 | |
Medium Blending / int_b3933a70 | type |
Medium Blending | |
Medium Blending / int_b3933a70 | comment |
Home Improvement has the show's logo in stop-motion during the cold open. One episode has a dream sequence done in stop-motion with wooden figures. | |
Medium Blending / int_b3933a70 | featureApplicability |
1.0 | |
Medium Blending / int_b3933a70 | featureConfidence |
1.0 | |
Home Improvement | hasFeature |
Medium Blending / int_b3933a70 | |
Medium Blending / int_b48e4fd8 | type |
Medium Blending | |
Medium Blending / int_b48e4fd8 | comment |
The Missing: J.J. Macfield and the Island of Memories sometimes shows live action footage mixed in with the video game graphics in some of its cutscenes. It also tends to use real video footage of clouds for the clouds in the distance, which look less out of place. | |
Medium Blending / int_b48e4fd8 | featureApplicability |
1.0 | |
Medium Blending / int_b48e4fd8 | featureConfidence |
1.0 | |
The Missing: J.J. Macfield and the Island of Memories (Video Game) | hasFeature |
Medium Blending / int_b48e4fd8 | |
Medium Blending / int_b51b368d | type |
Medium Blending | |
Medium Blending / int_b51b368d | comment |
Ergo Proxy's intro has little live-action pigeons flying about in it. | |
Medium Blending / int_b51b368d | featureApplicability |
1.0 | |
Medium Blending / int_b51b368d | featureConfidence |
1.0 | |
Ergo Proxy | hasFeature |
Medium Blending / int_b51b368d | |
Medium Blending / int_b5d8b6f5 | type |
Medium Blending | |
Medium Blending / int_b5d8b6f5 | comment |
Chasing Shadows is told mostly in prose with comic book illustrations for Holly's visions and nightmares. | |
Medium Blending / int_b5d8b6f5 | featureApplicability |
1.0 | |
Medium Blending / int_b5d8b6f5 | featureConfidence |
1.0 | |
Chasing Shadows | hasFeature |
Medium Blending / int_b5d8b6f5 | |
Medium Blending / int_b7e0a235 | type |
Medium Blending | |
Medium Blending / int_b7e0a235 | comment |
Although The Mind's Eye series is meant to showcase advances in computer animation from the '90s, a handful of sequences use live-action videos. In the RadioShack version of The Mind's Eye (specifically the segment "Civilization Rising"), there appears to be a person magically creating a carousel of animals. The way the clothes move would have been cloth simulation too advanced for the early 90s. Beyond has a few instances of this. "Afternoon Adventure" is mostly a walkthrough of a forest with its animated components (a small bee and a larger hornet) set up to appear as if one is chasing the other. "Too Far" features some faceless eyes watching a TV, which appears to be showing a live-action soccer game. There are also stylized musicians which appear to be playing in front of monochrome clouds. "Windows" shows a string of live-action images moving into an eye. "Theater of Magic" has some live-action faces on the walls of what seems to be a museum. Seconds later, a "painting" shows a live-action shot of a building getting demolished, along with smoke that persists into the next shot.note Smoke would have been very hard, if not impossible, to do in CGI in 1992. However, a 1996 movie named Twister features a CGI tornado. The Gate's "Valley of the Mind's Eye" features an actor appearing for a few seconds inside a computer-generated building at two different points. Odyssey's "Unstoppable" features Richard Strange (who appeared as background characters from Batman (1989), Harry Potter and the Deathly Hallows: Part 1, and Robin Hood: Prince of Thieves) interacting with a computer-generated security terminal. |
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Medium Blending / int_b7e0a235 | featureApplicability |
1.0 | |
Medium Blending / int_b7e0a235 | featureConfidence |
1.0 | |
The Mind's Eye | hasFeature |
Medium Blending / int_b7e0a235 | |
Medium Blending / int_bb0cde7f | type |
