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Actionized Sequel

 Actionized Sequel
type
FeatureClass
 Actionized Sequel
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Actionized Sequel
 Actionized Sequel
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ActionizedSequel
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Advertisement:propertag.cmd.push(function() { proper_display('tvtropes_mobile_ad_1'); })A new film franchise has a lot of work to do. In only a couple hours, you have to introduce the characters, the premise, and all the Phlebotinum you're going to be using for the rest of the series, and you need to have a plot to tie it all together. Because of this, the first installment in a film series tends to be slower paced.
Starting with the second film, though, the Back Story is already established, everyone has already met everyone, and the budget for the movie is often much larger, allowing it and subsequent sequels to fall increasingly into the 'Action' genre, even if the original didn't have that much action. If it did, the sequels become outright over the top in their action.
Tends to happen with horror films. Occasionally, as with Alien, it's because the director feels the first was perfect and tries to do new things - which ironically in Aliens's case made it an Even Better Sequel. Other times, it's because anyone who survives a horror movie graduates with a few levels in badass, and when you put an Action Hero into a horror movie, it becomes an action movie.
Advertisement:propertag.cmd.push(function() { proper_display('tvtropes_mobile_ad_2'); })This can also happen in some video games, particularly those in the horror genre. Often, the first installment will be based on survival, not combat, and encourage you to avoid the enemies rather than fight them directly. Possibly in an effort to appeal to a wider audience (after all, survival is hard, but blasting shit is fun), subsequent games will add more ammo and weapons, or go into a full Genre Shift. Of course, it can happen to other genres as well—as technology has improved, the RPG genre as a whole has become faster paced and more action-oriented, for example.
For series that already started out action-y and continue to escalate from there, see Serial Escalation.
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DBTropes
 Actionized Sequel / int_16861a09
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Actionized Sequel
 Actionized Sequel / int_16861a09
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The Incredibles had plenty of action sequences, but Incredibles 2 kicks them up a notch, due at least in part to the better CGI technology available after 14 years.
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 The Incredibles
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Windfall by Warren Hutch was a My Little Pony: Friendship Is Magic fanfic about the Mane Six Putting the Band Back Together to be there for the birth of Fluttershy's first child, full of laughs and W.A.F.F.. The sequels, while still largely comedies, are rather more action-packed:
Earth and Sky is about Twilight inventing a flying rig to help bring non-flying ponies closer to their pegasus friends and family, but turns into an Homage to films like The Great Race and Those Magnificent Men in Their Flying Machines about a third of the way through when she gets roped into testing her invention in the Grand Pegathalon.
Movie Magic has more of a sci-fi pulp/two-hooved tales feel to it, with Twilight discovering a changeling plot after being granted True Sight in a Freak Lab Accident.
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The Neverhood is a claymation-based adventure game with a bizarre sense of humor. Its sequel, Skullmonkeys, keeps the claymation and humor but shifts to a platformer.
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Death Wish and Death Wish II were vigilante revenge dramas. Death Wish 3 and Death Wish 4: The Crackdown turned up the action to eleven for the day, with 3 featuring Charles Bronson's biggest bodycount ever.
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The second console game - at which point the series had already set forth the motion that Sora was basically the Messianic Archetype and now needed to prove just exactly what made a 15-year-old boy better than grown, experienced men and women with supernatural powers - focused mainly on combat. As a result, the player was given a ridiculous number of ways to kick ass: Drive Forms, more elaborate Summon Magic, much more powerful and varied Spells, combo attacks with party members, the ability to equip whole new combat techniques as well as upgrade basic swings like in the first game, and, perhaps most infamously, Action Commands that let Sora pull off moves worthy of the Matrix (whew).
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The first Zone of the Enders had some open-exploration as you travel between different areas of Antilia, a space colony orbiting Jupiter, went on fetch missions, the occasional S.O.S. missions, and find sub-weapons to perform tasks needed to advance the game. Its sequel, The 2nd Runner, ditches all of that and opt for much more action-driven gameplay and linear level progression.
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More of an Actionized Remake, but The Simpsons parodies this when Mel Gibson stars in a remake of Mr. Smith Goes to Washington and Homer convinces him to make some changes. The resulting film ends with Smith killing everyone in Congress after his filibuster, and then decapitating the president.
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The original Yo-Kai Watch anime replaces the standard mon gameplay of the games with a Slice of Life comedy format. Its two spinoffs Yo-kai Watch: Shadowside and Yo-kai Watch Jam - Yo-kai Academy Y: Close Encounters of the N Kind bring back the fighting.
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Front Mission 3 follows suit. With large amounts of its tactical nature being scaled back (number of playable units dropping from 12 to 4, missions taking place on tiny maps, customization made bare bones), it is comparatively more action-oriented as far as TRPGs go than its predecessors. Front Mission 4 returns back to much of its roots.
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Star Trek: Picard: TNG was never particularly big on action sequences, and the ones it did have were very much the product of a 1990's television budget. Picard features much flashier, more modern action scenes that look more in line with the J.J. Abrams Star Trek films.
Contrast Data, who almost never got involved in physical altercations despite his massive Super Strength, with his "daughter" Dahj, a Lightning Bruiser who mops the floor with squads of commandos in a way that would make Khan proud.
There's also Elnor, a Romulan martial arts expert who appears in seven episodes in Season 1, and he fights hand-to-hand against at least sixteen adversaries across five episodes note five Romulans in "Nepenthe", three Romulans each in "Absolute Candor", "The Impossible Box" and "Broken Pieces", plus two Soong-type androids in "Et in Arcadia Ego, Part 2". Because he has both Super Reflexes and Super Strength (plus there's an overt East Asian influence on the character), his Wuxia-inspired Fantastic Fighting Style is more superhero-like than Worf's note who's Elnor's equivalent on TNG because he's The Big Guy Token Heroic Orc.
Although Narek's Fight Scene from the Season 1 finale ended up on the cutting room floor, this featurette of the Deleted Scene nonetheless proves that the showrunners were aiming for more varied and elaborate forms of combat (in this case, the Romulan version of Capoeira) than on TNG.
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Ittle Dew 2 has a greatly increased focus on combat compared to its predecessor. Ittle moves faster, starts out with a larger health meter, can dodge roll, and fights enemies that are more dangerous than most of the monsters she fought in the first game.
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Splinter Cell: Conviction turns up the action and gives Sam Fisher another level in badass. It had rather mixed reactions from fans of the franchise who preferred pure stealth.
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 Splinter Cell: Conviction (Video Game)
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Metroid: Other M takes it even further by giving Samus loads of melee attacks, dodging and other combat-related abilities.
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In contrast to the slower pace of the original, Shenmue II positively brims with action and quick time sequences, in addition to other major changes.
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The Evil Dead series ups the action and comedy in each installment. The Evil Dead (1981) is a low-budget horror movie with a rather helpless male Final Girl, Ash. Evil Dead 2, taking place on the same day, has Ash pick up a shotgun and chainsaw to fight the Deadites head-on. Army of Darkness follows the trend by turning Ash into a wisecracking action hero.
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Parodied in Jay and Silent Bob Strike Back, where Ben Affleck and Matt Damon are seen to be filming Good Will Hunting 2: Hunting Season. Will Hunting uses a shotgun to end arguments.
