...it's like TV Tropes, but LINKED DATA!
Red vs. Blue (Web Animation)
- 1579 statements
- 310 feature instances
- 1719 referencing feature instances
Red vs. Blue (Web Animation) | type |
TVTItem | |
Red vs. Blue (Web Animation) | label |
Red vs. Blue (Web Animation) | |
Red vs. Blue (Web Animation) | page |
RedVsBlue | |
Red vs. Blue (Web Animation) | comment |
Red vs. Blue was a Machinima/CGI-animated military Work Com set against the background of the Halo franchise. Its creators, Rooster Teeth Productions, helped spark the whole Machinima explosion and went on to establish themselves as Fandom VIPs in the Halo community to the point of doing actual work for Bungie Studios, as well as making their videos available for purchase on Xbox Live.Having started in 2003 and lasting until 2024, this series is not only the longest-running episodic web series of all time, but the longest-running American sci-fi series of all time.note It's also the second longest-running general web series, beaten only by Homestar Runner. Credit must also be given to its legacy: the series popularized video game Machinima and was heavily influential in the development of both serialized internet fiction and internet comedy series as a whole.Beginning as a simple comedy series, Red vs. Blue follows two military installations locked in eternal war with each other in a box canyon: the Reds and the Blues. In their next supply drop, both teams receive a new recruit each, who quickly get on their nerves. After a Snipe Hunt gone wrong ends with the Red Team's recruit capturing the Blue Team's flag, Blue Team hires a Freelancer Agent to give them an advantage... and things go downhill from there. As the running jokes and many characters begin to pile up, so starts a story that quickly develops a surprising amount of emotional depth while never forgetting its comedic roots.The long-running story is divided into multiple story arcs, as detailed below. The first story arc, The Blood Gulch Chronicles (2003–2007), ran for five seasons with a total of 100 episodes (plus a short miniseries named "Out of Mind"). The first two seasons, and half of the third, are filmed in Halo, while the remaining seasons are filmed in Halo 2. The second story arc, The Recollection (2008–2010), is a trilogy spanning Seasons 6 to 8 (each given a unique title beginning with "Re": "Reconstruction", "Recreation" and "Revelation") and two miniseries ("Recovery One" and "Relocated"). Season 8 marks the introduction of high-budget CGI-rendered scenes in addition to the traditional Machinima-styled scenes which moved over to Halo 3 starting in Reconstruction. The third story arc, The Project Freelancer Saga (2011–2012), comprising Seasons 9 and 10, is equally divided between a prequel storyline fully animated in CGI, and the continuation of the present-day storyline. Season 9 is filmed in Halo: Reach and Season 10 is filmed in Halo 3. The fourth story arc, The Chorus Trilogy (2013–2015), spans Seasons 11-13, and starts out as a Breather Episode, intended to bring the series back to its more comedic roots... for a while. It uses Halo 4 assets mixed in with CGI. The fourteenth season (2016) consists mostly of vignettes, rather than directly continuing Season 13's story. As this season is an Anthology, it uses multiple games and animation styles depending on the story. The fifth story arc, The Shisno Trilogy (2017–2019), contains Seasons 15 to 17. Beginning with the originally standalone fifteenth season, it is then immediately continued by the events of the duology The Shisno Paradox and Singularity. It's filmed using Halo 5: Guardians, with CGI and footage from other games mixed in. Season 18, Zero (2020), follows a new cast of characters and focuses on SHATTER SQUAD, who are hunting down a crime syndicate leader named Zero, who is after the Ultimate Power. While central character models are still based on the Halo franchise, the season is filmed entirely with CGI, and features environments and several characters using weapons along with fighting monsters not featured in the Halo games, instead utilizing assets from Unreal Engine's store, including monster designs from the cancelled game Paragon and weapons and character models from Ying Pei Games. In a revival of sorts of the miniseries, the show was followed by a sitcom-like series with the season's cast, Family Shatters (2021), before moving onto Season 19 (2023) - which won't follow Shatter Squad. Season 19, Restoration (2024), was announced at RTX 2023 and is marketed as the final season of Red vs. Blue. Notably, many members of the original cast are returning, with Burnie Burns returning to write the last season and Matt Hullum returning to direct, as well as series regulars Gus Sorola and Geoff Ramsay also making reappearances. It was released as a feature-length film in May 2024, and will most notably be the final main project by Rooster Teeth following its closure in March that year.Running alongside the normal series are also the recurring Red vs. Blue: Public Service Announcements (PSAs) which are basically just the cast goofing around as Animated Actors and are made in different games depending on era. A Fourth-Wall Mail Slot show filmed in Halo Infinite and known as Red vs. Blue: QvsA ran from August–December 2022.The series can be viewed at the Rooster Teeth website. (Until 2023, the series was also available on YouTube.) New seasons air on RT's website, with FIRST members having access to episodes a week in advance. Most seasons have home video releases (initially on DVD, later on Blu-Ray as well), and can be purchased on iTunes and Amazon Prime. The series made a televised debut on the El Rey Network in late 2015.A series guidebook was published in 2015, titled Red vs. Blue: The Ultimate Fan Guide and compiling information relating to the first thirteen seasons.WARNING: As of Season 15, episodes will be released to Rooster Teeth FIRST members one week before the public. Beware of spoilers for episodes that haven't been publicly released. | |
Red vs. Blue (Web Animation) | fetched |
2024-05-09T11:46:34Z | |
Red vs. Blue (Web Animation) | parsed |
2024-05-09T11:46:34Z | |
Red vs. Blue (Web Animation) | processingComment |
Dropped link to CoolPlane: Not a Feature - ITEM | |
Red vs. Blue (Web Animation) | processingComment |
Dropped link to GrandFinale: Not a Feature - ITEM | |
Red vs. Blue (Web Animation) | processingComment |
Dropped link to Halo3: Not a Feature - ITEM | |
Red vs. Blue (Web Animation) | processingComment |
Dropped link to HaloCombatEvolved: Not a Feature - ITEM | |
Red vs. Blue (Web Animation) | processingComment |
Dropped link to MiniSeries: Not a Feature - IGNORE | |
Red vs. Blue (Web Animation) | processingComment |
Dropped link to RedVsBlueFamilyShatters: Not a Feature - ITEM | |
Red vs. Blue (Web Animation) | processingComment |
Dropped link to RedVsBlueSeason14: Not a Feature - ITEM | |
Red vs. Blue (Web Animation) | processingComment |
Dropped link to RedVsBlueTheBloodGulchChronicles: Not a Feature - ITEM | |
Red vs. Blue (Web Animation) | processingComment |
Dropped link to RedVsBlueTheChorusTrilogy: Not a Feature - ITEM | |
Red vs. Blue (Web Animation) | processingComment |
Dropped link to RedVsBlueTheProjectFreelancerSaga: Not a Feature - ITEM | |
Red vs. Blue (Web Animation) | processingComment |
Dropped link to RedVsBlueTheRecollection: Not a Feature - ITEM | |
Red vs. Blue (Web Animation) | processingComment |
Dropped link to RedVsBlueTheShisnoTrilogy: Not a Feature - ITEM | |
Red vs. Blue (Web Animation) | processingComment |
Dropped link to RedVsBlueZero: Not a Feature - ITEM | |
Red vs. Blue (Web Animation) | processingComment |
Dropped link to ScrewThisImOutOfHere: Not a Feature - UNKNOWN | |
Red vs. Blue (Web Animation) | processingComment |
Dropped link to ShaggyDogStory: Not a Feature - ITEM | |
Red vs. Blue (Web Animation) | processingComment |
Dropped link to TheGrinch: Not a Feature - ITEM | |
Red vs. Blue (Web Animation) | processingComment |
Dropped link to TheInternetIsSeriousBusiness: Not a Feature - UNKNOWN | |
Red vs. Blue (Web Animation) | processingComment |
Dropped link to WeaponBasedCharacterisation: Not a Feature - UNKNOWN | |
Red vs. Blue (Web Animation) | processingUnknown |
ScrewThisImOutOfHere | |
Red vs. Blue (Web Animation) | processingUnknown |
TheInternetIsSeriousBusiness | |
Red vs. Blue (Web Animation) | processingUnknown |
WeaponBasedCharacterisation | |
Red vs. Blue (Web Animation) | isPartOf |
DBTropes | |
Red vs. Blue (Web Animation) / int_1237828f | type |
Anyone Can Die | |
Red vs. Blue (Web Animation) / int_1237828f | comment |
Anyone Can Die: Especially after Cerebus Syndrome set in, not even major characters are safe from death. By the end of the series, Church, Tex, Sarge, and Doc are all dead (the former two multiple times), alongside almost all of the Freelancers and several prominent supporting characters. | |
Red vs. Blue (Web Animation) / int_1237828f | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_1237828f | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_1237828f | |
Red vs. Blue (Web Animation) / int_127fc252 | type |
Creator Cameo | |
Red vs. Blue (Web Animation) / int_127fc252 | comment |
Creator Cameo: The "information guy" is voiced by the show's main composer, Nico Audy-Rowland (hence him being very French). | |
Red vs. Blue (Web Animation) / int_127fc252 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_127fc252 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_127fc252 | |
Red vs. Blue (Web Animation) / int_131e6871 | type |
Crazy Sane | |
Red vs. Blue (Web Animation) / int_131e6871 | comment |
Crazy Sane: According to Part 3, Washington went insane and was deemed unfit for duty. However, his experience with AI units made him a perfect Recovery candidate, so he was returned to duty. | |
Red vs. Blue (Web Animation) / int_131e6871 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_131e6871 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_131e6871 | |
Red vs. Blue (Web Animation) / int_1328b853 | type |
Team Spirit | |
Red vs. Blue (Web Animation) / int_1328b853 | comment |
Team Spirit: Despite their many quirks and deficiencies, the Blood Gulch crew accomplish some pretty amazing things when they work together. This is most noticeable in their climactic fights against the Meta and the Director's army of Tex drones, where by working together and having each other's backs they're able to make up for their individual flaws and actually defeat vastly superior opponents. In contrast, the series' most powerful character is a Lone Wolf who is also literally the incarnation of Failure Is the Only Option. | |
Red vs. Blue (Web Animation) / int_1328b853 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_1328b853 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_1328b853 | |
Red vs. Blue (Web Animation) / int_14beeefd | type |
Darker and Edgier | |
Red vs. Blue (Web Animation) / int_14beeefd | comment |
Darker and Edgier: This is one of, if not the darkest installment of the series. There’s very little humor, a bleak tone, and it ends on a hell of a Downer Ending. | |
Red vs. Blue (Web Animation) / int_14beeefd | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_14beeefd | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_14beeefd | |
Red vs. Blue (Web Animation) / int_170128e9 | type |
Right Behind Me | |
Red vs. Blue (Web Animation) / int_170128e9 | comment |
Right Behind Me: Church kinda invokes the wrath of Sgt. Johnson in the 3rd ODST PSA this way. | |
Red vs. Blue (Web Animation) / int_170128e9 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_170128e9 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_170128e9 | |
Red vs. Blue (Web Animation) / int_17ce80aa | type |
All There in the Manual | |
Red vs. Blue (Web Animation) / int_17ce80aa | comment |
In Seasons 10, 12, and 13, Malcolm Hargrove's given name is spelled "Malcom". This is changed to "Malcolm" in Red Vs. Blue: The Ultimate Fan Guide. | |
Red vs. Blue (Web Animation) / int_17ce80aa | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_17ce80aa | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_17ce80aa | |
Red vs. Blue (Web Animation) / int_185ea595 | type |
The Trickster | |
Red vs. Blue (Web Animation) / int_185ea595 | comment |
Grif's apathy that doesn't have to do with eating, napping, and making up excuses to avoid work morphed into a trickster who comes up with cunning schemes and Loophole Abuse to avoid work or risking his life, even if said schemes are more complicated to execute than the orders he's given. | |
Red vs. Blue (Web Animation) / int_185ea595 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_185ea595 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_185ea595 | |
Red vs. Blue (Web Animation) / int_185f3995 | type |
Memetic Badass | |
Red vs. Blue (Web Animation) / int_185f3995 | comment |
Memetic Badass: In-universe, sort of... In a series of PSA videos made to hype Halo 3: ODST, Sergeant Johnson is painted to be even more of this than he already was in the Halo games with claims that he once took out an entire Covenant battalion single handedly, is immortal, and has laser vision. The credits after the videos has a disclaimer saying "Laser vision not included". | |
Red vs. Blue (Web Animation) / int_185f3995 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_185f3995 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_185f3995 | |
Red vs. Blue (Web Animation) / int_18d15922 | type |
Title Drop | |
Red vs. Blue (Web Animation) / int_18d15922 | comment |
Title Drop: The title is Washington's Recovery Code Name. | |
Red vs. Blue (Web Animation) / int_18d15922 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_18d15922 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_18d15922 | |
Red vs. Blue (Web Animation) / int_1aed1644 | type |
Eyedscreen | |
Red vs. Blue (Web Animation) / int_1aed1644 | comment |
Eyed Screen: Done in "Who is Your Favorite Blue?" as Grif tests Perp Sweating methods. | |
Red vs. Blue (Web Animation) / int_1aed1644 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_1aed1644 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_1aed1644 | |
Red vs. Blue (Web Animation) / int_1b122c5d | type |
Scare Chord | |
Red vs. Blue (Web Animation) / int_1b122c5d | comment |
Scare Chord: The Meta's theme "When Your Middle Name is Danger", because the audience just knows something bad is about to happen as soon as it starts playing. | |
Red vs. Blue (Web Animation) / int_1b122c5d | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_1b122c5d | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_1b122c5d | |
Red vs. Blue (Web Animation) / int_1b2b1d2c | type |
Violation of Common Sense | |
Red vs. Blue (Web Animation) / int_1b2b1d2c | comment |
Violation of Common Sense: In Part 3, Grif has to throw a grenade directly in front of him to clear debris. Simmons notes that while this is unsafe, so is everything else involved in this exercise. | |
Red vs. Blue (Web Animation) / int_1b2b1d2c | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_1b2b1d2c | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_1b2b1d2c | |
Red vs. Blue (Web Animation) / int_1b65dfad | type |
The Cameo | |
Red vs. Blue (Web Animation) / int_1b65dfad | comment |
The Cameo: North Dakota and York both have their corpses shown. A mysterious shooter in Part 1 who may be Wyoming also counts. | |
Red vs. Blue (Web Animation) / int_1b65dfad | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_1b65dfad | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_1b65dfad | |
Red vs. Blue (Web Animation) / int_1b73fada | type |
The Dandy | |
Red vs. Blue (Web Animation) / int_1b73fada | comment |
Donut is freakisly good at throwing things and becomes increasingly associated with plasma grenades as the show progresses. | |
Red vs. Blue (Web Animation) / int_1b73fada | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_1b73fada | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_1b73fada | |
Red vs. Blue (Web Animation) / int_1c3f7219 | type |
The Roast | |
Red vs. Blue (Web Animation) / int_1c3f7219 | comment |
In Episode 83 of The Blood Gulch Chronicles, Grif turns Sarge's funeral into The Roast of Sarge, and Simmons uses the opportunity to campaign for Sarge's job. Sister, who just arrived, is only able to contribute that Sarge was old and disturbing. | |
Red vs. Blue (Web Animation) / int_1c3f7219 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_1c3f7219 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_1c3f7219 | |
Red vs. Blue (Web Animation) / int_1d976ece | type |
Inconsistent Episode Lengths | |
Red vs. Blue (Web Animation) / int_1d976ece | comment |
Inconsistent Episode Lengths: The early seasons rarely went over 8 minutes, but other ones have that as the lowest length. There are also a few episodes breaking 15 minutes, mostly season or arc finales. | |
Red vs. Blue (Web Animation) / int_1d976ece | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_1d976ece | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_1d976ece | |
Red vs. Blue (Web Animation) / int_1daa7fce | type |
In the Back | |
Red vs. Blue (Web Animation) / int_1daa7fce | comment |
In the Back: In Part 4, South shoots a wounded Washington in the back to cover her own escape from the Meta. | |
Red vs. Blue (Web Animation) / int_1daa7fce | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_1daa7fce | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_1daa7fce | |
Red vs. Blue (Web Animation) / int_1daff673 | type |
Our Titans Are Different | |
Red vs. Blue (Web Animation) / int_1daff673 | comment |
The Shisno Paradox and Singularity: Chrovos and Genkins, though the latter becomes The Starscream and usurps Chrovos' position as the Big Bad by the end of the storyline. | |
Red vs. Blue (Web Animation) / int_1daff673 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_1daff673 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_1daff673 | |
Red vs. Blue (Web Animation) / int_1dfbbf31 | type |
Heterosexual Life-Partners | |
Red vs. Blue (Web Animation) / int_1dfbbf31 | comment |
Heterosexual Life-Partners: Grif and Simmons. Church with both Tucker and Caboose. York and Delta. Wash and Carolina in the later seasons, their copious Ship Tease moments aside. | |
Red vs. Blue (Web Animation) / int_1dfbbf31 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_1dfbbf31 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_1dfbbf31 | |
Red vs. Blue (Web Animation) / int_1e7c47ab | type |
Stealth Pun | |
Red vs. Blue (Web Animation) / int_1e7c47ab | comment |
Stealth Pun: In the Season 10 "Voting Fever" PSA, Sarge sings "We're going to need a big strong Chorus!" At the end of Season 11, the group finds out that the planet they are stranded on is called "Chorus". Another in the Season 3 Christmas special: "Christmas is the one day of the year you should never miss Church." | |
Red vs. Blue (Web Animation) / int_1e7c47ab | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_1e7c47ab | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_1e7c47ab | |
Red vs. Blue (Web Animation) / int_1eed8e76 | type |
The Juggernaut | |
Red vs. Blue (Web Animation) / int_1eed8e76 | comment |
The Recollection: The Meta, though with the benefit of hindsight, Sigma is the real villain. | |
Red vs. Blue (Web Animation) / int_1eed8e76 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_1eed8e76 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_1eed8e76 | |
Red vs. Blue (Web Animation) / int_1f6983f7 | type |
Ambiguous Situation | |
Red vs. Blue (Web Animation) / int_1f6983f7 | comment |
Ambiguous Situation: Sarge doesn't think Grif knows what electricity is. Grif's response doesn't exactly make it clear if Sarge is right or not. | |
Red vs. Blue (Web Animation) / int_1f6983f7 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_1f6983f7 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_1f6983f7 | |
Red vs. Blue (Web Animation) / int_213dc284 | type |
Closest Thing We Got | |
Red vs. Blue (Web Animation) / int_213dc284 | comment |
Closest Thing We Got: In Part 3, Washington and South discuss this about the former. | |
Red vs. Blue (Web Animation) / int_213dc284 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_213dc284 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_213dc284 | |
Red vs. Blue (Web Animation) / int_21d70919 | type |
Crapsack World | |
Red vs. Blue (Web Animation) / int_21d70919 | comment |
Crapsack World: Of the comedic kind, where essentially the main characters are either jerks, idiots, or both, to the point where it's a coping mechanism for the Forever Wars, evil organizations orchestrating them, and little-to-no idealism the world forces them all to fight against. | |
Red vs. Blue (Web Animation) / int_21d70919 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_21d70919 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_21d70919 | |
Red vs. Blue (Web Animation) / int_222dc873 | type |
Black Comedy | |
Red vs. Blue (Web Animation) / int_222dc873 | comment |
Black Comedy: Even more so than the actual show. For instance, Sarge looking at a painting depicting the fall of Icarus in the "Cultural Appreciation" PSA has him lapse into a traumatic flashback (completely with Deliberate Monochrome) of a soldier he saw die tragically... from heat stroke. Another major case is the "Recycling" PSA, where it's revealed the show recycles its extras, which due to Caboose's ignorance end up in a ditch ("It smells like my nightmares!"). | |
Red vs. Blue (Web Animation) / int_222dc873 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_222dc873 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_222dc873 | |
Red vs. Blue (Web Animation) / int_22cf536c | type |
Chekhov's Gun | |
Red vs. Blue (Web Animation) / int_22cf536c | comment |
Chekhov's Gun: Plot elements will often be introduced as a throw-away line or background event, then elaborated on as part of the main plot in a later season one or two years later. Grif lampshades this as he tells the Chorus rebels the story of how they defeated the Meta... but considering how he tried using this to justify his asking for a hammock (or human-slingshot), he definitely had lazier motives. | |
Red vs. Blue (Web Animation) / int_22cf536c | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_22cf536c | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_22cf536c | |
Red vs. Blue (Web Animation) / int_22d2b473 | type |
Share Phrase | |
Red vs. Blue (Web Animation) / int_22d2b473 | comment |
Share Phrase: "Son of a bitch!" - Anyone who's about to get blown up (or who's seen someone else nearby get blown up), most often being Church. Often repeated three times. "That doesn't seem physically possible". Whenever Sister says something strange, someone will almost always say "Yeah! Wait. What?!" In "Relocated", this follows when she isn't even there, but the conversation is about her. "Shotgun." "Shotgu... fuck!" - Usually Grif and Simmons. "HURK! Bleh." When someone dies in the first five seasons, and in some moments of seasons 14 and 15. "HEGUHURGERK!" Whenever someone gets possessed. | |
Red vs. Blue (Web Animation) / int_22d2b473 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_22d2b473 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_22d2b473 | |
Red vs. Blue (Web Animation) / int_234073a4 | type |
Your Mind Makes It Real | |
Red vs. Blue (Web Animation) / int_234073a4 | comment |
Your Mind Makes It Real: Deliberately stated by Sarge about the Virtual Training Simulation room. | |
Red vs. Blue (Web Animation) / int_234073a4 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_234073a4 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_234073a4 | |
Red vs. Blue (Web Animation) / int_2493b31d | type |
Fire-Forged Friends | |
Red vs. Blue (Web Animation) / int_2493b31d | comment |
Fire-Forged Friends: Especially evident in the seasons from 6 onward, but the various conflicts that the Reds and Blues of Blood Gulch go through outside of their own personal war with each other have, by the time of Season 10, made them into a combined Badass Crew, even complimenting members of opposing "teams". By the time of Episode 21 of Season 10, even Carolina defrosts to them. By the final shot of Season 13, it's no question that they're a family. | |
Red vs. Blue (Web Animation) / int_2493b31d | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_2493b31d | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_2493b31d | |
Red vs. Blue (Web Animation) / int_24cf8a0e | type |
Speech-Centric Work | |
Red vs. Blue (Web Animation) / int_24cf8a0e | comment |
Speech-Centric Work: Especially in the early seasons. "Burnie" Burns says that due to only using Halo game engines, his "use of verbs" was extremely limited, a limitation that went away with the inclusion of Monty Oum and other animations from Season 8 onward. | |