Medium Blending | |
Medium Blending / int_bb0cde7f | comment |
Anchors Aweigh has Gene Kelly dancing alongside Jerry the mouse from Tom and Jerry. They wanted to use Mickey Mouse but Disney wouldn't go for it. | |
Medium Blending / int_bb0cde7f | featureApplicability |
1.0 | |
Medium Blending / int_bb0cde7f | featureConfidence |
1.0 | |
Anchors Aweigh | hasFeature |
Medium Blending / int_bb0cde7f | |
Medium Blending / int_bddc4ebe | type |
Medium Blending | |
Medium Blending / int_bddc4ebe | comment |
In the Power Rangers: Dino Thunder episode "Drawn into Danger", the Dino Thunder Rangers were trapped in a comic book, which was actually rotoscoped Bakuryuu Sentai Abaranger footage. | |
Medium Blending / int_bddc4ebe | featureApplicability |
1.0 | |
Medium Blending / int_bddc4ebe | featureConfidence |
1.0 | |
Power Rangers: Dino Thunder | hasFeature |
Medium Blending / int_bddc4ebe | |
Medium Blending / int_be0d8ec6 | type |
Medium Blending | |
Medium Blending / int_be0d8ec6 | comment |
The Sponge Bob Movie Sponge Out Of Water: When the characters come to the surface, they turn from 2D to CGI, with live-action for everything else. When SpongeBob and Plankton meet Bubbles the dolphin, they remain 2D while Bubbles is animated via stop-motion. |
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Medium Blending / int_be0d8ec6 | featureApplicability |
1.0 | |
Medium Blending / int_be0d8ec6 | featureConfidence |
1.0 | |
The SpongeBob Movie: Sponge Out of Water | hasFeature |
Medium Blending / int_be0d8ec6 | |
Medium Blending / int_be1d5042 | type |
Medium Blending | |
Medium Blending / int_be1d5042 | comment |
Happy Feet is mostly CGI, but near the end, live-action humans are superimposed into the scenes. | |
Medium Blending / int_be1d5042 | featureApplicability |
1.0 | |
Medium Blending / int_be1d5042 | featureConfidence |
1.0 | |
Happy Feet | hasFeature |
Medium Blending / int_be1d5042 | |
Medium Blending / int_be3d235e | type |
Medium Blending | |
Medium Blending / int_be3d235e | comment |
The Wind in the Willows (1995) is mostly animated but has live-action Book Ends. Its sequel The Willows in Winter (1996) did exactly the same thing. | |
Medium Blending / int_be3d235e | featureApplicability |
1.0 | |
Medium Blending / int_be3d235e | featureConfidence |
1.0 | |
The Wind in the Willows (1995) | hasFeature |
Medium Blending / int_be3d235e | |
Medium Blending / int_c01688c8 | type |
Medium Blending | |
Medium Blending / int_c01688c8 | comment |
Odyssey's "Unstoppable" features Richard Strange (who appeared as background characters from Batman (1989), Harry Potter and the Deathly Hallows: Part 1, and Robin Hood: Prince of Thieves) interacting with a computer-generated security terminal. | |
Medium Blending / int_c01688c8 | featureApplicability |
1.0 | |
Medium Blending / int_c01688c8 | featureConfidence |
1.0 | |
Batman (1989) | hasFeature |
Medium Blending / int_c01688c8 | |
Medium Blending / int_c01df100 | type |
Medium Blending | |
Medium Blending / int_c01df100 | comment |
The Wall by Pink Floyd switch back and forth between live-action and Deranged Animation. | |
Medium Blending / int_c01df100 | featureApplicability |
1.0 | |
Medium Blending / int_c01df100 | featureConfidence |
1.0 | |
The Wall (Music) | hasFeature |
Medium Blending / int_c01df100 | |
Medium Blending / int_c0d401ea | type |
Medium Blending | |
Medium Blending / int_c0d401ea | comment |
PepsiaPhobia mixes standard comic panels with animated gifs in this strip and the following one. | |
Medium Blending / int_c0d401ea | featureApplicability |
1.0 | |
Medium Blending / int_c0d401ea | featureConfidence |
1.0 | |
PepsiaPhobia (Webcomic) | hasFeature |
Medium Blending / int_c0d401ea | |
Medium Blending / int_c331df2d | type |
Medium Blending | |
Medium Blending / int_c331df2d | comment |