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The first two Turrican were slow, methodical Metroid Vania platformers while the console sequels and Turrican 3 were fast-paced run & gun shooters more akin to Contra.
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BioShock Infinite is even more bombastic and streamlined than 2, dropping stealth and favoring the "run and cover" approach. This is reflected by the abundance of ammo, Booker's Regenerating Shield, Static Health (something that wasn't present in the other two games). Hacking is also completely absent, and Infinite's own version of the Hypnosis plasmid skips the process entirely by now being able to affect machines along with human enemies.
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Movie Magic has more of a sci-fi pulp/two-hooved tales feel to it, with Twilight discovering a changeling plot after being granted True Sight in a Freak Lab Accident.
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Splinter Cell:
Splinter Cell: Conviction turns up the action and gives Sam Fisher another level in badass. It had rather mixed reactions from fans of the franchise who preferred pure stealth.
Splinter Cell: Blacklist downplayed it by making stealth a viable approach again while allowing for the Conviction-style or even regular TPS gameplay - though even on the easier difficulties, trying to play too aggressively will get you killed fast; it's better to play smart, be tactical, and make use of all your gadgets to even the odds in your favour.
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Star Trek (2009), being both a Continuity Reboot and a Stealth Sequel, has been seen as a more action-oriented approach to the series, taking advantage of a larger budget, better special effects, and a Time Travel plot where a super-powerful ship from the 25th century (after Star Trek: Voyager ended) travels back to before TOS began, mucking up the timeline and creating the Alternate Continuity of the films. The same is said of its sequels Star Trek Into Darkness and Star Trek Beyond.
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Inverted with the first game: While it includes plenty of stealth game-play that the series would get known for, it also has several levels where it turns into a full blown shooter complete with boss fights with the final one even consisting of you moving down a small army of 48's with a minigun. Hitman 2: Silent Assassin dropped these in favor of focusing on the stealth aspect and much harsher punishments for not embracing it.
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 Hitman: Codename 47 (Video Game)
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Resident Evil:
Resident Evil 4 and Resident Evil 5, unlike the previous games, have a much more action-packed gameplay style, with fully functional manual aiming, (conditional) melee attacks, and generally more combat-friendly environments. Many players agree that they are more like action games than survival horror. As one analysis explained, the series shifted from aiming for "scary" to aiming for "tense". Or put another way, it goes from survival horror to adrenaline horror. Resident Evil 6 follows the same path.
To a lesser extent, both Resident Evil 2 and Resident Evil 3: Nemesis increase the action segments due to the wider availability of ammo and the dodge ability, but they're otherwise much less action-packed than the post-Umbrella adventures.
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UHF parodies this with a preview for the fake movie Gandhi II. All of his arguments are now solved by killing his opponents. He likes his steak bloody rare, and the movie title is spelled out as he fires a submachine gun across a restaurant because someone said "Hey baldy!" The tagline is "No more Mr Passive Resistance!"
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Persona 5 is a cross between dungeon crawling Role-Playing Game and Wake Up, Go to School, Save the World Dating Sim, following a group of high school students who become Phantom Thieves in order to punish corrupt adults and reform society while also trying to get through a year in high school. Persona 5 Scramble The Phantom Strikers in a Dynasty Warriors-syle Action RPG that follows the same group half a year after they've went their separate ways as they get together for a summer vacation Road Trip Plot, with them juggling enjoying their vacation and investigating wierd incidents where influenctial celebrities are seemingly brainwashing the masses.
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To a lesser extent, both Resident Evil 2 and Resident Evil 3: Nemesis increase the action segments due to the wider availability of ammo and the dodge ability, but they're otherwise much less action-packed than the post-Umbrella adventures.
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Resident Evil 4 and Resident Evil 5, unlike the previous games, have a much more action-packed gameplay style, with fully functional manual aiming, (conditional) melee attacks, and generally more combat-friendly environments. Many players agree that they are more like action games than survival horror. As one analysis explained, the series shifted from aiming for "scary" to aiming for "tense". Or put another way, it goes from survival horror to adrenaline horror. Resident Evil 6 follows the same path.
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Silent Hill:
Although not to the same extent as Resident Evil 4 or 5, Silent Hill: Homecoming has a much more developed melee combat system, including combos, a powerful dodge move, and a lock-on camera that turns every fight into a one-on-one duel. This (plus stronger healing items and propensity of enemies to get stunlocked) made melee combat viable by itself, whereas previous games favored fleeing or using up precious ammo. Enemy encounters are still spaced out evenly and the game's overall pace is still pretty slow and brooding. It didn't work too well, so the next installment, Silent Hill: Shattered Memories took out all combat completely. 2012 Silent Hill: Downpour balanced somewhere between two extremes.
Before that, the franchise zig-zagged with the action quotient as well. Silent Hill 2 had less action than the first, and included the option to disable combat completely. Silent Hill 3 was significantly actionized due to better weapons like the katana, quicker pace, more monster encounters and the addition of a submachine gun, which made boss fights a (relative) breeze. Silent Hill 4 scaled back the action significantly, with clunkier controls and weaker weapons. Silent Hill: 0rigins downplayed it: on one hand the protagonist had less health than usual and all melee weapons broke after several hits. On the other hand, the assault rifle made a comeback, and you could pick up almost anything to use as a melee weapon and carry it in your infinite inventory.
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The original Alone in the Dark is a slow-paced Survival Horror story. The sequel has Carnby repeatedly gunning down and being gunned down by gangsters and pirates.
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Thanks to ten years worth of movie doing the exposition work for it, Avengers: Infinity War is the most action-packed film in the MCU by far.
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Star Trek: First Contact has far more action than earlier films in the series and is often praised for it, as the television show was often lacking in real excitement.
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Metal Gear Solid 4: Guns of the Patriots made the run n gun style of gameplay an option as compared to earlier titles which were more stealth focused and were more difficult to run n gun. There's also the Metal Gear Rising: Revengeance spin-off, which almost completely ditches stealth and focuses on the action.
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Superman II is a textbook example as it begins with Superman saving Lois from a terrorist attack, features a few scenes of the evil Kryptonians causing havoc and has a climax involving a huge battle between Superman and the three villains. Contrast with the first film, which had no fight scenes and overall, relatively light action more akin to a disaster movie than the kind of superhero blockbusters it inspired.
The same comparison can be made between Man of Steel and Superman 1, though it's a stretch as MoS is a DC Cinematic Universe reboot. It features the same villains as Superman II, but with the SFX of The New '10s, as well as a Clark Kent who has only had his powers for a short time and is unable to prevent collateral damage (a tonal choice that resulted in no small amount of Fan Backlash).
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The first three Rainbow Six games (Rainbow Six, Rogue Spear and Raven Shield) we about careful planning and one-hit-kill gameplay. Lockdown gave you a health bar and removed the tactical planning part. Vegas and Vegas 2 are about three guys with Regenerating Health mowing down a massive army of mercenaries and terrorists.
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Actionized Sequel / int_6819fb9f
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Actionized Sequel
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The shared continuity of the Marvel Cinematic Universe allowed The Avengers to play this trope for all it's worth; since each of the characters got their own movie detailing their origin story and character backgroundnote except Hawkeye and Black Widow, but the former makes a couple cameos in Thor that reveal that he's a S.H.I.E.L.D. agent and the latter has a supporting role in Iron Man 2 the writers could afford to make the majority of the exposition be about the team as a whole, rather than focusing on each character's history.