Red vs. Blue (Web Animation) / int_24cf8a0e | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_24cf8a0e | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_24cf8a0e | |
Red vs. Blue (Web Animation) / int_254fc1c6 | type |
Animated Actors | |
Red vs. Blue (Web Animation) / int_254fc1c6 | comment |
Animated Actors: Starting with the fact the characters introduce themselves as "I'm _______, from the popular hit series/web series/global video sensation Red vs. Blue!". In the "Columbus Day" PSA, the Meta is apparently an animal actor. | |
Red vs. Blue (Web Animation) / int_254fc1c6 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_254fc1c6 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_254fc1c6 | |
Red vs. Blue (Web Animation) / int_260926c3 | type |
Failure Is the Only Option | |
Red vs. Blue (Web Animation) / int_260926c3 | comment |
Tex goes from being a skilled special-ops soldier to an absurdly powerful badass (who is still destined to fail). | |
Red vs. Blue (Web Animation) / int_260926c3 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_260926c3 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_260926c3 | |
Red vs. Blue (Web Animation) / int_26ac510e | type |
Mythology Gag | |
Red vs. Blue (Web Animation) / int_26ac510e | comment |
Mythology Gag: Simmons references Orbital Drop Shock Troopers when discussing Sarge's fear of heights with him. | |
Red vs. Blue (Web Animation) / int_26ac510e | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_26ac510e | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_26ac510e | |
Red vs. Blue (Web Animation) / int_297170d3 | type |
Halloween Episode | |
Red vs. Blue (Web Animation) / int_297170d3 | comment |
Halloween Episode: It goes wrong, given everyone goes dressed as Caboose. | |
Red vs. Blue (Web Animation) / int_297170d3 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_297170d3 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_297170d3 | |
Red vs. Blue (Web Animation) / int_2a491c3c | type |
Trust Me, I'm an X | |
Red vs. Blue (Web Animation) / int_2a491c3c | comment |
Trust Me, I'm an X: From the "Bird Flu" PSA. | |
Red vs. Blue (Web Animation) / int_2a491c3c | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_2a491c3c | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_2a491c3c | |
Red vs. Blue (Web Animation) / int_2afb1a9 | type |
Limit Break | |
Red vs. Blue (Web Animation) / int_2afb1a9 | comment |
Limit Break: In Part 3, Simmons suggests Grif use his fear for his life to gain the strength to push debris away. However, it seems that Grif is in need of more powers gain from being apathetic. | |
Red vs. Blue (Web Animation) / int_2afb1a9 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_2afb1a9 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_2afb1a9 | |
Red vs. Blue (Web Animation) / int_2b7d29e1 | type |
Artifact Title | |
Red vs. Blue (Web Animation) / int_2b7d29e1 | comment |
Artifact Title: The Reds and Blues don't really fight each other after Season 5 excluding inside the Epsilon unit in Season 9 and at Crash Site Bravo in Season 11. | |
Red vs. Blue (Web Animation) / int_2b7d29e1 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_2b7d29e1 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_2b7d29e1 | |
Red vs. Blue (Web Animation) / int_2c5bfae3 | type |
My Country Tis of Thee That I Sting | |
Red vs. Blue (Web Animation) / int_2c5bfae3 | comment |
My Country Tis of Thee That I Sting: Pretty frequent, with the "Cultural Appreciation" PSA giving us this gem when Simmons and Donut are talking about the price of admission for attending an art museum: | |
Red vs. Blue (Web Animation) / int_2c5bfae3 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_2c5bfae3 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_2c5bfae3 | |
Red vs. Blue (Web Animation) / int_2c620f20 | type |
Cleanup Crew | |
Red vs. Blue (Web Animation) / int_2c620f20 | comment |
Cleanup Crew: It is the job of Recovery agents to destroy or recover any Freelancer technology left from dead or critically injured agents in the field. | |
Red vs. Blue (Web Animation) / int_2c620f20 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_2c620f20 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_2c620f20 | |
Red vs. Blue (Web Animation) / int_2dd7023a | type |
Death as Comedy | |
Red vs. Blue (Web Animation) / int_2dd7023a | comment |
Death as Comedy: A few of them, starting with the very first death of the series, as Church is team-killed by a tank operated by Caboose. Other highlights include poor Private Jimmy being beaten to death with his own skull by Tex, Sarge (while possessed by Church) being shot in the head by Caboose, Captain Butch Flowers dying from an allergic reaction to aspirin, the FH57 Reds blowing themselves up, Surge falling into a volcanic vent, and Sarge killing some unlucky actor. | |
Red vs. Blue (Web Animation) / int_2dd7023a | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_2dd7023a | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_2dd7023a | |
Red vs. Blue (Web Animation) / int_2fbab42f | type |
Wrongful Accusation Insurance | |
Red vs. Blue (Web Animation) / int_2fbab42f | comment |
Wrongful Accusation Insurance: Kind of. Despite the Blood Gulch Crew being unfairly labeled as war criminals, not much of what happened with their involvement in the aftermath of Project Freelancer was their fault. However, assuming that law in the RvB universe functions anywhere close to ours, there is absolutely no way they should have been pardoned by the UNSC simply by taking down the Director note who, at that point, the UNSC had essentially forgotten about due to the various crimes they committed while on the run from the law, which include the killing of a quite a few Recovery soldiers, multiple accounts of vehicle theft, and withholding information, as well as evading arrest in the first place. This is more justified after the Season 12 finale, revealing that the Chairman (the man responsible for their pardon) was ultimately behind their ship crashing where the soldiers were expected to be disposed of. | |
Red vs. Blue (Web Animation) / int_2fbab42f | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_2fbab42f | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_2fbab42f | |
Red vs. Blue (Web Animation) / int_308a5ff0 | type |
Strange Minds Think Alike | |
Red vs. Blue (Web Animation) / int_308a5ff0 | comment |
Strange Minds Think Alike: When the leader of the Blue Zealots is shown the ransom note, he concludes the kidnapper has "terrible handwriting". Tucker's "information guy" is shown the same note and comes to the exact same conclusion. | |
Red vs. Blue (Web Animation) / int_308a5ff0 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_308a5ff0 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_308a5ff0 | |
Red vs. Blue (Web Animation) / int_309c05ec | type |
Teleporter Accident | |
Red vs. Blue (Web Animation) / int_309c05ec | comment |
In Season 3, Sarge and Caboose accidentally wind up in the Battle Creek map, where two teams of immortal zealots fight to Capture the Flag while spouting comments and insults straight out of an stereotypical online Halo match, and are revived at the end of each match, like a particularly stupid version of Norse Mythology's Valhalla. | |
Red vs. Blue (Web Animation) / int_309c05ec | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_309c05ec | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_309c05ec | |
Red vs. Blue (Web Animation) / int_30d2ae29 | type |
Self-Fulfilling Prophecy | |
Red vs. Blue (Web Animation) / int_30d2ae29 | comment |
Self-Fulfilling Prophecy: Sarge is worried the Blues will attack them when The Reds are down a member. Caboose picks up them discussing this, which gives the Blues the very idea. | |
Red vs. Blue (Web Animation) / int_30d2ae29 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_30d2ae29 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_30d2ae29 | |
Red vs. Blue (Web Animation) / int_31578d72 | type |
Hates Everyone Equally | |
Red vs. Blue (Web Animation) / int_31578d72 | comment |
Hates Everyone Equally: Sarge decides in the "Diversity" PSA that everyone is equal... as in, equally viable targets for him to shoot at with the Chupathingy's chaingun. | |
Red vs. Blue (Web Animation) / int_31578d72 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_31578d72 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_31578d72 | |
Red vs. Blue (Web Animation) / int_31d592a | type |
Crossover Cameo | |
Red vs. Blue (Web Animation) / int_31d592a | comment |
Crossover Cameo: Boomstick calls in the first episode to complain about Sarge leaving him. | |
Red vs. Blue (Web Animation) / int_31d592a | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_31d592a | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_31d592a | |
Red vs. Blue (Web Animation) / int_322f6b34 | type |
Angsty Surviving Twin | |
Red vs. Blue (Web Animation) / int_322f6b34 | comment |
Angsty Surviving Twin: To a degree. South and North aren't identical twins, but rather fraternal. Subverted in Reconstruction, when it turns out that the reason North died is because South set him up as bait for the Meta. Her behavior in Recovery One was mostly an act. | |
Red vs. Blue (Web Animation) / int_322f6b34 | featureApplicability |
-0.3 | |
Red vs. Blue (Web Animation) / int_322f6b34 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_322f6b34 | |
Red vs. Blue (Web Animation) / int_326a44a1 | type |
Create Your Own Villain | |
Red vs. Blue (Web Animation) / int_326a44a1 | comment |
Season 15: Mark Temple, The Leader of the Blues and Reds. | |
Red vs. Blue (Web Animation) / int_326a44a1 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_326a44a1 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_326a44a1 | |
Red vs. Blue (Web Animation) / int_32da91b8 | type |
Out of Focus | |
Red vs. Blue (Web Animation) / int_32da91b8 | comment |
Out of Focus: The Blues have been the driving focus of virtually all of the plot-points since Season 5, while the Reds haven't really gotten the chance to move the plot forward outside of comic relief. This has started to be mended beginning with Season 15, as Grif and Donut play central/important roles in the plot. Season 18 focuses on another set of troopers, only bringing back three of the Reds and Blues (two of whom are the Freelancers). | |
Red vs. Blue (Web Animation) / int_32da91b8 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_32da91b8 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_32da91b8 | |
Red vs. Blue (Web Animation) / int_337a0f4 | type |
TrailersAlwaysLie | |
Red vs. Blue (Web Animation) / int_337a0f4 | comment |
The credits after the videos has a disclaimer saying "Laser vision not included". | |
Red vs. Blue (Web Animation) / int_337a0f4 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_337a0f4 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_337a0f4 | |
Red vs. Blue (Web Animation) / int_33cadb12 | type |
Compilation Movie | |
Red vs. Blue (Web Animation) / int_33cadb12 | comment |
Compilation Movie: Each season gets one, complete with Hilarious Outtakes. Inverted starting with Reconstruction. Each season is created as a movie, then gets split into individual episodes for serialization. The complete, original movie is then released for purchase. | |
Red vs. Blue (Web Animation) / int_33cadb12 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_33cadb12 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_33cadb12 | |
Red vs. Blue (Web Animation) / int_3517000d | type |
Mad Scientist | |
Red vs. Blue (Web Animation) / int_3517000d | comment |
Mad Scientist: Caboose gives off these vibes when working, especially in Part 4. | |
Red vs. Blue (Web Animation) / int_3517000d | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_3517000d | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_3517000d | |
Red vs. Blue (Web Animation) / int_35a858b3 | type |
Cluster F-Bomb | |
Red vs. Blue (Web Animation) / int_35a858b3 | comment |
Cluster F-Bomb: The series is rife with it. The fifth season's DVD acknowledges and has fun with this. One of the features is a "Previously On Red Vs. Blue", which contains every single swear in the series up to the Pelican crashing... and lasts over a minute and a half. If one was made of all seventeen seasons and the mini-series, it would probably be a good six or seven minutes long. | |
Red vs. Blue (Web Animation) / int_35a858b3 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_35a858b3 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_35a858b3 | |
Red vs. Blue (Web Animation) / int_35ae6a23 | type |
Lethal Chef | |
Red vs. Blue (Web Animation) / int_35ae6a23 | comment |
Lethal Chef: Sarge's dish for the 2008 Thanksgiving dinner was severed human hands dressed like turkeys due to misunderstanding his research materials (first-grader reports) while Caboose misinterpreted a sexual metaphor his grandmother once told him in his youth and brought "hair pie". Sarge had to set him straight on that one. | |
Red vs. Blue (Web Animation) / int_35ae6a23 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_35ae6a23 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_35ae6a23 | |
Red vs. Blue (Web Animation) / int_369a1bf6 | type |
Death Faked for You | |
Red vs. Blue (Web Animation) / int_369a1bf6 | comment |
Death Faked for You: Washington does this for South when ordered to kill her by Command. In Part 4, however, this is subverted, as Command already knew she was alive. | |
Red vs. Blue (Web Animation) / int_369a1bf6 | featureApplicability |
-0.3 | |
Red vs. Blue (Web Animation) / int_369a1bf6 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_369a1bf6 | |
Red vs. Blue (Web Animation) / int_36e63b81 | type |
Rule of Cool | |
Red vs. Blue (Web Animation) / int_36e63b81 | comment |
Rule of Cool: In Part 3, about building a hologram chamber to simulate an EMP cannon Chupathingy instead of just making the car itself. | |
Red vs. Blue (Web Animation) / int_36e63b81 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_36e63b81 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_36e63b81 | |
Red vs. Blue (Web Animation) / int_38119dcf | type |
Not the Fall That Kills You | |
Red vs. Blue (Web Animation) / int_38119dcf | comment |
Not the Fall That Kills You…: Noted in Part 3, but played straight to have it Played for Laughs when Grif lands. Simmons says Grif is "broken" after the fall. | |
Red vs. Blue (Web Animation) / int_38119dcf | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_38119dcf | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_38119dcf | |
Red vs. Blue (Web Animation) / int_382a6399 | type |
The Hero Dies | |
Red vs. Blue (Web Animation) / int_382a6399 | comment |
The Hero Dies: While it's difficult to pin down a "main protagonist" for the whole series, Church is the most likely candidate. Church is killed off early in Season 1 as the series' first twist. He returns as a ghost a few episodes later. The Alpha A.I. (the Church of the first six seasons) is permanently killed off at the end of Season 6 by the "emp". The Epsilon A.I. (who replaces Church in the following seven seasons) is permanently killed off at the end of Season 13 by a self-administered defragmentation process. | |
Red vs. Blue (Web Animation) / int_382a6399 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_382a6399 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_382a6399 | |
Red vs. Blue (Web Animation) / int_38b2491d | type |
The Fog of Ages | |
Red vs. Blue (Web Animation) / int_38b2491d | comment |
VIC becomes this for Dylan Andrews throughout Season 15, providing three favours (she managed four out of him by exploiting his failing memory) for her in exchange for Dylan taking him offline permanently. | |
Red vs. Blue (Web Animation) / int_38b2491d | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_38b2491d | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_38b2491d | |
Red vs. Blue (Web Animation) / int_3c0a4666 | type |
Noodle Incident | |
Red vs. Blue (Web Animation) / int_3c0a4666 | comment |
Noodle Incident: Donut and Simmons trick Tucker into coming with them to the art museum by claiming they're actually taking him to the "annual ice cream and monster truck rally." According to Tucker, this is just like when they had previously promised to take him to the "Victoria's Secret Thanksgiving Day parade." | |
Red vs. Blue (Web Animation) / int_3c0a4666 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_3c0a4666 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_3c0a4666 | |
Red vs. Blue (Web Animation) / int_3dcc914f | type |
Took a Level in Kindness | |
Red vs. Blue (Web Animation) / int_3dcc914f | comment |
For all of Sarge's blundering about and questionable sanity, the reason why he's stuck around as a soldier for so long is apparent with his leadership and charisma with his men when things are at their worst in a fight. He's also willing to overlook Grif's existence and has Took a Level in Kindness since Revelation, likely because concerning it, murder's not what he's in the army for and he's an honorable soldier when confronted with those that are in it for the killing. | |
Red vs. Blue (Web Animation) / int_3dcc914f | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_3dcc914f | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_3dcc914f | |
Red vs. Blue (Web Animation) / int_3ea462d7 | type |
Take That, Audience! | |
Red vs. Blue (Web Animation) / int_3ea462d7 | comment |
Take That, Audience!: The rant during technical problems in "Is RVB dead?" is certainly a takedown on complaining audiences. | |
Red vs. Blue (Web Animation) / int_3ea462d7 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_3ea462d7 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_3ea462d7 | |
Red vs. Blue (Web Animation) / int_3eb0f889 | type |
Pun-Based Title | |
Red vs. Blue (Web Animation) / int_3eb0f889 | comment |
Pun-Based Title: A few of the episode titles are like this. "Aftermath, Before Biology", "Heavy Mettle", "A Pizza the Action"... | |
Red vs. Blue (Web Animation) / int_3eb0f889 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_3eb0f889 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_3eb0f889 | |
Red vs. Blue (Web Animation) / int_3eee0728 | type |
Captain Obvious | |
Red vs. Blue (Web Animation) / int_3eee0728 | comment |
Captain Obvious: Lopez inspects the wall and concludes that he is "100% certain it's a wall". | |
Red vs. Blue (Web Animation) / int_3eee0728 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_3eee0728 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_3eee0728 | |
Red vs. Blue (Web Animation) / int_3f0b2f50 | type |
Make It Look Like an Accident | |
Red vs. Blue (Web Animation) / int_3f0b2f50 | comment |
Make It Look Like an Accident: In Part 3, Sarge tries to "help" Grif by throwing him live grenades. And a rocket. | |
Red vs. Blue (Web Animation) / int_3f0b2f50 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_3f0b2f50 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_3f0b2f50 | |
Red vs. Blue (Web Animation) / int_40bb59d0 | type |
Blatant Lies | |
Red vs. Blue (Web Animation) / int_40bb59d0 | comment |
Blatant Lies: In Part 2, Caboose says he is "not" working on something at Blue Base. In Part 4, Grif neglects to mention Donut's Sequel Hook, only saying that he said he liked Sarge's new jeep. | |
Red vs. Blue (Web Animation) / int_40bb59d0 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_40bb59d0 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_40bb59d0 | |
Red vs. Blue (Web Animation) / int_4192763e | type |
Malaproper | |
Red vs. Blue (Web Animation) / int_4192763e | comment |
Malaproper: Caboose is completely unable to properly remember/pronounce the name of his pet chinchilla Benedict Cumberbatch in the "Diversity" PSA, with him instead coming up with several creative alternative names. | |
Red vs. Blue (Web Animation) / int_4192763e | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_4192763e | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_4192763e | |
Red vs. Blue (Web Animation) / int_420c50b7 | type |
A.I. Is a Crapshoot | |
Red vs. Blue (Web Animation) / int_420c50b7 | comment |
A.I. Is a Crapshoot: A recurring theme. Key examples are Omega, Sigma, and Gamma. | |
Red vs. Blue (Web Animation) / int_420c50b7 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_420c50b7 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_420c50b7 | |
Red vs. Blue (Web Animation) / int_4389e368 | type |
Actionized Sequel | |
Red vs. Blue (Web Animation) / int_4389e368 | comment |
Season 18 is less comedic because it focuses more on the action scenes, and thus leaves less space for quips and such. | |
Red vs. Blue (Web Animation) / int_4389e368 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_4389e368 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_4389e368 | |
Red vs. Blue (Web Animation) / int_43a46119 | type |
Surrounded by Idiots | |
Red vs. Blue (Web Animation) / int_43a46119 | comment |
Surrounded by Idiots: A majority of the cast, from the most competent soldier to the dumbest of troops, believe themselves to be this, often glazing over their own flaws and shortcomings. Church's closing lines during the final episode of The Blood Gulch Chronicles has him indirectly explain why he hates everyone around him for very specific reasons. | |
Red vs. Blue (Web Animation) / int_43a46119 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_43a46119 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_43a46119 | |
Red vs. Blue (Web Animation) / int_4a4d6f7c | type |
Comedic Sociopathy | |
Red vs. Blue (Web Animation) / int_4a4d6f7c | comment |
Comedic Sociopathy: The Blood Gulch Crew are usually apathetic or even outright pleased about the rampant danger their allies often end up looking into, which regularly degenerates into teammates casually insulting each other. Whenever one of them is seriously injured, however, their compatriots are horrified, moving away from this mindset above a surface level banter says much about their Character Development. Compare how the Reds and Blues act towards each other in Season 1 to the final act of The Chorus Trilogy: If it weren't for the fact that they're keeping their armor colors and core personalities, they're almost unrecognizable. | |
Red vs. Blue (Web Animation) / int_4a4d6f7c | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_4a4d6f7c | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_4a4d6f7c | |
Red vs. Blue (Web Animation) / int_4aaffbd5 | type |
I Never Said It Was Poison | |
Red vs. Blue (Web Animation) / int_4aaffbd5 | comment |
I Never Said It Was Poison: When Church tells the Red he knows they are missing a guy, Sarge uses that as proof that the Blues did it. He doesn't know that Caboose accidentally picked up their radio conversations. | |
Red vs. Blue (Web Animation) / int_4aaffbd5 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_4aaffbd5 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_4aaffbd5 | |
Red vs. Blue (Web Animation) / int_4af55b78 | type |
Credits Gag | |
Red vs. Blue (Web Animation) / int_4af55b78 | comment |
Credits Gag: Every episode ends with credits listing other characters from the show in jobs like "Translation to Spanish by Lopez the Heavy". | |
Red vs. Blue (Web Animation) / int_4af55b78 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_4af55b78 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_4af55b78 | |
Red vs. Blue (Web Animation) / int_4b8f361c | type |
Readings Blew Up the Scale | |
Red vs. Blue (Web Animation) / int_4b8f361c | comment |
Readings Blew Up the Scale: In the "Visit the Doctor!" PSA, Sister's STD test reported she had "everything", and then the computer printing out the results somehow contracted syphilis and before catching fire. | |
Red vs. Blue (Web Animation) / int_4b8f361c | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_4b8f361c | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_4b8f361c | |
Red vs. Blue (Web Animation) / int_4c37b23 | type |
Third Line, Some Waiting | |
Red vs. Blue (Web Animation) / int_4c37b23 | comment |
Third Line, Some Waiting: In Season 3, at a certain point it had Church's time travel along with the two plots in the present day. Recreation briefly had Wash's side. | |
Red vs. Blue (Web Animation) / int_4c37b23 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_4c37b23 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_4c37b23 | |
Red vs. Blue (Web Animation) / int_4d359d57 | type |
Loyal Phlebotinum | |
Red vs. Blue (Web Animation) / int_4d359d57 | comment |
Loyal Phlebotinum: Tucker's energy sword binds to him when he first acquires it and won't turn on for anyone else who tries to wield it. This is later shown to be true in general for these swords: the first person who picks it up becomes the only person it will work for. The only way to get it to work for someone else is to kill its current wielder. | |