Tom Petty's "Running Down a Dream" video is a tribute to the works of Winsor McCay. What appears to be classic hand-drawn animation is often jarringly invaded by bits of obvious flash animation and even some CGI. All sandwiched between live-action Bookends of Tom Petty opening and closing a storybook. | |
Medium Blending / int_c331df2d | featureApplicability |
1.0 | |
Medium Blending / int_c331df2d | featureConfidence |
1.0 | |
Tom Petty (Music) | hasFeature |
Medium Blending / int_c331df2d | |
Medium Blending / int_c49480dc | type |
Medium Blending | |
Medium Blending / int_c49480dc | comment |
Battle Arena Toshinden 2's intro sequence has sequences with Eiji, Ellis and Sofia portrayed in live-action. | |
Medium Blending / int_c49480dc | featureApplicability |
1.0 | |
Medium Blending / int_c49480dc | featureConfidence |
1.0 | |
Battle Arena Toshinden (Video Game) | hasFeature |
Medium Blending / int_c49480dc | |
Medium Blending / int_c59ec4c1 | type |
Medium Blending | |
Medium Blending / int_c59ec4c1 | comment |
A rare live-action example is "Zilla" (a.k.a. "GINO") who was officially put into Godzilla canon in Godzilla: Final Wars, faithfully rendered in full CGI unlike the other monsters. The sheer cost of rendering him might explain why it's also one of the shortest battles in the series, though cynical fans loved the idea of Godzilla taking him down within a minute. It's also worth noting that the CGI used in the above scene is of lesser quality than the 1998 film. Take that as you will. | |
Medium Blending / int_c59ec4c1 | featureApplicability |
1.0 | |
Medium Blending / int_c59ec4c1 | featureConfidence |
1.0 | |
In Name Only | hasFeature |
Medium Blending / int_c59ec4c1 | |
Medium Blending / int_c7b7940 | type |
Medium Blending | |
Medium Blending / int_c7b7940 | comment |
G Idle: "Tomboy" has a Stop Motion section and stinger using dolls in an otherwise live-action video. "Nxde" has a 2D animated character appear a few times in a live-action video. |
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Medium Blending / int_c7b7940 | featureApplicability |
1.0 | |
Medium Blending / int_c7b7940 | featureConfidence |
1.0 | |
(G)I-DLE (Music) | hasFeature |
Medium Blending / int_c7b7940 | |
Medium Blending / int_ca5d97f1 | type |
Medium Blending | |
Medium Blending / int_ca5d97f1 | comment |
Monty Python's Flying Circus roughly alternates between animated and live segments. On average, there's probably more continuity between adjacent segments when they're of different media than when they're not. | |
Medium Blending / int_ca5d97f1 | featureApplicability |
1.0 | |
Medium Blending / int_ca5d97f1 | featureConfidence |
1.0 | |
Monty Python's Flying Circus | hasFeature |
Medium Blending / int_ca5d97f1 | |
Medium Blending / int_cb802e97 | type |
Medium Blending | |
Medium Blending / int_cb802e97 | comment |
The ending sequence of Macross Dynamite 7 is made travelogue-style footage of places and cultures around the world with Basara's animated self inserted there in some way, singing the ending song. The first ending of Macross Delta consists of heavily filtered and slowed down footage of a Japanese high school, on top of which Freyja is animated. |
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Medium Blending / int_cb802e97 | featureApplicability |
1.0 | |
Medium Blending / int_cb802e97 | featureConfidence |
1.0 | |
Macross 7 | hasFeature |
Medium Blending / int_cb802e97 | |
Medium Blending / int_ce133407 | type |
Medium Blending | |
Medium Blending / int_ce133407 | comment |
Crystal Heroes consists mostly of normal comic pages, but there is one scene consisting of a mini RPG made in RPG Maker. | |
Medium Blending / int_ce133407 | featureApplicability |
1.0 | |
Medium Blending / int_ce133407 | featureConfidence |
1.0 | |
Crystal Heroes (Webcomic) | hasFeature |
Medium Blending / int_ce133407 | |