Thanks to ten years worth of movie doing the exposition work for it, Avengers: Infinity War is the most action-packed film in the MCU by far.
 Actionized Sequel / int_69d15cc0
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The Mummy Trilogy started more in the realm of an adventure series like Indiana Jones: exploring tombs, outrunning rival grave robbers, death traps, deciphering ancient mysteries and dealing with angry natives. There was certainly its own brand of action, but when Rick takes a sword and starts slicing apart mummies like a regular action hero there is a certain dissonance there. The sequels included a lot more extended action sequences, Evie and Jonathan became capable badasses in their own right, Rick became a destined hero and there are entire supernatural armies to face.
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Dynasty Warriors began life as a 3D Fighting Game in a similar vein to the Soul Series. Starting with the second game, however, the series made the jump to full-on Hack and Slash with light Real-Time Strategy elements that operates firmly on the Conservation of Ninjutsu by having the player's character able to take on dozens of mooks at a time. Each sequel and spin-off since then has only embraced this style of gameplay and taken it to increasing heights.
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Jak and Daxter: The Precursor Legacy was an action game already, but it was more of a standard platformer. Sequels introduced gunplay and somewhat less straight-up platforming.
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Star Trek: Deep Space Nine: While Star Trek: The Next Generation modeled itself on its predecessor Star Trek: The Original Series in following the crew of the Enterprise as they explore the galaxy, DS9 places a heavier focus on the Federation's exploits during times of political tension and, as the series progressed, all-out war.
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Jeepers Creepers is a fairly self-contained creature feature in which everyone is powerless to stop the Creeper. Jeepers Creepers 2 has a bit more give and take during the climax, as a result of a Knight Templar Parent out for revenge over the Creeper taking his son.
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Quest for Glory V was similarly actionized, being the first game in the series where combat was required for all characters, and all characters being given swords and shields (previously the province of the Fighter and Paladin, who are expected to solve their problems with swords). However, it was already the conclusion of the series, so it can't be said to be a Franchise Killer.
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The original Tomb Raider had even balance between combat and platforming/puzzle solving. Its sequel shifted focus closer to combat by letting Lara start with a shotgun in addition to her trademark pistols and adding greater quantity of both monster and human enemies.
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Doom:
The first Doom game spaced most of the combat out a bit, and often the biggest swarms of enemies were placed in a confined, maze-like space, both to keep things tense, and to prevent you from being swarmed right off the bat. Doom II was more willing to throw large groups of enemies at you all at once, and in general the new types of enemies introduced added more variety and lethality. The two level packs of Final Doom (The Plutonia Experiment in particular) turned things Up to Eleven, setting a precedent for later swarm-based mods such as Hell Revealednote Interestingly, Doom 64 went back to a somewhat slower pace that created more suspense.
Doom 3, instead of being the run-and-gun shooter that the previous games were, changed genre to a scary, moody, and slow horror shooter. In response to criticism about some of the changes, the BFG Edition made a slight turn back to the gameplay of the previous entries by giving the player more ammo, changing the lighting to make the game less dark, having slightly faster player movement, etc. However, it wouldn't be until DOOM (2016) that the franchise fully returned to its fast-paced run-and-gun roots.
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Metro 2033 was a heavily atmospheric and very unforgiving game, where the combat was against mainly small (3-4) groups of mutants who killed you in a couple of hits. Encounters against similar-sized groups of humans were rarer and could often be avoided by stealth. Ammo was very rare as well, (having 100 of ANY kind is a sign of extraordinary luck). Metro: Last Light increases the action dramatically, and balances the amount of time you spend fighting humans and the time you spend fighting mutants. In some missions, you may face as many human enemies as you fought in the entirety of Metro 2033. Combat has been streamlined, with the melee attack now being done with a quick button tap, and health regeneration taking noticeably less time. Gunplay has been improved and tightened immensely. Weapons and ammo are proliferated immensely, and it's possible to modify the guns. The Bastard you get early in the game can easily and comfortably stay with you as your weapon of choice, remaining a viable option even in the endgame, whereas pretty much everyone dropped their Bastard for a 74 in 2033 the moment they could.
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Mass Effect 2 has more and faster-paced action than its predecessor. Best exemplified by the Vanguard class's new ability - a gravity-powered Foe-Tossing Charge - or the increased variety of heavy weapons, which range from a Grenade Launcher to a borderline Too Awesome to Use personal nuke.
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Mass Effect 3 also doesn’t disappoint on that front. In particular, melee combat does far more damage in the third game, as every class either has access to a personal Laser Blade or a biotic punch, and weak enemies can be pushed away with a gun-butt before they attack.
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BioShock:
BioShock 2 made the combat system much faster than the first game by letting the protagonist fire weapons and special powers at the same time, turning the cameras and security bots hack into a reflex based minigame, and gave the player much more powerful abilities to use against much more dangerous enemies. The game still has a few stealth elements inherited from its predecessor but mostly relies on overpowering your enemies instead of getting past them. Despite the game's Contested Sequel status, this aspect was generally considered an improvement over the original. This can also arguably be considered Gameplay and Story Integration. Subject Delta, being a Big Daddy, is much stronger than Jack, but his bulk and heavy footsteps makes stealth more difficult.
BioShock Infinite is even more bombastic and streamlined than 2, dropping stealth and favoring the "run and cover" approach. This is reflected by the abundance of ammo, Booker's Regenerating Shield, Static Health (something that wasn't present in the other two games). Hacking is also completely absent, and Infinite's own version of the Hypnosis plasmid skips the process entirely by now being able to affect machines along with human enemies.
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Based on press conferences and gameplay demos, Psychonauts 2 appears to be this. Combat appears to be much faster and smoother, powers have been reworked to be more useful in combat, the number of enemy types has been expanded. Old enemy types have also been reworked to be more interesting to fight, such as the Sensors, which now attack with a powerful spin move, instead of just whacking you with an oversized stamp.
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BioShock 2 made the combat system much faster than the first game by letting the protagonist fire weapons and special powers at the same time, turning the cameras and security bots hack into a reflex based minigame, and gave the player much more powerful abilities to use against much more dangerous enemies. The game still has a few stealth elements inherited from its predecessor but mostly relies on overpowering your enemies instead of getting past them. Despite the game's Contested Sequel status, this aspect was generally considered an improvement over the original. This can also arguably be considered Gameplay and Story Integration. Subject Delta, being a Big Daddy, is much stronger than Jack, but his bulk and heavy footsteps makes stealth more difficult.
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Mass Effect:
Mass Effect 2 has more and faster-paced action than its predecessor. Best exemplified by the Vanguard class's new ability - a gravity-powered Foe-Tossing Charge - or the increased variety of heavy weapons, which range from a Grenade Launcher to a borderline Too Awesome to Use personal nuke.
Mass Effect 3 also doesn’t disappoint on that front. In particular, melee combat does far more damage in the third game, as every class either has access to a personal Laser Blade or a biotic punch, and weak enemies can be pushed away with a gun-butt before they attack.
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Godzilla: King of the Monsters (2019) to Godzilla (2014). The previous movie had three kaiju who only truly fought onscreen towards the end (with one scuffle only briefly shown earlier). This movie ups the ante considerably, not only offering multiple Titan battles between the four main kaiju ( three rounds of Godzilla vs. Ghidorah including the climactic battle, Ghidorah vs. Rodan and Mothra vs. Rodan at various stages) but having them start considerably earlier in the film's running time.