Red vs. Blue (Web Animation) / int_4d359d57 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_4d359d57 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_4d359d57 | |
Red vs. Blue (Web Animation) / int_4e3d253b | type |
Downer Ending | |
Red vs. Blue (Web Animation) / int_4e3d253b | comment |
Downer Ending: The miniseries ends with Wash seemingly dead at the hands of South Dakota, who has performed a Face–Heel Turn and is on the run from both Freelancer Command and the Meta. Oh, and no one is any closer to stopping the Meta than they were before. | |
Red vs. Blue (Web Animation) / int_4e3d253b | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_4e3d253b | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_4e3d253b | |
Red vs. Blue (Web Animation) / int_4ef92d0b | type |
The Atoner | |
Red vs. Blue (Web Animation) / int_4ef92d0b | comment |
Season 10 ends with the Reds and Blues deciding to move back into Blood Gulch while Epsilon leaves with Carolina to become The Atoner. Neither of them say goodbye, under the notion that if they don't then they aren't really gone, in which this is depicted as a heartwarming scene. Season 11 starts with the Reds and Blues stranded after a shipwreck and Church leaving without a word has left Tucker angry and Caboose depressed at how they were abandoned. | |
Red vs. Blue (Web Animation) / int_4ef92d0b | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_4ef92d0b | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_4ef92d0b | |
Red vs. Blue (Web Animation) / int_4efe80e1 | type |
Lazy Bum | |
Red vs. Blue (Web Animation) / int_4efe80e1 | comment |
Phlegmatic: Lopez (positive, he's competent even if not exactly good with people), Grif (negative, he's a bitter Lazy Bum), Caboose (Kindhearted Simpleton) | |
Red vs. Blue (Web Animation) / int_4efe80e1 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_4efe80e1 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_4efe80e1 | |
Red vs. Blue (Web Animation) / int_5009999d | type |
Painting the Medium | |
Red vs. Blue (Web Animation) / int_5009999d | comment |
Painting the Medium: Played for Laughs in "The Prize Wheel of Cash"; After Lopez "wins" becoming Caboose's new best friend, the English subtitles change to praising Caboose and emphasizing how happy Lopez is to be Caboose's friend. Meanwhile, Lopez's untranslated Spanish dialogue has him freaking out about his subtitles changing. | |
Red vs. Blue (Web Animation) / int_5009999d | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_5009999d | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_5009999d | |
Red vs. Blue (Web Animation) / int_51fa57ba | type |
Arc Fatigue | |
Red vs. Blue (Web Animation) / int_51fa57ba | comment |
Arc Fatigue: Invoked in the present day moments of Season 9. Church is trying to re-enact the events of Season 1 to draw Tex out, and it mostly consists of standing around and waiting for stuff to happen. Season 11 too as the Reds and Blues wait for rescue, and thus return to their bickering ways. | |
Red vs. Blue (Web Animation) / int_51fa57ba | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_51fa57ba | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_51fa57ba | |
Red vs. Blue (Web Animation) / int_5285de61 | type |
"Lesson of the Day" Speech | |
Red vs. Blue (Web Animation) / int_5285de61 | comment |
After Carolina gives a "Lesson of the Day" Speech in "New Holidays" about how holidays can be about celebrating the achievements of famous historical figures, Tucker interjects by claiming that Christopher Columbus shouldn't be celebrated as "he was a dick." Carolina quickly agrees with him, calling Columbus "the wooooorst!" | |
Red vs. Blue (Web Animation) / int_5285de61 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_5285de61 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_5285de61 | |
Red vs. Blue (Web Animation) / int_52db461d | type |
Significant Anagram | |
Red vs. Blue (Web Animation) / int_52db461d | comment |
Significant Anagram: In "Are You Good at Halo?", Grif sends a message to the show under the username DriftageMixer, which Simmons realizes is an anagram for "I am Dexter Grif". | |
Red vs. Blue (Web Animation) / int_52db461d | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_52db461d | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_52db461d | |
Red vs. Blue (Web Animation) / int_53c5f30e | type |
Happy Ending Override | |
Red vs. Blue (Web Animation) / int_53c5f30e | comment |
Happy Ending Override: At the end of Season 8, Church can't find Tex inside the memory unit and resolves to wait for her in a good memory of his, namely his time in Blood Gulch. Season 9 opens with him remembering how much he despised being in Blood Gulch, and the plot of the season is centered around how Tex is gone and Church needs to come to terms with that. Season 10 ends with the Reds and Blues deciding to move back into Blood Gulch while Epsilon leaves with Carolina to become The Atoner. Neither of them say goodbye, under the notion that if they don't then they aren't really gone, in which this is depicted as a heartwarming scene. Season 11 starts with the Reds and Blues stranded after a shipwreck and Church leaving without a word has left Tucker angry and Caboose depressed at how they were abandoned. | |
Red vs. Blue (Web Animation) / int_53c5f30e | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_53c5f30e | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_53c5f30e | |
Red vs. Blue (Web Animation) / int_53d302c | type |
Vertigo Effect | |
Red vs. Blue (Web Animation) / int_53d302c | comment |
Vertigo Effect: The second episode of Relocated has this when Caboose sneaks up on Simmons. | |
Red vs. Blue (Web Animation) / int_53d302c | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_53d302c | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_53d302c | |
Red vs. Blue (Web Animation) / int_54243cf7 | type |
Parrot Exposition | |
Red vs. Blue (Web Animation) / int_54243cf7 | comment |
Parrot Exposition: Parodied. | |
Red vs. Blue (Web Animation) / int_54243cf7 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_54243cf7 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_54243cf7 | |
Red vs. Blue (Web Animation) / int_547196be | type |
Broad Strokes | |
Red vs. Blue (Web Animation) / int_547196be | comment |
Broad Strokes: The series generally treats Halo canon like this, often following the generalities and discarding it only whenever it would stand in the way of the plot/a joke. For example, while the UNSC is still the main governing body of humanity in both works, Red vs. Blue has their headquarters located somewhere in the American state of Wyoming whereas Halo has their headquarters located in Sydney, Australia. | |
Red vs. Blue (Web Animation) / int_547196be | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_547196be | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_547196be | |
Red vs. Blue (Web Animation) / int_56515a39 | type |
Artistic License – History | |
Red vs. Blue (Web Animation) / int_56515a39 | comment |
Artistic License – History: Played for Laughs in the "Thanksgiving 2008" PSA, where Sarge believes that severed human hands were originally a Thanksgiving delicacy. | |
Red vs. Blue (Web Animation) / int_56515a39 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_56515a39 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_56515a39 | |
Red vs. Blue (Web Animation) / int_56e3c2b5 | type |
Wildlife Commentary Spoof | |
Red vs. Blue (Web Animation) / int_56e3c2b5 | comment |
Wildlife Commentary Spoof: One of the bonuses in the Red vs. Blue DVD is a movie spoof that has Sarge doing this to Grif (framed as a hunting show, naturally). | |
Red vs. Blue (Web Animation) / int_56e3c2b5 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_56e3c2b5 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_56e3c2b5 | |
Red vs. Blue (Web Animation) / int_581f6468 | type |
Hero of Another Story | |
Red vs. Blue (Web Animation) / int_581f6468 | comment |
Hero of Another Story: Both the Red and Blue simulation troopers and the Agents of Project Freelancer (for a given value of "hero"). It's often mentioned that the few simulation troopers and Agents we see are only a fraction of the huge number of soldiers/agents out there, and most of them have been going on their own adventures in the background of the series. In the first episode of the series, Halo Player Character "the Master Chief" John-117 is mentioned by Grif as blowing up "a whole Covenant armada" while the Reds and Blues are stuck fighting each other instead, dealing with issues that the games proper don't even mention. The reason why they aren't directly integrated into the fighting (as well as why they are unaware that the Human-Covenant War is presumably over) are factors in Seasons 6-10. As Seasons 9 and 10 show, Project Freelancer was dealing with alleged Insurrectionist activity among humanity during the Great War. Seasons 11-13 have the Reds and Blues stuck on Chorus while most of the UNSC were trying to keep peace with the Swords of Sanghelios and sending out space expeditions with their upgraded ships, most notably the UNSC Infinity. | |
Red vs. Blue (Web Animation) / int_581f6468 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_581f6468 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_581f6468 | |
Red vs. Blue (Web Animation) / int_5892169d | type |
Absurd Phobia | |
Red vs. Blue (Web Animation) / int_5892169d | comment |
Absurd Phobia: According to Sarge in the "Hard Truths" PSA, he has an irrational fear of pleated pants. | |
Red vs. Blue (Web Animation) / int_5892169d | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_5892169d | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_5892169d | |
Red vs. Blue (Web Animation) / int_5989e3b6 | type |
Enemy Mine | |
Red vs. Blue (Web Animation) / int_5989e3b6 | comment |
Enemy Mine: One of the most common themes of the series from Season 3 onwards. Despite being (allegedly) enemies in a worthless war, the Reds and Blues are consistently forced to work together to take down a greater evil. The trope is also deconstructed in Season 13, as Wash notes that even though the New Republic and Federal Army of Chorus are working together, they still aren't working together. | |
Red vs. Blue (Web Animation) / int_5989e3b6 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_5989e3b6 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_5989e3b6 | |
Red vs. Blue (Web Animation) / int_5a3b8032 | type |
The Un-Reveal | |
Red vs. Blue (Web Animation) / int_5a3b8032 | comment |
The Unreveal: Once the recap of Halo (2022) discusses Master Chief taking off his helmet, Sarge does the same... and his face is a pixelated mess ("Yep, dad's Raster Scandinavian and mom's Pixel Irish") | |
Red vs. Blue (Web Animation) / int_5a3b8032 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_5a3b8032 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_5a3b8032 | |
Red vs. Blue (Web Animation) / int_5a963d1c | type |
False Reassurance | |
Red vs. Blue (Web Animation) / int_5a963d1c | comment |
Tucker insists that his "information guy" is not his "kidnap guy", who happens to be currently on vacation. | |
Red vs. Blue (Web Animation) / int_5a963d1c | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_5a963d1c | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_5a963d1c | |
Red vs. Blue (Web Animation) / int_5aa8d3d8 | type |
Friendly Enemy | |
Red vs. Blue (Web Animation) / int_5aa8d3d8 | comment |
Friendly Enemy: The Blood Gulchers seem to get along with members of the opposite team rather well (well, at least as well as members of the same team get along with each other), to varying degrees. By Season 10, their "war" continues mostly because of habit and the fact nobody on either team has anything better to do. | |
Red vs. Blue (Web Animation) / int_5aa8d3d8 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_5aa8d3d8 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_5aa8d3d8 | |
Red vs. Blue (Web Animation) / int_5b6e57e | type |
Required Secondary Powers | |
Red vs. Blue (Web Animation) / int_5b6e57e | comment |
Required Secondary Powers: Actually averted in the "Upgrading" PSA when Caboose gets his armor stuck on invisibility mode: | |
Red vs. Blue (Web Animation) / int_5b6e57e | featureApplicability |
-1.0 | |
Red vs. Blue (Web Animation) / int_5b6e57e | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_5b6e57e | |
Red vs. Blue (Web Animation) / int_5bad2ab4 | type |
Military Maverick | |
Red vs. Blue (Web Animation) / int_5bad2ab4 | comment |
Military Maverick: By Part 3, Washington essentially abandons Project Freelancer completely. This isn't necessarily bad, though. | |
Red vs. Blue (Web Animation) / int_5bad2ab4 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_5bad2ab4 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_5bad2ab4 | |
Red vs. Blue (Web Animation) / int_5ce7dbb9 | type |
Central Theme | |
Red vs. Blue (Web Animation) / int_5ce7dbb9 | comment |
Central Theme: Overall, there's The Power of Friendship, forgiveness, and letting go of the past and moving on from trauma. Each story arc also has some more specific examples: The Blood Gulch Chronicles has the inevitability of change. The Recollection has the importance of memory and the value of humanity. The Project Freelancer Saga has "saying goodbye", obsession, revenge, and family. The Chorus Trilogy has sacrifice, dehumanization, faith, and communication. Finally, Season 15, The Shisno Paradox, and Singularity all have actions having consequences and learning to live with them along with trust, betrayal, and regret. | |
Red vs. Blue (Web Animation) / int_5ce7dbb9 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_5ce7dbb9 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_5ce7dbb9 | |
Red vs. Blue (Web Animation) / int_5d0a7ce7 | type |
How Is That Even Possible? | |
Red vs. Blue (Web Animation) / int_5d0a7ce7 | comment |
"That doesn't seem physically possible". | |
Red vs. Blue (Web Animation) / int_5d0a7ce7 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_5d0a7ce7 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_5d0a7ce7 | |
Red vs. Blue (Web Animation) / int_5d5cc3fd | type |
Through the Eyes of Madness | |
Red vs. Blue (Web Animation) / int_5d5cc3fd | comment |
Through the Eyes of Madness: Twice, both times videos centered on (of course) Caboose. One is a 360 video, the other is a game show PSA. | |
Red vs. Blue (Web Animation) / int_5d5cc3fd | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_5d5cc3fd | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_5d5cc3fd | |
Red vs. Blue (Web Animation) / int_60e2ec3e | type |
Artificial Intelligence | |
Red vs. Blue (Web Animation) / int_60e2ec3e | comment |
Artificial Intelligence: Many over the course of the series, almost all of which are named for Greek letters. They share a common origin. | |
Red vs. Blue (Web Animation) / int_60e2ec3e | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_60e2ec3e | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_60e2ec3e | |
Red vs. Blue (Web Animation) / int_61b8f9e2 | type |
Bunny-Ears Lawyer | |
Red vs. Blue (Web Animation) / int_61b8f9e2 | comment |
Bunny-Ears Lawyer: The Blood Gulch Crew have slowly grown into this role over the years, especially by the end of Season 13 where they have most definitely become proper soldiers, albeit ones with very quirky and unconventional behavior. Their take-down of Felix is a great example of when you either A, underestimate them, or B, try to apply a soldier's tactics when dealing with these guys. | |
Red vs. Blue (Web Animation) / int_61b8f9e2 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_61b8f9e2 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_61b8f9e2 | |
Red vs. Blue (Web Animation) / int_61c683d2 | type |
We Have Reserves | |
Red vs. Blue (Web Animation) / int_61c683d2 | comment |
The Red and Blue Armies of Blood Gulch, who are meant to hate each other and be used for nothing more than training simulations for Project Freelancer, still manage to pull themselves together to be True Companions over the course of the series. | |
Red vs. Blue (Web Animation) / int_61c683d2 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_61c683d2 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_61c683d2 | |
Red vs. Blue (Web Animation) / int_6293c185 | type |
Sequel Hook | |
Red vs. Blue (Web Animation) / int_6293c185 | comment |
Sequel Hook: Lampshaded by Grif in Part 4. | |
Red vs. Blue (Web Animation) / int_6293c185 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_6293c185 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_6293c185 | |
Red vs. Blue (Web Animation) / int_6375f746 | type |
Drill Sergeant Nasty | |
Red vs. Blue (Web Animation) / int_6375f746 | comment |
Sarge almost exclusively uses his shotgun. He's a Blood Knight who loves killing up close and personal; he also enjoys threatening violence or emphasising his moods through dramatically loading the gun. The one time Washington mimics Sarge's likely reaction to the situation they're in, he picks up a shotgun to sell the imitation. | |
Red vs. Blue (Web Animation) / int_6375f746 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_6375f746 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_6375f746 | |
Red vs. Blue (Web Animation) / int_638b65bc | type |
Armor Is Useless | |
Red vs. Blue (Web Animation) / int_638b65bc | comment |
Armor Is Useless: Zig-Zagged. The characters constantly wear suits of power armor that are said to be "state of the art" and "designed to deflect bullets and absorb explosions". While the characters often take a lot of abuse and remain operational, they equally often get hurt by a single stray bullet or even a straight-up punch. You could try to find some kind of pattern to it, but you would be better off not thinking about it too much. | |
Red vs. Blue (Web Animation) / int_638b65bc | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_638b65bc | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_638b65bc | |
Red vs. Blue (Web Animation) / int_63cd6ccb | type |
Image Song | |
Red vs. Blue (Web Animation) / int_63cd6ccb | comment |
Image Song: Between Seasons 8 and 10, the cast seemed to be really fond of having these as extras on the soundtracks. So far there's been: Caboose: "Your Best Friend" Church: "I Am the Best" Donut: "Donut: the Musical" Sarge: "Sarge's Blues" Tucker: "Bow Chicka Wow Wow" York: "Come On Carolina" | |
Red vs. Blue (Web Animation) / int_63cd6ccb | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_63cd6ccb | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_63cd6ccb | |
Red vs. Blue (Web Animation) / int_6439de78 | type |
Heroic Sacrifice | |
Red vs. Blue (Web Animation) / int_6439de78 | comment |
Epsilon eventually and unwillingly becomes this for Carolina starting in Season 10, helping her out in tricky situations that she would've had trouble getting out of on her own. He ceases to be this at the end of Season 13 when Epsilon sacrifices himself so Tucker can operate the armour formerly worn by the Meta to fight against Charon Industries. | |
Red vs. Blue (Web Animation) / int_6439de78 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_6439de78 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_6439de78 | |
Red vs. Blue (Web Animation) / int_65bc92fc | type |
Four-Temperament Ensemble | |
Red vs. Blue (Web Animation) / int_65bc92fc | comment |
Four-Temperament Ensemble: Choleric: Sarge (Blood Knight), Church (always angry and frustrated), Carolina (bossy jerk, who after mellowing out is still serious and goal-oriented) Sanguine: Donut (affable Nice Guy), Tucker (Casanova Wannabe) Melancholic: Simmons (introverted nerd), Tex (Consummate Professional), Washington (Only Sane Man) Phlegmatic: Lopez (positive, he's competent even if not exactly good with people), Grif (negative, he's a bitter Lazy Bum), Caboose (Kindhearted Simpleton) | |
Red vs. Blue (Web Animation) / int_65bc92fc | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_65bc92fc | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_65bc92fc | |
Red vs. Blue (Web Animation) / int_66c725b6 | type |
Inconsistent Spelling | |
Red vs. Blue (Web Animation) / int_66c725b6 | comment |
Inconsistent Spelling: In Seasons 10, 12, and 13, Malcolm Hargrove's given name is spelled "Malcom". This is changed to "Malcolm" in Red Vs. Blue: The Ultimate Fan Guide. Axel's codename is spelled both "Axel" and "Axle". He signs Carolina's cast as "Axle", and his personnel file lists him as "AGENT AXEL a.k.a. AGENT AXLE". | |
Red vs. Blue (Web Animation) / int_66c725b6 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_66c725b6 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_66c725b6 | |
Red vs. Blue (Web Animation) / int_66ce8a39 | type |
Fake Memories | |
Red vs. Blue (Web Animation) / int_66ce8a39 | comment |
In Out of Mind, for instance, shows Tex and Church meeting at a Blue base. Tex comments that she doesn't know what Freelancer ability her armor has, even though she's shown to use its invisibility during Project flashback scenes and the finale to Season 10. Then again, she also knew that Church was the Alpha, so it could be an example of her lying to Church to help keep him safe. Later seasons also suggest that this whole scene was actually Fake Memories that were given to the Beta A.I. prior to her assignment as Agent Texas in Project Freelancer. | |
Red vs. Blue (Web Animation) / int_66ce8a39 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_66ce8a39 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_66ce8a39 | |
Red vs. Blue (Web Animation) / int_67d0342c | type |
Breaking the Fellowship | |
Red vs. Blue (Web Animation) / int_67d0342c | comment |
Most of the Freelancers were this as well, at least before the program fell apart. | |
Red vs. Blue (Web Animation) / int_67d0342c | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_67d0342c | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_67d0342c | |
Red vs. Blue (Web Animation) / int_680f950 | type |
Gilligan Cut | |
Red vs. Blue (Web Animation) / int_680f950 | comment |
Gilligan Cut: Tucker mentions the Red's have the Warthog. Right after that they crash and destroy it. | |
Red vs. Blue (Web Animation) / int_680f950 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_680f950 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_680f950 | |
Red vs. Blue (Web Animation) / int_683bb900 | type |
Last Disrespects | |
Red vs. Blue (Web Animation) / int_683bb900 | comment |
Last Disrespects: Three "funeral" scenes (the deceased in question were actually still living) are all about people being completely disrespectful at funerals, sometimes for their own agendas, sometimes merely because they're jerks. In Episode 51 of The Blood Gulch Chronicles, Church (the "dead" guy in question) is the one who wants a funeral; Tucker, however, insults the idea and wanders off. In Episode 83 of The Blood Gulch Chronicles, Grif turns Sarge's funeral into The Roast of Sarge, and Simmons uses the opportunity to campaign for Sarge's job. Sister, who just arrived, is only able to contribute that Sarge was old and disturbing. In Season 9 Episode 14, it turns out no one remembers anything about Simmons except he liked gum and talked a lot. | |
Red vs. Blue (Web Animation) / int_683bb900 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_683bb900 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_683bb900 | |
Red vs. Blue (Web Animation) / int_6b27162d | type |
The Remake | |
Red vs. Blue (Web Animation) / int_6b27162d | comment |
Regarding the Blood Gulch Chronicles, it's particularly prevalent once the tenth anniversary led to The Remake with the PC versions of Halo and Halo 2 (both are officially on YouTube, the original on RT's channel and the remasters in the Red vs Blue one). | |
Red vs. Blue (Web Animation) / int_6b27162d | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_6b27162d | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_6b27162d | |
Red vs. Blue (Web Animation) / int_6b2b3b59 | type |
The Reveal | |
Red vs. Blue (Web Animation) / int_6b2b3b59 | comment |
The Reveal that Caboose apparently graduated from Harvard in the Season 17 "Cultural Appreciation" PSA can be seen as an allusion to Grif claiming the same in Season 6's "Columbus Day" PSA. | |
Red vs. Blue (Web Animation) / int_6b2b3b59 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_6b2b3b59 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_6b2b3b59 | |
Red vs. Blue (Web Animation) / int_6b510ace | type |
Hopeless War | |
Red vs. Blue (Web Animation) / int_6b510ace | comment |
Hopeless War: Seemingly averted at Blood Gulch Canyon, with the Reds winning there. Except Season 13 reveals that Lopez did not kill Sister like he believed he had, meaning the Blues won Blood Gulch because Lopez left. | |
Red vs. Blue (Web Animation) / int_6b510ace | featureApplicability |
-1.0 | |
Red vs. Blue (Web Animation) / int_6b510ace | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_6b510ace | |