Medium Blending / int_cf3d284a | type |
Medium Blending | |
Medium Blending / int_cf3d284a | comment |
The animated Raggedy Ann & Andy: A Musical Adventure (1977) includes a live-action wraparound featuring Marcella. | |
Medium Blending / int_cf3d284a | featureApplicability |
1.0 | |
Medium Blending / int_cf3d284a | featureConfidence |
1.0 | |
Raggedy Ann & Andy: A Musical Adventure | hasFeature |
Medium Blending / int_cf3d284a | |
Medium Blending / int_cfb3439a | type |
Medium Blending | |
Medium Blending / int_cfb3439a | comment |
Brütal Legend's pre-title screen (and title screen-slash-menu) are live-action starring Jack Black (presumably as himself in this case) showing you the Brutal Legend album. The rest of the game uses a stylized style. | |
Medium Blending / int_cfb3439a | featureApplicability |
1.0 | |
Medium Blending / int_cfb3439a | featureConfidence |
1.0 | |
Brütal Legend (Video Game) | hasFeature |
Medium Blending / int_cfb3439a | |
Medium Blending / int_d1a47400 | type |
Medium Blending | |
Medium Blending / int_d1a47400 | comment |
The Outside Circle: During a speech about the Residential School program, the comic shows photos taken from Residential Schools of kids praying in their beds, and taking part in a group photo. | |
Medium Blending / int_d1a47400 | featureApplicability |
1.0 | |
Medium Blending / int_d1a47400 | featureConfidence |
1.0 | |
The Outside Circle (Comic Book) | hasFeature |
Medium Blending / int_d1a47400 | |
Medium Blending / int_d202ce96 | type |
Medium Blending | |
Medium Blending / int_d202ce96 | comment |
The Pagemaster is all about a real boy who got seemingly trapped in an animated storybook world where he not only experiences common fantasy elements of childrens' stories, but has GENRES follow him around in the embodiment of living books. | |
Medium Blending / int_d202ce96 | featureApplicability |
1.0 | |
Medium Blending / int_d202ce96 | featureConfidence |
1.0 | |
The Pagemaster | hasFeature |
Medium Blending / int_d202ce96 | |
Medium Blending / int_d22a9a66 | type |
Medium Blending | |
Medium Blending / int_d22a9a66 | comment |
Pleasant Goat and Big Big Wolf: Around the World in 20 Days'' is about the characters exploring the world expo in Shanghai. The series incorporates real photos of the expo and the countries featured while still featuring the normal animated characters. | |
Medium Blending / int_d22a9a66 | featureApplicability |
1.0 | |
Medium Blending / int_d22a9a66 | featureConfidence |
1.0 | |
Pleasant Goat and Big Big Wolf (Animation) | hasFeature |
Medium Blending / int_d22a9a66 | |
Medium Blending / int_d2a88553 | type |
Medium Blending | |
Medium Blending / int_d2a88553 | comment |
Persona 3 Reload: A few of the cutscenes are animated in an anime style, instead of being done in-engine. | |
Medium Blending / int_d2a88553 | featureApplicability |
1.0 | |
Medium Blending / int_d2a88553 | featureConfidence |
1.0 | |
Persona 3 Reload (Video Game) | hasFeature |
Medium Blending / int_d2a88553 | |
Medium Blending / int_d452935b | type |
Medium Blending | |
Medium Blending / int_d452935b | comment |
Scott Pilgrim vs. The World has segments animated in the style of the comics, usually during Ramona's flashbacks. The movie also features Written Sound Effects and video-game style effects, taken straight from the comics. | |
Medium Blending / int_d452935b | featureApplicability |
1.0 | |
Medium Blending / int_d452935b | featureConfidence |
1.0 | |
Scott Pilgrim vs. The World | hasFeature |
Medium Blending / int_d452935b | |
Medium Blending / int_d4ab5d5a | type |
Medium Blending | |
Medium Blending / int_d4ab5d5a | comment |
"Theater of Magic" has some live-action faces on the walls of what seems to be a museum. Seconds later, a "painting" shows a live-action shot of a building getting demolished, along with smoke that persists into the next shot.note Smoke would have been very hard, if not impossible, to do in CGI in 1992. However, a 1996 movie named Twister features a CGI tornado. | |