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The first two Fallout games were straight-up turn-based RPGs. Starting with Fallout 3, the series became either an RPG with heavy FPS elements or an FPS with heavy RPG elements depending on who you ask; either way, it became a lot more action-packed. Then Fallout 4 became an Actionized Sequel to the Actionized Sequel: The combat system has taken several cues from first-person shooters, incorporating dynamic crosshairs, authentic iron sights, V.A.T.S now works like Bullet Time rather than turn-based combat, you can now quick bash with guns, and grenades are now secondary weapons used with a trigger button rather than their own weapon. On top of that, stealth and Pacifist Runs are no longer really viable; in 3 and New Vegas, it was possible to be fairly decent at sneaking at Level 5-ish depending on your build, but 4 with it's new perk system means that you need to be Level 38 to fully upgrade your sneaking skill. True stealth mastery like from the previous games, where you could avoid being detected by enemies in full close quarters, is no longer even really possible without a lot of skill magazines. Diplomacy options also became virtually non-existent, whereas you could usually talk your way out of most situations in the previous games.
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Star Trek films.
Star Trek II: The Wrath of Khan truly exemplifies this trope when in comparison to Star Trek: The Motion Picture. In this case, it was generally seen as a vast improvement over the long, slow-paced original.
Star Trek: First Contact has far more action than earlier films in the series and is often praised for it, as the television show was often lacking in real excitement.
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Zelda II: The Adventure of Link shifted its focus away from collecting items and solving puzzles in dungeons towards a more developed side scrolling combat system where Link can perform different sword attacks and cast magic. Instead of being able to just mindlessly hack away at enemies, the sequel now have enemies who either need specific sword attacks or magic to defeat and other enemies like Iron Knuckles require precise timing to hit them when they're open to attack.
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In Danganronpa 3 - Side:Future, due to the radically different rules for the Final Killing Game compared to previous killing games in the Danganronpa series (such as no class trials), puts a much greater emphasis on action over mystery.
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Yu-Gi-Oh!: Capsule Monsters is this compared to the normal Yu-Gi-Oh! anime (with the exception of the Memory World). Since the monsters are real, the characters get into physical fights and do stunts more often.
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The Mad Max movies progressively added more action with more budget. Mad Max: Fury Road in particular is a nearly non-stop car chase, with almost the entire narrative communicated through its action.
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Front Mission ventured into this when Front Mission: Gun Hazard was released as the second video game in the franchise. A side-scrolling shooter with 2 player co-op, it was a complete change of pace from the original Front Mission. This was followed up by the release of Alternative two games later. Alternative plays out in real-time strategy albeit there is an action element as the game lets players control the action in first-person ala an FPS. After the releases of Front Mission 3, the Front Mission remake 1st, and 4, yet a third action spin-off was released - Online. An MMO third-person shooter with FPS elements, the action took place in real-time and focused heavily on team-based play such that it never truly lost the Front Mission appeal. Evolved continued the trend a few years later as the second TPS title (also has a bit of FPS in it), although it completely abandons a lot of the Front Mission appeal (teamwork, slower-paced gameplay). Instead, it better resembles Armored Core with some unusual additions (regenerating health, arcade-y gameplay). Although it wasn't developed by the core Front Mission team, Evolved was hated by all fans, even by the hardcore who know that Front Mission isn't all about turn-based strategy and were eagerly awaiting a new action title.
Front Mission 3 follows suit. With large amounts of its tactical nature being scaled back (number of playable units dropping from 12 to 4, missions taking place on tiny maps, customization made bare bones), it is comparatively more action-oriented as far as TRPGs go than its predecessors. Front Mission 4 returns back to much of its roots.
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Similarly, 1984's The Terminator was a science-horror film about a nigh-invulnerable killer robot chasing down an everyday woman, with the film's suspense factor resting on the robot's unrelenting dedication to its assassination mission. 1991's Terminator 2: Judgment Day, meanwhile, was a science-action film that pitted a good version of the first movie's killer robot against an even more nigh-invulnerable killer robot chasing down the same woman's son. The difference? The film's suspense factor now hinges primarily on the hot-blooded battle between the two killer robots, and Sarah Connor is now an Action Girl packing military-grade weapons. Just to give an idea of how different the two films are in tone, the first one ends with the original Terminator surviving multiple attacks that should've destroyed it before chasing Sarah through an empty factory, eventually being lured into and crushed by a hydraulic press, just barely missing the chance to strangle her. The second film, meanwhile, ends with the T-800 freezing and obliterating the T-1000 in a metalworks building, before bombastically sacrificing himself for the sake of the future by being dramatically lowered into a vat of molten metal, flashing a thumbs-up with a glorious fanfare playing in the background. Yeah. Terminator 2 would actually end up setting a precedent for the tone of later films in the Terminator franchise; unfortunately, those ones would suffer quite heavily from sequelitis.
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Star Trek II: The Wrath of Khan truly exemplifies this trope when in comparison to Star Trek: The Motion Picture. In this case, it was generally seen as a vast improvement over the long, slow-paced original.
 Actionized Sequel / int_988629da
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Best of the Best, surprisingly enough. You're probably thinking "How can a martial arts film have an actionized sequel? They're action films by definition." Well, the first film was more dramatic, focusing on a team of American martial artists as they prepare for and compete in a tournament against their Korean counterparts. The second film had one member of that team die in an underground fighting ring with two of his former teammates taking on the gangsters who run it.
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When The Elder Scrolls began, it featured combat that not only had a diceroll mechanic, but it required the player to right-click the mouse and swivel it around to swing their weapon. The latter was scrapped in the third game, Morrowind, and the next game ditched the former in favor of FPS-style combat. The fifth game, Skyrim, added Dual Wielding and the ability to fight on horseback, but sacrificed the underwater combat of its two predecessors.
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Devil May Cry might seem like an odd pick for the trope since it was always an action game with copious amounts of Rule of Cool, but the first game still had a lot more survival horror elements compared to the sequels and could be a bit slower at times as a result. Compare the first mission of the first Devil May Cry to the first mission in Devil May Cry 3. The first game opens with a lot more suspense and you don't fight your first enemy until you're about 80% through the mission, the rest is just building atmosphere. In Devil May Cry 3 you will have already killed 5 demons within the first 20 seconds. (This is partially attributable to the fact that DMC started off life as a Resident Evil Gaiden Game.)
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Although not to the same extent as Resident Evil 4 or 5, Silent Hill: Homecoming has a much more developed melee combat system, including combos, a powerful dodge move, and a lock-on camera that turns every fight into a one-on-one duel. This (plus stronger healing items and propensity of enemies to get stunlocked) made melee combat viable by itself, whereas previous games favored fleeing or using up precious ammo. Enemy encounters are still spaced out evenly and the game's overall pace is still pretty slow and brooding. It didn't work too well, so the next installment, Silent Hill: Shattered Memories took out all combat completely. 2012 Silent Hill: Downpour balanced somewhere between two extremes.
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Earth and Sky is about Twilight inventing a flying rig to help bring non-flying ponies closer to their pegasus friends and family, but turns into an Homage to films like The Great Race and Those Magnificent Men in Their Flying Machines about a third of the way through when she gets roped into testing her invention in the Grand Pegathalon.