Red vs. Blue (Web Animation) / int_6de71c57 | type |
Disc-One Final Boss | |
Red vs. Blue (Web Animation) / int_6de71c57 | comment |
Disc-One Final Boss: The Director serves as the overarching villain for most of the series, being responsible for the entire conflict long before he actually becomes the Big Bad. He dies at the end of Season 10, but the series continues on and the main characters go on to square off against numerous other villains. | |
Red vs. Blue (Web Animation) / int_6de71c57 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_6de71c57 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_6de71c57 | |
Red vs. Blue (Web Animation) / int_6f393c7 | type |
Calling Shot Gun | |
Red vs. Blue (Web Animation) / int_6f393c7 | comment |
Calling Shotgun: A Running Gag between Simmons and Grif. Grif usually wins, except when winning will sometimes actually be a bad thing (courtesy of Donut), in which case, Simmons will win. | |
Red vs. Blue (Web Animation) / int_6f393c7 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_6f393c7 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_6f393c7 | |
Red vs. Blue (Web Animation) / int_7040b6bc | type |
Understatement | |
Red vs. Blue (Web Animation) / int_7040b6bc | comment |
Understatement: In Part 4, Simmons notes that the EMP cannon fires 0.1 rounds per second, while the Gatling Good fires 10,000 rounds per second. Sarge assumes his math is right in thinking that the Gatling gun fires faster. | |
Red vs. Blue (Web Animation) / int_7040b6bc | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_7040b6bc | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_7040b6bc | |
Red vs. Blue (Web Animation) / int_71038217 | type |
Wrench Wench | |
Red vs. Blue (Web Animation) / int_71038217 | comment |
Wrench Wench: Tex, actually, she's repaired Sheila at least twice, built a bomb out of spare parts (including some more ... personal items), and even upgraded her own armor while wearing it. Apparently, this was part of her Freelancer training. It tends to be overshadowed by her repeatedly kicking everyones' asses, though. | |
Red vs. Blue (Web Animation) / int_71038217 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_71038217 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_71038217 | |
Red vs. Blue (Web Animation) / int_716c0b1b | type |
And the Adventure Continues | |
Red vs. Blue (Web Animation) / int_716c0b1b | comment |
And the Adventure Continues: The Blood Gulch Chronicles ended with dialogue mirroring the very first episode. Reconstruction and Season 10 both end with the Reds and Blues returning to bases in a box canyon to have more zany adventures. After all they went through - all the crazy things that happened, the people who died, everything - life was going to go on, the same way it had before. | |
Red vs. Blue (Web Animation) / int_716c0b1b | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_716c0b1b | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_716c0b1b | |
Red vs. Blue (Web Animation) / int_722b3319 | type |
Camp Gay | |
Red vs. Blue (Web Animation) / int_722b3319 | comment |
Donut goes from being ambiguously effeminate to Tucker's Camp Gay counterpart in sexually suggestive dialogue and attempts to sleep with any male soldier in his line of view. | |
Red vs. Blue (Web Animation) / int_722b3319 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_722b3319 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_722b3319 | |
Red vs. Blue (Web Animation) / int_72cdfc33 | type |
Big Bad Ensemble | |
Red vs. Blue (Web Animation) / int_72cdfc33 | comment |
Big Bad Ensemble: The entire series is caused by the combined actions of the Director (for starting up Project Freelancer), Sigma (for causing Project Freelancer's downfall), and the Chairman (for being against Project Freelancer). Referenced in The Chorus Trilogy when the Reds and Blues suspect it has something to do with Wash or Carolina because their organization tends to be the cause of their problems, one way or another. Their suspicion turns out to be correct, if more indirectly than usual. | |
Red vs. Blue (Web Animation) / int_72cdfc33 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_72cdfc33 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_72cdfc33 | |
Red vs. Blue (Web Animation) / int_7301ae04 | type |
Serial Killer | |
Red vs. Blue (Web Animation) / int_7301ae04 | comment |
Serial Killer: The Meta. | |
Red vs. Blue (Web Animation) / int_7301ae04 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_7301ae04 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_7301ae04 | |
Red vs. Blue (Web Animation) / int_730b3aa7 | type |
Virtual Training Simulation | |
Red vs. Blue (Web Animation) / int_730b3aa7 | comment |
Virtual Training Simulation: Lopez built one under Red Base at Valhalla. | |
Red vs. Blue (Web Animation) / int_730b3aa7 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_730b3aa7 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_730b3aa7 | |
Red vs. Blue (Web Animation) / int_7335ffa9 | type |
Grey-and-Gray Morality | |
Red vs. Blue (Web Animation) / int_7335ffa9 | comment |
Grey-and-Gray Morality: A running theme throughout the series is that everyone has their own good and bad aspects, and there are as many ultimately good people as there are bad people. In the case of the Blood Gulch Crew, although they are the heroes of the story and usually do the right thing, they are also stupid and/or jerks in one way or another and do very selfish things in their adventures. This is even pointed out in Season 12, with Washington pointing out that the New Republic and the Federal Army on Chorus are equally good and bad, which is later mirrored by nearly identical Rousing Speeches performed by both sides. | |
Red vs. Blue (Web Animation) / int_7335ffa9 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_7335ffa9 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_7335ffa9 | |
Red vs. Blue (Web Animation) / int_740f59b4 | type |
ColorCodedForYourConvenience | |
Red vs. Blue (Web Animation) / int_740f59b4 | comment |
Color-Coded for Your Convenience: All of the characters shown in armor have completely different colors to help differentiate between them, the exceptions being North and South Dakota (North's armor is a darker purple than South's), Carolina and Tucker (Tucker's armor is more green compared to Carolina's), and Tucker and Butch Flowers, the person whom Tucker got his armor from. For the longest time, many people thought Grif's armor was yellow, until Sister (whose armor really is yellow) settled the matter. It's a lot easier to see that his armor is orange when they stand next to each other. | |
Red vs. Blue (Web Animation) / int_740f59b4 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_740f59b4 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_740f59b4 | |
Red vs. Blue (Web Animation) / int_7426582d | type |
Token Minority | |
Red vs. Blue (Web Animation) / int_7426582d | comment |
Token Minority: Discussed in the "Diversity" PSA, with Grif and Simmons pointing out the diversity among their own cast - Namely, Carolina is a "feminista," Tucker is a person of color (black), Lopez is a "badass Robo-American" (Latino), Caboose is intellectually challenged, Donut is "fabulous," and Wash is the resident "angry white man." | |
Red vs. Blue (Web Animation) / int_7426582d | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_7426582d | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_7426582d | |
Red vs. Blue (Web Animation) / int_7464705c | type |
Arc Words | |
Red vs. Blue (Web Animation) / int_7464705c | comment |
Arc Words: For both the series as a whole and The Blood Gulch Chronicles in particular, there's "You ever wonder why we're here?". It also serves as both a Brick Joke and Chekhov's Boomerang several times over. Courtesy of The Recollection Trilogy, there's "Memory is the key." Lampshaded in Episode 6 of Season 8. And further parodied in Season 10. For The Project Freelancer Saga, there's "Don't say goodbye. I hate goodbyes." During The Chorus Trilogy, there's both "You just have to try" and "What do you fight for?". Season 15 has "Every action has an equal and opposite reaction." Both The Shisno Paradox and Singularity have "paradox" (appropriately enough). | |
Red vs. Blue (Web Animation) / int_7464705c | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_7464705c | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_7464705c | |
Red vs. Blue (Web Animation) / int_751bd286 | type |
Is This Thing Still On? | |
Red vs. Blue (Web Animation) / int_751bd286 | comment |
Is This Thing Still On?: In "Are You Good at Halo?", Simmons and Grif argue and inadvertently reveal Simmons' Ponzi scheme to the viewers, only afterward remembering that they're still live. | |
Red vs. Blue (Web Animation) / int_751bd286 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_751bd286 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_751bd286 | |
Red vs. Blue (Web Animation) / int_762b9223 | type |
Played for Laughs | |
Red vs. Blue (Web Animation) / int_762b9223 | comment |
Played for Laughs in Singularity. | |
Red vs. Blue (Web Animation) / int_762b9223 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_762b9223 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_762b9223 | |
Red vs. Blue (Web Animation) / int_76468dfa | type |
Internet Jerk | |
Red vs. Blue (Web Animation) / int_76468dfa | comment |
The "Real Life vs. The Internet", "First!", and "Online Survival Guide" PSAs are all this in terms of teaching online etiquette. | |
Red vs. Blue (Web Animation) / int_76468dfa | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_76468dfa | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_76468dfa | |
Red vs. Blue (Web Animation) / int_77425f01 | type |
YouDontWantToKnow | |
Red vs. Blue (Web Animation) / int_77425f01 | comment |
We got a more minor example of this when Carolina cites what happened to Georgia when cautioning her fellows about their jetpacks. No matter how much poor Washington asks, nobody actually tells him what happened to Georgia. Then, in Season 10's epilogue, Georgia slams into a window somewhere in space, coincidentally where equally-absent Utah just found his lucky coin. | |
Red vs. Blue (Web Animation) / int_77425f01 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_77425f01 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_77425f01 | |
Red vs. Blue (Web Animation) / int_77b009ea | type |
Phrase Catcher | |
Red vs. Blue (Web Animation) / int_77b009ea | comment |
Phrase Catcher: Part 3 shows that even when she isn't even there, Sister still can get people to say "Wait, what?" about her. | |
Red vs. Blue (Web Animation) / int_77b009ea | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_77b009ea | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_77b009ea | |
Red vs. Blue (Web Animation) / int_78c895c8 | type |
Amusing Injuries | |
Red vs. Blue (Web Animation) / int_78c895c8 | comment |
Amusing Injuries: Many are subjected to both Grif (who falls from several dozen stories with a cartoonish "Splat!") and Holo-Grifs (all of whom are killed by Sarge using a magnetic railgun). | |
Red vs. Blue (Web Animation) / int_78c895c8 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_78c895c8 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_78c895c8 | |
Red vs. Blue (Web Animation) / int_78f26d1c | type |
A Wild Rapper Appears! | |
Red vs. Blue (Web Animation) / int_78f26d1c | comment |
A Wild Rapper Appears!: Happened in Seasons 9 and 10 when Lamar Hall's verses showed up in the show, and then was taken up to eleven in Season 18, where the whole soundtrack is rap. | |
Red vs. Blue (Web Animation) / int_78f26d1c | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_78f26d1c | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_78f26d1c | |
Red vs. Blue (Web Animation) / int_79a0e313 | type |
Bolivian Army Ending | |
Red vs. Blue (Web Animation) / int_79a0e313 | comment |
Season 13 ends on a Bolivian Army Ending while closing Red vs. Blue: The Chorus Trilogy. And in a way, it also closes off the story of Church, as Epsilon makes clear he'll not survive. | |
Red vs. Blue (Web Animation) / int_79a0e313 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_79a0e313 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_79a0e313 | |
Red vs. Blue (Web Animation) / int_7a265daa | type |
Eagleland | |
Red vs. Blue (Web Animation) / int_7a265daa | comment |
Eagleland: Type 1, parodied. After examining how Red vs. Blue would be done by other countries, Church and Tucker decide to do it the American way, which they conclude is driving big cars and blowing shit up. The video ends with a Warthog flying over an explosion with the American flag in the background and "America the Beautiful" playing. This sets up a Brick Joke: earlier in the episode, they had done the "Russian version", where many of the characters' statements are censored and replaced with praise of the Russian government and its leader, Nikolai Petrovsky. Hilariously, at the end of the episode, his name is randomly cut into the song. | |
Red vs. Blue (Web Animation) / int_7a265daa | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_7a265daa | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_7a265daa | |
Red vs. Blue (Web Animation) / int_7abba202 | type |
The Faceless | |
Red vs. Blue (Web Animation) / int_7abba202 | comment |
The Faceless: Almost everyone. But for the Blood Gulch Crew, Washington, and the Meta (although for those of those latter two, The Project Freelancer Saga only showed limited features), Rooster Teeth has outright said that they believe that nothing they can come up will fulfill fan expectations. That being said, there are a few confirmations (more or less) given to some of the characters' appearances. The only real ones given are that Tucker is black, Grif and Sister/Kaikaina are native Hawaiians, Simmons is both Dutch-Irish and a Hollywood Cyborg, Lopez is (technically) Latino (though as he's also a robot, one can work out the fine lines on that elsewhere), and Wash is both white and a blonde. | |
Red vs. Blue (Web Animation) / int_7abba202 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_7abba202 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_7abba202 | |
Red vs. Blue (Web Animation) / int_7b3352a9 | type |
Heroic Safe Mode | |
Red vs. Blue (Web Animation) / int_7b3352a9 | comment |
Heroic Safe Mode: "Recovery Mode", a mode that the Mark VI armors go into when they lock up so that a Recovery agent can pick them up. This extends to the Near-Death Experience by Sarge in Season 1. | |
Red vs. Blue (Web Animation) / int_7b3352a9 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_7b3352a9 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_7b3352a9 | |
Red vs. Blue (Web Animation) / int_7b50237d | type |
Distinction Without a Difference | |
Red vs. Blue (Web Animation) / int_7b50237d | comment |
Distinction Without a Difference: Simmons insists that he isn't lost, he just doesn't know where they are right now. Church points out this is the defination of lost. | |
Red vs. Blue (Web Animation) / int_7b50237d | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_7b50237d | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_7b50237d | |
Red vs. Blue (Web Animation) / int_7ea2a915 | type |
Animation Bump | |
Red vs. Blue (Web Animation) / int_7ea2a915 | comment |
The biggest example of Animation Bump is the sporadic introduction of sequences fully animated in CGI starting in Season 8 and continuing on throughout the rest of the series (barring Season 11, which was made exclusively in machinima). | |
Red vs. Blue (Web Animation) / int_7ea2a915 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_7ea2a915 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_7ea2a915 | |
Red vs. Blue (Web Animation) / int_80251be3 | type |
How We Got Here | |
Red vs. Blue (Web Animation) / int_80251be3 | comment |
How We Got Here: Everyone in Blood Gulch was reassigned to new locations, except for Sister, Sarge and Lopez (though Sarge's continued presence is due to him deliberately ignoring his relocation orders, believing that Blood Gulch has "not yet won"). The locations of Donut, Tucker, and Doc are also left ambiguous until the next two seasons. | |
Red vs. Blue (Web Animation) / int_80251be3 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_80251be3 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_80251be3 | |
Red vs. Blue (Web Animation) / int_808cbaeb | type |
Arson, Murder, and Jaywalking | |
Red vs. Blue (Web Animation) / int_808cbaeb | comment |
Arson, Murder, and Jaywalking: In Red vs. Blue: The Ultimate Fan Guide, the Meta's character profile lists his "notable attributes" as: | |
Red vs. Blue (Web Animation) / int_808cbaeb | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_808cbaeb | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_808cbaeb | |
Red vs. Blue (Web Animation) / int_80b57bec | type |
Super-Soldier | |
Red vs. Blue (Web Animation) / int_80b57bec | comment |
The AI fragments extracted from the Alpha used to be this for the Freelancers who were paired up with them, allowing them to utilize the equipment that aided the soldiers in battle, until some of them had rebelled against the project in favour of their own agendas. | |
Red vs. Blue (Web Animation) / int_80b57bec | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_80b57bec | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_80b57bec | |
Red vs. Blue (Web Animation) / int_80cf1e30 | type |
Head Bob | |
Red vs. Blue (Web Animation) / int_80cf1e30 | comment |
Head Bob: Except in exceptionally rare instances when a face is shown, usually happening in Freelancer-specific flashbacks. Both fans and animators have come to a agreement that giving definitive facial models to the Blood Gulch Crew would spoil the ambiguity of what they actually look like in comparison to how they act. This is even lampshaded in Episode 94 of The Blood Gulch Chronicles. | |
Red vs. Blue (Web Animation) / int_80cf1e30 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_80cf1e30 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_80cf1e30 | |
Red vs. Blue (Web Animation) / int_8145958b | type |
Seemingly Profound Fool | |
Red vs. Blue (Web Animation) / int_8145958b | comment |
Seemingly Profound Fool: The "What I Did On My Summer" PSA has Caboose unwittingly "escaping into the campaign" of Halo: Reach, either becoming, being mistaken for, or revealing himself to be Noble Six. | |
Red vs. Blue (Web Animation) / int_8145958b | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_8145958b | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_8145958b | |
Red vs. Blue (Web Animation) / int_816e89fe | type |
Informal Eulogy | |
Red vs. Blue (Web Animation) / int_816e89fe | comment |
Informal Eulogy: Along with the cases in Last Disrespects, Sarge provided one for the Blues on Battle Creek ("Rest in peace... scumbag.") and Caboose when he thought he was killed by a mine field ("Dear Lord, we thank you for taking another Blue back to Heaven today. Or rather not Heaven, but whatever fiery pit you send Blues to so they can suffer in eternity!"). | |
Red vs. Blue (Web Animation) / int_816e89fe | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_816e89fe | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_816e89fe | |
Red vs. Blue (Web Animation) / int_81bdc398 | type |
He's Back! | |
Red vs. Blue (Web Animation) / int_81bdc398 | comment |
He's Back!: Lopez returns, and he's built an entire holodeck for the group under Valhalla's Red Base by Part 3's end in less than a minute, along with an elevator coded to their handprints. That, and he's a lot snarkier. | |
Red vs. Blue (Web Animation) / int_81bdc398 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_81bdc398 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_81bdc398 | |
Red vs. Blue (Web Animation) / int_820ac3c5 | type |
Dysfunction Junction | |
Red vs. Blue (Web Animation) / int_820ac3c5 | comment |
Dysfunction Junction: The Reds and Blues don't have to use the other team for target practice or anything, as they've got each other for that! (Especially the Reds!) As Seasons 9 and 10 reveal, Project Freelancer wasn't much better, although they didn't outright attack each other. At least, not until near the end of it all... | |
Red vs. Blue (Web Animation) / int_820ac3c5 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_820ac3c5 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_820ac3c5 | |
Red vs. Blue (Web Animation) / int_8411ab92 | type |
Red Oni, Blue Oni | |
Red vs. Blue (Web Animation) / int_8411ab92 | comment |
Red Oni, Blue Oni: In a way, the teams themselves. Most of the drama is driven by members of Blue Team, while Red Team is composed of some very... unbalanced characters who drive most of the comedy. | |
Red vs. Blue (Web Animation) / int_8411ab92 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_8411ab92 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_8411ab92 | |
Red vs. Blue (Web Animation) / int_84194ebf | type |
24-Hour Armor | |
Red vs. Blue (Web Animation) / int_84194ebf | comment |
24-Hour Armor: Very few characters remove even a piece of their power armor, making almost every single character The Faceless. | |
Red vs. Blue (Web Animation) / int_84194ebf | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_84194ebf | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_84194ebf | |
Red vs. Blue (Web Animation) / int_85bcc5a8 | type |
Lampshaded Double Entendre | |
Red vs. Blue (Web Animation) / int_85bcc5a8 | comment |
Lampshaded Double Entendre: Bow-chicka-wow-wow! | |
Red vs. Blue (Web Animation) / int_85bcc5a8 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_85bcc5a8 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_85bcc5a8 | |
Red vs. Blue (Web Animation) / int_85f0f0fb | type |
World of Snark | |
Red vs. Blue (Web Animation) / int_85f0f0fb | comment |
World of Snark: It'd be faster to make a list of characters who aren't snarky at some point. Which probably consists of Counselor Aiden Price, the Director, Donut, and Caboose. | |
Red vs. Blue (Web Animation) / int_85f0f0fb | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_85f0f0fb | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_85f0f0fb | |
Red vs. Blue (Web Animation) / int_863fa679 | type |
What Happened to the Mouse? | |
Red vs. Blue (Web Animation) / int_863fa679 | comment |
What Happened to the Mouse?: Notably averted — the fate of almost every major or minor character who appears in the show is addressed in some way eventually, be it by them coming back, getting killed off, or even making a minor cameo in a later episode. Even if a character is Put on a Bus, they're likely to show up again later. Season 12 and 13 have been especially notable in that they resolved many remaining plot points and abandoned storylines from prior seasons. Some examples include Butch Flowers getting revived at the end of Season 5 and later getting revealed to be a Freelancer in Season 10, Andy the bomb getting auto-called by Siri in Season 11, the Chairman being revealed as "Control" in Season 12, Sharkface, the Counselor, Sister and Junior reappearing in Season 13, Vic narrating the story segments in season 14, and 479r's confirmation of reappearing in the same season, the series has impressively managed to account for every member of its sprawling cast numbering in the hundreds. We got a more minor example of this when Carolina cites what happened to Georgia when cautioning her fellows about their jetpacks. No matter how much poor Washington asks, nobody actually tells him what happened to Georgia. Then, in Season 10's epilogue, Georgia slams into a window somewhere in space, coincidentally where equally-absent Utah just found his lucky coin. | |
Red vs. Blue (Web Animation) / int_863fa679 | featureApplicability |
-1.0 | |
Red vs. Blue (Web Animation) / int_863fa679 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_863fa679 | |
Red vs. Blue (Web Animation) / int_86e2d67b | type |
Compound-Interest Time Travel Gambit | |
Red vs. Blue (Web Animation) / int_86e2d67b | comment |
Compound-Interest Time Travel Gambit: In one financial PSA, after Grif learns the basics on how stocks work, he decides the best route is go back in time and create his own time travel company in order to build the stock value up over decades. Come the end of the video, Simmons comments on how some company called "My Time Travel Company Rules Co" is doing well. Cue Grif with High-Class Glass, top hat and Monopoly-man mustache. | |
Red vs. Blue (Web Animation) / int_86e2d67b | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_86e2d67b | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_86e2d67b | |
Red vs. Blue (Web Animation) / int_86f4f393 | type |
Stating the Simple Solution | |
Red vs. Blue (Web Animation) / int_86f4f393 | comment |