Medium Blending / int_d4ab5d5a | featureApplicability |
1.0 | |
Medium Blending / int_d4ab5d5a | featureConfidence |
1.0 | |
Twister | hasFeature |
Medium Blending / int_d4ab5d5a | |
Medium Blending / int_d6feeedf | type |
Medium Blending | |
Medium Blending / int_d6feeedf | comment |
Blitzcrafter features animations and flashes, along with scenes rendered using predrawn sprites instead of the typical artwork. | |
Medium Blending / int_d6feeedf | featureApplicability |
1.0 | |
Medium Blending / int_d6feeedf | featureConfidence |
1.0 | |
Blitzcrafter (Webcomic) | hasFeature |
Medium Blending / int_d6feeedf | |
Medium Blending / int_d71882ce | type |
Medium Blending | |
Medium Blending / int_d71882ce | comment |
Pete's Dragon (1977) has the Dragon animated while the rest of the movie is live-action. | |
Medium Blending / int_d71882ce | featureApplicability |
1.0 | |
Medium Blending / int_d71882ce | featureConfidence |
1.0 | |
Pete's Dragon (1977) | hasFeature |
Medium Blending / int_d71882ce | |
Medium Blending / int_d7c808bc | type |
Medium Blending | |
Medium Blending / int_d7c808bc | comment |
Tom & Jerry (2021) is set in a world where every animal is a cartoon, even cuts of meat, while all humans are live action. | |
Medium Blending / int_d7c808bc | featureApplicability |
1.0 | |
Medium Blending / int_d7c808bc | featureConfidence |
1.0 | |
Tom & Jerry (2021) | hasFeature |
Medium Blending / int_d7c808bc | |
Medium Blending / int_d8040caa | type |
Medium Blending | |
Medium Blending / int_d8040caa | comment |
Space Jam has the Looney Tunes line up come to the real world to ask for Michael Jordan's help in a basketball game versus alien monsters. | |
Medium Blending / int_d8040caa | featureApplicability |
1.0 | |
Medium Blending / int_d8040caa | featureConfidence |
1.0 | |
Space Jam | hasFeature |
Medium Blending / int_d8040caa | |
Medium Blending / int_d9c602eb | type |
Medium Blending | |
Medium Blending / int_d9c602eb | comment |
And a shift to South Park-style cutouts when Amarao gets a haircut. | |
Medium Blending / int_d9c602eb | featureApplicability |
1.0 | |
Medium Blending / int_d9c602eb | featureConfidence |
1.0 | |
South Park | hasFeature |
Medium Blending / int_d9c602eb | |
Medium Blending / int_da92c130 | type |
Medium Blending | |
Medium Blending / int_da92c130 | comment |
Erfworld is almost entirely drawn in 2D — except for the Arkentools, which are rendered in 3D CGI. | |
Medium Blending / int_da92c130 | featureApplicability |
1.0 | |
Medium Blending / int_da92c130 | featureConfidence |
1.0 | |
Erfworld (Webcomic) | hasFeature |
Medium Blending / int_da92c130 | |
Medium Blending / int_dde972ab | type |
Medium Blending | |
Medium Blending / int_dde972ab | comment |
Pretty Rhythm Aurora Dream has live-action segments at the end of each episode. | |
Medium Blending / int_dde972ab | featureApplicability |
1.0 | |
Medium Blending / int_dde972ab | featureConfidence |
1.0 | |
Pretty Rhythm Aurora Dream | hasFeature |
Medium Blending / int_dde972ab | |
Medium Blending / int_df76da7e | type |
Medium Blending | |
Medium Blending / int_df76da7e | comment |
Mirror's Edge makes use of 2D Flash animation in its cutscenes, which also serve as loading screens, just before each level, which tends to come across as a sharp contrast to the actual in-game 8 character designs and first-person cinematics. | |
Medium Blending / int_df76da7e | featureApplicability |
1.0 | |
Medium Blending / int_df76da7e | featureConfidence |
1.0 | |
Mirror's Edge (Video Game) | hasFeature |
Medium Blending / int_df76da7e | |
Medium Blending / int_e05681a1 | type |
Medium Blending | |
Medium Blending / int_e05681a1 | comment |