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The Ratchet & Clank series likewise placed more of a emphasis on combat with each successive sequel (given the close relationship with Jak and Daxter above, it could be considered a feedback loop), until Deadlocked pretty much became all T/FPS. They backed up to a more balanced mix for Tools of Destruction, however.
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Godzilla's debut, the original Gojira, was a somber allegorical horror film about the dangers of the atomic bomb. The first sequel, Godzilla Raids Again set up the action-based formula of "Monster VS Monster" (in this case, Godzilla VS Anguirus).
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Actionized Sequel
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With Toy Story 3 being the third in a trilogy fifteen years in the making, character introductions are an almost moot point, with even more dramatic escape sequences taking place in comparison to its predecessors.
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Actionized Sequel / int_a0ae470
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Actionized Sequel
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Princess Celestia: The Changeling Queen has a fair bit of action but the main plot is centered more around the title character's political efforts around avoiding both a war between ponies and changelings and her actual identity as a changeling becoming widespread knowledge. Its sequel, Equestrias Changeling Queen And The Abyssal Empress, actually involves a large-scale war involving, effectively, an Eldritch Abomination.
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1.0
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Actionized Sequel / int_a262e721
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Actionized Sequel
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Splatoon 2 has smaller maps for more conflict and introduces the Dualies, but the special weapons are what's really more intense than the original. Miss the Inkzooka? It's replaced by a Jet Pack with an ink cannon! The Inkstrike is basically just an ICBM. Why not equip Splashdown and BE the Inkstrike? Or use an Ink Storm for longer-term area control, or use Tenta Missiles to potentially bring Death from Above to the entire enemy team at once, or just straight-up use a copyright-friendly Spirit Bomb?
 Actionized Sequel / int_a2add1d3
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Actionized Sequel / int_a2add1d3
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Actionized Sequel
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The same comparison can be made between Man of Steel and Superman 1, though it's a stretch as MoS is a DC Cinematic Universe reboot. It features the same villains as Superman II, but with the SFX of The New '10s, as well as a Clark Kent who has only had his powers for a short time and is unable to prevent collateral damage (a tonal choice that resulted in no small amount of Fan Backlash).
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1.0
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 Man of Steel
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Actionized Sequel / int_a4274674
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Actionized Sequel
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Police Quest is a rare exemption, the games franchise re-inventing itself as Police Quest SWAT and later just SWAT. This series lived on to make 4 more games after their last adventure game precursor.
 Actionized Sequel / int_a4955c71
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Actionized Sequel / int_a4955c71
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Actionized Sequel
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The Final Fantasy series is still firmly in the RPG genre, but has slowly becoming more action-oriented, with action commands in battle, and a shift to more real-time combat, as Square Enix continue to pursue their stated goal of creating a battle engine that allows the dynamic combat of Final Fantasy VII: Advent Children. Final Fantasy XV (formerly known as Final Fantasy Versus XIII) is a full-on Action RPG, along the lines of Kingdom Hearts. The previous installment, Lightning Returns: Final Fantasy XIII has also made many steps in that direction; Spin Offs like Dirge of Cerberus, Crisis Core and Dissidia Final Fantasy are a full Genre Shift.
 Actionized Sequel / int_a81325d3
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1.0
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 Final Fantasy (Franchise)
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Actionized Sequel / int_a81325d3
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Actionized Sequel
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Sakura Wars (2019) is an actionized Soft Reboot. While the previous games featured turn-based strategy battles, the 2019 game features fast-paced hack-and-slash combat.
 Actionized Sequel / int_b15e4a4b
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1.0
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Actionized Sequel / int_b15e4a4b
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Actionized Sequel
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Cinderella III: A Twist in Time is very much this to its predecessors. Lady Tremaine uses the Fairy Godmother's magic to change the outcome of the original story in her favor, and Cinderella and her friends must overcome the alterations in order to reunite her with Prince Charming.
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Actionized Sequel / int_b2559910
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Actionized Sequel
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Actraiser II, no doubt. The simulation portion from its predecessor is completely nixed and the player character has more special moves and is a lot more nimble overall.
 Actionized Sequel / int_b2948e65
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1.0
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Actionized Sequel / int_b2948e65
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Actionized Sequel
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The first Dino Crisis, like the Resident Evil series, focused on survival, and barely gave you enough ammo to deal with the dinosaurs you encountered. Dino Crisis 2 is a full-on action shooter, letting you slaughter them by the dozens, and rack up combo points to buy ever larger guns.
 Actionized Sequel / int_b5c385bc
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Actionized Sequel / int_b5c385bc
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Actionized Sequel
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Carrie is an example of this happening with remakes rather than sequels. The first adaptation in 1976 was shot on a budget of just $1.8 millionnote Barely $7 million when adjusted for inflation — chump change for any film, especially before the advent of CGI., meaning that they couldn't film Carrie's rampage as it was described in the book (with her burning down the whole town). As a result, the special effects were limited to just the prom and a handful of other scenes. When the film was remade as a TV movie in 2002, it cranked up the rampage to near-Disaster Movie levels. And the 2013 version followed the same path... only this time, the destruction has an actual budget behind it as opposed to the '02 version's cheap CG. Ditto for the '76 film's sequel, The Rage: Carrie 2, which greatly amped up the bloodshed over the original film and featured a number of kills that wouldn't look out of place in a Slasher Movie.
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Actionized Sequel / int_b5c89107
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Actionized Sequel
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As mentioned above, there is a major shift in tone between Alien, a suspense movie about a creature hidden in the labyrinthine corridors of a space ship, and Aliens, which sends in the clones for all-out war. Though fans argue over which is best, both are acknowledged to be great films in and of themselves.
 Actionized Sequel / int_b9a0d78d
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1.0
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 Alien
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Actionized Sequel / int_b9a0d78d
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Actionized Sequel
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Syphon Filter 1 focused mainly on slow-paced espionage, with occasional bursts of action, while the sequel was more heavy on run-&-gun firefights, with only 7 of the 21 levels requiring stealth, then the third game ditched mandatory stealth almost entirely except for one mission. The 6th-gen games had a more even balance between stealth and action.
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Actionized Sequel / int_ba366aa8
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Actionized Sequel
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X-Men had a few fight scenes, but much of the screentime was devoted to explaining mutants and setting up the character relationships. X2: X-Men United, however, had extended fight scenes that let Wolverine slice up mercenaries invading the school. X-Men: The Last Stand turned it up further, with a big battle sequence featuring dozens of mutants going up against the X-Men.
 Actionized Sequel / int_bad6ce79
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1.0
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Actionized Sequel / int_bad6ce79
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Actionized Sequel
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In The Sponge Bob Movie Sponge Out Of Water, the amount of action is increased compared to The Sponge Bob Square Pants Movie thanks to Bikini Bottom becoming an Apunkalypse and the superhero climax.