Stating the Simple Solution: Simmons, often. Especially when he points out a ladder for Grif to climb for Sarge after he's almost at the top of Red Base. | |
Red vs. Blue (Web Animation) / int_86f4f393 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_86f4f393 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_86f4f393 | |
Red vs. Blue (Web Animation) / int_8712e4c9 | type |
Story-Breaker Power | |
Red vs. Blue (Web Animation) / int_8712e4c9 | comment |
Story-Breaker Power: The reason the cast never gets to use the Spartan Laser in Seasons 6-8, despite it being on a number of multi-player maps in Halo 3, such as Valhalla, Standoff, Avalanche, etc. The armor shields for that matter. These guys wear the Mk 6 Spartan armor, yet only Caboose has been seen using the standard shields. Everyone else can easily be shot down unless they're specifically said to have the dome shield, overshields, or both. Or the Meta, who's insanely durable with or without them. Wyoming's time manipulation falls under this as well, especially in the prequels where he's never seen using it even after he gets Gamma as his AI. | |
Red vs. Blue (Web Animation) / int_8712e4c9 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_8712e4c9 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_8712e4c9 | |
Red vs. Blue (Web Animation) / int_8797239c | type |
Bait-and-Switch | |
Red vs. Blue (Web Animation) / int_8797239c | comment |
Bait-and-Switch: Simmons admonishes Tucker for yelling while in the art museum during the "Cultural Appreciation" PSA, as "This isn't a library!" | |
Red vs. Blue (Web Animation) / int_8797239c | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_8797239c | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_8797239c | |
Red vs. Blue (Web Animation) / int_884e513b | type |
Medium Awareness | |
Red vs. Blue (Web Animation) / int_884e513b | comment |
Medium Awareness: Pretty common. For instance, Sarge notes that his face is on the thumbnail of the "Hard Truths" PSA, and Caboose later comments at the end of the aforementioned PSA that he'd "dance right now, but our animation budget can't afford it!" | |
Red vs. Blue (Web Animation) / int_884e513b | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_884e513b | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_884e513b | |
Red vs. Blue (Web Animation) / int_8879db82 | type |
Badass Crew | |
Red vs. Blue (Web Animation) / int_8879db82 | comment |
Badass Crew: Several levels had to be taken and it's sometimes obscured by their stupidity, but by Seasons 8 through 10, the Blood Gulch Crew most definitely count. True, they mainly succeed through a combination of sheer luck and being severely underestimated but it doesn't matter how they kick your ass - They can and they will. | |
Red vs. Blue (Web Animation) / int_8879db82 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_8879db82 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_8879db82 | |
Red vs. Blue (Web Animation) / int_8976acda | type |
Civil War | |
Red vs. Blue (Web Animation) / int_8976acda | comment |
In The Chorus Trilogy, the Federal Army of Chorus and the New Republic are fighting a Civil War on the planet Chorus that has been fought for years upon years thanks to the manipulation of a third party led by Chairman Hargrove. | |
Red vs. Blue (Web Animation) / int_8976acda | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_8976acda | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_8976acda | |
Red vs. Blue (Web Animation) / int_8a07e085 | type |
Denser and Wackier | |
Red vs. Blue (Web Animation) / int_8a07e085 | comment |
Season 15 largely goes back to the surreal comedy, with the seriousness only kicking halfway through as the villainous plot is revealed. Season 16 is the same, going on a Denser and Wackier route that only becomes more serious once a still-not fully-recovered Washington gets involved. Season 17 cheerfully indulges the series' surreal humor, but comes across as much more serious than both 15 and 16 due to it being more plot-oriented. | |
Red vs. Blue (Web Animation) / int_8a07e085 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_8a07e085 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_8a07e085 | |
Red vs. Blue (Web Animation) / int_8a164766 | type |
Never Got to Say Goodbye | |
Red vs. Blue (Web Animation) / int_8a164766 | comment |
Never Got to Say Goodbye: The concept of farewells becomes very prevalent from season 5 onward, after Tex says goodbye to Church just before her ship explodes. | |
Red vs. Blue (Web Animation) / int_8a164766 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_8a164766 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_8a164766 | |
Red vs. Blue (Web Animation) / int_8a800d36 | type |
Bilingual Dialogue | |
Red vs. Blue (Web Animation) / int_8a800d36 | comment |
Bilingual Dialogue: It seems that Sarge has finally learned Spanish, as he and Lopez have an actual conversation in this season. The same does not hold true for the rest of the Reds. | |
Red vs. Blue (Web Animation) / int_8a800d36 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_8a800d36 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_8a800d36 | |
Red vs. Blue (Web Animation) / int_8b568cb7 | type |
Posthumous Character | |
Red vs. Blue (Web Animation) / int_8b568cb7 | comment |
Posthumous Character: North Dakota. | |
Red vs. Blue (Web Animation) / int_8b568cb7 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_8b568cb7 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_8b568cb7 | |
Red vs. Blue (Web Animation) / int_8b5e8731 | type |
Kudzu Plot | |
Red vs. Blue (Web Animation) / int_8b5e8731 | comment |
Intercut throughout the "First!" PSA is Sarge complaining about the Kudzu Plot of Lost. | |
Red vs. Blue (Web Animation) / int_8b5e8731 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_8b5e8731 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_8b5e8731 | |
Red vs. Blue (Web Animation) / int_8b67aba7 | type |
Cerebus Retcon | |
Red vs. Blue (Web Animation) / int_8b67aba7 | comment |
Cerebus Retcon: May be the poster child for this trope. Harsher in Hindsight applies to previous seasons as the writers appear to be trying to one up themselves on reinterpreting a surreal piece of comedic fluff into a dramatic war story. | |
Red vs. Blue (Web Animation) / int_8b67aba7 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_8b67aba7 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_8b67aba7 | |
Red vs. Blue (Web Animation) / int_8e3b5b4d | type |
Minimalist Cast | |
Red vs. Blue (Web Animation) / int_8e3b5b4d | comment |
Minimalist Cast: The cast is very small, especially compared to previous seasons. It consists only of the Reds and Caboose. Technically Sheila is in the crashed Pelican, and Epsilon does appear, but their parts are minimal enough to not really count for much. | |
Red vs. Blue (Web Animation) / int_8e3b5b4d | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_8e3b5b4d | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_8e3b5b4d | |
Red vs. Blue (Web Animation) / int_8f041b17 | type |
Socketed Equipment | |
Red vs. Blue (Web Animation) / int_8f041b17 | comment |
Socketed Equipment: Both simulation trooper and Freelancer-standard armor have a slot for AI, and can have Freelancer equipment installed as well. | |
Red vs. Blue (Web Animation) / int_8f041b17 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_8f041b17 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_8f041b17 | |
Red vs. Blue (Web Animation) / int_901dbf9a | type |
Cliff Hanger | |
Red vs. Blue (Web Animation) / int_901dbf9a | comment |
Cliffhanger: All seasons but 5, 6, 8, 10, 14, 15, and 17 end on a big hook for the follow-up (the Bolivian Army Ending of 13 in particular is so strong that RT struggled on how to pick up, leading to the following being an anthology instead of continuing the story; they also chose to never depict how things actually went afterwards). A few Wham Episodes and just about every chapter of Singularity also ends on a perilous or thought-provoking moment that makes viewers anxious for more. | |
Red vs. Blue (Web Animation) / int_901dbf9a | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_901dbf9a | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_901dbf9a | |
Red vs. Blue (Web Animation) / int_912b24c4 | type |
Art Shift | |
Red vs. Blue (Web Animation) / int_912b24c4 | comment |
The Project Freelancer Saga uses many different styles. The extensive flashback arc throughout both seasons is animated completely in CGI. The present day storyline of Season 9 uses Halo: Reach, but since the storyline takes place inside the Epsilon Unit, the subsequent season returns to Halo 3. Live action footage is even used briefly in Season 10 for the Director's log of his last moments with Allison. Finally, the Halo 4 engine is used starting in the final scene of Season 10 and continuing throughout all of The Chorus Trilogy. Come Season 15, and Halo 5: Guardians is used. | |
Red vs. Blue (Web Animation) / int_912b24c4 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_912b24c4 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_912b24c4 | |
Red vs. Blue (Web Animation) / int_927b2f11 | type |
The Bus Came Back | |
Red vs. Blue (Web Animation) / int_927b2f11 | comment |
The Bus Came Back: The Zealots return after not appearing since The Blood Gulch Chronicles. | |
Red vs. Blue (Web Animation) / int_927b2f11 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_927b2f11 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_927b2f11 | |
Red vs. Blue (Web Animation) / int_927d046a | type |
Accidental Pun | |
Red vs. Blue (Web Animation) / int_927d046a | comment |
Accidental Pun: "Wash" is the Cleanup Crew of Project Freelancer. | |
Red vs. Blue (Web Animation) / int_927d046a | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_927d046a | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_927d046a | |
Red vs. Blue (Web Animation) / int_92f674e5 | type |
Revenge | |
Red vs. Blue (Web Animation) / int_92f674e5 | comment |
Revenge: This is a recurring theme of later seasons, several characters from both the protagonist and antagonist camps go on quests for vengeance against people who wronged them, sometimes the outcome of one revenge quest leading to another. These quests are never complete successes though. Either the character fails (often dying in the process), manages to exact their revenge but ends up left unsatisfied by it, or they realise at a crucial moment that they are becoming something unpleasant and give up their quest for vengeance before it's too late. If the latter happens with a bad guy character, it usually marks the start of that character's evolution into a better person. | |
Red vs. Blue (Web Animation) / int_92f674e5 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_92f674e5 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_92f674e5 | |
Red vs. Blue (Web Animation) / int_93dc4e37 | type |
Villain of Another Story | |
Red vs. Blue (Web Animation) / int_93dc4e37 | comment |
Villain of Another Story: The Covenant count as this. From Reconstruction onward, the series is mentioned to take place after "the Great War" with the Covenant, and Project Freelancer is said to have been made as one of many experimental programs to be the magic bullet to win the war. However, the Covenant themselves very rarely appear in the series and are mostly kept as an occasional reference, and they have virtually no real role in the series (whether good or bad). | |
Red vs. Blue (Web Animation) / int_93dc4e37 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_93dc4e37 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_93dc4e37 | |
Red vs. Blue (Web Animation) / int_96fbeaf | type |
There Are No Therapists | |
Red vs. Blue (Web Animation) / int_96fbeaf | comment |
There Are No Therapists: Inverted. The Counselor appears for the first time, but, while his tone isn't abrasive, his requests aren't the nicest at all, and Washington notices his attitude about Epsilon. | |
Red vs. Blue (Web Animation) / int_96fbeaf | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_96fbeaf | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_96fbeaf | |
Red vs. Blue (Web Animation) / int_970c790a | type |
Big Bad | |
Red vs. Blue (Web Animation) / int_970c790a | comment |
Big Bad: It varies based on the story arc. However, the Director of Project Freelancer Dr. Leonard Church, A.I. fragment Sigma, and the UNSC Oversight Sub-Committee Chairman/CEO of Charon Industries Malcolm Hargrove are all the Greater Scope Villains for the whole series. The Blood Gulch Chronicles: O'Malley/Omega, along with Freelancer Agent Wyoming and his A.I. assistant Gamma/Gary. The Recollection: The Meta, though with the benefit of hindsight, Sigma is the real villain. The Project Freelancer Saga: The Director of Project Freelancer, Sigma, and the "Insurrectionist Leader". The Chorus Trilogy: The mercenaries Locus and Felix, both of them on behalf of Malcolm Hargrove. Season 15: Mark Temple, The Leader of the Blues and Reds. The Shisno Paradox and Singularity: Chrovos and Genkins, though the latter becomes The Starscream and usurps Chrovos' position as the Big Bad by the end of the storyline. Zero: Zero and his Viper Syndicate. | |
Red vs. Blue (Web Animation) / int_970c790a | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_970c790a | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_970c790a | |
Red vs. Blue (Web Animation) / int_973d220f | type |
Never My Fault | |
Red vs. Blue (Web Animation) / int_973d220f | comment |
Never My Fault: Church outright claims that this is a leader's job: taking credit for a subordinate's idea if it succeeds, and blaming them if the idea fails. | |
Red vs. Blue (Web Animation) / int_973d220f | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_973d220f | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_973d220f | |
Red vs. Blue (Web Animation) / int_978a82e6 | type |
Big Bad Duumvirate | |
Red vs. Blue (Web Animation) / int_978a82e6 | comment |
The Chairman of the UNSC Oversight Sub-Committee Malcolm Hargrove, who is revealed to have funded the Insurrection. The audience already knows that his trying to arrest the Director results in him sending the Big Bad Duumvirate of Wash and the Meta to find the Epsilon Unit. Finally, he serves as the Big Bad for Seasons 12 and 13 under the alias "Control". | |
Red vs. Blue (Web Animation) / int_978a82e6 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_978a82e6 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_978a82e6 | |
Red vs. Blue (Web Animation) / int_9858c391 | type |
Chick Magnet | |
Red vs. Blue (Web Animation) / int_9858c391 | comment |
Chick Magnet: Tucker imagines himself as this, being surrounded by women who are impressed by his helicopter. | |
Red vs. Blue (Web Animation) / int_9858c391 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_9858c391 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_9858c391 | |
Red vs. Blue (Web Animation) / int_98aaf983 | type |
Comically Small Bribe | |
Red vs. Blue (Web Animation) / int_98aaf983 | comment |
Comically Small Bribe: Simmons was bribed with only $100 to shill for several new holidays on behalf of the "industrial-greeting card complex." | |
Red vs. Blue (Web Animation) / int_98aaf983 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_98aaf983 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_98aaf983 | |
Red vs. Blue (Web Animation) / int_98ce3773 | type |
Cerebus Rollercoaster | |
Red vs. Blue (Web Animation) / int_98ce3773 | comment |
Cerebus Rollercoaster: While the general narrative has grown gradually darker and more complex as the seasons have gone by, the series is not at all shy about dipping into stretches of comedy and drama on a whim. As an example, Season 4 drops most of the plot elements from the third season, while Out of Mind (the miniseries that takes place chronologically concurrent) is more of a traditional revenge tale with Tex, York, and the Delta A.I. as the central focus. After the very dramatic Reconstruction (Season 6), its followup miniseries and Recreation (Season 7) are vastly more comedy-focused until the last 5 episodes of the latter. After the Freelancer arc that forms a increasingly dark and serious storyline in Seasons 6-10. Season 11 - while mostly a comedic throwback to The Blood Gulch Chronicles - also contains several moments that would set up important plot points for the storyline and acknowledges character relationships with the occasional serious scene. Seasons 12 and 13 are concerned with a genuinely serious war story, but with the traditional quirky angle that has a lot of humor that doubles as a way to quickly give characterization to the new cast of characters. Season 14, being an anthology, fluctuates, but most of its vignettes are comedic instead of dramatic, and as much of it is standalone or even non-canon, very light on plot. Season 15 largely goes back to the surreal comedy, with the seriousness only kicking halfway through as the villainous plot is revealed. Season 16 is the same, going on a Denser and Wackier route that only becomes more serious once a still-not fully-recovered Washington gets involved. Season 17 cheerfully indulges the series' surreal humor, but comes across as much more serious than both 15 and 16 due to it being more plot-oriented. Season 18 is less comedic because it focuses more on the action scenes, and thus leaves less space for quips and such. | |
Red vs. Blue (Web Animation) / int_98ce3773 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_98ce3773 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_98ce3773 | |
Red vs. Blue (Web Animation) / int_98f5de00 | type |
Let Me Get This Straight... | |
Red vs. Blue (Web Animation) / int_98f5de00 | comment |
Let Me Get This Straight...: In Part 1. | |
Red vs. Blue (Web Animation) / int_98f5de00 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_98f5de00 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_98f5de00 | |
Red vs. Blue (Web Animation) / int_999fffbe | type |
Faux-To Guide | |
Red vs. Blue (Web Animation) / int_999fffbe | comment |
Faux-To Guide: The "Real Life vs. The Internet", "First!", and "Online Survival Guide" PSAs are all this in terms of teaching online etiquette. invoked The Fire Safety PSA. It ends with the group dying in a fire inside the building and is given an In Memoriam message. "Match Breaking", a guide by Tucker and Simmons on picking up girls. Considering how the PSA ends with the majhority of the show's female cast running over Tucker with a Warthog, it's safe to say that his advice shouldn't be trusted. Most of the PSAs after Season 15 are like this, with two downright saying it in the title - "Caboose's Guide to Finding Your Home" (a sequel to the "Making Friends" episode of Season 14) and "Lopez's Technical Guide to Empathy". | |
Red vs. Blue (Web Animation) / int_999fffbe | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_999fffbe | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_999fffbe | |
Red vs. Blue (Web Animation) / int_99dfd4fc | type |
Nothing Is the Same Anymore | |
Red vs. Blue (Web Animation) / int_99dfd4fc | comment |
Nothing Is the Same Anymore: The main characters are separated from one another in the beginning of Reconstruction. Even when they regroup, things only keep changing. It is only in Season 10 that the characters regain some semblance of their lost status quo. Huge changes made to the story are the deaths of two main characters (Church and Tex), the revelation that the whole Red vs. Blue war was a lie, and the death of the Director. The protagonists even admit things simply cannot return the way they used to be. | |
Red vs. Blue (Web Animation) / int_99dfd4fc | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_99dfd4fc | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_99dfd4fc | |
Red vs. Blue (Web Animation) / int_9aa3d869 | type |
Creative Sterility | |
Red vs. Blue (Web Animation) / int_9aa3d869 | comment |
Creative Sterility: Sarge in Part 4, sort of. Lopez, an actual robot for whom this trope typically would be applied to, calls him out on not making the holograms make anything else except for Grifs. | |
Red vs. Blue (Web Animation) / int_9aa3d869 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_9aa3d869 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_9aa3d869 | |
Red vs. Blue (Web Animation) / int_9b06e314 | type |
Greater-Scope Villain | |
Red vs. Blue (Web Animation) / int_9b06e314 | comment |
Greater-Scope Villain: The Director of Project Freelancer is the cause of most of things that have happened in the series, both directly and indirectly. He only comes center stage in Season 10, though he never takes on a direct role. The Chairman of the UNSC Oversight Sub-Committee Malcolm Hargrove, who is revealed to have funded the Insurrection. The audience already knows that his trying to arrest the Director results in him sending the Big Bad Duumvirate of Wash and the Meta to find the Epsilon Unit. Finally, he serves as the Big Bad for Seasons 12 and 13 under the alias "Control". | |
Red vs. Blue (Web Animation) / int_9b06e314 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_9b06e314 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_9b06e314 | |
Red vs. Blue (Web Animation) / int_9bcd82c0 | type |
Took a Level in Badass | |
Red vs. Blue (Web Animation) / int_9bcd82c0 | comment |
Took a Level in Badass: Both the Reds and Blues' fighting skills and general competence/sanity improve considerably as the plot moves forward, most notably in the later seasons. | |
Red vs. Blue (Web Animation) / int_9bcd82c0 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_9bcd82c0 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_9bcd82c0 | |
Red vs. Blue (Web Animation) / int_9c092ab0 | type |
Armed Farces | |
Red vs. Blue (Web Animation) / int_9c092ab0 | comment |
Armed Farces: Especially in the early seasons. | |
Red vs. Blue (Web Animation) / int_9c092ab0 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_9c092ab0 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_9c092ab0 | |
Red vs. Blue (Web Animation) / int_9c7e3137 | type |
Hyperspace Arsenal | |
Red vs. Blue (Web Animation) / int_9c7e3137 | comment |
Hyperspace Arsenal: Characters frequently produce enormous guns out of nowhere, at least until the engine upgraded to Halo 3 and in non-machinima animation sequences. This is due to the fact that this use of Hammerspace is precisely what happens in Halo: Combat Evolved and Halo 2 when someone equips a weapon. | |
Red vs. Blue (Web Animation) / int_9c7e3137 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_9c7e3137 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_9c7e3137 | |
Red vs. Blue (Web Animation) / int_9c8701b5 | type |
A Day in the Limelight | |
Red vs. Blue (Web Animation) / int_9c8701b5 | comment |
A Day in the Limelight: For Agent Washington. | |
Red vs. Blue (Web Animation) / int_9c8701b5 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_9c8701b5 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_9c8701b5 | |
Red vs. Blue (Web Animation) / int_9d12bbc1 | type |
Foreshadowing | |
Red vs. Blue (Web Animation) / int_9d12bbc1 | comment |
Foreshadowing: We discover through York and Delta that Wyoming's name is Reginald, and that he enjoyed stupid knock-knock jokes. Astute viewers will take this and the fact that "O'Malley" is a portmanteau of Tex's real name (Allison) and Omega, in order to realize that the time bending, knock-knock joke spouting A.I. Gary is actually Wyoming's partner. | |
Red vs. Blue (Web Animation) / int_9d12bbc1 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_9d12bbc1 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_9d12bbc1 | |
Red vs. Blue (Web Animation) / int_9dab0a6e | type |
Continuity Nod | |
Red vs. Blue (Web Animation) / int_9dab0a6e | comment |
Continuity Nod: Aside from references to Reconstruction, there is Donut's appearance in Red Base, saying "it's under the sand", as Tucker did in his cameo in Reconstruction, implying that resolving that plot line and seeing Tucker was the next order of business. | |
Red vs. Blue (Web Animation) / int_9dab0a6e | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_9dab0a6e | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_9dab0a6e | |
Red vs. Blue (Web Animation) / int_a03509ce | type |
You Have No Idea Who You're Dealing With | |
Red vs. Blue (Web Animation) / int_a03509ce | comment |
You Have No Idea Who You're Dealing With: Sarge says this about Caboose (or rather, "you have no idea what you just dealt with") when he and Church realize he took a vacation in the Halo: Reach campaign. | |
Red vs. Blue (Web Animation) / int_a03509ce | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_a03509ce | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_a03509ce | |
Red vs. Blue (Web Animation) / int_a60e3252 | type |
Rule of Funny | |
Red vs. Blue (Web Animation) / int_a60e3252 | comment |