The Kick-Ass movie references its origins by integrating some comic book aesthetics. There are occasional caption boxes on the screen saying stuff like "Meanwhile..." and Macready's backstory is told entirely in drawings, which is framed as a character reading a comic-book adaptation of the tale. | |
Medium Blending / int_e05681a1 | featureApplicability |
1.0 | |
Medium Blending / int_e05681a1 | featureConfidence |
1.0 | |
Kick-Ass | hasFeature |
Medium Blending / int_e05681a1 | |
Medium Blending / int_e08fec3a | type |
Medium Blending | |
Medium Blending / int_e08fec3a | comment |
Mary Poppins and Mary Poppins Returns have the main characters interact with animated characters inside Bert's paintings. | |
Medium Blending / int_e08fec3a | featureApplicability |
1.0 | |
Medium Blending / int_e08fec3a | featureConfidence |
1.0 | |
Mary Poppins | hasFeature |
Medium Blending / int_e08fec3a | |
Medium Blending / int_e1c146ed | type |
Medium Blending | |
Medium Blending / int_e1c146ed | comment |
In the intro of Idol Angel Yokoso Yoko we see live-action footage of Yoko Tanaka juxtaposed with her animated counterpart, the fictional Yoko-sa. The anime is actually based on her life and she sang the OP. See here. | |
Medium Blending / int_e1c146ed | featureApplicability |
1.0 | |
Medium Blending / int_e1c146ed | featureConfidence |
1.0 | |
Idol Angel Yokoso Yoko | hasFeature |
Medium Blending / int_e1c146ed | |
Medium Blending / int_e1c456d2 | type |
Medium Blending | |
Medium Blending / int_e1c456d2 | comment |
Hero & Amy: 3D models are mixed with 2D backgrounds. | |
Medium Blending / int_e1c456d2 | featureApplicability |
1.0 | |
Medium Blending / int_e1c456d2 | featureConfidence |
1.0 | |
Turtle Hero (Animation) | hasFeature |
Medium Blending / int_e1c456d2 | |
Medium Blending / int_e25322af | type |
Medium Blending | |
Medium Blending / int_e25322af | comment |
Homestar Runner uses several different varieties of Art Shift meant to resemble different techniques, but most of them are all still just animated in Flash and don't count. The most notable genuine example of Medium Blending would have to be the puppet segments and the band Limozeen. Also, the Peasant's Quest Movie Trailer, Strong Mad's claymation short "Doug the Dino" in the email "the facts", and the music video in "death metal" (with a live-action intro and stop-motion "creeping, rusty meat"). | |
Medium Blending / int_e25322af | featureApplicability |
1.0 | |
Medium Blending / int_e25322af | featureConfidence |
1.0 | |
Homestar Runner (Web Animation) | hasFeature |
Medium Blending / int_e25322af | |
Medium Blending / int_e3a1067 | type |
Medium Blending | |
Medium Blending / int_e3a1067 | comment |
Panty & Stocking with Garterbelt: The series is done almost entirely in Thick-Line Animation, but when the Monster of the Week blows up, the show cuts to a blatantly obvious live-action model on an equally obvious city set, possibly as a reference to Super Sentai. In the last episode, Panty and Stocking's ultimate attack is the live-action lower half of a women (possibly their mother) wearing lingerie coming down through the clouds to stomp Corset to death. Unlike the ghost explosions, this was shown together with the animation, which a DVD extra shows was quite difficult to produce. |
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Medium Blending / int_e3a1067 | featureApplicability |
1.0 | |
Medium Blending / int_e3a1067 | featureConfidence |
1.0 | |
Panty & Stocking with Garterbelt | hasFeature |
Medium Blending / int_e3a1067 | |
Medium Blending / int_e4b6304a | type |
Medium Blending | |
Medium Blending / int_e4b6304a | comment |
Mr Plastimime has the characters animated in Claymation style (with their faces being animated in 2D style), while the backgrounds are all CG. | |
Medium Blending / int_e4b6304a | featureApplicability |
1.0 | |