 Actionized Sequel / int_be0d8ec6
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1.0
 Actionized Sequel / int_be0d8ec6
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 The SpongeBob Movie: Sponge Out of Water
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Actionized Sequel / int_be0d8ec6
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Actionized Sequel
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Metroid Prime 2: Echoes compared to Metroid Prime. Echoes ups the difficulty and frequency of combat sequences, and adds more boss fights, as opposed to just one major boss per area in the first game. The game also adds FPS-oriented concepts such as an ammo system for the standard beam weapons (previous games in the series had limited it to Missiles and Power Bombs) and a multiplayer mode. Lastly, while the native Chozo civilization of Tallon IV from Prime was a peaceful race that slowly got consumed by the Phazon, the Luminoth of Aether from Echoes had to become a warrior race due to 50 years of constant war against the Ing; many Luminoth bodies remaining from that war can be found all over the game world.
 Actionized Sequel / int_be492827
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Actionized Sequel / int_be492827
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Actionized Sequel
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First Blood was a moody piece about a troubled Vietnam War vet trying to adapt to a regular life again and failing disastrously. Rambo: First Blood Part II and later sequels take that vet and put him back where he is killing people and taking names - which is what people think about when the name "Rambo" is said.
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Actionized Sequel / int_bf1e7c24
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Actionized Sequel
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Jack Reacher: Never Go Back is this to Jack Reacher. While Jack Reacher was still an action movie, it was basically like a thriller with action sequences such as the car chase and the final battle at the quarry, and even those were subjected to Deconstruction of common action movie trappings and Reality Ensues. Never Go Back features even more shootouts, fights, car chases, and explosions, the last of which didn't occur in the first movie.
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Actionized Sequel / int_c001454
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Actionized Sequel
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This happens with the first two movies of The Chronicles of Riddick, Pitch Black & The Chronicles of Riddick. The former is a horror movie in which a group of space crash survivors have to escape a planet filled with alien monsters, the latter is a big-budgeted sequel in which the Conan-esque Riddick has to defeat an evil empire of death-worshipping warriors.
 Actionized Sequel / int_c0d124e1
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1.0
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Actionized Sequel / int_c0d124e1
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Actionized Sequel
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My Little Pony: Friendship Is Magic:
The fanfic Its Always Sunny In Fillydelphia involves Applejack going on a date with Soarin of the Wonderbolts (her only customer in the season 1 finale "The Best Night Ever") and the two of them falling in love. Its sequel, "Semper Fidelis", plunks the two of them in an action-packed adventure inspired by one of the G1 My Little Pony TV Specials "Rescue at Midnight Castle".
There's also a fanfic called "A New Home." The first three sagas in The 'Verse:
Original story: An abused five-year-old in the human world wishes for a loving family on the same night Fluttershy wishes she had a child or a younger sibling to take care of. With a little help from Princess Luna, they both get their wish. Most of the story is about Fluttershy as a new mommy and poor Toby slowly learning that no, here he's not going to be mauled for breathing the wrong way, and the others trying to figure out where he came from and such. There are sad moments and about as many Tastes Like Diabetes moments.
Holidays With Toby: How it goes with Fluttershy, her new adopted son, and the gang at different pony holidays.
A Queen's Revenge: Queen Chrysalis shows up and tries to Take Over the World, and definitely Would Hurt a Child, especially one connected to one of the Element bearers. It's not as dark as the Gorn fics that follow in the footsteps of Cupcakes, but compared to the tone of the previous arcs it's like expecting the next episode of Spider-Man and His Amazing Friends and instead getting one of the movies. However, the fourth and current arc, The Quest for the Lost Locket, doesn't continue this progression.
Windfall by Warren Hutch was a My Little Pony: Friendship Is Magic fanfic about the Mane Six Putting the Band Back Together to be there for the birth of Fluttershy's first child, full of laughs and W.A.F.F.. The sequels, while still largely comedies, are rather more action-packed:
Earth and Sky is about Twilight inventing a flying rig to help bring non-flying ponies closer to their pegasus friends and family, but turns into an Homage to films like The Great Race and Those Magnificent Men in Their Flying Machines about a third of the way through when she gets roped into testing her invention in the Grand Pegathalon.
Movie Magic has more of a sci-fi pulp/two-hooved tales feel to it, with Twilight discovering a changeling plot after being granted True Sight in a Freak Lab Accident.
Falling Backwards is another MLP example. With the original being a sad, yet heartwarming Dramedy, about Rainbow Dash receiving brain damage, that mentally regresses her, after a failed stunt and having to be taken in by Twilight, and Hilarity and heartwarming ensue. The Cannon and alternate sequels, Flying Forwards and Raising Rainbows on the other hand, both introduce villains, conspiracies, kidnapping, and nations on the brink of war.
Princess Celestia: The Changeling Queen has a fair bit of action but the main plot is centered more around the title character's political efforts around avoiding both a war between ponies and changelings and her actual identity as a changeling becoming widespread knowledge. Its sequel, Equestrias Changeling Queen And The Abyssal Empress, actually involves a large-scale war involving, effectively, an Eldritch Abomination.
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1.0
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Actionized Sequel / int_c4282b71
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Actionized Sequel
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Doctor Who: "The Time of Angels"/"Flesh and Stone" and its contrast to predecessor "Blink" was compared by Word of God (namely writer Steven Moffat) to the difference between Alien and Aliens. "Blink" has ordinary civilians facing a quartet of fairly weak Weeping Angels, "The Time of Angels" has armed soldiers facing an Angel army.
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Actionized Sequel / int_c43df4d8
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Actionized Sequel
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YouTube James Bond Fan Film Property of A Lady contains somewhat greater proportion of action than its direct predecessor Diamonds Cut, mainly because it increased length and shed on Padding.
 Actionized Sequel / int_c720f71e
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1.0
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 YouTube (Website)
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Actionized Sequel / int_c720f71e
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Actionized Sequel
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Splinter Cell: Blacklist downplayed it by making stealth a viable approach again while allowing for the Conviction-style or even regular TPS gameplay - though even on the easier difficulties, trying to play too aggressively will get you killed fast; it's better to play smart, be tactical, and make use of all your gadgets to even the odds in your favour.
 Actionized Sequel / int_c8f3f81b
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1.0
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 Splinter Cell: Blacklist (Video Game)
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Actionized Sequel / int_c8f3f81b
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Actionized Sequel
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Crocodile Dundee was a weird example - the first was a Fish out of Water comedy about an Australian from the Outback trying to adapt to life in New York. The second pitched him against a gang of crooks in the Outback.
 Actionized Sequel / int_ca777bd7
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1.0
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Actionized Sequel / int_ca777bd7
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Actionized Sequel
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Dead Space
Dead Space 2 made certain Necromorphs easier to kill (the Pregnant monsters died after getting their sack ruptured, whereas in the first game they would continue to crawl alongside their brethren), rebalanced weapons and allowed player to dispatch Necromorphs by blowing out windows to space. Zero-G movement was also streamlined: instead of jumping from surface to surface with the aid of his RIG's magnetic boots, Isaac moved by way of a Jetpack integrated into his RIG. However the game still maintained most of the original's atmosphere.
Dead Space 3, however, took actionization so far many players refused to consider it horror. Necromorphs no longer had to have their limbs surgically shot off: sufficient body damage was also enough. The balanced weapons of previous games were replaced by the extensive weapon-crafting system that allowed for extremely overpowered combos, and universal ammo eliminated most of inventory management. To compensate for this, the game threw dozens of Necromorphs in waves, as well as easily slaughtered Unitologist mooks. To deal with the latter, Isaac also learnt to crouch, take cover and perform combat rolls.