Rule of Funny: Along with being a go-to explanation for whatever improbable things that happen (see Beyond the Impossible for specific cases), Burnie Burns (the series' creator) has admitted he (and by extension, the other writers) would sacrifice continuity for the sake of a good joke even in the post-Cerebus Syndrome episodes of the series. | |
Red vs. Blue (Web Animation) / int_a60e3252 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_a60e3252 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_a60e3252 | |
Red vs. Blue (Web Animation) / int_a68421bb | type |
Animated Adaptation | |
Red vs. Blue (Web Animation) / int_a68421bb | comment |
Animated Adaptation: Well, slightly more animated than the in-game footage that is used. | |
Red vs. Blue (Web Animation) / int_a68421bb | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_a68421bb | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_a68421bb | |
Red vs. Blue (Web Animation) / int_a6cda066 | type |
Rule of Three | |
Red vs. Blue (Web Animation) / int_a6cda066 | comment |
"Son of a bitch!" - Anyone who's about to get blown up (or who's seen someone else nearby get blown up), most often being Church. Often repeated three times. | |
Red vs. Blue (Web Animation) / int_a6cda066 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_a6cda066 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_a6cda066 | |
Red vs. Blue (Web Animation) / int_a7055a94 | type |
Classical Anti-Hero | |
Red vs. Blue (Web Animation) / int_a7055a94 | comment |
Classical Anti-Hero: The Reds and Blues are all seriously flawed individuals who spend most of their time bickering with each other, but they still prove to be competent should push come to shove. | |
Red vs. Blue (Web Animation) / int_a7055a94 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_a7055a94 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_a7055a94 | |
Red vs. Blue (Web Animation) / int_a7382a73 | type |
Imagine Spot | |
Red vs. Blue (Web Animation) / int_a7382a73 | comment |
Imagine Spot: The Blue Team members imagine what they can do with the new helicopter. Church imagines flying away, Tucker imagines picking up women, Caboose imagines crashing it. Lopez later imagines killing both teams using the tank. | |
Red vs. Blue (Web Animation) / int_a7382a73 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_a7382a73 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_a7382a73 | |
Red vs. Blue (Web Animation) / int_a7850fbf | type |
Only Known by Their Nickname | |
Red vs. Blue (Web Animation) / int_a7850fbf | comment |
Only Known by Their Nickname: The Freelancers. Only Tex (Allison), Wyoming (Reginald), Washington (David), and the Triplets (Ohio/Vera, Idaho/Ezra, and Iowa/Mike) have a first name known, and are almost never referred to by anything but their codenames. Washington almost gets indignant at one point when a guy tries to call him by his real name, though Washington personally hated him. The only Freelancer whose full name is known is Captain Butch Flowers, who was assigned to Blood Gulch to safeguard the Alpha. His code name was Agent Florida. | |
Red vs. Blue (Web Animation) / int_a7850fbf | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_a7850fbf | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_a7850fbf | |
Red vs. Blue (Web Animation) / int_a806691d | type |
Casanova Wannabe | |
Red vs. Blue (Web Animation) / int_a806691d | comment |
Tucker goes from being a flirtatious lady's man of questionable success to a Casanova Wannabe who attempts to sleep with any girl that'll listen to him for more than ten seconds. | |
Red vs. Blue (Web Animation) / int_a806691d | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_a806691d | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_a806691d | |
Red vs. Blue (Web Animation) / int_a8f3e2f6 | type |
Worst. Whatever. Ever! | |
Red vs. Blue (Web Animation) / int_a8f3e2f6 | comment |
Worst. Whatever. Ever!: Sarge gives this during the 2008 Thanksgiving special when he discovers it doesn't involve inviting your enemies over and shooting them in the back. | |
Red vs. Blue (Web Animation) / int_a8f3e2f6 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_a8f3e2f6 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_a8f3e2f6 | |
Red vs. Blue (Web Animation) / int_aa5d0c85 | type |
Four-Point Scale | |
Red vs. Blue (Web Animation) / int_aa5d0c85 | comment |
Four-Point Scale: The PSA about the gaming industry lampshades this practice. | |
Red vs. Blue (Web Animation) / int_aa5d0c85 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_aa5d0c85 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_aa5d0c85 | |
Red vs. Blue (Web Animation) / int_abb15066 | type |
Corrupt Quartermaster | |
Red vs. Blue (Web Animation) / int_abb15066 | comment |
Corrupt Quartermaster: The Reds repeatedly put layabout Grif in charge of their ammo, a task he never performs. Eventually, they expand Simmons' duties to "bringing extra ammo for when Grif forgets." However, when Grif and Simmons are sent to a new base (where Grif is in charge), he actually sells all their ammo to the Blues. | |
Red vs. Blue (Web Animation) / int_abb15066 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_abb15066 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_abb15066 | |
Red vs. Blue (Web Animation) / int_ac546cd4 | type |
Worth It | |
Red vs. Blue (Web Animation) / int_ac546cd4 | comment |
Worth It: Sarge says this every time Grif is almost killed, regardless of how useful the activity he was doing was. | |
Red vs. Blue (Web Animation) / int_ac546cd4 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_ac546cd4 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_ac546cd4 | |
Red vs. Blue (Web Animation) / int_ac7cbf8d | type |
Myth Arc | |
Red vs. Blue (Web Animation) / int_ac7cbf8d | comment |
Myth Arc: The fall and aftermath of Project Freelancer is one for Seasons 1-10 and 15, though it only really comes to the forefront after Season 5. The Chorus Civil War and its background causes is one for Seasons 11-13. And for Seasons 16 & 17, there's the Cosmic Powers and time travel. | |
Red vs. Blue (Web Animation) / int_ac7cbf8d | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_ac7cbf8d | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_ac7cbf8d | |
Red vs. Blue (Web Animation) / int_ad7e16e3 | type |
All Women Hate Each Other | |
Red vs. Blue (Web Animation) / int_ad7e16e3 | comment |
All Women Hate Each Other: Church says "Chicks can't share anything, not even an apartment." | |
Red vs. Blue (Web Animation) / int_ad7e16e3 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_ad7e16e3 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_ad7e16e3 | |
Red vs. Blue (Web Animation) / int_ad9559e6 | type |
Arc Villain | |
Red vs. Blue (Web Animation) / int_ad9559e6 | comment |
Arc Villain: The Meta. | |
Red vs. Blue (Web Animation) / int_ad9559e6 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_ad9559e6 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_ad9559e6 | |
Red vs. Blue (Web Animation) / int_aec43c5f | type |
Thanksgiving Episode | |
Red vs. Blue (Web Animation) / int_aec43c5f | comment |
Thanksgiving Episode: Two, Indigestion 2004 (combined with coverage for another "red vs. blue" thing, the election) and Thanksgiving 2008 (featuring horrible choices for dinner). | |
Red vs. Blue (Web Animation) / int_aec43c5f | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_aec43c5f | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_aec43c5f | |
Red vs. Blue (Web Animation) / int_af3ea0e3 | type |
Face–Heel Turn | |
Red vs. Blue (Web Animation) / int_af3ea0e3 | comment |
Face–Heel Turn: South Dakota leaves Wash for dead and (as revealed in Season 6) left her brother as bait for the Meta. | |
Red vs. Blue (Web Animation) / int_af3ea0e3 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_af3ea0e3 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_af3ea0e3 | |
Red vs. Blue (Web Animation) / int_b1b562c9 | type |
Sapient Tank | |
Red vs. Blue (Web Animation) / int_b1b562c9 | comment |
Sapient Tank: Sheila during The Blood Gulch Chronicles. Freckles also counts as one, albeit more of a Mini-Mecha, during The Chorus Trilogy | |
Red vs. Blue (Web Animation) / int_b1b562c9 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_b1b562c9 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_b1b562c9 | |
Red vs. Blue (Web Animation) / int_b2280b66 | type |
Retcon | |
Red vs. Blue (Web Animation) / int_b2280b66 | comment |
Retcon: Used fairly often, but implied a few times as well. There's a fair number of plot holes that need ironing out if you watch every episode (including the mini-series, but naturally not the PSAs) and treat them all as canon. However, a fair number of these are due more to Revision and/or an Unreliable Narrator. In Out of Mind, for instance, shows Tex and Church meeting at a Blue base. Tex comments that she doesn't know what Freelancer ability her armor has, even though she's shown to use its invisibility during Project flashback scenes and the finale to Season 10. Then again, she also knew that Church was the Alpha, so it could be an example of her lying to Church to help keep him safe. Later seasons also suggest that this whole scene was actually Fake Memories that were given to the Beta A.I. prior to her assignment as Agent Texas in Project Freelancer. The last shots of Season 10 feature the Halo 4 map "Exile" and are accompanied by dialogue implying that the Reds and Blues have returned to Blood Gulch. However, in Season 11, it's explained that the Reds and Blues crash-landed on the planet Chorus on their way back to Blood Gulch, and the map is a new location - Crash Site Bravo. Then again, the map doesn't look like Blood Gulch (it's jungle-like instead of a desert), and "settled" and "we're home" also fit "new beginning". Starting with Season 3, "Shisno" is revealed as an insult towards humans by the aliens. Season 16, appropriately named "The Shisno Paradox", explains that the word actually comes from whoever has been manipulated by aimlessly traveling through time. Then again, the Cosmic Powers have influenced the aliens, and the first person to reveal about the term was Gary, who has lying and deception as his primary trait. In Singularity, there is a Hand Wave, stating that the Great Prophecy implied the Great Destroyer was human - and indeed, the Reds and Blues caused a Reality-Breaking Paradox - "and the Fates, I guess, are racist?" | |
Red vs. Blue (Web Animation) / int_b2280b66 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_b2280b66 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_b2280b66 | |
Red vs. Blue (Web Animation) / int_b4eff8a8 | type |
Epic Fail | |
Red vs. Blue (Web Animation) / int_b4eff8a8 | comment |
Epic Fail: Cloudcuckoolander that he is, Caboose can only say nice things about Sarge when asked to vent about stuff he doesn't like during the Blood Gulch Crew's "friend-tervention" in the "Hard Truths" PSA. | |
Red vs. Blue (Web Animation) / int_b4eff8a8 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_b4eff8a8 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_b4eff8a8 | |
Red vs. Blue (Web Animation) / int_b4fb830c | type |
Smarter Than You Look | |
Red vs. Blue (Web Animation) / int_b4fb830c | comment |
Smarter Than You Look: Any character that at first seems dumb will either have periodic Dumbass Has a Point moments or is a case of Brilliant, but Lazy. | |
Red vs. Blue (Web Animation) / int_b4fb830c | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_b4fb830c | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_b4fb830c | |
Red vs. Blue (Web Animation) / int_b53077b3 | type |
Take That! | |
Red vs. Blue (Web Animation) / int_b53077b3 | comment |
Take That!: The Gadgets PSA is largely meant as a jab at the business strategy of "planned obsolescence" seen with tech companies. Intercut throughout the "First!" PSA is Sarge complaining about the Kudzu Plot of Lost. The "Unreal Estate" PSA is both a Take That at climate change skeptics and white supremacists, with Grif, Simmons, and Kaikaina all deciding to fix up the Earth by selling the white supremacists the "death homes" (which were caused by environmental collapse) that she was previously trying to sucker people into buying. Speaking of the "Unreal Estate" PSA, it also has Kaikaina cheerfully noting that greenhouses give you "the chance to grow your own food, and the sense that you're better than everyone else for doing so!" After Carolina gives a "Lesson of the Day" Speech in "New Holidays" about how holidays can be about celebrating the achievements of famous historical figures, Tucker interjects by claiming that Christopher Columbus shouldn't be celebrated as "he was a dick." Carolina quickly agrees with him, calling Columbus "the wooooorst!" | |
Red vs. Blue (Web Animation) / int_b53077b3 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_b53077b3 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_b53077b3 | |
Red vs. Blue (Web Animation) / int_b6203862 | type |
Interquel | |
Red vs. Blue (Web Animation) / int_b6203862 | comment |
Interquel: Set between Seasons 5 and 6 for the most part, helping to change the tone of the series. | |
Red vs. Blue (Web Animation) / int_b6203862 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_b6203862 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_b6203862 | |
Red vs. Blue (Web Animation) / int_b64b1fc1 | type |
Left for Dead | |
Red vs. Blue (Web Animation) / int_b64b1fc1 | comment |
Left for Dead: Washington in Part 4. | |
Red vs. Blue (Web Animation) / int_b64b1fc1 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_b64b1fc1 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_b64b1fc1 | |
Red vs. Blue (Web Animation) / int_b663974e | type |
We Will Spend Credits in the Future | |
Red vs. Blue (Web Animation) / int_b663974e | comment |
We Will Spend Credits in the Future: If comments made in the Grifball miniseries and the Mercs Trilogy are to be believed. | |
Red vs. Blue (Web Animation) / int_b663974e | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_b663974e | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_b663974e | |
Red vs. Blue (Web Animation) / int_b6b5ebf4 | type |
TheStraightMan | |
Red vs. Blue (Web Animation) / int_b6b5ebf4 | comment |
Tucker may be the biggest example. His occasional moments of being The Straight Man to the Reds and Blues have drastically increased his competence as a fighter, leading to his skill with the sword as a weapon he's comfortable with and being a quick and decisive strategist. Even Wash admits that he's not the same as was before. | |
Red vs. Blue (Web Animation) / int_b6b5ebf4 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_b6b5ebf4 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_b6b5ebf4 | |
Red vs. Blue (Web Animation) / int_b707726f | type |
Hypocritical Humor | |
Red vs. Blue (Web Animation) / int_b707726f | comment |
Hypocritical Humor: The Season 5 "Let's All Go To The Movies" PSA has both Grif and Church complaining that there should be a law against people talking in movie theaters... as it screws up them illegally recording the movies and selling them online to the highest bidder. | |
Red vs. Blue (Web Animation) / int_b707726f | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_b707726f | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_b707726f | |
Red vs. Blue (Web Animation) / int_b7c53a22 | type |
Blood Knight | |
Red vs. Blue (Web Animation) / int_b7c53a22 | comment |
Choleric: Sarge (Blood Knight), Church (always angry and frustrated), Carolina (bossy jerk, who after mellowing out is still serious and goal-oriented) | |
Red vs. Blue (Web Animation) / int_b7c53a22 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_b7c53a22 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_b7c53a22 | |
Red vs. Blue (Web Animation) / int_b8237752 | type |
HollywoodCyborg | |
Red vs. Blue (Web Animation) / int_b8237752 | comment |
That being said, there are a few confirmations (more or less) given to some of the characters' appearances. The only real ones given are that Tucker is black, Grif and Sister/Kaikaina are native Hawaiians, Simmons is both Dutch-Irish and a Hollywood Cyborg, Lopez is (technically) Latino (though as he's also a robot, one can work out the fine lines on that elsewhere), and Wash is both white and a blonde. | |
Red vs. Blue (Web Animation) / int_b8237752 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_b8237752 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_b8237752 | |
Red vs. Blue (Web Animation) / int_ba0ff8e1 | type |
Action Figure Speech | |
Red vs. Blue (Web Animation) / int_ba0ff8e1 | comment |
Action Figure Speech: Naturally, given everyone wears helmets and never take them off, with few few exceptions. At first only through the Head Bob, and when animation was incorporated some gesturing was added (especially in Zero, due to having to animate straight through the Unreal Engine). | |
Red vs. Blue (Web Animation) / int_ba0ff8e1 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_ba0ff8e1 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_ba0ff8e1 | |
Red vs. Blue (Web Animation) / int_babd94bc | type |
Very False Advertising | |
Red vs. Blue (Web Animation) / int_babd94bc | comment |
Very False Advertising: The "Unreal Estate" PSA has Sister trying to sell homes in exotic locations...which are now wastelands due to unchecked pollution on Earth. | |
Red vs. Blue (Web Animation) / int_babd94bc | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_babd94bc | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_babd94bc | |
Red vs. Blue (Web Animation) / int_bce16d24 | type |
Why Don't You Just Shoot Him? | |
Red vs. Blue (Web Animation) / int_bce16d24 | comment |
Why Don't You Just Shoot Him?: Lopez points out Simmons could kill all of the Blues, having them all lined up in his sniper rifle. As usual, Simmons only pretends to know what he is saying in Spanish. | |
Red vs. Blue (Web Animation) / int_bce16d24 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_bce16d24 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_bce16d24 | |
Red vs. Blue (Web Animation) / int_bf2412a1 | type |
Recap Episode | |
Red vs. Blue (Web Animation) / int_bf2412a1 | comment |
Recap Episode: In 2022, episodes were made recapping Halo (2022). | |
Red vs. Blue (Web Animation) / int_bf2412a1 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_bf2412a1 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_bf2412a1 | |
Red vs. Blue (Web Animation) / int_c08eceb7 | type |
World of Dumbass | |
Red vs. Blue (Web Animation) / int_c08eceb7 | comment |
World of Dumbass: Subverted. The core cast all start off as blatant stereotypes (the bloodthirsty sergeant, the lazy private, the know-it-all kissass, etc.) who are barely able to function. It's later revealed that these are, however, the least competent members of the UNSC military, reassigned to be one of many training bases for actual soldiers in the Human-Covenant War. Later on, they also prove their mettle together, showing that they're actually quite competent, if still more than a little eccentric. | |
Red vs. Blue (Web Animation) / int_c08eceb7 | featureApplicability |
-0.3 | |
Red vs. Blue (Web Animation) / int_c08eceb7 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_c08eceb7 | |
Red vs. Blue (Web Animation) / int_c1725854 | type |
Character Focus | |
Red vs. Blue (Web Animation) / int_c1725854 | comment |
Character Focus: While the ensemble nature is never dropped, some characters get extra attention during certain arcs. During The Blood Gulch Chronicles, it's Church, though Tex is the main protagonist of the Out of Mind miniseries. During both Recovery One and Reconstruction, it's Wash. During Recreation, it's Caboose. During Revelation, it's Epsilon. During The Project Freelancer Saga, it's both Carolina and Epsilon. During Season 11 of The Chorus Trilogy, Wash is given the focus again. Season 13 has Epsilon regain the lion's share of the narrative focus. However, Tucker overall gets the most development over the course of the entire story arc, with him as the main character of Season 12. Season 15 has Dylan Andrews, with her directly driving the plot as she first finds and then goes along with the Reds and Blues. Grif also gets a significant focus during the second half of the season. The Shisno Paradox has Grif and, to a lesser extent, Donut. Finally, Donut stars as the main character of Singularity, with Wash eventually getting a significant portion of the story as well. | |
Red vs. Blue (Web Animation) / int_c1725854 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_c1725854 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_c1725854 | |
Red vs. Blue (Web Animation) / int_c1d5b78 | type |
Reading the Stage Directions Out Loud | |
Red vs. Blue (Web Animation) / int_c1d5b78 | comment |
Reading the Stage Directions Out Loud: In "Planning to Fail", Caboose, acting as a zombie, reads the script as "Moaning... mooooooaaaaaaning..." Played with in "RTX 2018". Carolina imitates an echo effect and then reads out "imitate an echo effect". Jax tries to bring it up and she responds that it's written as a line instead of a verbal direction. | |
Red vs. Blue (Web Animation) / int_c1d5b78 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_c1d5b78 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_c1d5b78 | |
Red vs. Blue (Web Animation) / int_c313d43a | type |
True Companions | |
Red vs. Blue (Web Animation) / int_c313d43a | comment |
True Companions: The Blood Gulch Crew becomes this over time, to the point that the "war" is just a way for them to pass the time. | |
Red vs. Blue (Web Animation) / int_c313d43a | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_c313d43a | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_c313d43a | |
Red vs. Blue (Web Animation) / int_c5249b29 | type |
Nice Guy | |
Red vs. Blue (Web Animation) / int_c5249b29 | comment |
Sanguine: Donut (affable Nice Guy), Tucker (Casanova Wannabe) | |
Red vs. Blue (Web Animation) / int_c5249b29 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_c5249b29 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_c5249b29 | |
Red vs. Blue (Web Animation) / int_c5c15309 | type |
Insecure Protagonist, Arrogant Antagonist | |
Red vs. Blue (Web Animation) / int_c5c15309 | comment |
Insecure Protagonist, Arrogant Antagonist: The individual members of the Blood Gulch Crew all have their own personal hangups, insecurities, and are constantly bickering and fighting with each other, but underneath it they are all good people who are willing to help those in need. Many of the enemies they face, such as Wyoming, Felix, and Genkins, are extremely arrogant and tend to look down on the BGC for being weak and idiotic, but always wind up having their asses kicked by them one way or another in the end. | |
Red vs. Blue (Web Animation) / int_c5c15309 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_c5c15309 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_c5c15309 | |
Red vs. Blue (Web Animation) / int_c69ae9b2 | type |
Self-Destruct Mechanism | |
Red vs. Blue (Web Animation) / int_c69ae9b2 | comment |
Self-Destruct Mechanism: Freelancer Powered Armor has it, and it's easily activatable so as to keep it from getting into enemy hands. | |
Red vs. Blue (Web Animation) / int_c69ae9b2 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_c69ae9b2 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_c69ae9b2 | |
Red vs. Blue (Web Animation) / int_c70fc0a2 | type |
Pretentious Latin Motto | |
Red vs. Blue (Web Animation) / int_c70fc0a2 | comment |
Pretentious Latin Motto: If this official shirt is any indication, Project Freelancer's is "Roboris Per Scientia" (strength through science). | |
Red vs. Blue (Web Animation) / int_c70fc0a2 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_c70fc0a2 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_c70fc0a2 | |
Red vs. Blue (Web Animation) / int_c86b7046 | type |
It's Not Porn, It's Art | |
Red vs. Blue (Web Animation) / int_c86b7046 | comment |
It's Not Porn, It's Art: The "Cultural Appreciation" PSA has Tucker really liking the art museum once he discovers statues and paintings of naked people, and the others have to even call him out on using this trope. | |
Red vs. Blue (Web Animation) / int_c86b7046 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_c86b7046 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_c86b7046 | |
Red vs. Blue (Web Animation) / int_c9597a03 | type |
Self-Deprecation | |
Red vs. Blue (Web Animation) / int_c9597a03 | comment |
Self-Deprecation: Season 18's "Spice It Up" PSA has the cast describing their series as "reluctantly immortal." And then came "Amateur Voice Actors", full of in-jokes about the show's production and cast, and to drive the point home, it ends by showing Joel Heyman, Gus Sorola, and Matt Hullum recording their lines. | |