Medium Blending / int_e4b6304a | featureConfidence |
1.0 | |
Mr Plastimime (Web Animation) | hasFeature |
Medium Blending / int_e4b6304a | |
Medium Blending / int_e5d5d23c | type |
Medium Blending | |
Medium Blending / int_e5d5d23c | comment |
In Doom, most of the enemy sprites, as well as Doomguy's, are made with Stop Motion, but some like the Imp and Cacodemon are hand-drawn, and the Former Humans are Head Swaps of Doomguy whose heads were hand-drawn rather than clay models. Nonetheless, they all blend seemlessly. | |
Medium Blending / int_e5d5d23c | featureApplicability |
1.0 | |
Medium Blending / int_e5d5d23c | featureConfidence |
1.0 | |
Doom (Video Game) | hasFeature |
Medium Blending / int_e5d5d23c | |
Medium Blending / int_e876edc8 | type |
Medium Blending | |
Medium Blending / int_e876edc8 | comment |
This trope is Winter Days' bread-and-butter. The various segments use hand-drawn animation, 3D animation, stop-motion, puppetry, cut-out animation, paint-on-glass animation, cel animation, pinscreen animation, and more. | |
Medium Blending / int_e876edc8 | featureApplicability |
1.0 | |
Medium Blending / int_e876edc8 | featureConfidence |
1.0 | |
Winter Days | hasFeature |
Medium Blending / int_e876edc8 | |
Medium Blending / int_e8925ff4 | type |
Medium Blending | |
Medium Blending / int_e8925ff4 | comment |
A printed ad for Admiral televisions in 1958 featured a live Arthur Godfrey interacting with Ruff and Reddy over the set's features. | |
Medium Blending / int_e8925ff4 | featureApplicability |
1.0 | |
Medium Blending / int_e8925ff4 | featureConfidence |
1.0 | |
The Ruff & Reddy Show | hasFeature |
Medium Blending / int_e8925ff4 | |
Medium Blending / int_e966997 | type |
Medium Blending | |
Medium Blending / int_e966997 | comment |
In a 2001 spot for the National Cheese Board, a city (live-action with live citizens) is getting decimated from an alien invasion. The citizens look into a window pleading for help. The figure they're pleading to is Mighty Mouse, who motions for them to wait until he leisurely finishes his cheese snack. The spot was pulled soon after as many thought it was too close after the 9/11 attacks. | |
Medium Blending / int_e966997 | featureApplicability |
1.0 | |
Medium Blending / int_e966997 | featureConfidence |
1.0 | |
Mighty Mouse | hasFeature |
Medium Blending / int_e966997 | |
Medium Blending / int_ea588bf6 | type |
Medium Blending | |
Medium Blending / int_ea588bf6 | comment |
In Uncle Albert's Adventures, the pages' art includes water color paintings and a few photos, the animals and some others assets are sprites made out of 3D models, while the cutscenes about Uncle Albert use live-action footage. | |
Medium Blending / int_ea588bf6 | featureApplicability |
1.0 | |
Medium Blending / int_ea588bf6 | featureConfidence |
1.0 | |
Uncle Albert's Adventures (Video Game) | hasFeature |
Medium Blending / int_ea588bf6 | |
Medium Blending / int_ef8b9cf2 | type |
Medium Blending | |
Medium Blending / int_ef8b9cf2 | comment |
Les Guignols de l'Info is a French puppet show, but has used some animation on occasion, like with a South Park parody, "Droite Park." | |
Medium Blending / int_ef8b9cf2 | featureApplicability |
1.0 | |
Medium Blending / int_ef8b9cf2 | featureConfidence |
1.0 | |
Les Guignols de l'Info | hasFeature |
Medium Blending / int_ef8b9cf2 | |
Medium Blending / int_f33e74a9 | type |
Medium Blending | |
Medium Blending / int_f33e74a9 | comment |
Mario Brothers blends 16-bit and 8-bit sprites with layers in Flash animation. | |
Medium Blending / int_f33e74a9 | featureApplicability |
1.0 | |
Medium Blending / int_f33e74a9 | featureConfidence |
1.0 | |
Mario Brothers (Web Animation) | hasFeature |
Medium Blending / int_f33e74a9 | |
Medium Blending / int_f3a97649 | type |
Medium Blending | |
Medium Blending / int_f3a97649 | comment |