 Actionized Sequel / int_cd95b8df
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1.0
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Actionized Sequel / int_cd95b8df
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Actionized Sequel
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The Hitman games have waffled in tone between games, but Absolution stands out, replacing the "globetrotting man of mystery" style with a much darker, grittier, and wanton tone in the vein of grindhouse films. Absolution also had a shift in gameplay, controlling more like an action-stealth game such as Splinter Cell, and having much less of the sandboxy levels Hitman is known for, with more typical "sneak from point A to point B" sections in between them.
Inverted with the first game: While it includes plenty of stealth game-play that the series would get known for, it also has several levels where it turns into a full blown shooter complete with boss fights with the final one even consisting of you moving down a small army of 48's with a minigun. Hitman 2: Silent Assassin dropped these in favor of focusing on the stealth aspect and much harsher punishments for not embracing it.
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Actionized Sequel
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Doom 3, instead of being the run-and-gun shooter that the previous games were, changed genre to a scary, moody, and slow horror shooter. In response to criticism about some of the changes, the BFG Edition made a slight turn back to the gameplay of the previous entries by giving the player more ammo, changing the lighting to make the game less dark, having slightly faster player movement, etc. However, it wouldn't be until DOOM (2016) that the franchise fully returned to its fast-paced run-and-gun roots.
 Actionized Sequel / int_d4e47577
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Actionized Sequel / int_d4e47577
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Condemned: Criminal Origins had firearms mostly as an afterthought— guns were pretty rare, you couldn't reload, and it was entirely possible to go through the game without firing a single bullet. In the second game, Bloodshot, guns are a bit more plentiful, and there are a few parts where having a gun is necessary for survival. The melee elements are also enhanced with the addition of combos and chain attacks.
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Actionized Sequel
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Ori and the Blind Forest is an exploration-focused Metroidvania with relatively light combat and Mooks but No Bosses, where as Ori and the Will of the Wisps amps up the frequency and intensity of enemy encounters, with Ori commensurately gaining an arsenal of new combat abilities, as well as introducing proper boss battles.
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Actionized Sequel
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And the third console game went even farther, with powerful new attacks and abilities being unlocked at every turn.
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Actionized Sequel / int_de8f1f24
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Actionized Sequel
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Casino Royale (2006) & Quantum of Solace - Even though Casino Royale was an action movie, Quantum of Solace did take this to ludicrous proportions. The Jitter Cam didn't help.
 Actionized Sequel / int_df7fa951
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1.0
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Actionized Sequel / int_df7fa951
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Actionized Sequel
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Dragon Age II had been heavily actionized in comparison to its predecessor. Whereas the first game typically had 5-6 enemies per room that took a while to kill and had most of the same skills the player party had, here you fight dozens of much weaker enemies per encounter, usually in several waves that often teleported out of nowhere. The combat became far more over-the-top, with rogues jumping several metres through the air and even heavily armored templars able to do backflips, every kill led to a shower of blood (if not someone exploding outright) and enemies were lucky if they could two-three skills. Relatively rare and challenging mini-bosses like Revenants and Desire Demons were also downgraded to Elite Mooks.
Non-combat parts of the game were also trimmed: there were less dialogues on the whole, they became simpler (3 choices as opposed to 4-5), non-violent alternatives to combat appear once in a blue moon and the (already limited) exploration aspect is practically non-existent due to Cut-and-Paste Environments.
 Actionized Sequel / int_e144ba19
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Actionized Sequel
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The first Doom game spaced most of the combat out a bit, and often the biggest swarms of enemies were placed in a confined, maze-like space, both to keep things tense, and to prevent you from being swarmed right off the bat. Doom II was more willing to throw large groups of enemies at you all at once, and in general the new types of enemies introduced added more variety and lethality. The two level packs of Final Doom (The Plutonia Experiment in particular) turned things Up to Eleven, setting a precedent for later swarm-based mods such as Hell Revealednote Interestingly, Doom 64 went back to a somewhat slower pace that created more suspense.
 Actionized Sequel / int_e5d5d23c
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Actionized Sequel / int_e5d5d23c
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Actionized Sequel
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Nier is an Action-Adventure game with a balance between exploration and combat. Its follow-up, NieR: Automata, was co-developed by PlatinumGames, and as such, its combat is much more frenetic and lightning-paced.
 Actionized Sequel / int_e5da463b
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1.0
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Actionized Sequel / int_e5da463b
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Actionized Sequel
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Charlie and the Great Glass Elevator, the sequel to Charlie and the Chocolate Factory, starts with Willy Wonka and the Bucket family's journey back to the factory via the titular flying elevator going awry. Accidentally sent into orbit, they spend the first half of the book exploring a space hotel and thwarting an invasion by carnivorous aliens. The Halfway Plot Switch (in which, once they're back on Earth, the grandparents being offered reverse-aging pills goes awry) is more in line with the events and tone of the first book, albeit with slightly higher stakes and an Orphean Rescue.
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Parodied by Family Guy with The Passion of the Christ 2: Crucify This! (which from the trailer appeared to be Rush Hour with Jesus instead of Jackie Chan),
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Sherlock Holmes: A Game of Shadows spends considerably less time on investigation sequences and focuses the bulk of its plot on chasing Moriarty across Europe in the hopes of unraveling his scheme. This results in a lot more explosive and high-octane moments of action compared to the original movie. Justified, too, since it's an adaptation of the classic Sherlock Holmes story, "The Final Problem," which lacked a mystery and was essentially Holmes vs. Moriarty the entire way. In fact, Game of Shadows goes the opposite direction in adding a mystery for Holmes and co. to solve on top of the Moriarty chase.
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The sequel to Cars. The first movie was a Fish out of Water movie about Lightning growing up and learning to appreciate the people around him in time for a big race. Cars 2 involves him and Mater being mistaken for American spies by British intelligence, leading to chase sequences and plenty of Stuff Blowing Up. Averted with Cars 3, which went back to a tone similar to the first movie and is about Lightning's struggles over being replaced by newer and faster cars on the racetrack.
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Dead Space 2 made certain Necromorphs easier to kill (the Pregnant monsters died after getting their sack ruptured, whereas in the first game they would continue to crawl alongside their brethren), rebalanced weapons and allowed player to dispatch Necromorphs by blowing out windows to space. Zero-G movement was also streamlined: instead of jumping from surface to surface with the aid of his RIG's magnetic boots, Isaac moved by way of a Jetpack integrated into his RIG. However the game still maintained most of the original's atmosphere.
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Dead Space 3, however, took actionization so far many players refused to consider it horror. Necromorphs no longer had to have their limbs surgically shot off: sufficient body damage was also enough. The balanced weapons of previous games were replaced by the extensive weapon-crafting system that allowed for extremely overpowered combos, and universal ammo eliminated most of inventory management. To compensate for this, the game threw dozens of Necromorphs in waves, as well as easily slaughtered Unitologist mooks. To deal with the latter, Isaac also learnt to crouch, take cover and perform combat rolls.
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Kingdom Hearts:
The first game had about equal amounts of combat, platforming, and puzzle-solving. The combat in the first game was very simple, as you could do basic sword swings, a few spells, a few summons, and by the end of the game Sora gets exactly 4 "special attacks", and upgrading attacks in that game was nothing more than adding a few more hits to his basic swing and making the hits pack more of a punch (while its re-release added in a few more special abilities via new finishing moves).