Red vs. Blue (Web Animation) / int_c9597a03 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_c9597a03 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_c9597a03 | |
Red vs. Blue (Web Animation) / int_ca7ec334 | type |
Two Lines, No Waiting | |
Red vs. Blue (Web Animation) / int_ca7ec334 | comment |
Two Lines, No Waiting: The way the show handles the large cast, when it's not Four Lines, All Waiting due to Party Scattering. For instance, The Blood Gulch Chronicles usually split between the Reds and Blues (except Season 3, where when it was only two plots, the split was good guys\bad guys), Recreation at a certain point splits between Valhalla and the desert, Revelation mostly divides the Reds and Blues and Wash\Meta\Doc, and The Project Freelancer Saga downright combined animated flashbacks with said project and machinima segments on the Epsilon capsule (Season 9) or the current day (Season 10). The Chorus Trilogy started again with Reds/Blues, merged them in the end of Season 11, but as time went on it got more complicated. Singularity is mostly inside the Everwhen and out of it (and at a certain point, inside the Labyrinth and outside of it). Third Line, Some Waiting: In Season 3, at a certain point it had Church's time travel along with the two plots in the present day. Recreation briefly had Wash's side. | |
Red vs. Blue (Web Animation) / int_ca7ec334 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_ca7ec334 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_ca7ec334 | |
Red vs. Blue (Web Animation) / int_caa28b82 | type |
Cloudcuckoolander | |
Red vs. Blue (Web Animation) / int_caa28b82 | comment |
Caboose goes from being a bit slow at the start of the series to borderline insanity, unable to follow a simple train of thought. Although for him, this is due in part to the massive battle that goes on inside his head early on causing brain damage. Also, apparently Church and Tucker rebooted his armor once and didn't manage to turn it back on right away. He said he didn't think it caused any permanent damage, that means of course it did. That being said, later seasons have Retconed Caboose's personality so that he was always this stupid/insane. | |
Red vs. Blue (Web Animation) / int_caa28b82 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_caa28b82 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_caa28b82 | |
Red vs. Blue (Web Animation) / int_cbdd9a55 | type |
We ARE Struggling Together | |
Red vs. Blue (Web Animation) / int_cbdd9a55 | comment |
We ARE Struggling Together: Though the Reds and Blues should be enemies, they normally aren't. That isn't to say that they don't make life difficult for each other almost as easily as breathing. | |
Red vs. Blue (Web Animation) / int_cbdd9a55 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_cbdd9a55 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_cbdd9a55 | |
Red vs. Blue (Web Animation) / int_cbe32f62 | type |
Decided by One Vote | |
Red vs. Blue (Web Animation) / int_cbe32f62 | comment |
Decided by One Vote: A Type 3 scenario that ends up unresolved in the Election Night video. Grif apparently meant to vote, but forgot to register in time due to his usual laziness. | |
Red vs. Blue (Web Animation) / int_cbe32f62 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_cbe32f62 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_cbe32f62 | |
Red vs. Blue (Web Animation) / int_cc6f4612 | type |
Beyond the Impossible | |
Red vs. Blue (Web Animation) / int_cc6f4612 | comment |
Beyond the Impossible: In Part 3, Grif's analysis of his sister surviving being under ice for three hours and coming up both totally fine and pregnant. | |
Red vs. Blue (Web Animation) / int_cc6f4612 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_cc6f4612 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_cc6f4612 | |
Red vs. Blue (Web Animation) / int_cde175c8 | type |
Fake Static | |
Red vs. Blue (Web Animation) / int_cde175c8 | comment |
Fake Static: In Part 3, Lopez tries to fake a voice message to get out of talking to Sarge on the radio. Sarge sees through it and disables his lying protocols. | |
Red vs. Blue (Web Animation) / int_cde175c8 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_cde175c8 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_cde175c8 | |
Red vs. Blue (Web Animation) / int_cde51255 | type |
Antagonist Title | |
Red vs. Blue (Web Animation) / int_cde51255 | comment |
Zero: Zero and his Viper Syndicate. | |
Red vs. Blue (Web Animation) / int_cde51255 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_cde51255 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_cde51255 | |
Red vs. Blue (Web Animation) / int_cdfe12c3 | type |
Nothing Is Scarier | |
Red vs. Blue (Web Animation) / int_cdfe12c3 | comment |
Nothing Is Scarier: The Meta isn't seen until the last parts of the miniseries (and even then only briefly), amplifying his scare factor. | |
Red vs. Blue (Web Animation) / int_cdfe12c3 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_cdfe12c3 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_cdfe12c3 | |
Red vs. Blue (Web Animation) / int_cfdb9e17 | type |
Cerebus Syndrome | |
Red vs. Blue (Web Animation) / int_cfdb9e17 | comment |
Cerebus Syndrome: The beginning of it for the series proper. | |
Red vs. Blue (Web Animation) / int_cfdb9e17 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_cfdb9e17 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_cfdb9e17 | |
Red vs. Blue (Web Animation) / int_d01a97fb | type |
E = MC Hammer | |
Red vs. Blue (Web Animation) / int_d01a97fb | comment |
E = MC Hammer: The "Sarge Seal of Approval" is E=MCSarged. | |
Red vs. Blue (Web Animation) / int_d01a97fb | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_d01a97fb | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_d01a97fb | |
Red vs. Blue (Web Animation) / int_d2c0e2ed | type |
Schmuck Bait | |
Red vs. Blue (Web Animation) / int_d2c0e2ed | comment |
Schmuck Bait: The second and third season DVDs have bonus videos implying either a love story with Tex or "Sheila's Sexy Adventure". Clicking either of those and you get berated for actually expecting something. | |
Red vs. Blue (Web Animation) / int_d2c0e2ed | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_d2c0e2ed | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_d2c0e2ed | |
Red vs. Blue (Web Animation) / int_d3354565 | type |
Medal of Dishonor | |
Red vs. Blue (Web Animation) / int_d3354565 | comment |
Medal of Dishonor: The "Winter Olympics" PSA has Sarge suggest giving these to the losers in the form of enriched uranium. | |
Red vs. Blue (Web Animation) / int_d3354565 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_d3354565 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_d3354565 | |
Red vs. Blue (Web Animation) / int_d46ddfa2 | type |
CloudCuckooLander | |
Red vs. Blue (Web Animation) / int_d46ddfa2 | comment |
Caboose has a habit of getting allies killed in friendly-fire and making friends with AI killing machines. He eventually ends up with an assault rifle controlled by his friend, killer AI "Freckles", who actively prevents friendly-fire from being possible. Thanks to the AI, Caboose can let rip to his heart's content without harming allies. | |
Red vs. Blue (Web Animation) / int_d46ddfa2 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_d46ddfa2 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_d46ddfa2 | |
Red vs. Blue (Web Animation) / int_d7d6ed9a | type |
Fictional Sport | |
Red vs. Blue (Web Animation) / int_d7d6ed9a | comment |
Fictional Sport: Grifball. | |
Red vs. Blue (Web Animation) / int_d7d6ed9a | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_d7d6ed9a | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_d7d6ed9a | |
Red vs. Blue (Web Animation) / int_d7fc9fd0 | type |
Vitriolic Best Buds | |
Red vs. Blue (Web Animation) / int_d7fc9fd0 | comment |
Vitriolic Best Buds: York and Delta spend almost all their mutual screentime snarking at each other, but it's clear they're fond of each other especially since Delta is willing to potentially sacrifice his own existence to ensure York dies comfortably. | |
Red vs. Blue (Web Animation) / int_d7fc9fd0 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_d7fc9fd0 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_d7fc9fd0 | |
Red vs. Blue (Web Animation) / int_d9cf40fa | type |
Screw This, I'm Outta Here | |
Red vs. Blue (Web Animation) / int_d9cf40fa | comment |
Screw This, I'm Outta Here: Upon realizing that Simmons is going to be discussing proper etiquette when visiting an art museum in the "Cultural Appreciation" PSA, Grif immediately leaves and Donut then substitutes for him. | |
Red vs. Blue (Web Animation) / int_d9cf40fa | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_d9cf40fa | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_d9cf40fa | |
Red vs. Blue (Web Animation) / int_da19c62a | type |
Leave No Survivors | |
Red vs. Blue (Web Animation) / int_da19c62a | comment |
Leave No Survivors: In Part 2, Recovery Command calls the incident with North Dakota a "Level Zero", indicating that the incredulous Agent Washington should do this in regards to South and then report back. He goes back to her and fakes it, knowing that killing her just after her brother died was too much.. | |
Red vs. Blue (Web Animation) / int_da19c62a | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_da19c62a | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_da19c62a | |
Red vs. Blue (Web Animation) / int_dbb414ed | type |
Hand Wave | |
Red vs. Blue (Web Animation) / int_dbb414ed | comment |
Starting with Season 3, "Shisno" is revealed as an insult towards humans by the aliens. Season 16, appropriately named "The Shisno Paradox", explains that the word actually comes from whoever has been manipulated by aimlessly traveling through time. Then again, the Cosmic Powers have influenced the aliens, and the first person to reveal about the term was Gary, who has lying and deception as his primary trait. In Singularity, there is a Hand Wave, stating that the Great Prophecy implied the Great Destroyer was human - and indeed, the Reds and Blues caused a Reality-Breaking Paradox - "and the Fates, I guess, are racist?" | |
Red vs. Blue (Web Animation) / int_dbb414ed | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_dbb414ed | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_dbb414ed | |
Red vs. Blue (Web Animation) / int_dcb9c541 | type |
Ship Tease | |
Red vs. Blue (Web Animation) / int_dcb9c541 | comment |
Wash and Carolina in the later seasons, their copious Ship Tease moments aside. | |
Red vs. Blue (Web Animation) / int_dcb9c541 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_dcb9c541 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_dcb9c541 | |
Red vs. Blue (Web Animation) / int_dd3fc4c4 | type |
Motif Merger | |
Red vs. Blue (Web Animation) / int_dd3fc4c4 | comment |
Motif Merger: This is how the Meta symbol was formed, out of the symbols of all the other AI's which are most of the Greek alphabet. | |
Red vs. Blue (Web Animation) / int_dd3fc4c4 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_dd3fc4c4 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_dd3fc4c4 | |
Red vs. Blue (Web Animation) / int_dd51740f | type |
P.O.V. Sequel | |
Red vs. Blue (Web Animation) / int_dd51740f | comment |
P.O.V. Sequel: If Part 1's assailant at the end was Wyoming, at least that part of the series takes place at the same time as The Blood Gulch Chronicles. | |
Red vs. Blue (Web Animation) / int_dd51740f | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_dd51740f | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_dd51740f | |
Red vs. Blue (Web Animation) / int_de2ee4e8 | type |
Two-Act Structure | |
Red vs. Blue (Web Animation) / int_de2ee4e8 | comment |
Two-Act Structure: So far, the series seems split between "comedy with some plot" (Seasons 1-5, plus 15 and 16) and "plot with some comedy" (Seasons 6-10 and 17). Season 11 mixes the two, due to a shift in tone near the end that persists throughout the rest of The Chorus Trilogy. | |
Red vs. Blue (Web Animation) / int_de2ee4e8 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_de2ee4e8 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_de2ee4e8 | |
Red vs. Blue (Web Animation) / int_de306ba6 | type |
Worst Aid | |
Red vs. Blue (Web Animation) / int_de306ba6 | comment |
Worst Aid: The general premise of the cold and flu PSA. "I've had the bullets in my shotgun medically coated for the fastest possible injection of life-saving medicine." | |
Red vs. Blue (Web Animation) / int_de306ba6 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_de306ba6 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_de306ba6 | |
Red vs. Blue (Web Animation) / int_df582b0b | type |
Continuity Snarl | |
Red vs. Blue (Web Animation) / int_df582b0b | comment |
Continuity Snarl: Most likely for the sake of moving the plot along faster, everyone can understand Lopez in this miniseries, especially Sarge. | |
Red vs. Blue (Web Animation) / int_df582b0b | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_df582b0b | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_df582b0b | |
Red vs. Blue (Web Animation) / int_e034faef | type |
Limited Animation | |
Red vs. Blue (Web Animation) / int_e034faef | comment |
Limited Animation: Outside of custom animated shots, the machinima nature only allows the characters to do what Halo characters can (walk, Head Bob, crouch, jump, attack), and outside of vehicles they can only be seen either standing or lying down. During RTX 2019, Jason Weight remembered that he suggested having the characters sitting down, only to have that idea instantly shot down. | |
Red vs. Blue (Web Animation) / int_e034faef | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_e034faef | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_e034faef | |
Red vs. Blue (Web Animation) / int_e28f88b8 | type |
Last-Name Basis | |
Red vs. Blue (Web Animation) / int_e28f88b8 | comment |
Last-Name Basis: All of the Blood Gulch Crew except for Sister, Doc, and Lopez (who doesn't have a surname). Though Doc would favor to be on a Last Name Basis; he ended up being overruled. And for Sarge, we're unsure if the name given was his first or last name. Most other characters as well, fitting of the military nature of the series; when it's not a surname, it's a codename (the Freelancers, Felix, Locus) or a title (The Director, The Chairman, The Counselor). So far, the only main characters to go on a First-Name Basis are Dylan and Jax from Season 15, plus a few Cosmic entities without surnames from 16 & 17 (Huggins, Genkins, Chrovos). | |
Red vs. Blue (Web Animation) / int_e28f88b8 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_e28f88b8 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_e28f88b8 | |
Red vs. Blue (Web Animation) / int_e2f13529 | type |
World of Jerkass | |
Red vs. Blue (Web Animation) / int_e2f13529 | comment |
World of Jerkass: More prevalent in the early seasons (to the point it inspires the quote in the trope page), but all seasons have plenty of characters bickering, complaining, insulting, and being overall disrespectful of each other. | |
Red vs. Blue (Web Animation) / int_e2f13529 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_e2f13529 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_e2f13529 | |
Red vs. Blue (Web Animation) / int_e431c24c | type |
Not Quite Dead | |
Red vs. Blue (Web Animation) / int_e431c24c | comment |
Notably averted — the fate of almost every major or minor character who appears in the show is addressed in some way eventually, be it by them coming back, getting killed off, or even making a minor cameo in a later episode. Even if a character is Put on a Bus, they're likely to show up again later. Season 12 and 13 have been especially notable in that they resolved many remaining plot points and abandoned storylines from prior seasons. Some examples include Butch Flowers getting revived at the end of Season 5 and later getting revealed to be a Freelancer in Season 10, Andy the bomb getting auto-called by Siri in Season 11, the Chairman being revealed as "Control" in Season 12, Sharkface, the Counselor, Sister and Junior reappearing in Season 13, Vic narrating the story segments in season 14, and 479r's confirmation of reappearing in the same season, the series has impressively managed to account for every member of its sprawling cast numbering in the hundreds. | |
Red vs. Blue (Web Animation) / int_e431c24c | featureApplicability |
-1.0 | |
Red vs. Blue (Web Animation) / int_e431c24c | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_e431c24c | |
Red vs. Blue (Web Animation) / int_e43c66bd | type |
Art Evolution | |
Red vs. Blue (Web Animation) / int_e43c66bd | comment |
Art Evolution: As new Halo games are released with improved graphical capabilities, the series frequently changes and adapts its engine and art style. The first two and a half seasons of the Blood Gulch Chronicles use the original Halo: Combat Evolved engine, and for the second half of Season 3 until the end of Season 5, the Halo 2 engine is used. This shift was justified with the explanation that the cast had allegedly traveled to the future. Marathon's engine is also used briefly during a Season 3 subplot to represent the past. Regarding the Blood Gulch Chronicles, it's particularly prevalent once the tenth anniversary led to The Remake with the PC versions of Halo and Halo 2 (both are officially on YouTube, the original on RT's channel and the remasters in the Red vs Blue one). The entire Recollection Trilogy (Seasons 6-8) uses the Halo 3 engine. The biggest example of Animation Bump is the sporadic introduction of sequences fully animated in CGI starting in Season 8 and continuing on throughout the rest of the series (barring Season 11, which was made exclusively in machinima). The Project Freelancer Saga uses many different styles. The extensive flashback arc throughout both seasons is animated completely in CGI. The present day storyline of Season 9 uses Halo: Reach, but since the storyline takes place inside the Epsilon Unit, the subsequent season returns to Halo 3. Live action footage is even used briefly in Season 10 for the Director's log of his last moments with Allison. Finally, the Halo 4 engine is used starting in the final scene of Season 10 and continuing throughout all of The Chorus Trilogy. Come Season 15, and Halo 5: Guardians is used. Starting with Season 14, the older games are either on PC versions (Halo and Halo 2 - the latter is easy to spot because the characters always have the team emblem in the shoulder) or in the higher definition Master Chief Collection. Played with concerning Delta's avatar. Whenever he is shown, he appears as a Halo: Combat Evolved Spartan, no matter where and in which season he appears in. While it still uses assets based on the Halo franchise, Red vs. Blue Zero is not only the first season to not be filmed in a Halo game, but also the first in the Unreal Engine, using assets from both Paragon (2016) and Ying Pei Games. | |
Red vs. Blue (Web Animation) / int_e43c66bd | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_e43c66bd | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_e43c66bd | |
Red vs. Blue (Web Animation) / int_e4900915 | type |
Ridiculously Human Robots | |
Red vs. Blue (Web Animation) / int_e4900915 | comment |
Ridiculously Human Robots: Church and Tex spend most of their screentime in purely mechanical bodies. Bodies that apparently let them feel pain. And gain weight. And get sexually aroused... point is, they have a lot of functions that simply don't make sense to work in robots. Behavior-wise, there's Lopez, who became a Servile Snarker and Sour Supporter given dealing with the stupid Reds while speaking a language that they don't took a toll on him. | |
Red vs. Blue (Web Animation) / int_e4900915 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_e4900915 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_e4900915 | |
Red vs. Blue (Web Animation) / int_e563bf09 | type |
Insistent Terminology | |
Red vs. Blue (Web Animation) / int_e563bf09 | comment |
Insistent Terminology: Vick points out that, in the army, people are not "kidnapped" they are "missing in action". Tucker insists that his "information guy" is not his "kidnap guy", who happens to be currently on vacation. | |
Red vs. Blue (Web Animation) / int_e563bf09 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_e563bf09 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_e563bf09 | |
Red vs. Blue (Web Animation) / int_e5d8460d | type |
Unexplained Recovery | |
Red vs. Blue (Web Animation) / int_e5d8460d | comment |
Unexplained Recovery: Parodied in the Season 18 "Snowed In" PSA, which has Church somehow coming Back from the Dead before he's killed yet again by Caboose at the end of the episode. | |
Red vs. Blue (Web Animation) / int_e5d8460d | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_e5d8460d | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_e5d8460d | |
Red vs. Blue (Web Animation) / int_e5e6640b | type |
Flanderization | |
Red vs. Blue (Web Animation) / int_e5e6640b | comment |
Flanderization: Almost everybody. Tropes Are Not Bad, since this has actually led to characters like Caboose, Simmons, and Donut who had some personality traits that weren't quite noted already to set them apart cranked up to eleven, giving them fleshed out personalities in the process. Church goes from being a kind of bad shot with his Sniper Rifle to full on Imperial Stormtrooper Marksmanship Academy with any gun he gets his hands on, unable to hit anything except by Accidental Aiming Skills. Caboose goes from being a bit slow at the start of the series to borderline insanity, unable to follow a simple train of thought. Although for him, this is due in part to the massive battle that goes on inside his head early on causing brain damage. Also, apparently Church and Tucker rebooted his armor once and didn't manage to turn it back on right away. He said he didn't think it caused any permanent damage, that means of course it did. That being said, later seasons have Retconed Caboose's personality so that he was always this stupid/insane. Tucker goes from being a flirtatious lady's man of questionable success to a Casanova Wannabe who attempts to sleep with any girl that'll listen to him for more than ten seconds. Sarge's bullying of and threats to kill Grif start as attempts at murder and escalates to a psychopathic obsession with making his life as miserable and humiliating as possible, sometimes serves as his single character trait in certain scenes. Grif's apathy that doesn't have to do with eating, napping, and making up excuses to avoid work morphed into a trickster who comes up with cunning schemes and Loophole Abuse to avoid work or risking his life, even if said schemes are more complicated to execute than the orders he's given. Donut goes from being ambiguously effeminate to Tucker's Camp Gay counterpart in sexually suggestive dialogue and attempts to sleep with any male soldier in his line of view. Simmons goes from teacher's pet to groveling sycophant with occasional Servile Snark. This trait is actually getting dialed down a bit as of the Chorus trilogy; he kisses Sarge's butt a lot less than he used to and even makes sarcastic remarks to him. This is likely because being promoted to Captain and being put into a leadership role himself has helped him become a bit more self-confident. Tex goes from being a skilled special-ops soldier to an absurdly powerful badass (who is still destined to fail). Doc begins as a neutral pacifist without extensive medical training (but nevertheless treats Caboose during an active shootout), and ends up a man panicked by any sign of conflict and with complete incompetence in his supposed area of expertise. However, this is zigzagged according to the needs of the plot when someone who's critically injured needs to be kept alive. Seasons 8 and on present an interesting example when this is reverted back to giving the Reds and Blues their more subtler traits while keeping their core personalities. Grif's intelligence and knack for getting out of dangerous situations is shown to make him a very pragmatic survivor in combat that's willing to suck up his self-pity and bite the bullet if there's no way out of a mission that precludes death. Church's occasional moments of compassion and downplaying his anger (particularly as the Epsilon A.I.) have made him one of the most empathetic members of the cast. For all of Sarge's blundering about and questionable sanity, the reason why he's stuck around as a soldier for so long is apparent with his leadership and charisma with his men when things are at their worst in a fight. He's also willing to overlook Grif's existence and has Took a Level in Kindness since Revelation, likely because concerning it, murder's not what he's in the army for and he's an honorable soldier when confronted with those that are in it for the killing. While Caboose is still completely insane, the later seasons start to slowly re-introduce his Deadpan Snarker tendencies from before his Flanderization, and also showcase how he's actually the most emotionally aware member of the entire Blood Gulch Crew. Tucker may be the biggest example. His occasional moments of being The Straight Man to the Reds and Blues have drastically increased his competence as a fighter, leading to his skill with the sword as a weapon he's comfortable with and being a quick and decisive strategist. Even Wash admits that he's not the same as was before. | |