Waldo C. Graphic on The Jim Henson Hour is a CGI "virtual puppet" who interacts with the regular Muppets. The same technique was used for the mosquitos in Muppet Treasure Island, Tizzy Bee in The Animal Show, and Horace D'Fly in Kermit's Swamp Years, all of which were far too small to be normal puppets, and the Wizard's disguises in The Muppets' Wizard of Oz, which were "special effects" in-universe. | |
Medium Blending / int_f3a97649 | featureApplicability |
1.0 | |
Medium Blending / int_f3a97649 | featureConfidence |
1.0 | |
The Jim Henson Hour | hasFeature |
Medium Blending / int_f3a97649 | |
Medium Blending / int_f6a54e75 | type |
Medium Blending | |
Medium Blending / int_f6a54e75 | comment |
Due to the variety of settings featured in Kingdom Hearts, this is prevalent throughout, but particularly apparent in Kingdom Hearts II. The environments and characters from Timeless River, Halloween Town, Space Paranoids, and Port Royal are all designed as closely to their source material as possible, whereas the rest of the game has a fairly standard 3D style. In the case of the first three worlds, even Sora and other original characters are redesigned to match their respective styles. The realistic designs from Pirates of the Caribbean don't quite blend as well, however. | |
Medium Blending / int_f6a54e75 | featureApplicability |
1.0 | |
Medium Blending / int_f6a54e75 | featureConfidence |
1.0 | |
Kingdom Hearts (Franchise) | hasFeature |
Medium Blending / int_f6a54e75 | |
Medium Blending / int_f78e69f | type |
Medium Blending | |
Medium Blending / int_f78e69f | comment |
Chicken Little has a scene where characters are watching Raiders of the Lost Ark in a theater. Fridge Logic ensues when you wonder how a live-action flick can be filmed in an animated world, and also what Harrison Ford is doing in a World of Funny Animals. | |
Medium Blending / int_f78e69f | featureApplicability |
1.0 | |
Medium Blending / int_f78e69f | featureConfidence |
1.0 | |
Chicken Little | hasFeature |
Medium Blending / int_f78e69f | |
Medium Blending / int_f8df4747 | type |
Medium Blending | |
Medium Blending / int_f8df4747 | comment |
Used for comedic effect in The Transformers: More than Meets the Eye when the Scavengers turn into their real life G1 toys during a Noodle Incident recap. [1] | |
Medium Blending / int_f8df4747 | featureApplicability |
1.0 | |
Medium Blending / int_f8df4747 | featureConfidence |
1.0 | |
The Transformers: More than Meets the Eye (Comic Book) | hasFeature |
Medium Blending / int_f8df4747 | |
Medium Blending / int_fcfa999b | type |
Medium Blending | |
Medium Blending / int_fcfa999b | comment |
FLCL: There's a whole live-action sequence used in the credits in which Haruko's yellow Vespa moped is seen riding itself around a city. (It actually belonged to character designer Yoshiyuki Sadamoto.) There also two short scenes in which the animation reverts to manga. And a shift to South Park-style cutouts when Amarao gets a haircut. Amaro's eyebrows aren't drawn like everything else, they're made by scanning processed seaweed and digitally adding them to his face. |
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Medium Blending / int_fcfa999b | featureApplicability |
1.0 | |
Medium Blending / int_fcfa999b | featureConfidence |
1.0 | |
FLCL | hasFeature |
Medium Blending / int_fcfa999b | |
Medium Blending / int_fe17b82f | type |
Medium Blending | |
Medium Blending / int_fe17b82f | comment |
Groundling Marsh: The show was generally done using live-action puppets. However, whenever someone would start narrating a story, it would be told using animated still images. | |
Medium Blending / int_fe17b82f | featureApplicability |
1.0 | |
Medium Blending / int_fe17b82f | featureConfidence |
1.0 | |
Groundling Marsh | hasFeature |
Medium Blending / int_fe17b82f |
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