The second console game - at which point the series had already set forth the motion that Sora was basically the Messianic Archetype and now needed to prove just exactly what made a 15-year-old boy better than grown, experienced men and women with supernatural powers - focused mainly on combat. As a result, the player was given a ridiculous number of ways to kick ass: Drive Forms, more elaborate Summon Magic, much more powerful and varied Spells, combo attacks with party members, the ability to equip whole new combat techniques as well as upgrade basic swings like in the first game, and, perhaps most infamously, Action Commands that let Sora pull off moves worthy of the Matrix (whew).
And the third console game went even farther, with powerful new attacks and abilities being unlocked at every turn.
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The Cannonball Run was about a group of eccentrics (mostly broad stereotypes) who take part in a cross-country road race. The sequel is about a group of eccentrics who take part in a cross-country road race while a group of inept gangsters attempt to kidnap the race's backer. Although this does have the side effect of making the fight scene near the end seem less tacked on and actually plot-relevant (for what little plot there is).
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Metroid:
Metroid Prime 2: Echoes compared to Metroid Prime. Echoes ups the difficulty and frequency of combat sequences, and adds more boss fights, as opposed to just one major boss per area in the first game. The game also adds FPS-oriented concepts such as an ammo system for the standard beam weapons (previous games in the series had limited it to Missiles and Power Bombs) and a multiplayer mode. Lastly, while the native Chozo civilization of Tallon IV from Prime was a peaceful race that slowly got consumed by the Phazon, the Luminoth of Aether from Echoes had to become a warrior race due to 50 years of constant war against the Ing; many Luminoth bodies remaining from that war can be found all over the game world.
Metroid Prime 3: Corruption. There are a lot more actionized setpieces (like dropping a giant bomb on a Leviathan shield, the demolition trooper escort mission, Hypermode, the free-fall Ridley fight) and less isolated parts. It is also more linear, but mostly due to level design, as you fly around several planets and the areas are smaller. There is still plenty of exploring to do, but combat takes a strong precedence over it.
Metroid: Other M takes it even further by giving Samus loads of melee attacks, dodging and other combat-related abilities.
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Muse Software's Wolfenstein series originally consisted of two top-down Stealth-Based Games (Castle Wolfenstein and Beyond Castle Wolfenstein) all about sneaking around Nazi fortresses (preferably) undetected. Then when id Software entered the picture with Wolfenstein 3D, they scrapped the stealth mechanics, and turned it into a fast-paced action game with a first-person perspective. Later installments such as Return to Castle Wolfenstein have brought back many of the stealth elements, but they still have a high emphasis on action.
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Koi...Mil Gaya starring Hrithik Roshan is a Filmfare Award-winning movie about a developmentally disabled young man (Roshan) who tries to continue the work his father did in communicating with extra-terrestrials from outer space, which leads to something miraculous and wonderful. Its sequel Krrish? That young man's son (also Roshan) was given his dad's superpowers and becomes a superhero, 20 Minutes into the Future.
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Blade Runner 2049 is a funny example, in that it actually has more fight scenes, gun battles, a car chase, and Stuff Blowing Up than the original, but feels like it has fewer thanks to its longer running time and long segments of atmospheric drama.
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Compared to the first two Medal of Honor titles, Medal of Honor: Allied Assault has missions set in the frontline, namely the Normandy beach landings, fighting in the bocage alongside US Paratroopers, and trekking through enemy-occupied towns guns blazing. It's expansions, Spearhead and Breakthrough remove the Stealth-Based Mission aspect entirely. note  Breakthrough has only one mission that involves Dressing as the Enemy, and even then it's just for the first fourth of said mission, as your cover gets blown rather quickly.
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Metroid Prime 3: Corruption. There are a lot more actionized setpieces (like dropping a giant bomb on a Leviathan shield, the demolition trooper escort mission, Hypermode, the free-fall Ridley fight) and less isolated parts. It is also more linear, but mostly due to level design, as you fly around several planets and the areas are smaller. There is still plenty of exploring to do, but combat takes a strong precedence over it.
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The following is a list of statements referring to the current page from other pages.

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Film Tropes
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Actionized Sequel
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Actionized Sequel
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type
Actionized Sequel
 Tales from the Borderlands (Video Game) / int_4389e368
type
Actionized Sequel
 Temple of Apshai (Video Game) / int_4389e368
type
Actionized Sequel
 Terminator Future Shock (Video Game) / int_4389e368
type
Actionized Sequel
 The Evil Within (Video Game) / int_4389e368
type
Actionized Sequel
 The Walking Dead Season Four (Video Game) / int_4389e368
type
Actionized Sequel
 This Is The Police 2 (Video Game) / int_4389e368
type
Actionized Sequel
 Tomb Raider (2013) (Video Game) / int_4389e368
type
Actionized Sequel
 Tomb Raider II (Video Game) / int_4389e368
type
Actionized Sequel
 Tomb Raider: Legend (Video Game) / int_4389e368
type
Actionized Sequel
 TY the Tasmanian Tiger (Video Game) / int_4389e368
type
Actionized Sequel
 Wipeout (Video Game) / int_4389e368
type
Actionized Sequel
 Wolfenstein 3D (Video Game) / int_4389e368
type
Actionized Sequel
 Yo-kai Watch 4 (Video Game) / int_4389e368
type
Actionized Sequel
 Zone of the Enders (Video Game) / int_4389e368
type
Actionized Sequel
 Escape Dead Island (Video Game) / int_4389e368
type
Actionized Sequel
 Lucky Tower / Videogame / int_4389e368
type
Actionized Sequel
 NieR: Automata / Videogame / int_4389e368
type
Actionized Sequel
 Vietcong / Videogame / int_4389e368
type
Actionized Sequel
 Steins;Gate 0 (Visual Novel) / int_4389e368
type
Actionized Sequel
 Super Mario Bros. Z (Web Animation) / int_4389e368
type
Actionized Sequel
 Diamonds Cut (Web Video) / int_4389e368
type
Actionized Sequel
 Gritty Reboots (Web Video) / int_4389e368
type
Actionized Sequel
 The Eleven Little Roosters (Web Video) / int_4389e368
type
Actionized Sequel
 Terrible Writing Advice (Web Animation) / int_4389e368
type
Actionized Sequel
 Big Hero 6: The Series / int_4389e368
type
Actionized Sequel
 Cars 2 / int_4389e368
type
Actionized Sequel
 Cinderella III: A Twist in Time / int_4389e368
type
Actionized Sequel
 Incredibles 2 / int_4389e368
type
Actionized Sequel
 Kung Fu Panda 2 / int_4389e368
type
Actionized Sequel
 My Little Pony: The Movie (2017) / int_4389e368
type
Actionized Sequel
 Sherlock Gnomes / int_4389e368
type
Actionized Sequel
 The New Adventures of Winnie the Pooh / int_4389e368
type
Actionized Sequel
 The SpongeBob Movie: Sponge Out of Water / int_4389e368
type
Actionized Sequel
 Top Cat Begins / int_4389e368
type
Actionized Sequel
 Toy Story 3 / int_4389e368
type
Actionized Sequel
 Seven Heavenly Virtues / int_4389e368
type
Actionized Sequel
 Deus Ex: Invisible War (Video Game) / int_4389e368
type
Actionized Sequel