Red vs. Blue (Web Animation) / int_e5e6640b | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_e5e6640b | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_e5e6640b | |
Red vs. Blue (Web Animation) / int_e6a83fb0 | type |
Telegraph Gag STOP | |
Red vs. Blue (Web Animation) / int_e6a83fb0 | comment |
Telegraph Gag STOP: Sarge receives a message in this form for the Halo: Reach PSA. | |
Red vs. Blue (Web Animation) / int_e6a83fb0 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_e6a83fb0 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_e6a83fb0 | |
Red vs. Blue (Web Animation) / int_e77a1e07 | type |
New Year's Resolution | |
Red vs. Blue (Web Animation) / int_e77a1e07 | comment |
New Year's Resolution: Both teams spent the New Year's video in a "Resolveathon" to come up with the best resolutions. The losers had suffer a Fate Worse than Death...actually following through on their resolutions. The Blues take advantage of this by resolving to beat up the Reds. | |
Red vs. Blue (Web Animation) / int_e77a1e07 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_e77a1e07 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_e77a1e07 | |
Red vs. Blue (Web Animation) / int_e7b73414 | type |
Sniper Rifle | |
Red vs. Blue (Web Animation) / int_e7b73414 | comment |
Church goes from being a kind of bad shot with his Sniper Rifle to full on Imperial Stormtrooper Marksmanship Academy with any gun he gets his hands on, unable to hit anything except by Accidental Aiming Skills. | |
Red vs. Blue (Web Animation) / int_e7b73414 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_e7b73414 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_e7b73414 | |
Red vs. Blue (Web Animation) / int_e8dcd1c0 | type |
Four Lines, All Waiting | |
Red vs. Blue (Web Animation) / int_e8dcd1c0 | comment |
Four Lines, All Waiting: At times, the cast is split already for multiple simultaneous plots, such as in early Season 3 (some are teleported away, but only in episode 5 does everybody meet again), Seasons 12 and 13 (the two factions of the Civil War, the villains, the Reds and Blues being assigned different missions), and Season 16 (again, people are teleported away, only in episode 12 everyone meets again). | |
Red vs. Blue (Web Animation) / int_e8dcd1c0 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_e8dcd1c0 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_e8dcd1c0 | |
Red vs. Blue (Web Animation) / int_e9957b80 | type |
Insulting from Behind the Language Barrier | |
Red vs. Blue (Web Animation) / int_e9957b80 | comment |
Insulting from Behind the Language Barrier: In Season 11, Lopez reveals that this is the only perk of being on Red Team; since none of them understand Spanish, he can insult them all he likes and they'll never notice.Even after Grif learns, he still feigns ignorance to Troll Lopez. | |
Red vs. Blue (Web Animation) / int_e9957b80 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_e9957b80 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_e9957b80 | |
Red vs. Blue (Web Animation) / int_eadc018f | type |
Pinball Protagonist | |
Red vs. Blue (Web Animation) / int_eadc018f | comment |
Pinball Protagonist: Calling the Reds and Blues "reactive protagonists" would be stretching for a compliment, honestly. When left to their own devices, the most they'll instigate by themselves is constant bickering. They start to become more proactive from Season 6 forward, particularly when more competent people such as Washington or Carolina are leading them. | |
Red vs. Blue (Web Animation) / int_eadc018f | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_eadc018f | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_eadc018f | |
Red vs. Blue (Web Animation) / int_eaf5a1ac | type |
Groin Attack | |
Red vs. Blue (Web Animation) / int_eaf5a1ac | comment |
Groin Attack: Grif suffers one in "Who Is The Best Rv B Villain? ". With a cone! | |
Red vs. Blue (Web Animation) / int_eaf5a1ac | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_eaf5a1ac | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_eaf5a1ac | |
Red vs. Blue (Web Animation) / int_eb5cbe42 | type |
Me's a Crowd | |
Red vs. Blue (Web Animation) / int_eb5cbe42 | comment |
Me's a Crowd: Church, Lopez, Wyoming, and Tex have all done this by various mechanisms; time-looping for Church and Wyoming, and robot clones for Lopez and Tex. | |
Red vs. Blue (Web Animation) / int_eb5cbe42 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_eb5cbe42 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_eb5cbe42 | |
Red vs. Blue (Web Animation) / int_ec9d3eb7 | type |
Explosive Stupidity | |
Red vs. Blue (Web Animation) / int_ec9d3eb7 | comment |
Explosive Stupidity: Caboose was prone to this during the Fourth of July PSA about handling fireworks. | |
Red vs. Blue (Web Animation) / int_ec9d3eb7 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_ec9d3eb7 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_ec9d3eb7 | |
Red vs. Blue (Web Animation) / int_ed84457a | type |
Consummate Professional | |
Red vs. Blue (Web Animation) / int_ed84457a | comment |
Melancholic: Simmons (introverted nerd), Tex (Consummate Professional), Washington (Only Sane Man) | |
Red vs. Blue (Web Animation) / int_ed84457a | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_ed84457a | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_ed84457a | |
Red vs. Blue (Web Animation) / int_ee3ea61e | type |
Fourth-Wall Mail Slot | |
Red vs. Blue (Web Animation) / int_ee3ea61e | comment |
Fourth-Wall Mail Slot: The premise is Grif and Simmons answering viewer questions about the show. | |
Red vs. Blue (Web Animation) / int_ee3ea61e | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_ee3ea61e | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_ee3ea61e | |
Red vs. Blue (Web Animation) / int_ee7a60e9 | type |
One-Steve Limit | |
Red vs. Blue (Web Animation) / int_ee7a60e9 | comment |
One-Steve Limit: An aversion. Doc's real first name is Frank, which is also the name of an IDA cameraman in Season 15. It's hard to notice, though, since no one calls Doc by his real name and Frank is only around for one episode. | |
Red vs. Blue (Web Animation) / int_ee7a60e9 | featureApplicability |
-1.0 | |
Red vs. Blue (Web Animation) / int_ee7a60e9 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_ee7a60e9 | |
Red vs. Blue (Web Animation) / int_ef20dac5 | type |
Servile Snarker | |
Red vs. Blue (Web Animation) / int_ef20dac5 | comment |
Simmons goes from teacher's pet to groveling sycophant with occasional Servile Snark. This trait is actually getting dialed down a bit as of the Chorus trilogy; he kisses Sarge's butt a lot less than he used to and even makes sarcastic remarks to him. This is likely because being promoted to Captain and being put into a leadership role himself has helped him become a bit more self-confident. | |
Red vs. Blue (Web Animation) / int_ef20dac5 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_ef20dac5 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_ef20dac5 | |
Red vs. Blue (Web Animation) / int_efc1d647 | type |
Never a Self-Made Woman | |
Red vs. Blue (Web Animation) / int_efc1d647 | comment |
Never a Self-Made Woman: Deconstructed, in different ways. The two most prominent female characters for most of the series, Tex and Carolina, are the Director's lover (sort of) and daughter respectively; with Tex, the emotional connection with the Director is one-sided on his part, resulting in Tex being wholly professional herself but receiving special attention while being unable to act outside his concept of her. Meanwhile, with Carolina, it's implied that she's using Project Freelancer as a means of gaining approval and attention from the Director while being constrained by the demands of protocol. | |
Red vs. Blue (Web Animation) / int_efc1d647 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_efc1d647 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_efc1d647 | |
Red vs. Blue (Web Animation) / int_f0089082 | type |
Early-Bird Cameo | |
Red vs. Blue (Web Animation) / int_f0089082 | comment |
Early-Bird Cameo: There is mention of North's AI's Theta, who shows up in Season 10. North Dakota himself might also count. | |
Red vs. Blue (Web Animation) / int_f0089082 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_f0089082 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_f0089082 | |
Red vs. Blue (Web Animation) / int_f0bb6c11 | type |
Sailor Earth | |
Red vs. Blue (Web Animation) / int_f0bb6c11 | comment |
Sailor Earth: Given there are 50 possible Freelancers, but most haven't been revealed, they are prime fanfiction fill-ins. | |
Red vs. Blue (Web Animation) / int_f0bb6c11 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_f0bb6c11 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_f0bb6c11 | |
Red vs. Blue (Web Animation) / int_f130b56f | type |
Backported Development | |
Red vs. Blue (Web Animation) / int_f130b56f | comment |
Backported Development: Whenever there's a flashback set during or before Season 1, Caboose and Sarge will have their current voices instead of talking the way they did when the show started. | |
Red vs. Blue (Web Animation) / int_f130b56f | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_f130b56f | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_f130b56f | |
Red vs. Blue (Web Animation) / int_f3fd818b | type |
Dark Reprise | |
Red vs. Blue (Web Animation) / int_f3fd818b | comment |
Dark Reprise: Twice there were somber and piano-driven remakes of songs featuring singer Meredith Hagan - "Contact Redux" in the Season 13 credits (of "Contact", the song from the Season 11 credits - and source of the riff that opens The Chorus Trilogy episodes) and "Blood Gulch Blue" in the Season 17 finale (of the original theme of the show, "Blood Gulch Blues"). | |
Red vs. Blue (Web Animation) / int_f3fd818b | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_f3fd818b | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_f3fd818b | |
Red vs. Blue (Web Animation) / int_f511ea9b | type |
Product Placement | |
Red vs. Blue (Web Animation) / int_f511ea9b | comment |
Product Placement: In-universe in "Are You Good at Halo?". Grif uses the show to plug products from Grif's Gamer Gear. | |
Red vs. Blue (Web Animation) / int_f511ea9b | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_f511ea9b | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_f511ea9b | |
Red vs. Blue (Web Animation) / int_f516f938 | type |
Never Found the Body | |
Red vs. Blue (Web Animation) / int_f516f938 | comment |
Never Found the Body: Grif is unconvinced that Sister is really dead for this reason. Sure enough, Sister is confirmed to still be alive six seasons later. | |
Red vs. Blue (Web Animation) / int_f516f938 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_f516f938 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_f516f938 | |
Red vs. Blue (Web Animation) / int_f722f635 | type |
Great Offscreen War | |
Red vs. Blue (Web Animation) / int_f722f635 | comment |
Great Offscreen War: The "Great War" that inspired the creation of Project Freelancer. All things point out that it's the Human-Covenant War from Halo i.e. the single player campaign just like Red vs. Blue is built out of the multiplayer. | |
Red vs. Blue (Web Animation) / int_f722f635 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_f722f635 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_f722f635 | |
Red vs. Blue (Web Animation) / int_f8f71b5f | type |
Buried Alive | |
Red vs. Blue (Web Animation) / int_f8f71b5f | comment |
Buried Alive: This happens to Sarge in an April Fool's Day episode when Grif mistakes him for being dead. He escaped by eating his way out of the grave. | |
Red vs. Blue (Web Animation) / int_f8f71b5f | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_f8f71b5f | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_f8f71b5f | |
Red vs. Blue (Web Animation) / int_f9c3ecc6 | type |
Series Fauxnale | |
Red vs. Blue (Web Animation) / int_f9c3ecc6 | comment |
Series Fauxnale: The first four major story arcs all end in ways that the writers have freely admitted that could work as jumping-off points, giving the sense that the story that far was perfectly complete. Season 14 ends with a monologue that could work as a show goodbye too. While Season 15's finale served as one when it was its own self-contained plot, the finale for the season finishing off the entire Shisno Trilogy, Singularity, was a slightly lesser case given it wrapped up that arc, but didn't give the impression all was over and instead put a greater focus on And the Adventure Continues. | |
Red vs. Blue (Web Animation) / int_f9c3ecc6 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_f9c3ecc6 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_f9c3ecc6 | |
Red vs. Blue (Web Animation) / int_f9f2c33 | type |
Running Gag | |
Red vs. Blue (Web Animation) / int_f9f2c33 | comment |
Running Gag: Every episode starts with a different show title! | |
Red vs. Blue (Web Animation) / int_f9f2c33 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_f9f2c33 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_f9f2c33 | |
Red vs. Blue (Web Animation) / int_faece9aa | type |
The Power of Friendship | |
Red vs. Blue (Web Animation) / int_faece9aa | comment |
The Power of Friendship: A running theme in the series. Project Freelancer fell apart due to the loss of cohesion among the members who were meant to be a team. The Red and Blue Armies of Blood Gulch, who are meant to hate each other and be used for nothing more than training simulations for Project Freelancer, still manage to pull themselves together to be True Companions over the course of the series. Played for Laughs in Singularity. | |
Red vs. Blue (Web Animation) / int_faece9aa | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_faece9aa | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_faece9aa | |
Red vs. Blue (Web Animation) / int_fbb54ba6 | type |
Forever War | |
Red vs. Blue (Web Animation) / int_fbb54ba6 | comment |
Forever War: The "war" between the Red and Blue armies, in Blood Gulch at least, aren't really fighting so much as slacking off at opposite ends of the box canyon, and it only feels like they've been there forever, but if there's one thing they can all agree on, it's that neither side has any clue why they're supposed to be fighting, or what the actual benefit would be of "winning". Eventually justified when it turns out that they aren't actually at war, and are just simulation troopers to train Freelancers for actual wars. Both sides always end up teaming up with each other to take down a larger enemy, and the war isn't even really being waged (except in Sarge's mind) after Season 5, excluding Season 9 and Season 11. In Season 3, Sarge and Caboose accidentally wind up in the Battle Creek map, where two teams of immortal zealots fight to Capture the Flag while spouting comments and insults straight out of an stereotypical online Halo match, and are revived at the end of each match, like a particularly stupid version of Norse Mythology's Valhalla. In The Chorus Trilogy, the Federal Army of Chorus and the New Republic are fighting a Civil War on the planet Chorus that has been fought for years upon years thanks to the manipulation of a third party led by Chairman Hargrove. | |
Red vs. Blue (Web Animation) / int_fbb54ba6 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_fbb54ba6 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_fbb54ba6 | |
Red vs. Blue (Web Animation) / int_fbc074c3 | type |
Player Character | |
Red vs. Blue (Web Animation) / int_fbc074c3 | comment |
In the first episode of the series, Halo Player Character "the Master Chief" John-117 is mentioned by Grif as blowing up "a whole Covenant armada" while the Reds and Blues are stuck fighting each other instead, dealing with issues that the games proper don't even mention. The reason why they aren't directly integrated into the fighting (as well as why they are unaware that the Human-Covenant War is presumably over) are factors in Seasons 6-10. | |
Red vs. Blue (Web Animation) / int_fbc074c3 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_fbc074c3 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_fbc074c3 | |
Red vs. Blue (Web Animation) / int_fc151e9d | type |
Department of Redundancy Department | |
Red vs. Blue (Web Animation) / int_fc151e9d | comment |
Department of Redundancy Department: The American Grifball League of America. | |
Red vs. Blue (Web Animation) / int_fc151e9d | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_fc151e9d | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_fc151e9d | |
Red vs. Blue (Web Animation) / int_fd94c4ac | type |
Theme Naming | |
Red vs. Blue (Web Animation) / int_fd94c4ac | comment |
Theme Naming: Many of the original characters share their names with the preset default character names from the original Halo. Each of the Freelancers was given an American state as their codename (though because there's only one Agent Carolina, the fiftieth agent was "D.C."). The Recollection Trilogy and its associated miniseries each start with the "re-" prefix (i.e., Recovery One, Reconstruction, Relocated, Recreation, and Revelation). | |
Red vs. Blue (Web Animation) / int_fd94c4ac | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_fd94c4ac | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_fd94c4ac | |
Red vs. Blue (Web Animation) / int_fdf22cfd | type |
Evil Is Hammy | |
Red vs. Blue (Web Animation) / int_fdf22cfd | comment |
Evil Is Hammy: A few of the villains, such as O'Malley (a Card-Carrying Villain AI who's basically Made of Evil), Wyoming (a Faux Affably Evil Evil Brit) and Genkins (a Trickster God who enjoys himself profusely). | |
Red vs. Blue (Web Animation) / int_fdf22cfd | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_fdf22cfd | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_fdf22cfd | |
Red vs. Blue (Web Animation) / int_fe0330fb | type |
Brick Joke | |
Red vs. Blue (Web Animation) / int_fe0330fb | comment |
Brick Joke: After being told that no one took care of his pet cat Whiskers in the Season 16 "A Trip Abroad" PSA while he was on vacation in Paris, near the end of the video we see Donut having set up a small shrine for his dead cat adorned with French cheeses. Sarge first claims in the Season 16 "Hard Truths" PSA that people who don't like mushrooms are just big babies. Near the end of the PSA, as he breaks down crying as he rants about his own flaws, he confesses that he actually hates mushrooms. Caboose is introduced in the Season 16 "Diversity" PSA hunting for his pet chinchilla that he named after Benedict Cumberbatch. Near the end of the aforementioned PSA, Sarge's rampage with the Chupathingy's chaingun is derailed when he gets distracted by the chinchilla and freaks out over it humping his leg off-screen. Near the beginning of the Season 17 "Cultural Appreciation" PSA, Donut suggests lying to your friends and claiming you're taking them to buy ice cream so as to get them to go to an art museum. Later, after the Reds and Blues get kicked out of the art museum when Sarge has a traumatic flashback and punches a painting, Simmons and Donut decide to get everyone ice cream for real this time. In the Season 18 "Snowed In" PSA, Sarge mentions how he has an active nuclear warhead with a hairpin trigger on hand as part of his emergency supplies. Near the end of the PSA, Caboose predictably triggers the nuke and kills Church yet again. | |
Red vs. Blue (Web Animation) / int_fe0330fb | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_fe0330fb | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_fe0330fb | |
Red vs. Blue (Web Animation) / int_fe7d9114 | type |
Sleeps with Both Eyes Open | |
Red vs. Blue (Web Animation) / int_fe7d9114 | comment |
Sleeps with Both Eyes Open: Captain Butch Flowers. This is a lampshading of the series' Limited Animation, since the creators can't realistically make it look like a character is sleeping. | |
Red vs. Blue (Web Animation) / int_fe7d9114 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_fe7d9114 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_fe7d9114 | |
Red vs. Blue (Web Animation) / int_fea27091 | type |
Buffy Speak | |
Red vs. Blue (Web Animation) / int_fea27091 | comment |
Buffy Speak: "Ker-splat" probability, in Part 3. | |
Red vs. Blue (Web Animation) / int_fea27091 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_fea27091 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_fea27091 | |
Red vs. Blue (Web Animation) / int_feb0e2fe | type |
SufficientlyAdvancedAliens | |
Red vs. Blue (Web Animation) / int_feb0e2fe | comment |
Sufficiently Advanced Aliens: The Shisno Trilogy introduces the Cosmic Powers, who present themselves as gods, but given their true forms are Monitors, this makes akin to the Forerunners (and maybe the Precusors) in just being a race so powerful that what they do seems like magic. Zero also has the Black Lotus that provides the Ultimate Power. | |
Red vs. Blue (Web Animation) / int_feb0e2fe | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_feb0e2fe | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_feb0e2fe | |
Red vs. Blue (Web Animation) / int_ff7f34c5 | type |
Pet the Dog | |
Red vs. Blue (Web Animation) / int_ff7f34c5 | comment |
Pet the Dog: In Part 3, Sarge actually seems worried about Grif's reaction to hearing of his sister's possible death. | |
Red vs. Blue (Web Animation) / int_ff7f34c5 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_ff7f34c5 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_ff7f34c5 | |
Red vs. Blue (Web Animation) / int_ff9e9dde | type |
Once a Season | |
Red vs. Blue (Web Animation) / int_ff9e9dde | comment |
Once a Season: Given Tex first appears in Episode 10, the following nine seasons usually re-introduce or feature her heavily in the tenth episode. Season 11 plays with it, as someone stops a ruckus by shooting up as Tex's Leitmotif plays... but it's Donut. Another Episode 10 tradition is a plot twist. | |
Red vs. Blue (Web Animation) / int_ff9e9dde | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_ff9e9dde | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_ff9e9dde | |
Red vs. Blue (Web Animation) / int_fff863c3 | type |
Virtual Sidekick | |
Red vs. Blue (Web Animation) / int_fff863c3 | comment |
Virtual Sidekick: The AI fragments extracted from the Alpha used to be this for the Freelancers who were paired up with them, allowing them to utilize the equipment that aided the soldiers in battle, until some of them had rebelled against the project in favour of their own agendas. Epsilon eventually and unwillingly becomes this for Carolina starting in Season 10, helping her out in tricky situations that she would've had trouble getting out of on her own. He ceases to be this at the end of Season 13 when Epsilon sacrifices himself so Tucker can operate the armour formerly worn by the Meta to fight against Charon Industries. Santa, the alien AI, becomes something of this to Vanessa Kimball in Season 15 after the war on Chorus ends and Charon Industries is defeated. VIC becomes this for Dylan Andrews throughout Season 15, providing three favours (she managed four out of him by exploiting his failing memory) for her in exchange for Dylan taking him offline permanently. | |
Red vs. Blue (Web Animation) / int_fff863c3 | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_fff863c3 | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_fff863c3 | |
Red vs. Blue (Web Animation) / int_name | type |
ItemName | |
Red vs. Blue (Web Animation) / int_name | comment |
||
Red vs. Blue (Web Animation) / int_name | featureApplicability |
1.0 | |
Red vs. Blue (Web Animation) / int_name | featureConfidence |
1.0 | |
Red vs. Blue (Web Animation) | hasFeature |
Red vs. Blue (Web Animation) / int_name | |
Red vs. Blue (Web Animation) / int_name | itemName |
Red vs. Blue (Web Animation) |
The following is a list of statements referring to the current page from other pages.
Copyright of DBTropes.org wrapper 2009-2013 DFKI Knowledge Management. Imprint. - Thanks to Bakken&Baeck for hosting. Contact.
Copyright of data TVTropes.org contributors under Creative Commons Attribution-Share Alike 3.0 Unported License.
Copyright of data TVTropes.org contributors under Creative Commons Attribution-Share Alike 3.0 Unported License.